A history of the origins and development of forensic science in murder investigations in early twentieth-century England. Crime scene investigation—or CSI—has captured the modern imagination. On television screens and in newspapers, we follow the exploits of forensic officers wearing protective suits and working behind police tape to identify and secure physical evidence for laboratory analysis. But where did this ensemble of investigative specialists and scientific techniques come from? In Murder and the Making of English CSI, Ian Burney and Neil Pemberton tell the engrossing history of how, in the first half of the twentieth century, novel routines, regulations, and techniques—from chain-of-custody procedures to the analysis of hair, blood, and fiber—fundamentally transformed the processing of murder scenes. Focusing on two iconic English investigations—the 1924 case of Emily Kaye, who was beaten and dismembered by her lover at a lonely beachfront holiday cottage, and the 1953 investigation into John Christie’s serial murders in his dingy terraced home in London’s West End—Burney and Pemberton chart the emergence of the crime scene as a new space of forensic activity. Drawing on fascinating source material ranging from how-to investigator handbooks and detective novels to crime journalism, police case reports, and courtroom transcripts, the book shows readers how, over time, the focus of murder inquiries shifted from a primarily medical and autopsy-based interest in the victim’s body to one dominated by laboratory technicians laboring over minute trace evidence. Murder and the Making of English CSI reveals the compelling and untold story of how one of the most iconic features of our present-day forensic landscape came into being. It is a must-read for forensic scientists, historians, and true crime devotees alike. “Out of some pretty gruesome parts, Burney and Pemberton have assembled a remarkably elegant account of the making of modern murder investigation. Their analysis combines scholarly sophistication with a clarity of prose that entertains, informs, and surprises. Murder and the Making of English CSI brims with insight about the historical path that led to our forensic present.” —Mario Biagioli, UC Davis School of Law, author of Galileo's Instruments of Credit: Telescopes, Images, Secrecy “This nuanced and fascinating history of English crime scene reconstruction has an uncanny prescience for today’s debates about how to manage crime scene evidence.” —Simon A. Cole, University of California, Irvine, author of Suspect Identities: A History of Fingerprinting and Criminal Identification
Johann Peter Salomon, the celebrated violinist and impresario, made his debut in England in March 1781. History has credited Salomon with bringing Haydn to London, yet as Ian Woodfield reveals in this monograph, Salomon's introduction of the composer to the London musical scene owed as much to luck as to skilful planning. Haydn's engagement in London proved to be a much-needed uplift to Salomon's career which, as Woodfield illustrates, had been on the wane for a number of years. In addition to its reassessment of Salomon's uneven career in London during the 1780s, this book throws light on the general relationship between public and private spheres of professional music-making at the time, and on the relationship between the social and professional attributes required of musicians if they were to be successful. Nowhere are these tensions better illustrated than in the letters and journals of the Burney family, especially those of Susan Burney, which are drawn on in the book to provide a vivid picture of the fiercely competitive musical world of eighteenth-century London.
This book explores the cultural life of Italian opera in late eighteenth-century London. Through primary sources, many analysed for the first time, Ian Woodfield examines such issues as finances, recruitment policy, handling of singers and composers, links with Paris and Italy, and the role of women in opera management.
William Boyce: A Tercentenary Sourcebook and Compendium is published in celebration of the three-hundreth anniversary of the birth in 1711 of England’s leading eighteenth-century composer. It is the first book to be devoted to a musician who more than any of his contemporaries carried the flag in the broadest sense for English music during a period that was inevitably dominated by the towering figure of Handel, who was then resident in London. By the late 19th century, however, Boyce had become generally known only as a composer of anthems and the national song, ‘Hearts of Oak,’ and as the editor of a monumental historical anthology of English anthems, Cathedral Music, which was still in use at that time. The emergent ‘Baroque revival’ led to a gradual broadening of awareness of Boyce from the 1890s onwards. Yet it was only following the initiatives inspired by the bicentenary of his death in 1979 that a significantly wider public appreciation of the quality and range of his achievements came about. Previously neglected works were revived, new recordings made, scholarly articles written, and new editions of his music began to be published. This book brings together diplomatic transcriptions of all the most significant contemporary documents relevant to Boyce’s personal and family life, his career as a composer, editor, theorist, teacher, conductor, Master of the King’s Music, and the reception history of his music. They are accompanied by critical commentaries whenever necessary. The range of sources drawn on includes memoirs, histories, diaries, letters, poems, concert programmes and related press reports, chapel royal, court and parish archives, prefaces to Boyce’s own publications of his music and those edited by others, advertisements for performances of his works and related press reports, details of his subscriptions to musical and literary works, and materials that throw light on his character and professional relationships with the poets, playwrights, churchmen and other musicians with whom he collaborated within the vibrant, burgeoning, and sometimes colourful, English musical culture of his time. The book’s ‘Catalogue of Works’ constitutes the first comprehensive listing of Boyce’s musical output to have been published, and the select, historical ‘Discography’ is the first catalogue of recordings to have been devoted to the composer’s works.
Central to any reappraisal of Southey’s mid to late career, is 'Roderick'. This best-selling epic romance has not been republished since 1838 and is contextualised here within Southey’s wider oeuvre. The four-volume edition also benefits from a general introduction, volume introductions, textual variants, endnotes and a consolidated index.
Cabals and Satires: Mozart's Comic Operas in Vienna is a study of the political context in which Mozart wrote his three most famous Italian comedies, Figaro, Don Giovanni, and Così fan tutte. Joseph II's decision to place his opera buffa troupe in competition with the Singspiel provoked a struggle between the rival national genres, both supported by vociferous cabals. Mozart's deft navigation of the turbulent political waters of this period and the ensuing Austro-Turkish War left him well placed to benefit from the revival of the commercial stage in Vienna--the most enduring musical consequence of the lean war years.
Henry Lawes (1596-1662) has long been acknowledged as the leading English songwriter of the period of Charles I. He collaborated with Milton in Comus (1634) and among his hundreds of songs are settings of many famous lyrics by Cavalier poets such as Carew, Herrick, and Suckling. New recordings and musical editions of his work reflect his continued and increasing importance. This study, the first published since 1940, combines an account of his life with an analysis of his development as a songwriter.
This is the first exploration of the relationship between the abdomen and British society between 1800 and 1950. Miller demonstrates how the framework of ideas established in medicine related to gastric illness often reflected wider social issues including industrialization and the impact of wartime anxiety upon the inner body.
Volume II of this mammoth reference work covers the years in which the League of Nations failed because of the emerging dictatorships in Germany and Italy and the expansionist policies adopted by Japan. Britain was still reeling from the consequences of World War I and the RAF was sadly far behind the other major world powers in aircraft design, still relying on bi-planes that were direct descendants of World War I thinking. It gradually became apparent that, despite UK government dithering, the RAF needed to develop new aircraft, engines and increase production to confront the bully-boy tactics of the Axis powers. As the turn of the decade approached extraordinary measures were taken to enable RAF to defend Britain's skies and this her freedom. As with Volume 1, this book covers every conceivable part of the RAF's history through these pre-War days. It looks at the development and invention of new equipment such as radar, monoplane fighters, metal construction and the heavy bomber. This was an era when science in aviation was rushing ahead and fortunately for Britain's freedom, it laid the foundations of victory in 1.943
The diaries begin with Satow's journey home from his last diplomatic post in China. He travels via Japan, Hawaii, mainland United States and the Atlantic to Liverpool. In 1907 he attends the Second Hague Peace Conference as Britain's second delegate. He settles with some ease into rural life in Devon, keeping busy with local commitments as a magistrate, supporter of missionaries etc. and launching a major new career as a scholar of international law. The Foreword is by Professor Ian Nish of the LSE.
In Casanova, noted author Ian Kelly traces the life of Giacomo Casanova, a man whose very name is synonymous with sensuality, seduction and sexual prowess. But Casanova was more than just a great lover. A businessman, diplomat, spy, and philosopher, he authored more than twenty books, including a translation of The Iliad. Confidant to many infamous characters—including Madame de Pompadour, Voltaire, and Catherine the Great—Casanova was undoubtedly charismatic. But how exactly did he seduce himself into infamy? In this richly drawn portrait, Casanova emerges as very much a product of eighteenth-century Venice. He reveled in its commedia del arte and Kelly posits that his successes as both a libertine and a libertarian grew from his careful study of its artifice and illusion. Food, travel, sex: Casanova’s great passions are timeless ones and Kelly brings to life in full flavor the grandeur of his exploits. He also articulates the fascinating personal philosophy that inspired Casanova’s quest to bed all manner of women. A riveting look at the life of the most legendary lover of all time, this is destined to become the definitive biography of Giacomo Casanova.
The inter-war years between 1918 and 1939 saw the newly created Royal Air Force fighting for its very existence politically, being dispatched to the remotest corners of the British Empire and its Protectorates in various policing roles and then finally engaged in a headlong rush to modernize in the face of the new German Fascist regime that was threatening British and European freedom. Yet this important period in RAF history and its effect on political and military rationale during the period has never been completely documented. This exhaustive and comprehensive reference is the most detailed work to be published on the subject. The author gives full information on the changing structure of the Force during the period, squadron operations, political machinations and their effects, the airplanes and their equipment, the personnel, technical advances in navigation and breakthroughs achieved in engine performance. The book is cross-referenced throughout, extremely well illustrated and contains an abundance of location maps and other diagrams. This book will become a Bible for anyone interested in the history of the RAF.This work has been reviewed by personnel at the RAF Historical Branch who praise it.
Speleothems (mineral deposits that formed in caves) are currently giving us some of the most exciting insights into environments and climates during the Pleistocene ice ages and the subsequent Holocene rise of civilizations. The book applies system science to Quaternary environments in a new and rigorous way and gives holistic explanations the relations between the properties of speleothems and the climatic and cave setting in which they are found. It is designed as the ideal companion to someone embarking on speleothem research and, since the underlying science is very broad, it will also be invaluable to a wide variety of others. Students and professional scientists interested in carbonate rocks, karst hydrogeology, climatology, aqueous geochemistry, carbonate geochemistry and the calibration of climatic proxies will find up-to-date reviews of these topics here. The book will also be valuable to Quaternary scientists who, up to now, have lacked a thorough overview of these important archives. Additional resources for this book can be found at: www.wiley.com/go/fairchild/speleothem.
This book identifies the source of the Colossian error as from within Jewish mystical movements and shows how both the theology and practice which is taught in the epistle is to be understood from this context. The book gives a helpful overview of scholarship that has attempted to identify the nature and source of the Colossian error. The book, unlike many others on the topic, is exegetically driven, and will model thorough and careful exegetical practice. The book interacts with extra-Biblical texts which help the reader to understand the mystical contexts of first century Judaism.
The authors trace the developments that have led to prison over-crowding before proposing a possible solution to the problem. They compare the British approach to the way that US & European countries handle these issues.
Music of the Raj is a study of musical life in late eighteenth-century Anglo-Indian society, based on the unpublished correspondence of an extended network of families. The writers of these letters - amateurs with a passionate commitment to the art of music - provide a perceptive commentary on many of the major issues of the day: the stylistic change from Baroque to Galant, the replacement of the harpsichord with the pianoforte, the establishment of the musical canon, and the growing economic and cultural influence of women musicians. Among the topics discussed are the transport, tuning and maintenance of instruments, the relationship between amateur pupil and professional teacher, the conduct of the domestic musical soirée, the role of glee singing in courtship, and the musical education of children. An account is also given of the growth of an expatriate musical culture among the European inhabitants of early colonial Calcutta, and the musical tastes of major Anglo-Indian figures such as Robert Clive, Warren Hastings, and Sir William Jones are assessed. English attitudes to Indian music is an important theme, especially as manifested in the fashion for the Hindostannie airs, transcriptions of Indian melodies in European musical language. The study concludes with an examination of the musical lives of wealthy nabobs back in England, where they immersed themselves in Indian musical culture, taking the Grand Tour, supporting opera at the Kings Theatre, and employing fashionable Italian teachers for their children.
Since the beginning of critical scholarship biblical texts have been dated using linguistic evidence. Until now there has been no introduction to and comprehensive overview of the field. Volume 2 of Linguistic Dating of Biblical Texts contains an extensive overview of dates attributed to different books and corpora of the Hebrew Bible in modern scholarship, demonstrating the lack of consensus on the dating of biblical texts. A synthesis of the main arguments of the work is presented, drawing also on many points from volume 1, followed by 50 pages of case studies, a list of linguistic features attributed to LBH in earlier research, a bibliography of 70 pages and several indexes.
This book is about the philosophy of de-extinction. To make an extinct species ‘de-extinct’ is to resurrect it by creating new organisms of the same, or similar, appearance and genetics. The book describes current attempts to resurrect three species, the aurochs, woolly mammoth and passenger pigeon. It then investigates two major philosophical questions such projects throw up. These are the Authenticity Question—‘will the products of de-extinction be authentic members of the original species?’—and the Ethical Question—‘is de-extinction something that should be done?' The book surveys and critically evaluates a raft of arguments for and against the authenticity or de-extinct organisms, and for and against the ethical legitimacy of de-extinction. It concludes, first, that authentic de-extinctions are actually possible, and second, that de-extinction can potentially be ethically legitimate, especially when deployed as part of a ‘freeze now and resurrect later’ conservation strategy.
If people turn to look at you in the street, you are not well dressed, but either too stiff, too tight, or too fashionable." -- Beau Brummell Long before tabloids and television, Beau Brummell was the first person famous for being famous, the male socialite of his time, the first metrosexual -- 200 years before the word was conceived. His name has become synonymous with wit, profligacy, fine tailoring, and fashion. A style pundit, Brummell was singly responsible for changing forever the way men dress -- inventing, in effect, the suit. Brummell cut a dramatic swath through British society, from his early years as a favorite of the Prince of Wales and an arbiter of taste in the Age of Elegance, to his precipitous fall into poverty, incarceration, and madness. Brummell created the blueprint for celebrity crash and burn, falling dramatically out of favor and spending his last years in a hellish asylum. For nearly two decades, Brummell ruled over the tastes and pursuits of the well heeled and influential, and for almost as long, lived in penury and exile. With vivid prose, critically acclaimed biographer Ian Kelly unlocks the glittering, turbulent world of late-eighteenth/early-nineteenth-century London -- the first truly modern metropolis: venal, fashion-and-celebrity obsessed, self-centered and self-doubting -- through the life of one of its greatest heroes and most tragic victims. Brummell personified London's West End, where a new style of masculinity and modern men's fashion were first defined. Brummell was the leading Casanova and elusive bachelor of his time, appealing to both men and women of his society. The man Lord Byron once claimed was more important than Napoleon, Brummell was the ultimate cosmopolitan man. "Toyboy" to Georgiana, Duchess of Devonshire, and leader of playboys including the eventual king of England, Brummell inspired Pushkin to write Eugene Onegin, and Byron to write Don Juan, and he influenced others from Oscar Wilde to Coco Chanel. Through love letters, historical records, and poems, Kelly reveals the man inside the suit, unlocking the scandalous behavior of London's high society while illuminating Brummell's enigmatic life in the colorful, tumultuous West End. A rare rendering of an era filled with excess, scandal, promiscuity, opulence, and luxury, Beau Brummell is the first comprehensive view of an elegant and ultimately tragic figure whose influence continues to this day.
Robert Bourassa, a pariah after losing power to the separatist Parti Québécois in the 1976 election, emerged a decade later from political exile to lead his party back to power. As he said: "I succeeded my successor." Claude Ryan, formerly the respected publisher of Le Devoir, had led the Quebec Liberal Party and the federalist coalition to a decisive victory in the 1980 referendum on Quebec sovereignty, but the uneasy alliance of Ryan and Pierre Trudeau did not survive the prime minister's unilateral patriation of the Canadian constitution. This contributed to Ryan's defeat in the 1981 Quebec election and to Bourassa's restoration. First published to critical acclaim in 1984, this second edition of From Bourassa to Bourassa brings the story up-to-date, recounting Bourassa's landslide election victory in 1985 and his subsequent role in the Meech Lake Accord and the Canada-U.S. Free Trade Agreement, the two issues that largely defined the decade of the 1980s for Quebec and for Canada.
The mere fact of its having survived from at least the twelfth century (some claimed for it an earlier, Saxon pedigree) lent the inquest the trappings of an exemplary embodiment of the 'genius of English reform.'"--from Bodies of Evidence
Derived from the parent Guide to Literature in English, this volume offers in concise form over 4,000 entries on literature in English from cultures throughout the world. Writers and major works from the UK and the USA are represented, as are those from Canada, the Caribbean, Australia, India, and Africa. The coverage is broad - from the classics of English literature to the best of modern writing. Additionally, the Guide has a wealth of entries on literary movements, groups or schools in literature and criticism, literary magazines, genres and sub-genres, critical concepts, and rhetorical terms.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.