Ian Bogost's Books

How to Talk about Videogames

By: Ian Bogost

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Videogames! Aren’t they the medium of the twenty-first century? The new cinema? The apotheosis of art and entertainment, the realization of Wagnerian gesamtkunstwerk? The final victory of interaction over passivity? No, probably not. Games are part art and part appliance, part tableau and part toaster. In How to Talk about Videogames, leading critic Ian Bogost explores this paradox more thoroughly than any other author to date. Delving into popular, familiar games like Flappy Bird, Mirror’s Edge, Mario Kart, Scribblenauts, Ms. Pac-Man, FarmVille, Candy Crush Saga, Bully, Medal of Honor, Madden NFL, and more, Bogost posits that videogames are as much like appliances as they are like art and media. We don’t watch or read games like we do films and novels and paintings, nor do we perform them like we might dance or play football or Frisbee. Rather, we do something in-between with games. Games are devices we operate, so game critique is both serious cultural currency and self-parody. It is about figuring out what it means that a game works the way it does and then treating the way it works as if it were reasonable, when we know it isn’t. Noting that the term games criticism once struck him as preposterous, Bogost observes that the idea, taken too seriously, risks balkanizing games writing from the rest of culture, severing it from the “rivers and fields” that sustain it. As essential as it is, he calls for its pursuit to unfold in this spirit: “God save us from a future of games critics, gnawing on scraps like the zombies that fester in our objects of study.”

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200

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U of Minnesota Press

Published Date

ISBN 10

1452949875

ISBN 13

9781452949871

Unit Operations

An Approach to Videogame Criticism

By: Ian Bogost

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Unit Operations

An Approach to Videogame Criticism

By: Ian Bogost

In Unit Operations, Ian Bogost argues that similar principles underlie both literary theory and computation, proposing a literary-technical theory that can be used to analyze particular videogames. Moreover, this approach can be applied beyond videogames: Bogost suggests that any medium—from videogames to poetry, literature, cinema, or art—can be read as a configurative system of discrete, interlocking units of meaning, and he illustrates this method of analysis with examples from all these fields. The marriage of literary theory and information technology, he argues, will help humanists take technology more seriously and hep technologists better understand software and videogames as cultural artifacts. This approach is especially useful for the comparative analysis of digital and nondigital artifacts and allows scholars from other fields who are interested in studying videogames to avoid the esoteric isolation of "game studies." The richness of Bogost's comparative approach can be seen in his discussions of works by such philosophers and theorists as Plato, Badiou, Zizek, and McLuhan, and in his analysis of numerous videogames including Pong, Half-Life, and Star Wars Galaxies. Bogost draws on object technology and complex adaptive systems theory for his method of unit analysis, underscoring the configurative aspects of a wide variety of human processes. His extended analysis of freedom in large virtual spaces examines Grand Theft Auto 3, The Legend of Zelda, Flaubert's Madame Bovary, and Joyce's Ulysses. In Unit Operations, Bogost not only offers a new methodology for videogame criticism but argues for the possibility of real collaboration between the humanities and information technology.

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261

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MIT Press

Published Date

ISBN 10

0262261898

ISBN 13

9780262261890

Play Anything

The Pleasure of Limits, the Uses of Boredom, and the Secret of Games

By: Ian Bogost

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Play Anything

The Pleasure of Limits, the Uses of Boredom, and the Secret of Games

By: Ian Bogost

How filling life with play-whether soccer or lawn mowing, counting sheep or tossing Angry Birds -- forges a new path for creativity and joy in our impatient age Life is boring: filled with meetings and traffic, errands and emails. Nothing we'd ever call fun. But what if we've gotten fun wrong? In Play Anything, visionary game designer and philosopher Ian Bogost shows how we can overcome our daily anxiety; transforming the boring, ordinary world around us into one of endless, playful possibilities. The key to this playful mindset lies in discovering the secret truth of fun and games. Play Anything, reveals that games appeal to us not because they are fun, but because they set limitations. Soccer wouldn't be soccer if it wasn't composed of two teams of eleven players using only their feet, heads, and torsos to get a ball into a goal; Tetris wouldn't be Tetris without falling pieces in characteristic shapes. Such rules seem needless, arbitrary, and difficult. Yet it is the limitations that make games enjoyable, just like it's the hard things in life that give it meaning. Play is what happens when we accept these limitations, narrow our focus, and, consequently, have fun. Which is also how to live a good life. Manipulating a soccer ball into a goal is no different than treating ordinary circumstances- like grocery shopping, lawn mowing, and making PowerPoints-as sources for meaning and joy. We can "play anything" by filling our days with attention and discipline, devotion and love for the world as it really is, beyond our desires and fears. Ranging from Internet culture to moral philosophy, ancient poetry to modern consumerism, Bogost shows us how today's chaotic world can only be tamed-and enjoyed-when we first impose boundaries on ourselves.

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290

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Basic Books

Published Date

ISBN 10

0465096506

ISBN 13

9780465096503

Persuasive Games

The Expressive Power of Videogames

By: Ian Bogost

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Persuasive Games

The Expressive Power of Videogames

By: Ian Bogost

An exploration of the way videogames mount arguments and make expressive statements about the world that analyzes their unique persuasive power in terms of their computational properties. Videogames are an expressive medium, and a persuasive medium; they represent how real and imagined systems work, and they invite players to interact with those systems and form judgments about them. In this innovative analysis, Ian Bogost examines the way videogames mount arguments and influence players. Drawing on the 2,500-year history of rhetoric, the study of persuasive expression, Bogost analyzes rhetoric's unique function in software in general and videogames in particular. The field of media studies already analyzes visual rhetoric, the art of using imagery and visual representation persuasively. Bogost argues that videogames, thanks to their basic representational mode of procedurality (rule-based representations and interactions), open a new domain for persuasion; they realize a new form of rhetoric. Bogost calls this new form "procedural rhetoric," a type of rhetoric tied to the core affordances of computers: running processes and executing rule-based symbolic manipulation. He argues further that videogames have a unique persuasive power that goes beyond other forms of computational persuasion. Not only can videogames support existing social and cultural positions, but they can also disrupt and change these positions themselves, leading to potentially significant long-term social change. Bogost looks at three areas in which videogame persuasion has already taken form and shows considerable potential: politics, advertising, and learning.

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463

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MIT Press

Published Date

ISBN 10

0262261944

ISBN 13

9780262261944

How to Do Things with Videogames

By: Ian Bogost

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How to Do Things with Videogames

By: Ian Bogost

In recent years, computer games have moved from the margins of popular culture to its center. Reviews of new games and profiles of game designers now regularly appear in the New York Times and the New Yorker, and sales figures for games are reported alongside those of books, music, and movies. They are increasingly used for purposes other than entertainment, yet debates about videogames still fork along one of two paths: accusations of debasement through violence and isolation or defensive paeans to their potential as serious cultural works. In How to Do Things with Videogames, Ian Bogost contends that such generalizations obscure the limitless possibilities offered by the medium’s ability to create complex simulated realities. Bogost, a leading scholar of videogames and an award-winning game designer, explores the many ways computer games are used today: documenting important historical and cultural events; educating both children and adults; promoting commercial products; and serving as platforms for art, pornography, exercise, relaxation, pranks, and politics. Examining these applications in a series of short, inviting, and provocative essays, he argues that together they make the medium broader, richer, and more relevant to a wider audience. Bogost concludes that as videogames become ever more enmeshed with contemporary life, the idea of gamers as social identities will become obsolete, giving rise to gaming by the masses. But until games are understood to have valid applications across the cultural spectrum, their true potential will remain unrealized. How to Do Things with Videogames offers a fresh starting point to more fully consider games’ progress today and promise for the future.

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194

Publisher

U of Minnesota Press

Published Date

ISBN 10

145293312X

ISBN 13

9781452933122

A Slow Year

Game Poems

By: Ian Bogost

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A Slow Year

Game Poems

By: Ian Bogost

A collection of four one kilobyte games for the Atari Video Computer System, one for each seasosn, about the experience of observing things. Neither action nor strategy, each game requires a different kind of sedate observation and methodical iput. Accompanying the game are essays about the commonalities between videogames and poetry and 1,024 machined haiku--poetry generated by computer--9 bits worth for each season."--Unedited summary from back cover.

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139

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ISBN 10

1933900164

ISBN 13

9781933900162

10 PRINT CHR$(205.5+RND(1)); : GOTO 10

By: Nick Montfort,Patsy Baudoin,John Bell,Ian Bogost,Jeremy Douglass

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10 PRINT CHR$(205.5+RND(1)); : GOTO 10

By: Nick Montfort,Patsy Baudoin,John Bell,Ian Bogost,Jeremy Douglass

A single line of code offers a way to understand the cultural context of computing. This book takes a single line of code—the extremely concise BASIC program for the Commodore 64 inscribed in the title—and uses it as a lens through which to consider the phenomenon of creative computing and the way computer programs exist in culture. The authors of this collaboratively written book treat code not as merely functional but as a text—in the case of 10 PRINT, a text that appeared in many different printed sources—that yields a story about its making, its purpose, its assumptions, and more. They consider randomness and regularity in computing and art, the maze in culture, the popular BASIC programming language, and the highly influential Commodore 64 computer.

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323

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MIT Press

Published Date

ISBN 10

0262526743

ISBN 13

9780262526746

The Geek's Chihuahua

Living with Apple

By: Ian Bogost

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The Geek's Chihuahua

Living with Apple

By: Ian Bogost

At dinnertime: check. At a traffic light: check. In bed at the end of the day: check. In line at the coffee shop: check. In The Geek’s Chihuahua, Ian Bogost addresses the modern love affair of “living with Apple” during the height of the company’s market influence and technology dominance. The ubiquitous iPhone and its kin saturate our lives, changing everything from our communication to our posture. Bogost contrasts the values of Apple’s massive success in the twenty-first century with those of its rise in the twentieth. And he connects living with Apple with the phenomenon of “hyperemployment”—the constant overwork of today’s technological life that all of us now experience. Bogost also reflects on the new potential function—as well as anxiety and anguish—of devices like the Apple Watch. We are tethered to our devices, and, as Bogost says: that’s just life—anxious, overworked, and utterly networked life. Forerunners: Ideas First is a thought-in-process series of breakthrough digital publications. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.

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U of Minnesota Press

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ISBN 10

1452949700

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9781452949703

Newsgames

Journalism at Play

By: Ian Bogost,Simon Ferrari,Bobby Schweizer

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Newsgames

Journalism at Play

By: Ian Bogost,Simon Ferrari,Bobby Schweizer

How videogames offer a new way to do journalism. Journalism has embraced digital media in its struggle to survive. But most online journalism just translates existing practices to the Web: stories are written and edited as they are for print; video and audio features are produced as they would be for television and radio. The authors of Newsgames propose a new way of doing good journalism: videogames. Videogames are native to computers rather than a digitized form of prior media. Games simulate how things work by constructing interactive models; journalism as game involves more than just revisiting old forms of news production. Wired magazine's game Cutthroat Capitalism, for example, explains the economics of Somali piracy by putting the player in command of a pirate ship, offering choices for hostage negotiation strategies. Videogames do not offer a panacea for the ills of contemporary news organizations. But if the industry embraces them as a viable method of doing journalism—not just an occasional treat for online readers—newsgames can make a valuable contribution.

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244

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MIT Press

Published Date

ISBN 10

0262289083

ISBN 13

9780262289085

Play Anything

The Pleasure of Limits, the Uses of Boredom, and the Secret of Games

By: Ian Bogost

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Play Anything

The Pleasure of Limits, the Uses of Boredom, and the Secret of Games

By: Ian Bogost

An essential read for those seeking to understand how a new idea of play can be positive for our lives." u- Library Journal (STARRED review) /u Play Anything is a profound book: both a striking assessment of our current cultural landscape, and at the same time a smart self-improvement guide, teaching us the virtues of a life lived playfully." u- Steven Johnson, author of How We Got To Now and Everything Bad Is Good For You /u

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290

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ISBN 10

0465051723

ISBN 13

9780465051724

Racing the Beam

The Atari Video Computer System

By: Nick Montfort,Ian Bogost

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Racing the Beam

The Atari Video Computer System

By: Nick Montfort,Ian Bogost

A study of the relationship between platform and creative expression in the Atari VCS, the gaming system for popular games like Pac-Man and Star Wars: The Empire Strikes Back. The Atari Video Computer System dominated the home video game market so completely that “Atari” became the generic term for a video game console. The Atari VCS was affordable and offered the flexibility of changeable cartridges. Nearly a thousand of these were created, the most significant of which established new techniques, mechanics, and even entire genres. This book offers a detailed and accessible study of this influential video game console from both computational and cultural perspectives. Studies of digital media have rarely investigated platforms—the systems underlying computing. This book, the first in a series of Platform Studies, does so, developing a critical approach that examines the relationship between platforms and creative expression. Nick Montfort and Ian Bogost discuss the Atari VCS itself and examine in detail six game cartridges: Combat, Adventure, Pac-Man, Yars' Revenge, Pitfall!, and Star Wars: The Empire Strikes Back. They describe the technical constraints and affordances of the system and track developments in programming, gameplay, interface, and aesthetics. Adventure, for example, was the first game to represent a virtual space larger than the screen (anticipating the boundless virtual spaces of such later games as World of Warcraft and Grand Theft Auto), by allowing the player to walk off one side into another space; and Star Wars: The Empire Strikes Back was an early instance of interaction between media properties and video games. Montfort and Bogost show that the Atari VCS—often considered merely a retro fetish object—is an essential part of the history of video games.

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193

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MIT Press

Published Date

ISBN 10

0262539764

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9780262539760

Unit Operations

An Approach to Videogame Criticism

By: Ian Bogost

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Unit Operations

An Approach to Videogame Criticism

By: Ian Bogost

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261

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MIT Press

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ISBN 10

0262261898

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9780262261890

Persuasive Games

The Expressive Power of Videogames

By: Ian Bogost

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Persuasive Games

The Expressive Power of Videogames

By: Ian Bogost

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463

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MIT Press

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ISBN 10

0262261944

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9780262261944

Alien Phenomenology, Or, What It's Like to be a Thing

By: Ian Bogost

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Alien Phenomenology, Or, What It's Like to be a Thing

By: Ian Bogost

Examines the author's idea of object-oriented philosophy, wherein things, and how they interact with one another, are the center of philosophical interest.

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186

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U of Minnesota Press

Published Date

ISBN 10

0816678979

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9780816678976

The Soul of Anime

Collaborative Creativity and Japan's Media Success Story

By: Ian Condry

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The Soul of Anime

Collaborative Creativity and Japan's Media Success Story

By: Ian Condry

In The Soul of Anime, Ian Condry explores the emergence of anime, Japanese animated film and television, as a global cultural phenomenon. Drawing on ethnographic research, including interviews with artists at some of Tokyo's leading animation studios—such as Madhouse, Gonzo, Aniplex, and Studio Ghibli—Condry discusses how anime's fictional characters and worlds become platforms for collaborative creativity. He argues that the global success of Japanese animation has grown out of a collective social energy that operates across industries—including those that produce film, television, manga (comic books), and toys and other licensed merchandise—and connects fans to the creators of anime. For Condry, this collective social energy is the soul of anime.

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386

Publisher

Duke University Press

Published Date

ISBN 10

0822397552

ISBN 13

9780822397557

Newsgames

Journalism at Play

By: Ian Bogost,Simon Ferrari,Bobby Schweizer

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Newsgames

Journalism at Play

By: Ian Bogost,Simon Ferrari,Bobby Schweizer

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244

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MIT Press

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0262289083

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9780262289085

Arnheim, Gestalt and Media

An Ontological Theory

By: Ian Verstegen

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Arnheim, Gestalt and Media

An Ontological Theory

By: Ian Verstegen

This monograph presents a synthesis and reconstruction of Rudolf Arnheim’s theory of media. Combining both Arnheim’s well-known writings on film and radio with his later work on the psychology of art, the author presents a coherent approach to the problem of the nature of a medium, space and time, and the differentia between different media. The latent ontological commitments of Arnheim’s theories is drawn out by affirming Arnheim’s membership in the Brentano school of Austrian philosophy, which allows his theories to be clarified and strengthened, particularly with the metaphysical writings of Roman Ingarden. The resulting theory is relational, portraying essential medial differences with neutral criteria and allowing for a rigorous definition of a medium. The way in which a medium is based on the inherent dispositions of medial materials creates a highly appealing theory that is determinate without being deterministic. The theory is thus highly timely as people in media studies seek to address the determinate nature of media after the post-medium condition. The book will appeal to researchers and graduate students in cultural and media studies as well as architecture and design.

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144

Publisher

Springer

Published Date

ISBN 10

3030029700

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9783030029708

Following the Ticker

The Political Origins and Consequences of Stock Market Perceptions

By: Ian G. Anson

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Following the Ticker

The Political Origins and Consequences of Stock Market Perceptions

By: Ian G. Anson

Drawing on a wide variety of empirical methodologies, including large-scale survey analysis, survey experiments, and content analyses, Following the Ticker explores the complex relationship between stock market performance and political judgments through distinctive patterns of coverage in American news media. Building an eclectic theory that explores the interplay between media agenda-setting and partisan motivated reasoning, author Ian G. Anson helps to explain why the stock market increasingly occupies the minds of Americans when they evaluate the performance of incumbent presidents. In doing so, Following the Ticker contributes to a growing literature exploring the links between public opinion and economic inequality in American society. Because "the stock market is not the economy," the increasing salience of the stock market as a source of political judgments reflects a worrying development for classic models of democratic accountability.

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229

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State University of New York Press

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ISBN 10

1438492316

ISBN 13

9781438492315

Wageless Life

A Manifesto for a Future beyond Capitalism

By: Ian G. R. Shaw,Marv Waterstone

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Wageless Life

A Manifesto for a Future beyond Capitalism

By: Ian G. R. Shaw,Marv Waterstone

Drawing up alternate ways to “make a living” beyond capitalism To live in this world is to be conditioned by capital. Once paired with Western democracy, unfettered capitalism has led to a shrinking economic system that squeezes out billions of people—creating a planet of surplus populations. Wageless Life is a manifesto for building a future beyond the toxic failures of late-stage capitalism. Daring to imagine new social relations, new modes of economic existence, and new collective worlds, the authors provide skills and tools for perceiving—and living in— a post-capitalist future. Forerunners: Ideas First Short books of thought-in-process scholarship, where intense analysis, questioning, and speculation take the lead

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162

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U of Minnesota Press

Published Date

ISBN 10

1452963479

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9781452963471

Racing the Beam

The Atari Video Computer System

By: Nick Montfort,Ian Bogost

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Racing the Beam

The Atari Video Computer System

By: Nick Montfort,Ian Bogost

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193

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MIT Press

Published Date

ISBN 10

0262539764

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9780262539760

10 PRINT CHR$(205.5+RND(1)); : GOTO 10

By: Nick Montfort,Patsy Baudoin,John Bell,Ian Bogost,Jeremy Douglass

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10 PRINT CHR$(205.5+RND(1)); : GOTO 10

By: Nick Montfort,Patsy Baudoin,John Bell,Ian Bogost,Jeremy Douglass

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323

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MIT Press

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ISBN 10

0262526743

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9780262526746

Sock

By: Kim Adrian

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Sock

By: Kim Adrian

A funny, lyrical, illuminating book on the rich and little known history of the humble sock, its various incarnations throughout the world, and on what socks teach us about the frailty and awkwardness of the human body"--

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131

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ISBN 10

1501315099

ISBN 13

9781501315091

Hood

By: Alison Kinney

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Hood

By: Alison Kinney

A popular, personal, historical take on a singular garment and its myriad associations with death, violence, and identity"--

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163

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ISBN 10

1501307436

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9781501307430

Veil

By: Rafia Zakaria

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Veil

By: Rafia Zakaria

The veil can be an instrument of feminist empowerment, and veiled anonymity can confer power to women. Starting from her own marriage ceremony at which she first wore a full veil, Rafia Zakaria examines how veils do more than they get credit for. Part memoir and part philosophical investigation, Veil questions that what is seen is always good and free, and that what is veiled can only signal servility and subterfuge. From personal encounters with the veil in France (where it is banned) to Iran (where it is compulsory), Zakaria shows how the garment's reputation as a pre-modern relic is fraught and up for grabs. The veil is an object in constant transformation, whose myriad meanings challenge the absolute truths of patriarchy."--Publisher description.

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120

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150132280X

ISBN 13

9781501322808

High Heel

By: Summer Brennan

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High Heel

By: Summer Brennan

High Heel is a dive into the labyrinthine nature of modern womanhood and sexual politics, with the world's most provocative fashion accessory as its point of entry"--$$c Provided by publisher.

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170

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ISBN 10

1501326023

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9781501326028

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