Richly illustrated with Charles Heaphy's remarkable paintings and drawings as well as photographs and maps from the period, this engaging work tells the story of Heaphy's life and his art. A draughtsman, explorer, surveyor, gold agent, geologist, soldier, war hero, politician, land commissioner, and judge—even by the versatile standards of Victorian pioneers, Charles Heaphy had an unusually varied career. His biography tells as much about his own life as it does of the settlement of New Zealand. From his earliest surviving watercolor of bird life in 1839 to his last-known sketch, drawn on the back of an envelope in 1879, Charles Heaphy's art represents a remarkable visual diary of life as a settler in New Zealand.
Poetry readings were quite common in Auckland when I was growing up there in the late ?60s and early ?70s. It was possible to take in performances by both old troupers like Allen Curnow and James K Baxter and young tyros like Alan Brunton and Ian Wedde. The desire to strut some stuff of my own kicked in early, but it wasn't until Dave Mitchell set up regular readings at the Globe Hotel in 1981 that I summoned the nerve. Some of the routines gathered here date back to Globe days. Others were performed at the Shakespeare Tavern in the early ?90s. A couple come from 2002: I knocked out Amnesty Day for an event organised by Riemke Ensing and Two Minute Poem for a gala evening arranged by Auckland University Press involving 28 bards limited to 120 seconds apiece. Anyone who's been to a few poetry readings will be aware of the distinction between what works on the page and what works on the stage. Energetic crap delivered with a friendly smile and an attempt at soft shoe shuffle often pleases a crowd better than ingenious stanzas. I know The Splog isn't Paradise Lost. The words of The Ponsonby Strut changed every time I did it. So did the dance steps. I once persuaded a gaggle of cronies to storm the stage of the Globe and play a kazoo version of the Strut with me. I still think this was the definitive rendition. It was Dave's habit at the Globe to open proceedings with a recital from an elderly lady of dubious sanity who read straight from her diary. Her 10-minute mumble gave him some breathing space to order drinks from the bar, greet friends as they arrived and plan the rest of the programme. This sad, lonely woman was usually a bit tedious, recounting indifferent meals fed to her cat and humdrum conversations with her neigbours. But one night she reached the point in her journal when the men in the white coats carried her off to a mental hospital. I guess the diary was either several years old or else she somehow escaped from her confines to read at the Globe. ?I might not be back here for a while,? she told us. Then in a faltering voice, which began as a whisper but soon grew to a potent crescendo, she sang the old Engelbert Humperdinck hit There Goes My Everything. It was simultaneously horrible and terrific -- the best performance poem I've ever heard. In a similar vein, there was another evening at the Globe when Michael O?Leary put paper bags over our heads, we played air guitars and sang -- more or less together -- the John Lennon number I'm a Loser from the Beatles For Sale album. People present told me it was my most convincing performance. The trouble with the Beatles? original is that their obvious musical talent undercut their credibility as losers. O?Leary and I, on the other hand, nailed down loserdom magnificently. You had to be there, though. A lyric sheet won't give you the full story.
The experiences of young people who have spent ten days on voyages with 'The Spirit of Adventure' and 'The Spirit of New Zealand' are recorded and illustrated with colour photographs on each page. The book was published to celebrate the twenty-first anniversary of the founding of the Spirit of Adventure Trust. Appendices give technical details of both vessels, members of the Trust, permanent staff and crew, port contacts, and the volunteer crews from 1990-94.
The author of the “evocative, spine-tingling, and razor-sharp” (Bustle) I’m Thinking of Ending Things that inspired the Netflix original movie and the “short, shocking psychological three-hander” (The Guardian) Foe returns with a new work of philosophical suspense. Penny, an artist, has lived in the same apartment for decades, surrounded by the artifacts and keepsakes of her long life. She is resigned to the mundane rituals of old age, until things start to slip. Before her longtime partner passed away years earlier, provisions were made, unbeknownst to her, for a room in a unique long-term care residence, where Penny finds herself after one too many “incidents.” Initially, surrounded by peers, conversing, eating, sleeping, looking out at the beautiful woods that surround the house, all is well. She even begins to paint again. But as the days start to blur together, Penny—with a growing sense of unrest and distrust—starts to lose her grip on the passage of time and on her place in the world. Is she succumbing to the subtly destructive effects of aging, or is she an unknowing participant in something more unsettling? At once compassionate and uncanny, told in spare, hypnotic prose, Iain Reid’s genre-defying third novel explores questions of conformity, art, productivity, relationships, and what, ultimately, it means to grow old.
By scrutinising the philosophical and theoretical assumptions of proponents of nonviolent political action, for example the role of the state, the rule of law and the nature of social and political power, Ian Atack establishes nonviolence as a credible th
Daniel Weir used to be a famous - not to say infamous - rock star. Maybe still is. At thirty-one he has been both a brilliant failure and a dull success. He's made a lot of mistakes that have paid off and a lot of smart moves he'll regret forever (however long that turns out to be). Daniel Weir has gone from rags to riches and back, and managed to hold onto them both, though not much else. His friends all seem to be dead, fed up with him or just disgusted - and who can blame them? And now Daniel Weir is all alone. As he contemplates his life, Daniel realises he only has two problems: the past and the future. He knows how bad the past has been. But the future - well, the future is something else.
Trevor Griersor, a Scottish university lecturer, is spending a term in Canberra, lecturing on Scottish authors. One day a stranger phones, with garbled news of Trevor's brother Norman who vanished in Australia many years before, and has since, according to the caller, become an alcoholic and been in trouble with the police. Trevor feels overwhelmed with guilt, for having neglected his brother for so long. He imagines him penniless now, a down-and-out, drunk in the gutter; or perhaps even lying in a pauper's grave. He resolves that he must trace him, and travels to Sydney to begin his search. The search takes him to government offices, police stations, the Salvation Army, a squalid doss-house; and his experiences drive him into a state of panic. But why does he feel so compelled to search? As Douglas, that ambiguous Iago-like figure who first phoned him, now says, Norman won't be at all the younger brother of eighteen years ago; he'll be a stranger. If he's an alcoholic, he may be violent. He's unlikely to thank Trevor for seeking to patronise him by 'rescuing' him. Trevor has asked himself - and it's the basic question that faces the reader too - 'Am I my brothers' keeper?' Does he really care about his brother, or is he acting from a sense of duty? This is the novel's crux, and Trevor's cross, which he bears with him to a highly ironical conclusion. It's an absorbing study of conscience and responsibility, written with all of Crichton Smith's quiet authority.
Banks once again demonstrates his extraordinary dark powers of imagination' Sunday Times Hisako Onada, world-famous cellist, refuses to fly. And so she travels to Europe as a passenger on a tanker bound through the Panama Canal. But Panama is a country whose politics are as volatile as the local freedom fighters. When Hisako's ship is captured, it is not long before the atmosphere is as flammable as an oxy-acetylene torch, and the tension as sharp as the spike on the cello... Praise for Iain Banks: 'The most imaginative novelist of his generation' The Times 'His verve and talent will always be recognised, and his work will always find and enthral new readers' Ken MacLeod, Guardian 'His work was mordant, surreal, and fiercely intelligent' Neil Gaiman 'An exceptional wordsmith' Scotsman
Although best-known as one of Scotland's greatest modern poets, Iain Crichton Smith was also prolific as a writer of short stories. These pieces form a central part of his oeuvre, demonstrating the full range and versatility of his literary talent. From humour to tragedy, from inner monologues to extrovert surrealism, the diversity of his writing indicates the extraordinary range of his own reading and mental world. Crichton Smith wrote short stories throughout his life. Some are fragments, others almost novellas, and the best of them all show him to be an author of unique sensitivity and intelligence. These two collections, comprising the complete English stories, include over 45 stories never before published in book form, as well as others that have been out of print for many years, thus making it possible to judge Crichton Smith's achievement as a writer in full. Incorporates stories from The Hermit, Murdo, Mr Trill in Hades and Selected Stories.
Full-length study of the warfare between England and Scotland in the mid fourteenth century. The Second Scottish War of Independence began in 1332, only four years after the previous conflict had ended. Fought once more for the continued freedom of Scotland from English conquest, the war also witnessed a revival of Scottish civil conflict as the Bruce-Balliol fight for the Scottish crown recommenced once more. Breaking out sporadically until peace was agreed in 1357, the Second Scottish War is a conflict that resides still in the shadow of that which preceded it: compared to the wars of William Wallace and Robert Bruce, Edward I and Edward II, this second phase of Anglo-Scottish warfare is neither well-known nor well-understood. This book sets out to examine in detail the military campaigns of this period, to uncover the histories of those who fought in the war, and to analyse the behaviour of combatants from both sides during ongoing periods of both civil war and Anglo-Scottish conflict.It analyses contemporary records and literary evidence in order to reconstruct the history of this conflict and reconsiders current debates regarding: the capabilities of the Scottish military; the nature of contemporary combat; the ambitions and abilities of fourteenth-century military leaders; and the place of chivalry on the medieval battlefield. Dr Iain A. MacInnes is a Lecturer and Programme Leader in Scottish History at the UHI Centre forHistory, University of the Highlands and Islands.
This textbook consists primarily of notes by Iain Finnie who taught a popular course on fracture mechanics at the University of California at Berkeley. It presents a comprehensive and detailed exposition of fracture, the fundamentals of fracture mechanics and procedures for the safe design of engineering components made from metal alloys, brittle materials like glasses and ceramics, and composites. Interesting and practical problems are listed at the end of most chapters to give the student practice in applying the theory. A solutions manual is provided to the instructor. The text presents a unified perspective of fracture with a strong fundamental foundation and practical applications. In addition to its role as a text, this reference would be invaluable for the practicing engineer who is involved in the design and evaluation of components that are fracture critical. This book also: Presents details of derivations of the basic equations of fracture mechanics and the historical context of the development of fracture theory and methodology Treats linear and nonlinear fracture mechanics methodologies beginning with a review of the basic equations of solid mechanics followed by solutions useful in fracture prediction Illustrates the basis of linear elastic fracture mechanics (LEFM), practical applications of LEFM in the design of fracture-tolerant structural components Offers interesting, practical, classroom proven problems at the end of most chapters Includes instructor's solutions manual
Calamadaria is on the brink of war. A war fought for the eternal gods, but one where only mortals will feel the suffering it brings. As the eternal beings vie for supremacy in the heavens they move their pawns below. Plans are made as dark forces gather to the north with a single purpose. Undead legions march alongside evil knights towards the grandest bastion of good hearted men to the south. Elven sages and dwarven kings argue whether it is right to leave their homelands to aid the armies of men. Dragons, long forgotten, have appeared and are adding their uncountable strength to the evil hoards. And a young magic user is told about a long forgotten prophecy, that will plunge himself and his companions into a war no one knows is coming. Will anyone have the strength, courage and faith to fight off the malevolent gods, or will Calamadaria's light fade forever?
This book aims to provide an evidence-based and highly illustrative approach to a comprehensive repertoire of surgical procedures, including: basic principles, resective surgery, regenerative techniques and periodontal/peri-implant plastic surgery. It emphasizes the importance of case selection and planning to successful outcomes and extols the benefits of microsurgical instrumentation. The distinction between periodontal and other forms of oral surgery is made, principally that in periodontal surgery, the contour and quality of the tissues post-operatively is vital to longer-term success and therefore careful soft tissue management is pivotal.
After a successful career in centreboard racing dinghies, Ian Oughtred became one of the leading lights of the British wooden boat revival, designing, building and sailing many remarkable craft. These boats have gained a world-wide reputation for their elegance of line, sound construction and execellent sailing performance. His perfectionist approach may be unbusinesslike, but provides highly refined designs and detailed plans. In this he hopes to encourage a return to a deep appreciation of traditional values of craftsmanship, believing this is the vital part of the true education, and thus helps to nourish the human spirit in an impoverished age.
New adventures for Erimem, former companion of Doctor Who. From her new home in 21st Century London, Erimem is keen to explore the universe now that she has acquired technology that can transport she and her friends through space and time. Curiosity drives them to explore the past, the future and far off distant worlds, discovering new friends and new dangers everywhere they go... INTO THE UNKNOWN. A collection of short stories by a mixture of experienced and first-time authors including Jim Mortimore, Ian Farrington, Claire Bartlett, Kaitlin Moore, Iain McLaughlin and Julianne Todd.
The subject of sparse matrices has its root in such diverse fields as management science, power systems analysis, surveying, circuit theory, and structural analysis. Efficient use of sparsity is a key to solving large problems in many fields. This book provides both insight and answers for those attempting to solve these problems.
Multiple Choice Questions in Plastic Surgery provides over 400 questions, answers and explanations covering the breadth of plastic and reconstructive surgery including burns. The expansive array of questions with detailed explanations and references will provide a solid foundation for those preparing for final specialty examinations such as the American Boards, the FRCS (Plast), EBOPRAS, MCh and others. The questions are drawn from international experts and are up-to-date with the latest concepts and techniques, including face transplantation, new trends in reconstructive and aesthetic surgery, and recent scientific advances. It will therefore appeal to those interested in plastic surgery education globally. In particular, it will help plastic surgeons to keep up-to-date in the specialty, and demonstrate this through continuing medical education (CME) and for processes of revalidation.
A string of high profile law suits has drawn attention to a rapidly developing and controversial branch of media law – the use of privacy injunctions to restrain publication of information relating to the private lives of individuals. The purpose of this book is to set out the law relating to privacy injunctions, and best practice in relation to seeking or opposing this form of relief. Such best practice is targeted not just at litigators. This book is aimed also at journalists who are the watchdogs of the freedoms of our society, and other organs of the media. The text is broken down into easily manageable sections, with numerous check-lists and quality control protocols. Applications in the Queen's Bench Division (including personal injury), Family Division (including the President's "Media guidance†? and "Reporting Restriction Orders†?) and "harassment†? are covered, together with a "journalists' check-list†?. The book reflects the agenda (included in the foreword to the book) set by Lord Neuberger's Report of 2011 ("Report of the Committee on Super-Injunctions†?).
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