From the author of the international best seller An Instance of the Fingerpost, Arcadia is an astonishing work of imagination. In Cold War England, Professor Henry Lytten, having renounced a career in espionage, is writing a fantasy novel that dares to imagine a world less fraught than his own. He finds an unlikely confidante in Rosie, an inquisitive young neighbor who, while chasing after Lytten's cat one day, stumbles through a doorway in his cellar and into a stunning and unfamiliar bucolic landscape—remarkably like the fantasy world Lytten is writing about. There she meets a young boy named Jay who is about to embark on a journey that will change both their lives. Elsewhere, in a distopian society where progress is controlled by a corrupt ruling elite, the brilliant scientist Angela Meerson has discovered the potential of a powerful new machine. When the authorities come knocking, she will make an important decision—one that will reverberate through all these different lives and worlds.
After the dazzling achievement of his bestsellers An Instance of the Fingerpost (“May well be the best historical mystery ever written.” —The Boston Globe) and The Dream of Scipio (“A virtuoso display of craftsmanship.” —Maclean’s), Iain Pears returns with a stunning novel of suspense and revenge. An influential art critic in the early years of the twentieth century journeys from London to the remote island of Houat, off France’s northwest coast, to sit for a portrait painted by an old friend, a gifted, once acclaimed artist living in self-imposed exile. Over the course of the sitting, the painter recalls their years of friendship, the double-edged gift of the critic’s patronage, the power he wielded over aspiring artists, and his apparent callousness in anointing the careers of some and devastating the lives of others. The balance of power between the two men shifts dramatically—and ominously—as the critic becomes a passive subject; and as the painter slowly captures the character of the man on canvas, we discover why he left London suddenly and mysteriously at the height of his success and why now, with dark determination, he has taken on this unusual commission. Set against the dramatic, untamed landscape of Brittany, during one of the most explosive periods in art history, The Portrait is rich with atmosphere and suggestion, and psychological complexity. With the marvellous detail of a miniature, it brings to the fore the great artistic figures of the late nineteenth century, and their ambitions and desires. And it is a novel you will want to begin again immediately after turning the last chilling page, to read once more with a watchful eye and appreciate the hand of an ingenious storyteller at work.
From internationally bestselling author Iain Pears comes the seventh in his Jonathan Argyll series -- an intriguing mystery of love, loss, and artistic license. For newlywed and Italian art theft squad head Flavia di Stefano, the honeymoon is over when a painting, borrowed from the Louvre and en route to a celebratory exhibition, is stolen. Desperate to avoid public embarrassment -- and to avoid paying a ransom -- the Italian prime minister leans hard on Flavia to get it back quickly and quietly. Across town, her husband, art historian Jonathan Argyll, begins an investigation of his own, tracing the past of a small Renaissance painting -- an Immaculate Conception -- owned by Flavia's mentor, retired general Taddeo Bottando. Soon both husband and wife uncover astonishing and chilling secrets, and Flavia's investigation takes a sudden turn from the search for an art thief to the hunt for a murderer.
Three narratives, set in the fifth, fourteenth, and twentieth centuries, all revolving around an ancient text and each with a love story at its centre, are the elements of this brilliantly ingenious novel, a follow-up to the international bestseller An Instance of the Fingerpost. The centuries are the 5th (the final days of the Roman Empire); the 14th (the years of the Plague — the Black Death); and the 20th (World War II). The setting for each is the same — Provence — and each has at its heart a love story. The narratives intertwine seamlessly, and what joins them thematically is an ancient text — “The Dream of Scipio” — a work of neo-Platonism that poses timeless philosophical questions. What is the obligation of the individual in a society under siege? What is the role of learning when civilization itself is threatened, whether by acts of man or nature? Does virtue lie more in engagement or in neutrality? “Power without wisdom is tyranny; wisdom without power is pointless,” warns one of Pears’s characters. The Dream of Scipio is a bona fide novel of ideas, a dazzling feat of storytelling, fiction for our times.
A tour de force in the tradition of Iain Pears’ international bestseller, An Instance of the Fingerpost, Stone’s Fall weaves a story of love and high finance into the fabric of a page-turning thriller. A novel to stand alongside Atonement and The Remains of the Day. A panoramic novel with a riveting mystery at its heart, Stone’s Fall is a quest, a love story, and a tale of murder—richly satisfying and completely engaging on many levels. It centres on the career of a very wealthy financier and the mysterious circumstances of his death, cast against the backdrop of WWI and Europe’ s first great age of espionage, the evolution of high-stakes international finance and the beginning of the twentieth century’s arms race. Stone’s Fall is a major return to the thriller form that first launched Iain Pears onto bestseller lists around the world and that earned him acclaim as a mesmerizing storyteller.
Witty Italian art-history crime series featuring English dealer Jonathan Argyll, from the author of the best-selling literary masterpiece, ‘An Instance of the Fingerpost’.
General Taddeo Bottando of Rome's Art Theft Squad thinks that a single master criminal, dubbed "Giotto, " is behind more than two dozen thefts of unphotographed art.
Tale of vengeance set in an island of the coast of Brittany. A painter, Henry MacAlpine, paints a portrait of an art critic. The book is a monologue by the painter during the painting process, revealing past lives, loves and grudges.
This is the first novel in Iain Pears's acclaimed art crime series, introducing General Bottando and Flavia di Stefano of the Italian National Art Theft Squad. It has an evocative Italian setting and an authentic art historical background.
In national bestseller The Dream of Scipio, acclaimed author Iain Pears intertwines three intellectual mysteries, three love stories, and three of the darkest moments in human history. United by a classical text called "The Dream of Scipio," three men struggle to find refuge for their hearts and minds from the madness that surrounds them in the final days of the Roman Empire, in the grim years of the Black Death, and in the direst hours of World War II. An ALA Booklist Editors' Choice. Iain Pears's An Instance of the Fingerpost and The Portrait are also available from Riverhead Books.
A New Statesman Book of the Year London. A city apart. Inimitable. Or so it once seemed. Spiralling from the outer limits of the Overground to the pinnacle of the Shard, Iain Sinclair encounters a metropolis stretched beyond recognition. The vestiges of secret tunnels, the ghosts of saints and lost poets lie buried by developments, the cycling revolution and Brexit. An electrifying final odyssey, The Last London is an unforgettable vision of the Big Smoke before it disappears into the air of memory.
Rupert Thomson's innovative and unsettling writing ranges from dystopian alternative futures to meditations on crime and cultural memory, and from historical fictions to explorations of contemporary gender violence. The essays in this collection argue that Thomson's novels and memoir are compelling case-studies in late twentieth and early twenty-first-century literature, which engage with contemporary cultural and political preoccupations through persistently off-beat and often experimental literary forms, and trouble stable definitions of genre in the process. With chapters focusing on borders, panopticism, haunting, child sexual abuse, shame, atmosphere and intertextuality, this collection offers a critical introduction to an author whose work has been overlooked by the academy for too long.
Detailed wilderness treks, volcano climbs, and tours of the Mayan ruins are profiled in this lively guide of Guatemala. 38 maps. 24-page full-color section.
Habitats of Australasia (Australia, NZ and New Guinea) -- Habitats of the Neotropics (Central and South America) -- Habitats of the Afrotropics (SSaharan Africa) -- Habitats of the Palearctic (Europe, North Asia and North Africa) -- Habitats of the Nearctic (North America).
In Mani at the Court of the Persian Kings the authors explore evidence arising from their project to edit the Chester Beatty Kephalaia codex. This new text presents Mani at the heart of Sasanian Iran in dialogue with its sages and nobles, acting as a cultural mediator between East and West and interpreter of Christian, Iranian, and Indian traditions. Nine chapters study Mani’s appropriation of the ‘law of Zarades’ and of Iranian epic; suggest a new understanding of his last days; and analyse his formative role in the history of late antique religions. These interdisciplinary studies advance research in several fields and will be of interest to scholars of Manichaeism, Sasanian Iran, and the development of religions in Late Antiquity.
Iain Chambers approaches the often overlooked details and textures of popular culture through a series of histories which show how it becomes continually remade as each of us defines our own urban space.
Renowned science writers Steward and Lynch use groundbreaking imagery and the latest scientific discoveries to tell the epic story of Earth's birth, life stages, and distant future demise, in this companion volume to the National Geographic Channel television series.
It is 1995 and the Morton-Stewarts assemble at the ‘Villa Victoria’ in Antibes, which has been in their family since 1880. The purpose of the gathering is to discuss the future of the house and of the two elderly aunts who, apart from their internment during the war, have lived there all their lives. Isolated from the social change around them, they run the villa like an Irish country house, ignoring the fact that ‘The Season’ has changed from winter to summer and that the society in which they were brought up no longer exists. As Frances, their great-niece, observes: “They are living a 1920s lifestyle in the 1990s, and if they can no longer afford it, surely we must do something about it!” For Charlie, the current owner of the house, it is a time to review the principles and prejudices which have governed his life so far and to question their morality and relevance in today’s world. For Sylvia, the widow of James, Charlie’s ‘black sheep’ brother, and her daughter Emma, it is a time of anxiety; Sylvia was a barmaid who ‘trapped’ James and was the cause of his disinheritance many years ago. She has been ostracised by the family for twenty years; how will they react to her now? Seduced by the glory of a Riviera spring and surrounded by the memorabilia and traditions of a century of occupation, the family settle down and start getting to know each other – quite unprepared for the momentous revelations that are to come... Easter at the Villa Victoria is a romantic, character-driven novel, full of humour and set in the 1990s. It will primarily appeal to female readers.
Fascinated by history? Wish you knew more? The Illustrated Introductions are here to help. In this lavishly illustrated, accessible guide, find out everything you need to know about Ancient Rome
“The dramatic career of the Queen Elizabeth class super-dreadnought, which fought with such distinction throughout two World Wars . . . a great story.” —White Ensign Association No warship name in British naval history has more battle honors than HMS Warspite. While this book looks at the lives of all eight vessels to bear the name (between 1596 and the 1990s), it concentrates on the truly epic story of the seventh vessel, a super-dreadnought battleship, conceived as the ultimate answer to German naval power, during the arms race that helped cause WW1. Warspite fought off the entire German fleet at Jutland, survived a mutiny between the wars and then covered herself in glory in action from the Arctic to the Indian Ocean during WW2. She was the flagship of Admiral Sir Andrew Cunningham when he mastered the Italian Navy in the Mediterranean, her guns inflicting devastating damage on the enemy at Calabria in 1940 and Matapan in 1941. She narrowly avoided destruction by the Japanese carrier force that devastated Pearl Harbor. She provided crucial fire support for Allied landings in Sicily, Italy, Normandy and Walcheren. A lucky ship in battle, she survived dive-bombers off Crete and glide bomb hits off Salerno. But this is not just the story of a warship. Wherever possible the voices of those men who fought aboard her speak directly to the reader about their experiences. Warspite is also the story of a great naval nation which constructed her as the ultimate symbol of its imperial power and then scrapped her when the sun set on that empire.
What are non-Christian religions? How is God related to them? How do they relate to Christianity? In this original book, Iain McGee explores five Christian theologians’ answers to these questions. The study spans the history of the church, covering figures from four different continents: Justin Martyr, Augustine, John Calvin, Jonathan Edwards, and Daniel Strange. Focusing on the revelation-religion interface in the writings of these scholars, McGee outlines and analyzes their varied understandings of Logos illumination, the prisca theologia, and the demonic, alongside the relationships between them and their impact on non-Christian religion. McGee forwards an argument that each theology can be considered a biblically informed, contextually reflective, and reactive response to significant religious challenges faced by these Christian thinkers in their attempts to demonstrate the uniqueness of the Christian faith.
This collection of essays explores the conflictual history and future implications of two important traditions of twentieth-century European thought: the critical theory of Theodor W. Adorno and the ontology of Martin Heidegger.
Drink" investigates the history of the most Jekyll and Hyde of all fluids--alcohol--and traces humankind's love/hate relationship with it from ancient Egypt to the present day. Gately also provides a history of the world's most famous drinks--and the world's most famous drinkers.
TENTH ANNIVERSARY EDITION Now in its tenth year, this anniversary edition of the best-selling series is a review of the year made up of the wry and astute observations of the unpublished Telegraph letter writers. In a year in which even the most seasoned commentators have struggled to keep pace with the news cycle, letter writers to The Daily Telegraph have once again provided their refreshing take on events. Readers of the Telegraph Letters Page will be fondly aware of the eclectic combination of learned wisdom, wistful nostalgia and robust good sense that characterise its correspondence. But what of the 95% of the paper’s huge postbag that never sees the light of day? Some of the best letters inevitably arrive too late for the 24/7 news cycle, or don’t quite fit with the rest of the day’s selection. Others are just a little too whimsical, or indeed too risqué, to publish in a serious newspaper. And more than a few are completely and utterly (and wonderfully) mad. Thankfully Iain Hollingshead is on-hand to give the authors of the best unpublished letters the stage they so richly deserve. Baffled, furious, defiant, mischievous, they inveigh and speculate on every subject under the sun, from the rubbish on television these days to the venality of our MPs. With an agenda as enticing as ever the tenth book in the bestselling Unpublished Letters series will prove, once again, that the Telegraph’s readers have an astute sense of what really matters.
Delivering successful projects is an ongoing struggle for the majority of companies and during Iain's training courses the emphasis is always on how to achieve and then maintain success - this book follows the same theme. Looking at projects from the standpoint of a Sponsor is imperative to delivering them successfully. A failure to provide leadership and strong sponsorship is often cited as a key driver of project failure. The learning and observations within Sponsorship is not a Spectator Sport! will help you to avoid the common sponsorship pitfalls and open your mind to a world in which success is the only option
A girl’s imagination transports polio-afflicted kids into a fantastic world. The spring of 1955 tests Laurie Valentine’s gifts as a storyteller. After her friend Dickie contracts polio and finds himself confined to an iron lung, Laurie visits him in the hospital. There she meets Carolyn and Chip, two other kids trapped inside the breathing machines. Laurie’s first impulse is to flee, but Dickie begs her to tell them a story. And so Laurie begins her tale of Collosso, a rampaging giant, and Jimmy, a tiny boy whose destiny is to become a slayer of giants. As Laurie embellishes her tale with gnomes, unicorns, gryphons, and other fanciful creatures, Dickie comes to believe that he is a character in her story. Little by little Carolyn, Chip, and other kids who come to listen, recognize counterparts as well. Laurie’s tale is so powerful that when she’s prevented from continuing it, Dickie, Carolyn, and Chip take turns as narrators. Each helps bring the story of Collosso and Jimmy to an end—changing the lives of those in the polio ward in startling ways.
The global art market has recently been valued at close to $50bn - a rise of over 60% since the global financial crisis. These figures are driven by demand from China and other emerging markets, as well as the growing phenomenon of the artist bypassing dealers as a market force in his/her own right. This new textbook integrates, updates and enhances the popular aspects of two well-regarded texts - Understanding International Arts Markets and The Art Business. Topics covered include: Emerging markets in China, East Asian, South East Asian, Brazilian, Russian, Islamic and Indian art, Art valuation and investment, Museums and the cultural sector. This revitalized new textbook will continue to be essential reading for students on courses such as arts management, arts marketing, arts business, cultural economics, the sociology of arts, and cultural policy.
The go-to introductory guide to Australia's diverse wildlife and habitats Ideal for the nature-loving traveler, Wildlife of Australia is a handy photographic pocket guide to the most widely seen birds, mammals, reptiles, amphibians, and habitats of Australia. The guide features more than 400 stunning color photographs, and coverage includes 350 birds, 70 mammals, 30 reptiles, and 16 frogs likely to be encountered in Australia's major tourist destinations. Accessible species accounts are useful for both general travelers and serious naturalists, and the invaluable habitat section describes the Australian bush and its specific wildlife. Animal species with similar features are placed on the same plates in order to aid identification. Wildlife of Australia is an indispensable and thorough resource for any nature enthusiast interested in this remarkable continent. Easy-to-use pocket guide More than 400 high-quality photographs Accessible text aids identification Habitat guide describes the Australian bush and its specific wildlife Coverage includes the 350 birds, 70 mammals, 30 reptiles, and 16 frogs most likely to be seen on a trip around Australia
This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read at Oxford Academic and offered as a free PDF download from OUP and selected open access locations. Energy storage is becoming the enabler of the low carbon energy transition, and is increasingly attracting the attention of business professionals, policymakers and academics. These stakeholders need to understand the wide range of storage technologies, the applications they can serve in, and the methods, data and tools to evaluate their current and future economic potential. This book combines rigorous methods with rich datasets to provide objective and transparent evidence on the cost reduction potentials and the value of energy storage across low-carbon electricity systems and clean transportation. It enables readers to understand the key storage technologies, the services they can provide, and how they can be assessed for economic viability.
The majority of characters in Ian McEwan's novels are educated members of the middle class, but without any great private financial means and certainly no great affluence. Despite different occupations, whether scientist (Solar), musician (On Chesil Beach, Amsterdam) or surgeon (Saturday), they are faced with moral, ethical, religious and personal dilemmas that bear resonance to a contemporary audience. Classical music is present throughout McEwan's writings (including his recent Lessons, 2022), mostly not as an accompanying theme but as a necessary part of life's pleasures and for some, essential needs. The combination of music and the unforgettable narrative moments create a unique space for McEwan to translate his views on the world. The value of music, not least as a complementary presence to silence, is portrayed not just as the source of comfort but as a known presence that is dependable to an individual on a near spiritual level. Within his writings there is also a clear understanding of the role of the Church of England as a societal, cultural and established presence within British society. In the literary descriptions of McEwan and other authors this often extends beyond the immediate theological and ecclesiastical concerns of the day. McEwan's writings demonstrate a perceptive knowledge of the nuances of this highly specific cultural dynamic. McEwan's ability to discern sentiments that easily resonate with musicians place his contribution to the field of music and literature studies in a singular position among living writers discussing classical music in Britain. This book provokes questions for those who encounter these areas for the first time in McEwan's writings, and it offers a place of sustained enquiry for those who have experienced these fields first-hand, whether as listeners, performers, congregants, audience members or scholars across literary, musical or ecclesiastical fields. Iain Quinn's book will be of interest to scholars and students of contemporary British literature, as well as those interested in words and music studies more generally.
“An excellent account . . . A suspenseful narrative that will keep readers on the edge of their seats.” —WWII History Magazine In May 1941, the German battleship Bismarck, accompanied by heavy cruiser Prinz Eugen, broke out into the Atlantic to attack Allied shipping. The Royal Navy’s pursuit and subsequent destruction of Bismarck was an epic of naval warfare. In this new account of those dramatic events at the height of the Second World War, Iain Ballantyne draws extensively on the graphic eyewitness testimony of veterans, to construct a thrilling story, mainly from the point of view of the British battleships, cruisers, and destroyers involved. He describes the tense atmosphere as cruisers play a lethal cat and mouse game, shadowing Bismarck in the icy Denmark Strait. We witness the shocking destruction of the British battle cruiser Hood, in which all but three of her ship’s complement were killed—an event that filled pursuing Royal Navy warships, including the battered battleship Prince of Wales, with a thirst for revenge. While Swordfish torpedo-bombers try desperately to cripple the Bismarck, we sail in destroyers on their own daring torpedo attacks, battling mountainous seas. Finally, the author takes us into the final showdown, as battleships Rodney and King George V, supported by cruisers Norfolk and Dorsetshire, destroy the pride of Hitler’s fleet. This vivid, superbly researched account portrays this epic saga through the eyes of so-called “ordinary sailors” caught up in extraordinary events—conveying the horror and majesty of war at sea in all its cold brutality and awesome power.
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