In The Endless Tide, Iain R. Thomson turns his attention to the Hebrides, and the collection of stories that permeate the area. Meeting a vast cast of characters, he ranges from personal anecdotes of country life to political and scientific issues, looking at agricultural politics and ecological debates. North Scotland's brutal Viking origins and the mysterious Pagan practices of its past are explored, yet The Endless Tide's reach extends far beyond this, touching on world events since pre-Biblical times. Varied and compelling, humorous and poetic, space and freedom pour from the pages. Mixing his own personal story with Scotland's history, Iain Thomson presents a myriad of ideas, snapshots and autobiographical accounts which conjure up the vital past and continuing force of the elusive Highland spirit. The Endless Tide is a sweeping, imaginative, provocative work which functions on a micro- and macro-level, examining the continual cycle of humanity, and Scotland's part in the process.
Iain MacDonald examines how the medieval Church in Gaelic Scotland, often regarded as isolated and irrelevant, continued to function in the face of poverty, periodic warfare, and the formidable powers of the clan chiefs.
Heidegger, Art, and Postmodernity offers a radical new interpretation of Heidegger's later philosophy, developing his argument that art can help lead humanity beyond the nihilistic ontotheology of the modern age. Providing pathbreaking readings of Heidegger's 'The Origin of the Work of Art' and his notoriously difficult Contributions to Philosophy (From Enowning), this book explains precisely what postmodernity meant for Heidegger, the greatest philosophical critic of modernity, and what it could still mean for us today. Exploring these issues, Iain D. Thomson examines several postmodern works of art, including music, literature, painting and even comic books, from a post-Heideggerian perspective. Clearly written and accessible, this book will help readers gain a deeper understanding of Heidegger and his relation to postmodern theory, popular culture and art.
The Long Horizon is an extraordinary book. Much more than simply the chronicle of a life spent farming in the Scottish Highlands, it is also a wonderful collection of stories, both factual and fictional, which reflect the changes that have revolutionised Highland life and dramatically affected the natural environment over the centuries. Using the colourful background to the Fraser clan chiefs as a central theme, from the cunning Red Fox through to the sudden death of the Master of Lovat, which set in train the sale of the Fraser empire around Beaufort Castle, Iain Thomson weaves an entertaining narrative that shows how historical events have such a profound effect on what happens today. Throughout the book shines the writer's deep love of the countryside and a respect for the generations before him who have carved their living from the harsh environment of the Highlands. It is a marvellous celebration both of the farming way of life and one of the most beautiful parts of Scotland.
In The Endless Tide, Iain R. Thomson turns his attention to the Hebrides, and the collection of stories that permeate the area. Meeting a vast cast of characters, he ranges from personal anecdotes of country life to political and scientific issues, looking at agricultural politics and ecological debates. North Scotland's brutal Viking origins and the mysterious Pagan practices of its past are explored, yet The Endless Tide's reach extends far beyond this, touching on world events since pre-Biblical times. Varied and compelling, humorous and poetic, space and freedom pour from the pages. Mixing his own personal story with Scotland's history, Iain Thomson presents a myriad of ideas, snapshots and autobiographical accounts which conjure up the vital past and continuing force of the elusive Highland spirit. The Endless Tide is a sweeping, imaginative, provocative work which functions on a micro- and macro-level, examining the continual cycle of humanity, and Scotland's part in the process.
In this classic memoir of rural life in the Scottish Highlands, a shepherd chronicles his years in a remote glen before the introduction of electricity. In August 1956, Iain Thomson and his wife Betty, along with their two-year-old daughter and ten-day-old son, sat huddled in a small boat on Loch Monar in Ross-shire as a storm raged around them. They were bound for a tiny, remote cottage at the western end of the loch which was to be their home for the next four years. Isolation Shepherd is the moving story of those years. Set against the awesome splendor of some of Scotland's most spectacular scenery, Thomson's classic memoir provides a sensitive, richly detailed account of the shepherd's life through the seasons. In vivid, poetic prose, he recreates the events that shaped his family's life in Glen Strathfarrar before the area was flooded as part of a huge hydro-electric project.
Highland Resistance takes as its subject the record of land-centred (and by implication culture- and nationality- centred) conflict in the Highlands of Scotland during the two and a half centuries since the Jacobite rising of 1745. The book tells the story of anti-landlord agitation and direct-action land-raiding from the great sheep-drives in Sutherland at the end of the eighteenth century, on through the anti-eviction resistance that characterised the worst years of the notorious Clearances, and on again by way of the huge crofters' agitation of the 1880s to continuing inter-war raiding and reform and the last great land-grab at Knoydart in the 1940s. By setting this record in its context Highland Resistance shows its continuing political and cultural importance to our own times, as Scotland and her reborn parliament enter a new century and a new millennium. The principal arguments of Highland Resistance are that there is a long and deep anti-landlord tradition in the Highlands; that this tradition has been under-pinned with an identity that can justly be identified as one of agrarian and cultural radicalism and nationalism; and that this tradition in one form or another lives on today, with a sharp and controversial resonance for the Highlands, and Scotland, of tomorrow.
Rupert Thomson's innovative and unsettling writing ranges from dystopian alternative futures to meditations on crime and cultural memory, and from historical fictions to explorations of contemporary gender violence. The essays in this collection argue that Thomson's novels and memoir are compelling case-studies in late twentieth and early twenty-first-century literature, which engage with contemporary cultural and political preoccupations through persistently off-beat and often experimental literary forms, and trouble stable definitions of genre in the process. With chapters focusing on borders, panopticism, haunting, child sexual abuse, shame, atmosphere and intertextuality, this collection offers a critical introduction to an author whose work has been overlooked by the academy for too long.
Investment is no longer a matter of individual savers directly choosing which shares or bonds to buy. Rather, most of their money flows through a 'chain': an often extended sequence of intermediaries. What goes on in that chain is of huge importance: The world's investment managers, who are now almost as well paid as top bankers, control assets equivalent in value to around a year of total global economic output. In Chains of Finance, five social scientists discuss the ways in which the intermediaries in the chain influence each other, channel the flows of savers' money, enhance investment decisions, and form audiences for each other's performances of financially competent selves. The central argument of the book is that investment management is fashioned profoundly by the opportunities and constraints this chain creates. Whether chains constrain or enable, however, they always entangle, tying intermediaries to each other - silently and profoundly shaping the investment management industry. Chains of Finance is a novel analysis that will make students, social scientists, financial professionals, and regulators looking at the workings of financial markets in a new light. A must-read for anyone looking for insights into the decision-making processes of investment managers and those influenced by and working for them.
In November 1918, the implementation of agrarian change in the Scottish Highlands threatened another wave of unemployment and eviction for the land-working population, which led to widespread and varied social protest. Those who had been away on war service (and their families) faced returning to exactly the same social and economic conditions in the Scottish Highlands they had hoped they had left behind in the struggle to make ’a land fit for heroes’. Widespread and varied social protest rapidly followed. It argues that, previously, there has been a failure to capture fully the geography, chronology typology and rate of occurrence of these events. The book not only offers new insights and a greater understanding of what was happening in the Highlands in this period, but illustrates how a range of forms of protest were used which demand attention, not least for the fact that these events, unlike most of the earlier Land Wars period, were successful. There are functioning townships in the Highlands today that owe their existence to the land invasions of the 1920s. The book innovatively concentrates on formulating explanation and interpretation from within and looks to the crofting landscape as base, means and motive to disturbance and interpretation. It proposes that protest is much more convincingly understood as an expression of environmental ethics from 'the bottom up' coming increasingly into conflict with conservationist views expressed from 'the top down' It focuses on individual case studies in order to engage more convincingly with an important evidential base - that of popular memory of land disturbances - and to adopt a frame and lens through which to explore the fluid and contingent nature of protest performances. Based upon the belief that in the study of landscapes of social protest the old shibboleth of space as solely passive setting and symbolic register is no longer tenable is paid here to nature/culture interactions, to vernacular ecological b
Send Back the Money!' is a thorough and gripping examination of a fascinating and forgotten aspect of Scottish and American relations and Church history. A seminal period of Abolition activity is exposed by Iain Whyte through a study of the fiery 'Send back the Money!' campaign named after 'the hue and cry of the day' that encapsulated the argument that divided families, communities, and the Free Church itself. This examination of the Free Church's involvement with American Presbyterianism in the nineteenth century reveals the ethical furore caused by a Church wishing to emancipate itself from the religious and civil domination supported by the established religion of the state. The Free Church therefore found an affinity with those oppressed elsewhere,but subsequently found itself financially supported by the Southern slave states of America. Whyte sensitively handles this inherent contradiction in the political, ecclesiastical, and theological institutions, while informing the reader of the roles of charismatic characters such as Robert Burns, Thomas Chalmers and Frederick Douglass. These key individuals shaped contemporary culture with action, great oratory, and rhetoric. The author adroitly draws parallels from the twentieth century onwards, bringing the reader to a fuller understanding of the historic and topical issues within global Christianity, and the contentious topic of slavery. 'Send back the Money!' throws light upon nineteenth-century culture, British and American Abolitionists, and ecclesiastical politics, and is written in a clear and engaging style.
With photographs depicting the architecture of different periods of time and some of London's best known landmarks, this book traces the history of London, from Roman times to the present day.
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