This guide is for anyone who is serious about improving their accuracy with French grammar. From relative beginners to advanced learners, this book will take you through both the basics of French grammar, as well as exploring some of the more intricate aspects. Each area of of French grammar is broken down into chapters, with a quiz at the end of each chapter. The final chapter contains guidance on more complex structures in French and includes practice translation exercises into French. All of the exercises in this book are accompanied by answers.
If you want to develop the best relationship with your horse, understanding its needs and behaviour is the key. Based on well-proven principles of horse psychology, this comprehensive book gives you practical advice on: buying, training, nutrition, first aid, floating, behavioural problems, stable management.Whether you're new to horses or have a lifetime of experience, your partnership with them is always evolving. "The Happy Horse" is ideal for horse lovers, riders and handlers at every level, including: experienced horse owners, pony club members, recreational riders, people on the land.Achieving a new and more rewarding level of understanding with this extraordinary animal begins here.
Are you studying French at GCSE level? This guide specifically covers ALL of the vocabulary that you are expected to know for the AQA listening and reading examinations. The guide is broken down into the GCSE topics for you to structure your revision, and gives guidance on how best to revise.
This Is Our Music, declared saxophonist Ornette Coleman's 1960 album title. But whose music was it? At various times during the 1950s and 1960s, musicians, critics, fans, politicians, and entrepreneurs claimed jazz as a national art form, an Afrocentric race music, an extension of modernist innovation in other genres, a music of mass consciousness, and the preserve of a cultural elite. This original and provocative book explores who makes decisions about the value of a cultural form and on what basis, taking as its example the impact of 1960s free improvisation on the changing status of jazz. By examining the production, presentation, and reception of experimental music by Ornette Coleman, Cecil Taylor, John Coltrane, and others, Iain Anderson traces the strange, unexpected, and at times deeply ironic intersections between free jazz, avant-garde artistic movements, Sixties politics, and patronage networks. Anderson emphasizes free improvisation's enormous impact on jazz music's institutional standing, despite ongoing resistance from some of its biggest beneficiaries. He concludes that attempts by African American artists and intellectuals to define a place for themselves in American life, structural changes in the music industry, and the rise of nonprofit sponsorship portended a significant transformation of established cultural standards. At the same time, free improvisation's growing prestige depended in part upon traditional highbrow criteria: increasingly esoteric styles, changing venues and audience behavior, European sanction, withdrawal from the marketplace, and the professionalization of criticism. Thus jazz music's performers and supporters—and potentially those in other arts—have both challenged and accommodated themselves to an ongoing process of cultural stratification.
This Is Our Music, declared saxophonist Ornette Coleman's 1960 album title. But whose music was it? At various times during the 1950s and 1960s, musicians, critics, fans, politicians, and entrepreneurs claimed jazz as a national art form, an Afrocentric race music, an extension of modernist innovation in other genres, a music of mass consciousness, and the preserve of a cultural elite. This original and provocative book explores who makes decisions about the value of a cultural form and on what basis, taking as its example the impact of 1960s free improvisation on the changing status of jazz. By examining the production, presentation, and reception of experimental music by Ornette Coleman, Cecil Taylor, John Coltrane, and others, Iain Anderson traces the strange, unexpected, and at times deeply ironic intersections between free jazz, avant-garde artistic movements, Sixties politics, and patronage networks. Anderson emphasizes free improvisation's enormous impact on jazz music's institutional standing, despite ongoing resistance from some of its biggest beneficiaries. He concludes that attempts by African American artists and intellectuals to define a place for themselves in American life, structural changes in the music industry, and the rise of nonprofit sponsorship portended a significant transformation of established cultural standards. At the same time, free improvisation's growing prestige depended in part upon traditional highbrow criteria: increasingly esoteric styles, changing venues and audience behavior, European sanction, withdrawal from the marketplace, and the professionalization of criticism. Thus jazz music's performers and supporters—and potentially those in other arts—have both challenged and accommodated themselves to an ongoing process of cultural stratification.
Brady, Annabel, Maria, Adrian. Four bright, sexy, nice-looking twenty-somethings leading the high life at other people's expense. With an interesting sideline too: abducting and terrifying young women and calling it 'art'. Except now they're in Crowby and - unless DCI Jacobson and DS Kerr can crack the case in time - Brady and company may soon be graduating to murder.
‘A book full of richness, unexpected enticements, short sharp shocks and breathtaking writing’ Guardian Welcome to the real, unauthorised London: the disappeared, the unapproved, the unvoiced, the mythical and the all-but forgotten. The perfect companion to the city. ‘Exhilarating, truly wonderful, a cavalcade of eloquent writing. London demands an anthology like this to remind us of the irascible quirkiness of its residents, and we have Sinclair to thank for marshalling such a perverse and ultimately pleasurable exercise’ Independent on Sunday
- Articles by thirty leading bloggers and commentators - Profiles of more than fifty leading blogs - A directory of 1,200 political blogs - The best 500 political blogs in the UK - The best 100 Conservative, Labour and LibDem blogs
The artists of Ancient Rome portrayed the barbarian enemies of the empire in sculpture, reliefs, metalwork and jewellery. Enemies of Rome shows how the study of these images can reveal a great deal about the barbarians, as well as Roman art and the Romans view of themselves.
Skateboarding is both a sport and a way of life. Creative, physical, graphic, urban and controversial, it is full of contradictions – a billion-dollar global industry which still retains its vibrant, counter-cultural heart. Skateboarding and the City presents the only complete history of the sport, exploring the story of skate culture from the surf-beaches of '60s California to the latest developments in street-skating today. Written by a life-long skater who also happens to be an architectural historian, and packed through with full-colour images – of skaters, boards, moves, graphics, and film-stills – this passionate, readable and rigorously-researched book explores the history of skateboarding and reveals a vivid understanding of how skateboarders, through their actions, experience the city and its architecture in a unique way.
The Dissertation is one of the most demanding yet potentially most stimulating components of an architectural course. Properly done, it can be a valuable contribution not only to the students own learning development but also to the field of architecture as a whole. This book provides a complete guide to what to do, how to do it, when to do it, and the major pitfalls involved. This is a comprehensive guide to all that an architecture student might need to know about undertaking the dissertation, including new material on CD-ROM and online sources, web based research techniques, digital images, alternative imaging strategies, key architecture links, referencing and new dissertation extracts. It clearly navigates the student through the whole process of writing, preparing and submitting a dissertation, as well as suggesting what to do after the dissertation has been completed. Subjects covered include how to write a proposal, which research methodologies and techniques to adopt, which libraries and archives to utilize (including special architectural resources on the net), as well as how to structure, reference and illustrate the final submission. The authors also take architecture students into new terrain, suggesting alternative methods of undertaking dissertations, whether as video, prose writing, multimedia or other forms of expression. Furthermore, this guide includes new examples of exemplary dissertations of all kinds, as completed by students in Europe and North America so that the reader can clearly see the kinds of work which they themselves might choose to pursue. Also in the Seriously Useful Guides Series: * The Crit * The The Portfolio * Practical Experience
The subject of sparse matrices has its root in such diverse fields as management science, power systems analysis, surveying, circuit theory, and structural analysis. Efficient use of sparsity is a key to solving large problems in many fields. This book provides both insight and answers for those attempting to solve these problems.
I am the Ryder Cup, I suppose' Colin Montgomerie For twenty years Colin Montgomerie has been Europe's go-to guy in the Ryder Cup. He has been the catalyst, the leader, the closer. The man they call on to take down America's big guns, the man they turn to when a win is desperately needed to steady the nerves. Now in the twilight of his career he has one last role to play: In 2010 he is Captain of Team Europe in their quest to regain their trophy. Montgomerie's record in golf's showpiece tournament is unparalleled. Since 1991 he has performed in eight Ryder Cups, winning five of them and has never, ever been beaten in a singles match. He is the most talked about European golfer of his generation but, agonisingly he has never managed to win one of golf's major championships. Monty's Manor gets right inside Colin Montgomerie's history with the Ryder Cup from his debut in 1991 right up to and including the drama and excitement of this years contest in Wales. Iain Carter has had unprecedented access to key players on both sides of the pond, caddies, coaches, friends, foes, rivals and reporters. Through their eyes we look back on two decades of successes and near misses. It is through them that we get to see the real 'Monty'.
A collection of over 100 Celtic tunes from Scotland and Ireland arranged for the 5-string banjo. This book contains reels, jigs, marches, stathspeys, hornpipes and waltzes, which are played for traditional dances throughout Scotland. All the tunes are played out of standard G tuning without the use of a capo. They will expand your repertoire and challenge your playing using a mixture of single string, melodic and Scruggs style that will give both of your hands a good workout.This collection takes the banjo back to the music where Bluegrass and Old Time music has its roots. Although many tunes in this collection are going to be challenging to the beginner, all levels of player will gain from studying these tunes and adding them to their collection, will enhance their ability and knowledge of the 5-string banjo. In tablature.•
New Media: A Critical Introduction is a comprehensive introduction to the culture, history, technologies and theories of new media. Written especially for students, the book considers the ways in which 'new media' really are new, assesses the claims that a media and technological revolution has taken place and formulates new ways for media studies to respond to new technologies. Substantially updated from the first edition to cover recent theoretical developments, approaches and significant technological developments, this is the best and by far the most comprehensive textbook available on this exciting and expanding subject.
Iain Chambers approaches the often overlooked details and textures of popular culture through a series of histories which show how it becomes continually remade as each of us defines our own urban space.
Extensively revised and updated, this edition provides the broad base of knowledge required by all working in the gold extraction and gold processing industries. It bridges the gap between research and industry by emphasizing practical applications of chemical principles and techniques.
The 1980s. The Falklands War. The IRA. The Miners' Strike. Cruise Missiles. Anti-Nuclear Protests. And in the thick of it all, beautiful Claire Oldham, the revolution's poster girl - until the day she turns up brutally murdered. A young, troubled drifter, Martin Grove, is swiftly prosecuted and jailed for the crime. Fast forward twenty years: Martin Grove walks free, cleared by advances in forensic science, seemingly the victim of a miscarriage of justice. Fast forward a few more years, come right up to date: Martin Grove is shot dead in his reclusive home, 'executed' at close range. DCI Jacobson and his team are on the case. But which case? And do the answers lie in the dangerous past or in the even more terrifying present?
Intersections represents a newly emergent approach to the history of architecture that addresses both the relevance of critical theories to an historical understanding of architecture and the development of those theories.
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