Topics in Korean Language and Culture: Volume One covers 12 essential topics relating to both traditional and contemporary Korean culture and society. Each chapter consists of listening and reading passages, key expressions and grammar, and performance-based activities unfolding across different modes of oral and written communication. The grammar section is organized into foundation review, semantic distinction, and language function to help learners advance beyond the plateau of intermediate proficiency. All passages are carefully written to resemble authentic texts used by Korean native speakers and to include various text types and speech styles that learners will encounter in real life. The first volume specifically targets students in their third year of learning Korean. It is designed to accommodate a wide range of courses and curricula existing for Korean programs today. It is intended for a yearlong language sequence as well as an intensive topic course in speaking, reading, or writing.
While tracing both Hollywood's internal foreign relations protocols and external regulatory interventions by the Chinese government, the U.S. State Department, the Office of War Information, and the Department of Defense, Hollywood Diplomacy contends that film regulation has played a key role in shaping images of Chinese, Japanese, and Korean ethnicities according to the political mandates of U.S. foreign policy.
Rights advocacy has become a prominent facet of South Korea’s increasingly transnational motion picture output, especially following the 1998 presidential inauguration of Kim Dae-jung, a former political prisoner and victim of human rights abuses who received the Nobel Peace Prize in 2000. Today it is not unusual to see a big-budget production about the pursuit of social justice or the protection of civil liberties contending for the top spot at the box office. With that cultural shift has come a diversification of film subjects, which range from undocumented workers’ rights to the sexual harassment experienced by women to high-school bullying to the struggles among people with disabilities to gain inclusion within a society that has transformed significantly since winning democratic freedoms three decades ago. Combining in-depth textual analyses of films such as Bleak Night, Okja, Planet of Snail, Repatriation, and Silenced with broader historical contextualization, Movie Minorities offers the first English-language study of South Korean cinema’s role in helping to galvanize activist social movements across several identity-based categories.
As the two billion YouTube views for “Gangnam Style” would indicate, South Korean popular culture has begun to enjoy new prominence on the global stage. Yet, as this timely new study reveals, the nation’s film industry has long been a hub for transnational exchange, producing movies that put a unique spin on familiar genres, while influencing world cinema from Hollywood to Bollywood. Movie Migrations is not only an introduction to one of the world’s most vibrant national cinemas, but also a provocative call to reimagine the very concepts of “national cinemas” and “film genre.” Challenging traditional critical assumptions that place Hollywood at the center of genre production, Hye Seung Chung and David Scott Diffrient bring South Korean cinema to the forefront of recent and ongoing debates about globalization and transnationalism. In each chapter they track a different way that South Korean filmmakers have adapted material from foreign sources, resulting in everything from the Manchurian Western to The Host’s reinvention of the Godzilla mythos. Spanning a wide range of genres, the book introduces readers to classics from the 1950s and 1960s Golden Age of South Korean cinema, while offering fresh perspectives on recent favorites like Oldboy and Thirst. Perfect not only for fans of Korean film, but for anyone curious about media in an era of globalization, Movie Migrations will give readers a new appreciation for the creative act of cross-cultural adaptation.
From the award-winning author of The Hole, a "Simmering" (New York Times Book Review) and "Compelling" (Wall Street Journal ) thriller—"A mystery masterpiece . . . Hye-young Pyun at her best" (Books & Bao), named a "Best International Crime Novel of 2020" (CrimeReads) and selected as one of "Our 65 Favorite Books of the Year" (LitHub) The Law of Lines follows the parallel stories of two young women whose lives are upended by sudden loss. When Se-oh, a recluse still living with her father, returns from an errand to find their house in flames, wrecked by a gas explosion, she is forced back into the world she had tried to escape. The detective investigating the incident tells her that her father caused the explosion to kill himself because of overwhelming debt she knew nothing about, but Se-oh suspects foul play by an aggressive debt collector and sets out on her own investigation, seeking vengeance. Ki-jeong, a beleaguered high school teacher, receives a phone call from the police saying that the body of her younger half-sister has just been found. Her sister was a college student she had grown distant from. Though her death, by drowning, is considered a suicide by the police, that doesn't satisfy Ki-jeong, and she goes to her sister's university to find out what happened. Her sister's cell phone reveals a thicket of lies and links to a company that lures students into a virtual pyramid scheme, preying on them and their relationships. One of the contacts in the call log is Se-oh. Like Hye-young Pyun's Shirley Jackson Award–winning novel The Hole, The Law of Lines an immersive thriller that explores the edges of criminality in ordinary lives, the unseen forces that shape us, and grief and debt.
This is the first English-language book on cultural policy in Korea, which critically historicises and analyses the contentious and dynamic development of the policy. It highlights that the evolution of cultural policy has been bound up with the complicated political, economic and social trajectory of Korea to a surprising degree. Investigating the content and context of the policy from the period of Japanese colonial rule (1910–1945) until the military authoritarian regime (1961–1988), the book discusses how culture, often co-opted by the government, was mobilised to disseminate state agendas and define national identity. It then moves on to investigate the distinct characteristics of Korea’s contemporary cultural policy since the 1990s, particularly its energetic pursuit of democracy, a market economy of culture and outward cultural globalisation (the Korean Wave). This book helps readers to understand the continuous presence of the ‘strong state’ in Korean cultural policy and its implications for the cultural life of Koreans. It argues that this exceptionally active cultural policy sets an important condition not only for artistic creation, cultural consumption and cultural business in the country, but also for the nation's ambitious endeavour to turn the success of its pop culture into a global phenomenon.
Evening Proposal is a collection of eight stories about the grim and often faceless nature of urban life. Faintly reminiscent of Franz Kafka, the stories range from a man who discovers that his job performance has no significance while taking refuge in taking care of an abandoned rabbit to a man who finally expresses his love to discover that his expression frightened him more than his fear in anticipating the event. Evening Proposal reissues the warning that the orderliness and system that civilization created in order to confront nature’s chaos is in fact “the hell of monotony.”
NAMED AN NPR GREAT READ OF 2018 From the Shirley Jackson Award–winning author of The Hole, a Kafkaesque tale of crime and punishment hailed by Korea’s Wall Street Journal as “an airtight masterpiece.” Distinguished for his talents as a rat killer, the nameless protagonist of Hye-young Pyun's City of Ash and Red is sent by the extermination company he works for on an extended assignment in C, a country descending into chaos and paranoia, swept by a contagious disease, and flooded with trash. No sooner does he disembark than he is whisked away by quarantine officials and detained overnight. Isolated and forgotten, he realizes that he is stranded with no means of contacting the outside world. Still worse, when he finally manages to reach an old friend, he is told that his ex-wife's body was found in his apartment and he is the prime suspect. Barely managing to escape arrest, he must struggle to survive in the streets of this foreign city gripped with fear of contamination and reestablish contact with his company and friends in order to clear his reputation. But as the man's former life slips further and further from his grasp, and he looks back on his time with his wife, it becomes clear that he may not quite be who he seems. From the bestselling author of The Hole, City of Ash and Red is an apocalyptic account of the destructive impact of fear and paranoia on people's lives as well as a haunting novel about a man’s loss of himself and his humanity.
Much attention has been paid to the Japanese deployment of Koreans in their war efforts during WWII. Much less attention, however, has been given to the subject prior to 1910. This book will: 1) present the evidence which reveals the presence of Koreans in the Japanese military during the Russo-Japanese War, 1904–1905, as seen by an American novelist Jack London, before the formal annexation of Korea by Japan; 2) analyze the presence of Koreans on the Japanese and the Russian sides of the war; and 3) investigate why and how these Koreans became involved in someone else’s war. Arirang, a Korean folksong favored and sung by Koreans at home and in exile, has sustained the Korean people in a shared, collective spirit throughout their lives in transnational diasporas in the Russian Far East, Manchuria, and Japan as well as in Korea. This is a study of transnational Koreans as the Arirang people: Chapter 1: Introduction, Chapter 2: Koreans in the Russian Far East and Manchuria, Chapter 3: Koreans in the Russo-Japanese War, 1904–1905, Chapter 4: Korean Transnationals as Stateless People, 1906–1920, and the Conclusion.
From silent films to television programs, Hollywood has employed actors of various ethnicities to represent "Oriental"characters, from Caucasian stars like Loretta Young made up in yellow-face to Korean American pioneer Philip Ahn, whose more than 200 screen performances included roles as sadistic Japanese military officers in World War II movies and a wronged Chinese merchant in the TV show Bonanza. The first book-length study of Korean identities in American cinema and television, Hollywood Asian investigates the career of Ahn (1905-1978), a pioneering Asian American screen icon and son of celebrated Korean nationalist An Ch'ang-ho. In this groundbreaking scholarly study, Hye Seung Chung examines Ahn's career to suggest new theoretical paradigms for addressing cross-ethnic performance and Asian American spectatorship. Incorporating original material from a wide range of sources, including U.S. government and Hollywood screen archives, Chung's work offers a provocative and original contribution to cinema studies, cultural studies, and Asian American as well as Korean history.
The Liberative Cross offers a theological grounding of the orthopraxy that calls North American Korean women to live as imago Dei, mirroring the perichoretic fellowship of the triune God in contemporary social relations through living in imitatio crucis and imitatio relationis. In so doing, this book emphasizes three elements. First, an appropriate theology of the cross meets the challenges or concerns of developing reality. Second, it is a feminist theology in the sense that it seeks to retrieve a theology of the cross that is life-giving and liberating for women. Third, it is a social trinitarian approach to the theology of the cross that can reveal the essence of God to be in relation, mutuality, and community in diversity. The constructive work achieved in this book makes a great contribution to pastoral and ecclesial praxis and imagination.
This study investigates the controversial motion pictures written and directed by the independent filmmaker Kim Ki-duk, one of the most acclaimed Korean auteurs in the English-speaking world. Propelled by underdog protagonists who can only communicate through shared corporeal pain and extreme violence, Kim's graphic films have been classified by Western audiences as belonging to sensationalist East Asian "extreme" cinema, and Kim has been labeled a "psychopath" and "misogynist" in South Korea. Drawing upon both Korean-language and English-language sources, Hye Seung Chung challenges these misunderstandings, recuperating Kim's oeuvre as a therapeutic, yet brutal cinema of Nietzschean ressentiment (political anger and resentment deriving from subordination and oppression). Chung argues that the power of Kim's cinema lies precisely in its ability to capture, channel, and convey the raw emotions of protagonists who live on the bottom rungs of Korean society. She provides historical and postcolonial readings of victimization and violence in Kim's cinema, which tackles such socially relevant topics as national division in Wild Animals and The Coast Guard and U.S. military occupation in Address Unknown. She also explores the religious and spiritual themes in Kim's most recent works, which suggest possibilities of reconciliation and transcendence.
This book helps readers to overcome the challenges encountered during the imaging diagnosis of soft tissue tumors due to their diversity and the significant overlap in imaging features between different tumors. It does so by fostering familiarization with typical findings and clearly explaining the pattern analysis of soft tissue tumors. The book opens with an overview of diagnostic considerations and discussion of the basic concepts of diagnostic imaging studies and histopathologic examinations. Grading and staging of soft tissue sarcomasare then described.In the second part of the book, radiologic features of soft tissue tumors are reviewed in detail, based on the 2013 WHO classification system.The third part summarizes diagnostic imaging clues, including characteristic imaging findings and radiologic signs that aid in specific diagnosis and differential diagnosis. The book closes by presenting 30 typical cases of soft tissue tumors, with questions, answers, and commentary, in order to help readers to consolidate what they have learned and to hone their diagnostic reasoning skills.
Waste and Urban Regeneration examines the Nanjido region of Seoul and its transformation from Nanjido Landfill to the World Cup Park, and its relation to the urban ecology within the context of the city’s urban development during the late twentieth and early twenty-first centuries. The study analyses the urban ecological meanings of the site’s two distinct forms by consolidating them with the Lefebvrian urban theory and relational ecological theories. This book looks at environmental transformations and their link to South Korea’s political and economic changes; how Seoul City controlled waste populations, the borderline characterisations of the inhabited landfill and its community, the regeneration of the landfill into the post-landfill park and site-specific artworks which explored the conflict between the invisible presence of the landfill’s garbage and its history. As one of the first accounts of a landfill and landfill-turned-park of South Korea, this study is a must-read for academics and researchers interested in waste management, ecology, landscape theory and history.
This book situates culture as a determining factor in the development of diverse welfare states, exploring the impact of traditional familialism on South Korean and Taiwanese programs. This approach provides an important alternative to studies that focus on formal variables– such as industrialization, state intervention, and resource mobilization– that do not explain the key differences between the similar programs. Throughout this book, Wang looks into both the historical development and the present situation of medical welfare programs in South Korea and Taiwan, and she highlights the importance of families in these programs’ development. As East Asian societies continue to age while experiencing fewer births, the search for the most suitable, sustainable, and desirable welfare model in each country will become ever more pressing. Academics and practitioners alike will find this refreshing approach to analysis ideal for building welfare institutions that reflect societal values in addition to economic conditions.
The only comprehensive book on racism for human service students and professionals; this book addresses all forms of racism from an historical, theoretical, institutional, interpersonal and professional perspective. This text discusses how racism can be dealt with in clinical, communal and organizational contexts. The third edition encompasses a wealth of vital new scholarship on the perpetually changing contours of racism and strategies to confront it. Fulfilling NASW and CSWE cultural competency requirements, this book teaches socially-just practices to helping professionals from any discipline. Using coloniality and other critical theories as a conceptual framework, the text analyzes all levels of racism: structural, personal, interpersonal, professional, and cultural. It features the contributions of a new team of authors and scholars; new conceptual and theoretical material; a new chapter on immigration racism and updated content to reflect how racism and white supremacy are manifested today; and new content on the impact of racism on economics, technology, and environmental degradation; expanded sections on slavery; current political manifestations of racism and much more. The new edition provides in-depth multilevel complex exploration and includes varied perspectives that will be meaningful for anyone involved in human services. Readers appreciate the book's sensitive, complex and multidimensional approach to this difficult topic. Purchase includes digital access for use on most mobile devices or computers. New to the Third Edition: Integrates the perspectives and insights of two new expert authors. Includes a new chapter on the root causes for the increased flow of migrants, displaced people, and refugees and the impact of racism on their lives; and discusses the rise of fascism and white supremacy along with the confluence of racism and COVID-19. Includes a new model of dialogue, “Critical Conversations,” which offers a roadmap for facilitating productive conversations on race and racism. Presents updated coverage of the killings of young people of color by law enforcement. Offers a detailed examination of the Trump era and the impact of Obama presidency on the dynamics of racism. Provides practical applications which include exercises that explore social group and intersectional identities, stereotypes, microaggressions, organizational audits, and structural oppression. Key Features: Addresses how racism is part of the DNA of human services organizations and provides strategies for facilitating change Explains how professionals can resist racism and serve as anti-racism activists Provides practical applications and exercises in each chapter Includes instructor’s manual, links to relevant podcasts and additional resources, and PowerPoint outlines for each chapter
Cinema under National Reconstruction calls for a revisionist understanding of state film censorship during successive Cold War military regimes in South Korea (1961–1988). Drawing upon primary documents from the Korean Film Archive’s digitized database and framing South Korean film censorship from a transnational perspective, Hye Seung Chung makes the case that, while political oppression/repression existed inside and outside the film industry during this period, film censorship was not simply a tool for authoritarian dictatorship. Through such case studies as Yu Hyun-mok’s The Stray Bullet (1961), Ha Kil-jong’s The March of the Fools (1975), and Yi Chang-ho’s Declaration of Fools (1983), the author defines censorship as a dialogical process of cultural negotiations wherein the state, the film industry, and the public fight out a battle over the definitions and functions of national cinema. In the context of Cold War Korea, one cannot fully understand or construct film history without reassessing censorship as a productive feedback system where both state regulators and filmmakers played active roles in shaping the new narrative or sentiment of the nation on the big screen.
Topics in Korean Language and Culture: Volume One covers 12 essential topics relating to both traditional and contemporary Korean culture and society. Each chapter consists of listening and reading passages, key expressions and grammar, and performance-based activities unfolding across different modes of oral and written communication. The grammar section is organized into foundation review, semantic distinction, and language function to help learners advance beyond the plateau of intermediate proficiency. All passages are carefully written to resemble authentic texts used by Korean native speakers and to include various text types and speech styles that learners will encounter in real life. The first volume specifically targets students in their third year of learning Korean. It is designed to accommodate a wide range of courses and curricula existing for Korean programs today. It is intended for a yearlong language sequence as well as an intensive topic course in speaking, reading, or writing.
An acclaimed story collection from the author of the Shirley Jackson Award–winning novel The Hole *Booklist Starred Review* Six elephants bolt from an amusement park and vanish; where they’re found brings back memories of a forgotten dictator. A car ride on a foggy highway at night becomes a drive through hell for a young couple getting away for the weekend together. A family lives the dream of moving from the city to a brand-new bedroom town in the country, only to be plagued by debt and fears of eviction, while the sound of incessant barking rings from the kennels nearby. In a city built on the site of ancient tombs, a homeowner’s renovation of a broken wall leads to an outcome no one expected. Older workers hired to play characters from a folk tale and wear smiles no one believes. An accountant asked to cook the books for his boss. A would-be writer disappointed in her students and her choices. These are some of the premises and characters in Hye-young Pyun’s To the Kennels, winner of one of Korea’s most prestigious literary awards. Infused with psychological acuity, understated suspense, a touch of the uncanny, and her Kafkaesque take on the contemporary world, To the Kennels offers a thrilling, unsettling ride through territory that is both familiar and strange. As Un-su Kim, author of The Plotters has observed, she “reveals to us the cellular division of emotions we’ve never seen before.”
From the award-winning author of The Hole, a "Simmering" (New York Times Book Review) and "Compelling" (Wall Street Journal ) thriller—"A mystery masterpiece . . . Hye-young Pyun at her best" (Books & Bao), named a "Best International Crime Novel of 2020" (CrimeReads) and selected as one of "Our 65 Favorite Books of the Year" (LitHub) The Law of Lines follows the parallel stories of two young women whose lives are upended by sudden loss. When Se-oh, a recluse still living with her father, returns from an errand to find their house in flames, wrecked by a gas explosion, she is forced back into the world she had tried to escape. The detective investigating the incident tells her that her father caused the explosion to kill himself because of overwhelming debt she knew nothing about, but Se-oh suspects foul play by an aggressive debt collector and sets out on her own investigation, seeking vengeance. Ki-jeong, a beleaguered high school teacher, receives a phone call from the police saying that the body of her younger half-sister has just been found. Her sister was a college student she had grown distant from. Though her death, by drowning, is considered a suicide by the police, that doesn't satisfy Ki-jeong, and she goes to her sister's university to find out what happened. Her sister's cell phone reveals a thicket of lies and links to a company that lures students into a virtual pyramid scheme, preying on them and their relationships. One of the contacts in the call log is Se-oh. Like Hye-young Pyun's Shirley Jackson Award–winning novel The Hole, The Law of Lines an immersive thriller that explores the edges of criminality in ordinary lives, the unseen forces that shape us, and grief and debt.
Set in an alternate 21st-century reality where Korea possesses a royal family, it follows the lives of the Crown Prince Lee Shin, and his new bride, Chae-kyeong.
From the Shirley Jackson Award–winning author of The Hole, a slow-burning noir thriller with a touch of horror and the uncanny A disappearance. A missing brother. A lawyer asking questions. And a vast forest in the mountains—the western woods—where the trees huddle close together emanating a crushing darkness and a chill dampness fills the air. The ranger, In-su Park, who lives nearby with his family, is a recovering alcoholic. He claims no knowledge of the man who disappeared, even though the missing man had worked as the ranger just before him. In the little village down the mountain, the shopkeepers will do the same and deny they ever saw or knew the man, though they’re less convincing; and his former supervisor at the Forestry Research Center, Professor Jin, dismisses his importance. But when an accident and a death derail the investigation and someone attempts to break into his office, In-su Park finds himself conducting his own inquiry into the goings-on deep in the heart of the western woods—spurred by the mysterious words he discovers on a piece of paper beneath his desk: “In the forest the owl cries.” The Owl Cries is a treat for fans of Stephen King, David Lynch, and the nightmare dystopias of Franz Kafka.
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