Much attention has been paid to the Japanese deployment of Koreans in their war efforts during WWII. Much less attention, however, has been given to the subject prior to 1910. This book will: 1) present the evidence which reveals the presence of Koreans in the Japanese military during the Russo-Japanese War, 1904-1905, as seen by an American novelist Jack London, before the formal annexation of Korea by Japan; 2) analyze the presence of Koreans on the Japanese and the Russian sides of the war; and 3) investigate why and how these Koreans became involved in someone else's war. Arirang, a Korean folksong favored and sung by Koreans at home and in exile, has sustained the Korean people in a shared, collective spirit throughout their lives in transnational diasporas in the Russian Far East, Manchuria, and Japan as well as in Korea. This is a study of transnational Koreans as the Arirang people: Chapter 1: Introduction, Chapter 2: Koreans in the Russian Far East and Manchuria, Chapter 3: Koreans in the Russo-Japanese War, 1904-1905, Chapter 4: Korean Transnationals as Stateless People, 1906-1920, and the Conclusion"--
Much attention has been paid to the Japanese deployment of Koreans in their war efforts during WWII. Much less attention, however, has been given to the subject prior to 1910. This book will: 1) present the evidence which reveals the presence of Koreans in the Japanese military during the Russo-Japanese War, 1904–1905, as seen by an American novelist Jack London, before the formal annexation of Korea by Japan; 2) analyze the presence of Koreans on the Japanese and the Russian sides of the war; and 3) investigate why and how these Koreans became involved in someone else’s war. Arirang, a Korean folksong favored and sung by Koreans at home and in exile, has sustained the Korean people in a shared, collective spirit throughout their lives in transnational diasporas in the Russian Far East, Manchuria, and Japan as well as in Korea. This is a study of transnational Koreans as the Arirang people: Chapter 1: Introduction, Chapter 2: Koreans in the Russian Far East and Manchuria, Chapter 3: Koreans in the Russo-Japanese War, 1904–1905, Chapter 4: Korean Transnationals as Stateless People, 1906–1920, and the Conclusion.
Much attention has been paid to the Japanese deployment of Koreans in their war efforts during WWII. Much less attention, however, has been given to the subject prior to 1910. This book will: 1) present the evidence which reveals the presence of Koreans in the Japanese military during the Russo-Japanese War, 1904–1905, as seen by an American novelist Jack London, before the formal annexation of Korea by Japan; 2) analyze the presence of Koreans on the Japanese and the Russian sides of the war; and 3) investigate why and how these Koreans became involved in someone else’s war. Arirang, a Korean folksong favored and sung by Koreans at home and in exile, has sustained the Korean people in a shared, collective spirit throughout their lives in transnational diasporas in the Russian Far East, Manchuria, and Japan as well as in Korea. This is a study of transnational Koreans as the Arirang people: Chapter 1: Introduction, Chapter 2: Koreans in the Russian Far East and Manchuria, Chapter 3: Koreans in the Russo-Japanese War, 1904–1905, Chapter 4: Korean Transnationals as Stateless People, 1906–1920, and the Conclusion.
As the two billion YouTube views for “Gangnam Style” would indicate, South Korean popular culture has begun to enjoy new prominence on the global stage. Yet, as this timely new study reveals, the nation’s film industry has long been a hub for transnational exchange, producing movies that put a unique spin on familiar genres, while influencing world cinema from Hollywood to Bollywood. Movie Migrations is not only an introduction to one of the world’s most vibrant national cinemas, but also a provocative call to reimagine the very concepts of “national cinemas” and “film genre.” Challenging traditional critical assumptions that place Hollywood at the center of genre production, Hye Seung Chung and David Scott Diffrient bring South Korean cinema to the forefront of recent and ongoing debates about globalization and transnationalism. In each chapter they track a different way that South Korean filmmakers have adapted material from foreign sources, resulting in everything from the Manchurian Western to The Host’s reinvention of the Godzilla mythos. Spanning a wide range of genres, the book introduces readers to classics from the 1950s and 1960s Golden Age of South Korean cinema, while offering fresh perspectives on recent favorites like Oldboy and Thirst. Perfect not only for fans of Korean film, but for anyone curious about media in an era of globalization, Movie Migrations will give readers a new appreciation for the creative act of cross-cultural adaptation.
From silent films to television programs, Hollywood has employed actors of various ethnicities to represent "Oriental"characters, from Caucasian stars like Loretta Young made up in yellow-face to Korean American pioneer Philip Ahn, whose more than 200 screen performances included roles as sadistic Japanese military officers in World War II movies and a wronged Chinese merchant in the TV show Bonanza. The first book-length study of Korean identities in American cinema and television, Hollywood Asian investigates the career of Ahn (1905-1978), a pioneering Asian American screen icon and son of celebrated Korean nationalist An Ch'ang-ho. In this groundbreaking scholarly study, Hye Seung Chung examines Ahn's career to suggest new theoretical paradigms for addressing cross-ethnic performance and Asian American spectatorship. Incorporating original material from a wide range of sources, including U.S. government and Hollywood screen archives, Chung's work offers a provocative and original contribution to cinema studies, cultural studies, and Asian American as well as Korean history.
Rights advocacy has become a prominent facet of South Korea’s increasingly transnational motion picture output, especially following the 1998 presidential inauguration of Kim Dae-jung, a former political prisoner and victim of human rights abuses who received the Nobel Peace Prize in 2000. Today it is not unusual to see a big-budget production about the pursuit of social justice or the protection of civil liberties contending for the top spot at the box office. With that cultural shift has come a diversification of film subjects, which range from undocumented workers’ rights to the sexual harassment experienced by women to high-school bullying to the struggles among people with disabilities to gain inclusion within a society that has transformed significantly since winning democratic freedoms three decades ago. Combining in-depth textual analyses of films such as Bleak Night, Okja, Planet of Snail, Repatriation, and Silenced with broader historical contextualization, Movie Minorities offers the first English-language study of South Korean cinema’s role in helping to galvanize activist social movements across several identity-based categories.
This study investigates the controversial motion pictures written and directed by the independent filmmaker Kim Ki-duk, one of the most acclaimed Korean auteurs in the English-speaking world. Propelled by underdog protagonists who can only communicate through shared corporeal pain and extreme violence, Kim's graphic films have been classified by Western audiences as belonging to sensationalist East Asian "extreme" cinema, and Kim has been labeled a "psychopath" and "misogynist" in South Korea. Drawing upon both Korean-language and English-language sources, Hye Seung Chung challenges these misunderstandings, recuperating Kim's oeuvre as a therapeutic, yet brutal cinema of Nietzschean ressentiment (political anger and resentment deriving from subordination and oppression). Chung argues that the power of Kim's cinema lies precisely in its ability to capture, channel, and convey the raw emotions of protagonists who live on the bottom rungs of Korean society. She provides historical and postcolonial readings of victimization and violence in Kim's cinema, which tackles such socially relevant topics as national division in Wild Animals and The Coast Guard and U.S. military occupation in Address Unknown. She also explores the religious and spiritual themes in Kim's most recent works, which suggest possibilities of reconciliation and transcendence.
This book helps readers to overcome the challenges encountered during the imaging diagnosis of soft tissue tumors due to their diversity and the significant overlap in imaging features between different tumors. It does so by fostering familiarization with typical findings and clearly explaining the pattern analysis of soft tissue tumors. The book opens with an overview of diagnostic considerations and discussion of the basic concepts of diagnostic imaging studies and histopathologic examinations. Grading and staging of soft tissue sarcomasare then described.In the second part of the book, radiologic features of soft tissue tumors are reviewed in detail, based on the 2013 WHO classification system.The third part summarizes diagnostic imaging clues, including characteristic imaging findings and radiologic signs that aid in specific diagnosis and differential diagnosis. The book closes by presenting 30 typical cases of soft tissue tumors, with questions, answers, and commentary, in order to help readers to consolidate what they have learned and to hone their diagnostic reasoning skills.
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