The trade in books has always been and remains an ambiguous commercial activity, associated as it is with literature and the exchange of ideas. This collection is concerned with the cultural and economic roles of independent bookstores, and it considers how eight shops founded during the modernist era provided distinctive spaces of literary production that exceeded and yet never escaped their commercial functions. As the contributors show, these booksellers were essential institutional players in literary networks. When the eight shops examined first opened their doors, their relevance to literary and commercial life was taken for granted. In our current context of box stores, online shopping, and ebooks, we no longer encounter the book as we did as recently as twenty years ago. By contributing to our understanding of bookshops as unique social spaces on the thresholds of commerce and culture, this volume helps to lay the groundwork for comprehending how our relationship to books and literature has been and will be affected by the physical changes to the reading experience taking place in the twenty-first century.
The period since the Global Financial Crisis and numerous scandals have exposed some areas of serious illegal and unethical conduct within western banking systems. Despite extensive reforms it is increasingly apparent however that there is a persistent problem with the 'culture' of banking in Anglo-America. US and UK state managers made substantial efforts to reform the culture of their banking sectors. However, this book argues that they focused on an extremely narrow definition of bank culture. They did so for two reasons: firstly, because the structural pressures of financialization - which are a far more important driver of the problematic features of bank culture in Anglo-America - are harder to remedy; but secondly, state managers also used their bank culture response to tackle a legitimacy crisis facing their institutions of government. In so doing they abdicated responsibility for the real problems - of inequality and instability - associated with their respective financial systems Drawing on interviews with more than 150 individuals working in financial services as well as regulators, politicians, and lawyers, The Bank Culture Debate explains the strategies employed by state managers before then examining what has and has not changed in the culture of banking in the US and UK.
Davies was the holder of a complex identity: he was a gay man who grew up as a shopkeeper's son in the Rhondda who left Wales to write about his homeland in England. This book unravels a national experience that is deeply bound up in complex negotiations of class, sexuality, and gender and follows a career that was predicted to be that of "the representative Welshman". The book is divided into three sections: the first begins with Davies’s childhood in Blaenclydach and the ways in which his memories of his childhood reinforce continuing themes in his stories and novels; the second will place Davies in literary London and address Davies’s struggle to enter the privileged circles of literary production, circulation, and reception; the final section considers the established Davies of the 1940s, 50s, and 60s.
You’ll be doing all the work. You’ll be picking apart plots, analyzing characters, exploring the setting of biblical narratives, and engaging with narrative levels and reader response theory. And you’ll be doing all the work. This is a book about you, the reader. Drawing on narrative theory, this book places readers in the way of the story, reading biblical narrative through fresh eyes. Using entertaining explanations of literary theory, it liberates readers to read their own chosen Bible stories with a fresh understanding of how narratives work. Practical activities will inspire the reader to develop their own understanding of stories and, in doing so, this book tackles hallowed and authoritarian interpretations that can sometimes get in the way of the story. This is a book of clear explanation and practical application.
Commercial exploitation of attributes of an individual's personality, such as name, voice and likeness, forms a mainstay of modern advertising and marketing. Such indicia also represent an important aspect of an individual's dignity which is often offended by unauthorized commercial appropriation. This volume provides a framework for analysing the disparate aspects of the problem of commercial appropriation of personality and traces, in detail, the discrete patterns of development in the major common law systems. It also considers whether a coherent justification for a remedy may be identified from a range of competing theories. The considerable variation in substantive legal protection reflects more fundamental differences in the law's responsiveness to commercial practices and different attitudes towards the proper scope and limits of intangible property rights.
It's a book which takes its time and really delves into the pivotal moments in Charles' connection with Wales... We are offered a glimpse at a man who has, over the decades, forged both a more formal support to Wales and a more personal warmth for it.' – Emma Schofield, Wales Arts Review 'This is a highly readable and lively book, full of anecdote and character... Thomas needs to be praised for producing a well-written and pacy book on a controversial subject which is neither hatchet job nor fawning tribute.' – Myfanwy Alexander, Nation.Cymru Before Charles became King, he was Prince of Wales. It was a role he took more seriously than any predecessor of the modern British monarchy. From the moment he was created Prince of Wales in 1958 until his accession to the throne, Charles's approach to the role was to serve Wales and to promote Welsh life. But what impact has he had on the country, and what impression did the Welsh leave on him? This book examines the relationship that the Prince nurtured with a nation that meant much more to him than an honorary title. Dozens of interviews have helped Huw Thomas to unearth the untold stories of Charles's work in Wales, alongside the key role he has taken in developing industry, culture and conservation. For a man who has spent almost a lifetime waiting to be King, Huw Thomas reveals how Wales prepared Charles for the crown. Despite his initial reluctance to come to Wales as a student, his time spent learning the history and language of the Welsh at Aberystwyth in the 1960s fostered a passionate commitment to the nation. Wales has not always returned the compliment, with popular protests and more subtle snubs to his involvement in Welsh affairs. And yet those who have worked with him, and who call him a friend, cite a remarkable ability to make a difference without making a fuss. As a diplomat he is credited with bringing major employers to south Wales, offering jobs to a workforce that had been decimated by the collapse of the coal industry. As a cultural ambassador he revived royal patronage for the arts in Wales and sponsored the finest performers to emerge from the land of song. And as a champion of the natural environment, he has backed the farmers and conservationists who are nurturing the Welsh countryside, not least by employing traditional crafts to create the first royal home in Wales for 400 years.
Imagining the Arctic explores the culture and politics of polar exploration and the making of its heroes. Leading explorers, the celebrity figures of their day, went to great lengths to convince their contemporaries of the merits of polar voyages. Much of exploration was in fact theatre: a series of performances to capture public attention and persuade governments to finance ambitious proposals. The achievements of explorers were promoted, celebrated, and manipulated, whilst explorers themselves became the subject of huge attention. Huw Lewis-Jones draws upon recovered texts and striking images, many reproduced for the first time since the nineteenth century, to show how exploration was projected through a series of spectacular visuals, helping us to reconstruct the ways that heroes and the wilderness were imagined. Elegantly written and richly illustrated, Imagining the Arctic offers original insights into our understanding of exploration and its pull on the public imagination.
No one personified the age of industry more than the miners. The Shadow of the Mine tells the story of King Coal in its heyday – and what happened to mining communities after the last pits closed. The Shadow of the Mine tells the story of King Coal in its heyday, the heroics and betrayals of the Miners’ Strike, and what happened to mining communities after the last pits closed. No one personified the age of industry more than the miners. Coal was central to the British economy, powering its factories and railways. It carried political weight, too. In the eighties the miners risked everything in a year-long strike against Thatcher’s shutdowns. Their defeat doomed a way of life. The lingering sense of abandonment in former mining communities would be difficult to overstate. Yet recent electoral politics has revolved around the coalfield constituencies in Labour’s Red Wall. Huw Beynon and Ray Hudson draw on decades of research to chronicle these momentous changes through the words of the people who lived through them. This edition includes a new postscript on why Thatcher’s war on the miners wasn’t good for green politics. ‘Excellent’ NEW STATESMAN ‘Brilliant’ TIMES LITERARY SUPPLEMENT ‘Enlightening’ GUARDIAN
Amidst the continued debate surrounding the foundations of IPE, coupled with recent methodological and theoretical divides this book argues that an attempt should be made to re-visit the notion of the 'critical'. The challenge posed by contributors to this volume is to assess the development of so-called critical IPE and interrogate whether the theoretical foundations it was built upon have reached their potential. The essays in this volume take up this challenge in a number of different ways but all share a common concern - to re-assess the purpose of critical approaches, reflect on why certain social theorists have been favoured as a point of departure, yet others have largely been ignored. In light of recent debates on the notion of a 'trans-Atlantic divide' within IPE the collection the contributors aim demonstrates how the distinction between the 'critical' and the 'orthodox' (or 'empirical') is only significant if the 'critical' is geared towards a larger, more substantial body of critical social enquiry and engages with what it means to conduct such enquiry.
The Comic Turn in Contemporary English Fiction explores the importance of comedy in contemporary literature and culture. In an era largely defined by a mood of crisis, bleakness, cruelty, melancholia, environmental catastrophe and collapse, Huw Marsh argues that contemporary fiction is as likely to treat these subjects comically as it is to treat them gravely, and that the recognition and proper analysis of this humour opens up new ways to think about literature. Structured around readings of authors including Martin Amis, Nicola Barker, Julian Barnes, Jonathan Coe, Howard Jacobson, Magnus Mills and Zadie Smith, this book suggests not only that much of the most interesting contemporary writing is funny and that there is a comic tendency in contemporary fiction, but also that this humour, this comic licence, allows writers of contemporary fiction to do peculiar and interesting things – things that are funny in the sense of odd or strange and that may in turn inspire a funny turn in readers. Marsh offers a series of original critical and theoretical frameworks for discussing questions of literary genre, style, affect and politics, demonstrating that comedy is an often neglected mode that plays a generative role in much of the most interesting contemporary writing, creating sites of rich political, stylistic, cognitive and ethical contestation whose analysis offers a new perspective on the present.
Race, Faith and Planning in Britain adopts a Critical Race Theory perspective to analyse and discuss challenges of planning in contemporary multi-ethnic Britain. Exploring how planning is affected by and affects the racialisation of social relations, this book charts the history of the UK planning system’s approach, in terms of the spatial consequences of immigration, and discourses of diversity, cohesion, citizenship and belonging. Authors Richard Gale and Huw Thomas pay special attention to the experiences of minority groups in Britain, including Gypsies and Travellers, and British Muslims. They underline that the struggle over planning in racialised societies must be construed as part of a wider political struggle over equality. This book is an essential read for students and practitioners of planning in multi-cultural contexts.
Illustrated with a wide range of case studies drawn from all parts of the world, POPULATION GEOGRAPHY clearly depicts the cause-and-effect links between demographic change and the socio-economic transformation of societies. Providing timely information in a clear and accessible style, the text is an ideal classroom text for instructors who are introducing their students to the topic of population geography.
The definitive guide to the acoustic properties of all types of guitars and how to record and process their sounds, from microphone selection and placement to using effects and much more.
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