105 bands. 120 performances. Award winning festival Summer's End is now the longest running celebration of progressive music in the UK, and one of the longest in the World. Born in 2005 out of the simple desire to give his then-band Also Eden somewhere to play, founder Huw Lloyd Jones started the festival as a one day event at Gloucester Guildhall. The festival expanded to a two day affair in 2006, then three days in 2007, a format that it has retained ever since. Huw and co-promoter Stephen Lambe take us through the venues, line ups and various up and downs that have befallen the festival since the beginning. We learn how power issues almost scuppered a performance by guitar legend Steve Hackett; how "Summers End time" was created, and how the festival persuaded guitarist Gordon Giltrap to play in an electric band again after 30 years. Alongside the narrative are some stunning full -color pictures by official festival photographer Chris Walkden - as well as a few others - making this the ultimate celebration of the UK's best loved Prog Festival. The 2015 Festival will take place in the first weekend in October in Lydney, Gloucestershire.
This is the first book about the historian John Edward Lloyd (1861 - 1947), whose A History of Wales from the Earliest Times to the Edwardian Conquest (1911) marks a turning point in the writing of Welsh history.
This is the first intellectual biography of John Edward Lloyd (1861–1947), widely regarded as the founder of the modern academic study of Welsh history. Indeed, the compliment that pleased him most was that he had ‘created Welsh history’. Published to mark the centenary of Lloyd’s most important book, A History of Wales from the Earliest Times to the Edwardian Conquest (1911), the study reassesses Lloyd’s significance by setting his work in its multiple contexts. Part One gives an account of his life, with particular emphasis on his upbringing, education and subsequent career as a historian, viewed against the background both of efforts to give expression to Welsh nationhood through educational institutions and of wider developments in the professionalization of historical scholarship. In Part Two the focus shifts from the biographical to the thematic and examines why Lloyd privileged the early and medieval Welsh past and how he depicted this in his 1911 History. These chapters investigate key themes in Lloyd’s interpretation with reference not only to previous accounts of Welsh history but also to the broader intellectual and scholarly context of his own time. Through its reappraisal of Lloyd the book provides a case study of how the past of a small, stateless nation was reconfigured, at a time of self-conscious national revival, through deploying modern canons of scholarship that served to legitimize a new narrative of national origins. It thus offers a fresh and distinctive perspective on issues of broad significance in modern European historiography and intellectual history.
No one personified the age of industry more than the miners. The Shadow of the Mine tells the story of King Coal in its heyday – and what happened to mining communities after the last pits closed. The Shadow of the Mine tells the story of King Coal in its heyday, the heroics and betrayals of the Miners’ Strike, and what happened to mining communities after the last pits closed. No one personified the age of industry more than the miners. Coal was central to the British economy, powering its factories and railways. It carried political weight, too. In the eighties the miners risked everything in a year-long strike against Thatcher’s shutdowns. Their defeat doomed a way of life. The lingering sense of abandonment in former mining communities would be difficult to overstate. Yet recent electoral politics has revolved around the coalfield constituencies in Labour’s Red Wall. Huw Beynon and Ray Hudson draw on decades of research to chronicle these momentous changes through the words of the people who lived through them. This edition includes a new postscript on why Thatcher’s war on the miners wasn’t good for green politics. ‘Excellent’ NEW STATESMAN ‘Brilliant’ TIMES LITERARY SUPPLEMENT ‘Enlightening’ GUARDIAN
Writing Welsh History is the first book to explore how the history of Wales and the Welsh has been written over the past fifteen hundred years. By analysing and contextualizing a wide range of historical writing, from Gildas in the sixth century to recent global approaches, it opens new perspectives both on the history of Wales and on understandings of Wales and the Welsh - and thus on the use of the past to articulate national and other identities. The study's broad chronological scope serves to highlight important continuities in interpretations of Welsh history. One enduring preoccupation is Wales's place in Britain. Down to the twentieth century it was widely held that the Welsh were an ancient people descended from the original inhabitants of Britain whose history in its fullest sense ended with Edward I's conquest of Wales in 1282-4, their history thereafter being regarded as an attenuated appendix. However, Huw Pryce shows that such master narratives, based on medieval sources and focused primarily on the period down to 1282, were part of a much larger and more varied historiographical landscape. Over the past century the thematic and chronological range of Welsh history writing has expanded significantly, notably in the unprecedented attention given to the modern period, reflecting broader trends in an increasingly internationalized historical profession as well as the influence of social, economic, and political developments in Wales and elsewhere.
The Bounce of the Century' they called it. A ball kicked across Cardiff Arms Park in the dying minutes of a match between two of international rugby's fiercest rivals. The world's two greatest wingers waited as it bounced towards them, knowing that whoever caught the ball would score and win the match for his country. Dragons and All Blacks tells what happened when Wales played New Zealand in 1953. The story is written from contemporary accounts and the memories of the men who played that day, including Bob Stuart and Bleddyn Williams, for many of whom the match was the highlight of a career. The book retells the stories of the two teams and the men who played for them, and charts the events of their lives: how they got to that meeting point in Cardiff in December 1953 and what has happened to them in the half-century since. Dragons and All Blacks examines the remarkable relationship between two countries on opposite sides of the world, brought together by a mutual passion for rugby with few parallels elsewhere. It shows how their rivalry has developed over a century - from perhaps the greatest of all rugby matches in 1905 to the single-point thriller of 2004 - and looks to its future in the aftermath of the 2005 Welsh Grand Slam and Lions tour of New Zealand.
The current volume continues the tradition of the Organic Syntheses series, providing carefully checked and edited experimental procedures that describe important synthetic methods, transformations, reagents, and synthetic building blocks or intermediates with demonstrated utility in organic synthesis. These significant and interesting procedures should prove worthwhile to many synthetic chemists working in increasingly diverse areas. A trusted guide for professionals in organic and medicinal chemistry in academia, government, and industries, including pharmaceuticals, fine chemicals, agrochemicals, and biotechnological products.
Discover 366 fun and surprising stories about Wales – each linked to a specific day of the year. Did you know that the recipe of Tennessee’s famous Jack Daniel’s whiskey is rumoured to have originated in Llanelli, or that the world’s first radio play was set in a Welsh coal mine? Why was a showing of the Jurassic Park film in Carmarthen so special, and how is Rupert Bear connected to Snowdonia? Delve in to discover the stories that most history books leave out.
A compelling history of the British Army in the eighteenth and nineteenth centuries—showing how the military gathered knowledge from campaigns across the globe “Superb analysis.”—William Anthony Hay, Wall Street Journal At the outbreak of the War of Austrian Succession in 1742, the British Army’s military tactics were tired and outdated, stultified after three decades of peace. The army’s leadership was conservative, resistant to change, and unable to match new military techniques developing on the continent. Losses were cataclysmic and the force was in dire need of modernization—both in terms of strategy and in leadership and technology. In this wide-ranging and highly original account, Huw J. Davies traces the British Army’s accumulation of military knowledge across the following century. An essentially global force, British armies and soldiers continually gleaned and synthesized strategy from war zones the world over: from Europe to the Americas, Africa, and Asia. Davies records how the army and its officers put this globally acquired knowledge to use, exchanging information and developing into a remarkable vehicle of innovation—leading to the pinnacle of its military prowess in the nineteenth century.
Imagining the Arctic explores the culture and politics of polar exploration and the making of its heroes. Leading explorers, the celebrity figures of their day, went to great lengths to convince their contemporaries of the merits of polar voyages. Much of exploration was in fact theatre: a series of performances to capture public attention and persuade governments to finance ambitious proposals. The achievements of explorers were promoted, celebrated, and manipulated, whilst explorers themselves became the subject of huge attention. Huw Lewis-Jones draws upon recovered texts and striking images, many reproduced for the first time since the nineteenth century, to show how exploration was projected through a series of spectacular visuals, helping us to reconstruct the ways that heroes and the wilderness were imagined. Elegantly written and richly illustrated, Imagining the Arctic offers original insights into our understanding of exploration and its pull on the public imagination.
Illustrated with a wide range of case studies drawn from all parts of the world, POPULATION GEOGRAPHY clearly depicts the cause-and-effect links between demographic change and the socio-economic transformation of societies. Providing timely information in a clear and accessible style, the text is an ideal classroom text for instructors who are introducing their students to the topic of population geography.
In every Five Nations D and now Six Nations Ð season the real showdown is always that between England and Wales: Wales with its history of playing the finest rugby of all the home nations, England with its enviable strength in depth and forward muscle. Whether in the vast bowl of Twickenham or the cauldron of the Millennium Stadium every year is a sell-out long in advance. Over the years there have been innumerable epic encounters. In the seventies Wales dominated with Barry John, Gareth Edwards at scrum-half and JPR Williams at full back, but England had the blistering running of David Duckham with his blond hair flying. The eighties and nineties saw some incendiary encounters with Paul Ringer and Wade Dooley both involved in high-profile punch-ups, but also England re-establishing dominance and Bill Beaumont and then Will Carling. But the decade ended at Wembley with Scott GibbsÕs dramatic last-minute swallow-dive to snatch victory for Wales. More recently Wales have come back with new stars like Gavin Henson and Shane Williams after years of powerhouse England forward play had held sway. Huw Richards has talked to many veterans of these matches, as well as to present players and administrators to tells the whole history of Wales v England at rugby: a contest that is a clash of cultures and histories as well as a titanic sporting occasion. Huw Richards is rugby correspondent of the Financial Times.
Commercial exploitation of attributes of an individual's personality, such as name, voice and likeness, forms a mainstay of modern advertising and marketing. Such indicia also represent an important aspect of an individual's dignity which is often offended by unauthorized commercial appropriation. This volume provides a framework for analysing the disparate aspects of the problem of commercial appropriation of personality and traces, in detail, the discrete patterns of development in the major common law systems. It also considers whether a coherent justification for a remedy may be identified from a range of competing theories. The considerable variation in substantive legal protection reflects more fundamental differences in the law's responsiveness to commercial practices and different attitudes towards the proper scope and limits of intangible property rights.
It's a book which takes its time and really delves into the pivotal moments in Charles' connection with Wales... We are offered a glimpse at a man who has, over the decades, forged both a more formal support to Wales and a more personal warmth for it.' – Emma Schofield, Wales Arts Review 'This is a highly readable and lively book, full of anecdote and character... Thomas needs to be praised for producing a well-written and pacy book on a controversial subject which is neither hatchet job nor fawning tribute.' – Myfanwy Alexander, Nation.Cymru Before Charles became King, he was Prince of Wales. It was a role he took more seriously than any predecessor of the modern British monarchy. From the moment he was created Prince of Wales in 1958 until his accession to the throne, Charles's approach to the role was to serve Wales and to promote Welsh life. But what impact has he had on the country, and what impression did the Welsh leave on him? This book examines the relationship that the Prince nurtured with a nation that meant much more to him than an honorary title. Dozens of interviews have helped Huw Thomas to unearth the untold stories of Charles's work in Wales, alongside the key role he has taken in developing industry, culture and conservation. For a man who has spent almost a lifetime waiting to be King, Huw Thomas reveals how Wales prepared Charles for the crown. Despite his initial reluctance to come to Wales as a student, his time spent learning the history and language of the Welsh at Aberystwyth in the 1960s fostered a passionate commitment to the nation. Wales has not always returned the compliment, with popular protests and more subtle snubs to his involvement in Welsh affairs. And yet those who have worked with him, and who call him a friend, cite a remarkable ability to make a difference without making a fuss. As a diplomat he is credited with bringing major employers to south Wales, offering jobs to a workforce that had been decimated by the collapse of the coal industry. As a cultural ambassador he revived royal patronage for the arts in Wales and sponsored the finest performers to emerge from the land of song. And as a champion of the natural environment, he has backed the farmers and conservationists who are nurturing the Welsh countryside, not least by employing traditional crafts to create the first royal home in Wales for 400 years.
Hunangofiant gwladwr o bysgotwr o ben draw LlA*n, yn cynnwys portreadau o'i fro, ei deulu, a throeon trwstan ei fywyd, ac ambell hanesyn am gymeriadau lliwgar pen draw'r byd. 29 llun lliw a 7 llun du-a-gwyn.
Britain's answer to Marilyn Monroe". This tag was to hang around Diana Dors' neck during the 1950s. As Diana would often point out she had been working professionally a lot longer than Monroe. Her first appearance was in 1946 in The Shop at Sly Corner, while still a student at the London Academy of Music and Dramatic Art. Diana, like Marilyn, was blonde, curvy and sexy, but that's where the comparison ended. Her range as an actress encompassed everything from comedy to Greek tragedy. She was a real person – a quality that endeared her to the public, but above all, she was a survivor. Diana was also a talented writer compiling two autobiographies of herself, as well as her three A - Z books. Diana had a prolific career covering every facet of the entertainment industry - theatre, cabaret, film and TV. Passport to Fame is a comprehensive study of Diana's work across her 40 years of filmmaking. The book is also an invaluable source of reference to the film-buff interested in the changing face of the film industry.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.