W. H. Auden disapproved of literary biography. Or did he? The truth is far more equivocal than at first seems apparent. There is no denying he delivered himself of such unambiguous pronouncements as 'Biographies of writers are always superfluous and usually in bad taste.'; and that he asked for his friends to burn his letters at his death, but, against that, Auden himself often reviewed literary biographies and normally with enthusiasm. Moreover he argued for biographies of writers such as Dryden, Trollope, Wagner and Gerard Manley Hopkins as their lives would tell us something about their art. Humphrey Carpenter himself nicely summarizes Auden's ambiguity on this question. 'Here (referring to literary biography), as so often in his life, Auden adopted a dogmatic attitude which did not reflect the full range of his opinions, and which he sometimes flatly contradicted.' Although the biography was not authorized it did receive the co-operation of the Auden Estate which gave permission for letters and unpublished works to be quoted. The result is a biography that was widely praised on first publication in 1981 and which continues to hold its own. Now is the obvious time to reissue it with the character of Humphrey Carpenter playing an important role in Alan Bennett's The Habit of Art. In his introduction Alan Bennett writes 'When I started writing the play I made much use of the biographies of both Auden and Britten written by Humphrey Carpenter and both are models of their kind. Indeed I was consulting his books so much that eventually Carpenter found his way into the play.' 'Carpenter is a model biographer - diligent, unspeculative, sympathetic, and extremely good at finding out what happened when and with whom . . . admirably detailed and researched study.' John Bayley, The Listener 'an illuminating book; full of information, unobtrusively affectionate, it describes with unpretentious elegance the curve of a great poet's life and work' Frank Kermode, Guardian 'sharpens and usually lights up even the most canvassed parts of the Auden life and myth . . . a deeply interesting book about a deeply interesting life' Roy Fuller, Sunday Times ' . . . the story of a remarkable man told by one of the best living biographers' David Cecil, Book Choice
The authorized biography of the creator of Middle-earth. “One of the most interesting and readable biographies of a literary figure.” —The Times In the decades since his death in September 1973, millions have read The Hobbit, The Lord of the Rings, and The Silmarillion and become fascinated about the very private man behind the books. Born in South Africa in January 1892, John Ronald Reuel Tolkien was orphaned in childhood and brought up in near-poverty. He served in the first World War, surviving the Battle of the Somme, where he lost many of the closest friends he’d ever had. After the war he returned to the academic life, achieving high repute as a scholar and university teacher, eventually becoming Merton Professor of English at Oxford where he was a close friend of C. S. Lewis and the other writers known as “The Inklings.” Then suddenly his life changed dramatically. One day while grading essay papers he found himself writing “In a hole in the ground there lived a hobbit”—and worldwide renown awaited him. Humphrey Carpenter was given unrestricted access to all Tolkien’s papers, and interviewed his friends and family. From these sources he follows the long and painful process of creation that produced The Lord of the Rings and The Silmarillion and offers a wealth of information about the life and work of the twentieth century’s most cherished author. “J. R. R. Tolkien left his impress upon a whole generation as few recent writers have done . . . an excellent biography.” —Newsweek “A panorama of vignettes done with poise and exhaustive command. A man emerges whole.” —The Washington Post Book World
Use of magic by teacher strictly forbidden.' Poor Mr Majeika goes to the bottom of the class when the school inspector comes to call. Things don't get any easier when Mr Majeika turns himself into a lobster by mistake. Class Three somehow has to get Wilhemina Worlock to undo the spell...
Mr Majeika is the most magical teacher around! Oh, don't be cowards,' said Jody. 'I'm sure it's perfectly safe.' Mysteriously stranded in the fog at night. Mr Majeika and Class Three find themselves in a creepy hotel near Hadrian's Wall, where some very spooky things start to happen. Strange lights, ghostly sounds and vanishing people... Look out for more Mr Majeika adventures including: Mr Majeika and the School Trip Mr Majeika and the School Play Mr Majeika and the Lost Spell Book Mr Majeika and the Music Teacher Mr Majeika and the School Caretaker
Oh dear,' said Mr Majeika, 'I seem to have made the spell too strong.' Class Three has fun during Book Week, when famous storybook characters suddenly appear! But there's trouble ahead with Wilhemina Worlock the witch at the school's Olympic Sports Day... Will Mr Majeika manage to magic up a solution?
Mr Majeika can behave just like any ordinary teacher if he wants to, but something has to be done about Hamish Bigmore, the class nuisance, and so he uses a little magic to turn him into a frog. And to everyone's delight it looks as if Hamish will have to remain a frog because Mr Majeika can't remember the spell to turn him back again.
A super magical story featuring Mr Majeika, the popular wizard turned teacher! Fun and magic combine as usual in this new Mr Majeika story. The pupils in Class 3 at St Barty's School are not impressed when their headteacher imposes strict rules of behaviour for Halloween. Mr Majeika uses a little magic to make the evening memorable but nasty Hamish Bigmore tells the local press and gets the wizard-teacher the sack. School without magic seems rather boring and Mr Majeika doesn't last long in the other jobs he tries. His long-time enemy, Wilhelmina Warlock is clearly behindall the trouble; she and the dreaded Hamish must be defeated before life can return to normal. Look out for more Mr Majeika adventures including MR MAJEIKA AND THE GHOST TRAIN MR MAJEIKA AND THE SCHOOL TRIP MR MAJEIKA AND THE SCHOOL BOOK WEEK MR MAJEIKA AND THE SCHOOL PLAY
I really am quite useless as a wizard.' But Class Three thinks Mr Majeika is an excellent wizard, particularly when his spells go wrong! First Hamish Bigmore ends up on TV, then a real giant appears in the school play. And finally Mr Majeika gets the whole class lost on a magic carpet! There's always an adventure with Mr Majeika around...
Class 3 are sure that something is very wrong when Mr Majeika leaves school without saying goodbye. When they find a message from him saying he's been arrested by the Silly Crime Squad, they are determined to rescue him. To do this they must outwit Hamish Bigmore and Mr Majeika's old enemy, Wilhelmina Worlock. They succeed and Wilhelmina is punished with a 'spell' on earth as a Supply Teacher!
It started with Beyond the Fringe at the Edinburgh Festival of 1960. Four Cambridge undergraduates, Peter Cook, Dudley Moore, Jonathan Miller and Alan Bennett had created a satirical revue, which by its iconoclastic irreverence destroyed what Humphrey Carpenter describes as 'the culture of deference' so prevalent in the preceding decade. Satire was quick to spread: The Establishment Club, 'London's first satirical nightclub', opened in Soho: Private Eye began to appear: and That Was The Week That Was started to be screened on the BBC on Saturday nights. Why was there this sudden upsurge of satire? What really happened in those years? Alan Bennett, Jonathan Miller, Ned Sherrin, Richard Ingrams and the late John Wells were all interviewed by Humphrey Carpenter. Their stories have been woven together to create a narrative which vibrantly brings alive this period of social and cultural change. 'It's an interesting story, and I think that it's never been really got quite right (before now), largely because it hasn't been set in its social context. . . This is the first detailed, scholarly account of this peculiar episode in British cultural history, and I suspect will remain a definitive one.' Jonathan Miller
Mr Majeika is the most magical teacher around! 'Do be careful, Mr Majeika, there might be real ghosts in there.' When Class Three and Mr Majeika get on board a ghost train, they are in for a surprise. Real ghosts appear and the wicked Wilhemina Worlock isn't far away. But Jody comes to the rescue - with a dragon to help her! Look out for more Mr Majeika adventures including: Mr Majeika and the School Trip Mr Majeika and the School Play Mr Majeika and the Lost Spell Book Mr Majeika and the Music Teacher Mr Majeika and the School Caretaker
Mr Majeika is the most magical teacher around! 'Sometimes, ' whispered Jody. 'I think school dinners would be all right if it wasn't for her.' Mrs Chipchase, the nasty dinner lady, makes lunch hour at St Barty's really unpleasant. That is, for everyone but her 'favourite friend', Hamish Bigmore. Up to his usual tricks, Hamish is allowed to eat chocolate instead of ghastly school dinners! Mr Majeika decides it's time to sort out the menu in his most magical way...! There are lots more Mr Majeika adventures to collect, including: Mr Majika and the Ghost Train Mr Majeika and the Lost Spell Book Mr Majeika and the Haunted Hotel Mr Majeika and the School Play Mr Majeika and the School Trip
Spike Milligan was one of our best-loved comics as well as one of our most original. In this first major assessment of Spike's life and career, the highly respected biographer Humphrey Carpenter has - through copious research and access to many of those closest to the great man - unearthed a character who could be as difficult and contradictory as he was generous and talented. The creator of The Goons was to influence a whole generation of comics, yet was never to feel fully valued. His periods of depression were matched by periods of high creativity - there were poems, novels, volumes of biography, as well as TV series and a one-man show as Spike searched for his best means of expression. There was also, as revealed here, his inveterate womanising. Married three times and with four children to whom he was devoted, two illegitimate children were to remain barely acknowledged, Detailing both his private and professional life, Humphrey Carpenter gives us the most revealing portrait yet of this highly complex genius.
Class Three has got a new computer and while exploring it, Mr Majeika manages to get the whole class trapped in the school website. Many adventures follow and Class Three meet bizarre characters before they can get out.
Music teacher? What music teacher?' The sudden arrival of a new music teacher throws St barty's School into confusion. Mysterious smells start coming from the staffroom and creepy-crawlies appear out of nowhere. The new arrival is, of course, Wilhelmina Worlock, a wicked witch with some nasty tricks. It's up to Mr Majeika to try to outwit her...
When Class Three and Mr Majeika go to the circus, it's definitely not as fun as they imagined. Everyone's a bit old, creaky and rubbish really! So when Mr Majeika casts a small spell to help the performers with their circus show, it's no surprise that Billy Balance, the slack rope walker, kidnaps Mr Majeika so that Mr Majeika can magically help him everytime! Things get worse whilst Mr majeika is trapped when Wilhelmina Worlock takes the opportunity to turn Class Three's classroom into a circus and the children spend all afternoon running away from lions and alligators! But Mr Majeika's magic saves the day, Class Three and the circus end up on the news and once again Mr Potter, the headmaster, misses it all!
When old Mr Jenks retires, St Barty's School advertises for a new caretaker. Unfortunately there's only one applicant - Hamish Bigmore's Uncle Wilf who is just as rude and bad-tempered as Hamish. When Mr Majeika is hurt in an accident it becomes clear that Uncle Wilf is working for the wickedest of witches, Wilhelmina Warlock! It's up to Mr Majeika to work his magic and put things right again.
More amazing adventures with Mr Majeika, the ex-wizard, turned teacher, and his class at St Barty's School. This time there's a trip down a magic river, a battle to save St Barty's from the wrecking ball, and work experience for Class Three.
Forty years ago, at the 1960 Edinburgh Festival, four young men - Peter Cook, Dudley Moore, Jonathan Miller and Alan Bennett - walked on to a stage and changed the face not merely of British comedy but of social attitudes in this country. BEYOND THE FRINGE was iconoclastic, fracturing the 'culture of deference' which had predominated in the 1950s. It was the forerunner of an explosion of satire which included The Establishment Club, PRIVATE EYE and the BBC's daring weekly satire show, THAT WAS THE WEEK THAT WAS. Award-winning biographer Humphrey Carpenter evokes the atmosphere of 60's Britain and the social and political conditions which enraged and inspired the satirists, and brings vibrantly alive this amusing but also key period of British cultural life.
The last thirty years have witnessed one of the most fertile periods in the history of children's books: the flowering of imaginative illustration and writing, the Harry Potter phenomenon, the rise of young adult and crossover fiction, and books that tackle extraordinarily difficult subjects. The Oxford Companion to Children's Literature provides an indispensable and fascinating reference guide to the world of children's literature. Its 3,500 entries cover every genre from fairy tales to chapbooks; school stories to science fiction; comics to children's hymns. Originally published in 1983, the Companion has been comprehensively revised and updated by Daniel Hahn. Over 900 new entries bring the book right up to date. A whole generation of new authors and illustrators are showcased, with books like Dogger, The Hunger Games, and Twilight making their first appearance. There are articles on developments such as manga, fan fiction, and non-print publishing, and there is additional information on prizes and prizewinners. This accessible A to Z is the first place to look for information about the authors, illustrators, printers, publishers, educationalists, and others who have influenced the development of children's literature, as well as the stories and characters at their centre. Written both to entertain and to instruct, the highly acclaimed Oxford Companion to Children's Literature is a reference work that no one interested in the world of children's books should be without.
Includes comprehension questions, vocabulary, and questions for class discussion, essays, and projects." Also includes chronology of Tolkien's life and quotations from The letters of J.R.R Tolkien, edited by Humphrey Carpenter and Christopher Tolkien.
A Great, Silly Grin opens at the 1960 Edinburgh Festival, where a staggeringly inspired satirical revue called Beyond the Fringe startled a public steeped in the polite, bland banality of the 1950s. From there it is a short trip to the coffee bars of London, where the appearance of a scruffy yellow pamphlet calling itself Private Eye overturned the way Britons looked at their world. The apotheosis of the satire boom, and the progenitor of so many American comedy acts, was the groundbreaking BBC television program "That Was the Week That Was," which combined elements of sketch comedy and evening-news broadcast to produce something essential, hilarious, and, on occasion, scandalous. Humphrey Carpenter's history of this tumultuous and exciting era introduces us not only to the people involved in its creation--Peter Cook, Dudley Moore, Michael Frayn, Jonathan Miller, Alan Bennett, and David Frost--but also their routines and sketches.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.