One day I blew my nose and half my brains came out." Los Angeles, 1976. David Bowie is holed up in his Bel-Air mansion, drifting into drug-induced paranoia and confusion. Obsessed with black magic and the Holy Grail, he's built an altar in the living room and keeps his fingernail clippings in the fridge. There are occasional trips out to visit his friend Iggy Pop in a mental institution. His latest album is the cocaine-fuelled Station To Station (Bowie: "I know it was recorded in LA because I read it was"), which welds R&B rhythms to lyrics that mix the occult with a yearning for Europe, after three mad years in the New World. Bowie has long been haunted by the angst-ridden, emotional work of the Die Brucke movement and the Expressionists. Berlin is their spiritual home, and after a chaotic world tour, Bowie adopts this city as his new sanctuary. Immediately he sets to work on Low, his own expressionist mood-piece.
Hugo Wilcken's first novel, The Execution—a taut, psychological mystery about an average person who commits an accidental murder—got the kind of rave reviews authors dream of: He was compared to Camus and Hitchcock. Now, in his second novel, The Reflection, the comparisons seem even more appropriate: It's a smart, creepy, steadily absorbing mystery about an average law-abiding citizen who finds himself inexplicably caught up in a case of mistaken identities—with one of his own patients. When psychiatrist David Manne is asked by a friend who's a New York City Police detective to consult on an unusual case, he finds himself being asked to evaluate a criminal who's the exact opposite of himself—an uneducated laborer from the Midwest who seems overwhelmed by modern day Manhattan circa 1948. But when that laborer tells David that he's not who the police say he is, David slowly begins to believe it may be true Unable to stop himself, David begins to look into how the police handle the man, and the hospital they take him to . . . and begins to suspect that the man is caught up in some kind of secret governmental medical testing. Realizing he's got to rescue his patient, David quickly finds himself battling forces that seem to be even bigger than he suspected, and that now have him in their sights. When he suddenly finds himself caught with a patient's i.d. papers on him, he decides on a risky course that seems his only way out: To change his identity, and enter even deeper into the conspiracy, if he's to find out how to escape it. Written in relentlessly probing prose with a delicious plot complication seemingly on every page, this is one of the most thought-provoking, chilling, and suspenseful novels you'll ever read.
Los Angeles, 1976. David Bowie is holed up in his Bel-Air mansion, drifting into drug-induced paranoia and confusion. Obsessed with black magic and the Holy Grail, he's built an altar in the living room and keeps his fingernail clippings in the fridge. There are occasional trips out to visit his friend Iggy Pop in a mental institution. His latest album is the cocaine-fuelled Station To Station (Bowie: "I know it was recorded in LA because I read it was"), which welds R&B rhythms to lyrics that mix the occult with a yearning for Europe, after three mad years in the New World. Bowie has long been haunted by the angst-ridden, emotional work of the Die Brucke movement and the Expressionists. Berlin is their spiritual home, and after a chaotic world tour, Bowie adopts this city as his new sanctuary. Immediately he sets to work on Low, his own expressionist mood-piece.
From the author of the existential thriller ‘The Execution’ comes ‘Colony’, a novel set in French Guiana as the age of Empire draws to a close and anarchy beckons.
Los Angeles, 1976. David Bowie is holed up in his Bel-Air mansion, drifting into drug-induced paranoia and confusion. Obsessed with black magic and the Holy Grail, he's built an altar in the living room and keeps his fingernail clippings in the fridge. There are occasional trips out to visit his friend Iggy Pop in a mental institution. His latest album is the cocaine-fuelled Station To Station (Bowie: "I know it was recorded in LA because I read it was"), which welds R&B rhythms to lyrics that mix the occult with a yearning for Europe, after three mad years in the New World. Bowie has long been haunted by the angst-ridden, emotional work of the Die Brucke movement and the Expressionists. Berlin is their spiritual home, and after a chaotic world tour, Bowie adopts this city as his new sanctuary. Immediately he sets to work on Low, his own expressionist mood-piece.
From the author of the existential thriller ‘The Execution’ comes ‘Colony’, a novel set in French Guiana as the age of Empire draws to a close and anarchy beckons.
Hugo Wilcken's first novel, The Execution—a taut, psychological mystery about an average person who commits an accidental murder—got the kind of rave reviews authors dream of: He was compared to Camus and Hitchcock. Now, in his second novel, The Reflection, the comparisons seem even more appropriate: It's a smart, creepy, steadily absorbing mystery about an average law-abiding citizen who finds himself inexplicably caught up in a case of mistaken identities—with one of his own patients. When psychiatrist David Manne is asked by a friend who's a New York City Police detective to consult on an unusual case, he finds himself being asked to evaluate a criminal who's the exact opposite of himself—an uneducated laborer from the Midwest who seems overwhelmed by modern day Manhattan circa 1948. But when that laborer tells David that he's not who the police say he is, David slowly begins to believe it may be true Unable to stop himself, David begins to look into how the police handle the man, and the hospital they take him to . . . and begins to suspect that the man is caught up in some kind of secret governmental medical testing. Realizing he's got to rescue his patient, David quickly finds himself battling forces that seem to be even bigger than he suspected, and that now have him in their sights. When he suddenly finds himself caught with a patient's i.d. papers on him, he decides on a risky course that seems his only way out: To change his identity, and enter even deeper into the conspiracy, if he's to find out how to escape it. Written in relentlessly probing prose with a delicious plot complication seemingly on every page, this is one of the most thought-provoking, chilling, and suspenseful novels you'll ever read.
This collection of significant literary studies by an older generation of influential scholars makes available some often neglected insights into the books of Samuel as works of literature. The studies are of perhaps surprising relevance to recent literary investigations of the Hebrew Bible. The contributors are: Hugo Gressmann, 'The Oldest History-writing and Prophecy of Israel' (Introduction, and studies of various individual narratives in Samuel); Wilhelm Caspari, 'The Literary Type and Historical Value of 2 Samuel 15-20'; Bernard Luther, 'The Novelle of Judah and Tamar and other Israelite Novellen'; Alfons Schultz, 'Narrative Art in the Books of Samuel'.
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