The "Catechism of Musical Instruments," while dealing primarily with the compass, the technical possibilities, and the aesthetic effects of the single instruments, concerns itself also with the more important and usual combinations of instruments into special contrasting groups (strings, wood wind, brass), and makes occasional references to the role these groups as well as the single instruments play in the Orchestra and the Ensemble. It is thus the subtitle "Guide to Instrumentation" is justified. If, therefore, in the present little volume I give a special introduction to Instrumentation, a few explanatory remarks may be required. In the first instance, then, it is easy to see that the fundamental difference of arrangement, the diversity in the starting point and in the total treatment of the material, makes this book a kind of practical application and proof of the former." [...] Reprint of the great work by Hugo Riemann, initally published in 1900.
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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Alexander Wheelock Thayer's Life of Beethoven. has long been recognized as the classic biography of Beethoven. "Thayer, with his calm and logical mind, scrupulous, magnanimous and spacious...had set out to describe for posterity the great man as he was and lived...and his patient realism and all but inexhaustible industry had created an irreplaceable and masterly portrait." So Van Wyck Brooks described this monumental work of the 1880's. Thayer talked with Beethoven's surviving friends, gathered anecdotes, and sifted hundreds of documents. The resulting wealth of detail stimulated other students, and a mass of Beethoven scholarship appeared. Now Elliot Forbes, one of the foremost Beethoven scholars of our time, has used this new material to bring the Life up to elate without sacrificing Thayer's text.
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