This book gathers and updates the most significant advances of the last two centuries and presents an unprecedented micro paleontological study covering more than 20 stratigraphic sections. This information is supplemented by numerous sedimentological observations and analyses, on the basis of which a new lithostratigraphic framework for the Neogene of the Chacoparanense Basin is proposed. The book is structured in an easy-to-read format: Its main section offers a comprehensive review of the current state of knowledge on transgressions in Argentina and similar transgressions in other South American countries, taking into account various key aspects (age, paleoenvironment, micropaleontology, etc.). Secondly, the book presents the main results on the TLP and TEP of the Chacoparanense Basin and the TEP of the Península de Valdés. Lastly, it provides readers with complete stratigraphic profiles (Appendix A), mineralogical analyses (Appendix B), distribution charts (Appendix C), systematics (Appendix D) and plates (Appendix E).
The drama 'Hernani' tells the story of Doña Sol, the sun of Madrid, who is loved by Don Carlos, king of Spain, by the old duke, Ruy Gomez, and by Hernani, leader of the revolutionists, upon whose head a price is set. Doña Sol loves only Hernani; she receives him secretly at night in the house of her guardian, Ruy Gomez, to whom she is betrothed. She proposes to flee with her lover before the marriage takes place. She declares that she knows not whether he is her demon or her angel, but that she is his slave and will follow him wherever he goes. The king, Don Carlos, who is concealed in a closet, hears this avowal, and appears. At the moment when the two rivals cross their swords, Ruy Gomez enters the room. He recognizes his sovereign, who spares Hermani, saying that he belongs to his suite ...
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The story is a dramatic episode of the revolt of the blacks of St. Domingo in 1791. Bug-Jargal, the hero, is a negro, a slave in the household of a planter. He is secretly in love with his master's daughter, a poetic child, betrothed to her cousin, Leopold d'Auverney. The latter saves the life of Bug-Jargal, who is condemned to death for an act of rebellion. When the great revolt breaks out, and the whole island is in flames, Bug-Jargal protects the young girl, and saves the life of her lover. He even conducts D'Auverney to her he loves, and then, in the fullness of sublime abnegation, he surrenders himself to the whites, who shoot him dead.
Mówić o Napoleonie oznacza konfrontację z gigantem. Jak zwykły nastolatek pochodzący z Korsyki, niski, wątły, bardzo zwyczajny pod względem fizycznym, w ciągu dwóch dekad, mógł zostać najpierw konsulem, potem cesarzem Francji, a następnie postrachem całej Europy? Używając słów Manzoniego, od Alp po piramidy, od Manzanares po Ren, dominacja Napoleona Bonaparte była naprawdę niepowtarzalna. Będąc przywódcą Francji, reszta Europy jednoczyła się przeciwko niemu wiele razy, w niezliczonych koalicjach, przerażonych łatwością, z jaką ten człowiek był w stanie unicestwić wrogie armie, wyśmiać strategie przeciwnika, zaburzyć równowagę całego kontynentu. Nawet porażka w Lipsku i pierwsze wygnanie nie zdołały złamać jego charakteru. Napoleon był prawdziwym geniuszem wojskowym, być może jako jedyny w historii ludzkości, a na polach bitew Marengo lub Austerlitz zapisał nieścieralne karty historii, których przeznaczeniem była nieśmiertelność. Ale był również człowiekiem, który właśnie dążąc do zdobycia chwały, poświęcił setki tysięcy europejskich żołnierzy, plamiąc krwią cały kontynent, jak nikt nigdy dotąd w historii ludzkości. Giancarlo Villa - rzymianin, urodzony w 1988 roku, pisarz, dziennikarz, alpinista. Zajmuje się kwestiami ochrony środowiska i zrównoważonego rozwoju. Jest autorem dwóch powieści: „La Spada di Falkerith" (2016) oraz „The Hero of the Glacier" (2019). Opublikował także esej historyczny „Dalla Scoperta del Nuovo Mondo alla Ricerca del Passaggio a Nord Ovest" (2017). Kieruje kampanią dotyczącą ponownego zalesiania nieuprawianych i opuszczonych terenów. Lucas Pavetto - urodzony w Argentynie, skąd wyprowadził się w młodym wieku. Od najmłodszych lat wykazywał szczególne uzdolnienia w zakresie muzyki i malarstwa figuratywnego. Ukończył instytut sztuki w Urbino, gdzie studiował animację rysunkową i wyspecjalizował się w narracji komiksowej. Zaczął pracować w kinematografii jako reżyser, autor i scenarzysta własnych filmów.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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