Noting that Israel's earliest responses to earth-shaking changes were cast in the powerfully expressive language of poetry, Hugh R. Page Jr. argues that the careful collection and preservation of these traditions was an act of resistance, a communal no to the forces of despair and a yes to the creative power of the Spirit. Further, Page argues, the power of these poems to craft and shape a future for a people who had suffered acute displacement and marginalization offers a rich spiritual repertoire for Africana peoples today, and for all who find themselves perennially outside the social or political mainstream.
This concise commentary on the Historical Writings, excerpted from the Fortress Commentary on the Bible: The Old Testament and Apocrypha, engages readers in the work of biblical interpretation. Contributors from a rich diversity of perspectives connect historical-critical analysis with sensitivity to current theological, cultural, and interpretive issues. Introductory articles describe the challenges of reading the Old Testament in ancient and contemporary contexts, relating the biblical theme of “the people of God” to our complex, multicultural world, and reading the Old Testament as Christian Scripture, followed by a survey of “Themes and Perspectives in the Historical Writings.” Each chapter (Joshua through Esther) includes an introduction and commentary on the text through the lenses of three critical questions: The Text in Its Ancient Context. What did the text probably mean in its original historical and cultural context? The Text in the Interpretive Tradition. How have centuries of reading and interpreting shaped our understanding of the text? The Text in Contemporary Discussion. What are the unique challenges and interpretive questions that arise for readers and hearers of the text today? The Historical Writings introduces fresh perspectives and draws students, as well as preachers and
This concise commentary, excerpted from the Fortress Commentary on the Bible: The Old Testament and Apocrypha, engages readers in the work of biblical interpretation. Contributors connect historical-critical analysis with sensitivity to current theological, cultural, and interpretive issues. Introductory articles describe the challenges of reading the Old Testament in ancient and contemporary contexts, relating the biblical theme of “the people of God” to our complex, multicultural world, and reading the Old Testament as Christian Scripture, followed by a survey of “Introduction to Wisdom and Worship: Themes and Perspectives in the Poetic Writings.” Each chapter (Job through Song of Songs) includes an introduction and commentary on the text through the lenses of three critical questions: The Text in Its Ancient Context. What did the text probably mean in its original historical and cultural context? The Text in the Interpretive Tradition. How have centuries of reading and interpreting shaped our understanding of the text? The Text in Contemporary Discussion. What are the unique challenges and interpretive questions that arise for readers and hearers of the text today? Wisdom, Worship, and Poetry introduces fresh perspectives and draws students, as well as preachers and interested readers, into the challenging work of interpretation.
This concise commentary on the Pentateuch, excerpted from the Fortress Commentary on the Bible: The Old Testament and Apocrypha, engages readers in the work of biblical interpretation. Contributors from a rich diversity of perspectives connect historical-critical analysis with sensitivity to current theological, cultural, and interpretive issues. Introductory articles describe the challenges of reading the Old Testament in ancient and contemporary contexts, relating the biblical theme of “the people of God” to our complex, multicultural world, and reading the Old Testament as Christian Scripture, followed by a survey of “Themes and Perspectives in the Torah: Creation, Kinship, and Covenant.” Each chapter (Genesis through Deuteronomy) includes an introduction and commentary on the text through the lenses of three critical questions: The Text in Its Ancient Context. What did the text probably mean in its original historical and cultural context? The Text in the Interpretive Tradition. How have centuries of reading and interpreting shaped our understanding of the text? The Text in Contemporary Discussion. What are the unique challenges and interpretive questions that arise for readers and hearers of the text today? The Pentateuch introduces fresh perspectives and draws students, as well as preachers and interested readers, into the challenging work of interpretation.
This volume explores a number of instances of unexpected but influential readings of the Bible in popular culture, literature, film, music and politics. The argument in all of them is that the effects of the Bible continues to have an effect on contemporary culture in ways that may surprise and sometimes dismay both religious and secular groups. That the Bible was at one time chained in churches is true. The subversive misreading of this enchainment as a symbol of a book in captivity to the established church is hard to suppress, however. Yet, once released from these chains, the Bible proves to be a text that gets everywhere and which undergoes surprising and sometimes contradictory metamorphoses. The pious advocates of making the Bible accessible who sought to free it from the churches' chains are the very people who then decry some of the results when the Bible is free to roam.
The volume examines reflexes of a West Semitic myth describing an attempted coup against the high god of the pantheon. Some scholars consider it to be the ancient precursor of the Satan myth found in Jewish, Christian, and Islamic traditions.
Noting that Israel's earliest responses to earth-shaking changes were cast in the powerfully expressive language of poetry, Hugh R. Page Jr. argues that the careful collection and preservation of these traditions was an act of resistance, a communal no to the forces of despair and a yes to the creative power of the Spirit. Further, Page argues, the power of these poems to craft and shape a future for a people who had suffered acute displacement and marginalization offers a rich spiritual repertoire for Africana peoples today, and for all who find themselves perennially outside the social or political mainstream.
This volume examines reflexes of a West Semitic myth describing an attempted coup against the high god of the pantheon. In 1939, J. Morgenstern theorized that this myth was the precursor of the Satan traditions found in Jewish and Christian sources. This treatment (1) reconsiders Morgenstern's hypothesis, (2) reviews scholarship on this myth of cosmic rebellion within the W.F. Albright/F.M. Cross, Jr. lineage, (3) compiles a concordance of texts cited by scholars in analyzing the myth, (4) considers the possibility that Athtar is the myth's divine antihero, (5) provides a translation and close reading of selected Ugaritic and Hebrew texts that have informed discussion about the myth, (6) reassesses the value of these texts, and (7) provides a reconstruction of the myth.
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