With their searing colors and compelling images, the paintings of Francis Bacon are among the most powerful, and the most poignant, to be made in the twentieth century. During his sixty-odd years as a painter Francis Bacon fearlessly tackled the unruly imagery of life, remaining defiantly committed to giving "this purposeless existence a meaning." His insistence on depicting the mysteries of human experience had been rare in an age dominated by abstraction. Now, with the international resurgence of figurative imagery, the pivotal importance of his work has become more obvious than ever before. The power and magnitude of his life's work are vividly conveyed by this thorough evaluation written by Hugh Davies and Sally Yard. Born in Dublin, as a teenager Bacon moved to London, where he worked as an interior designer and taught himself to paint. Responding to influences as diverse as Michelangelo and the photographer Muybridge, he has created a motion-filled style uniquely his own. Fascinated by the challenge of capturing what he calls "the mysteries of appearance," Bacon confronts us with emotional images that demand an emotional response. About Abbeville's Modern Masters series: With informative, enjoyable texts and over 100 illustrations—approximately 48 in full color—this innovative series offers a fresh look at the most creative and influential artists of the postwar era. The authors are highly respected art historians and critics chosen for their ability to think clearly and write well. Each handsomely designed volume presents a thorough survey of the artists life and work, as well as statements by the artist, an illustrated chapter on technique, a chronology, lists of exhibitions and public collections, an annotated bibliography, and an index. Every art lover, from the casual museum goer to the serious student, teacher, critic, or curator, will be eager to collect these Modern Masters. And with such a low price, they can afford to collect them all.
With their searing colors and compelling images, the paintings of Francis Bacon are among the most powerful, and the most poignant, to be made in the twentieth century. During his sixty-odd years as a painter Francis Bacon fearlessly tackled the unruly imagery of life, remaining defiantly committed to giving "this purposeless existence a meaning." His insistence on depicting the mysteries of human experience had been rare in an age dominated by abstraction. Now, with the international resurgence of figurative imagery, the pivotal importance of his work has become more obvious than ever before. The power and magnitude of his life's work are vividly conveyed by this thorough evaluation written by Hugh Davies and Sally Yard. Born in Dublin, as a teenager Bacon moved to London, where he worked as an interior designer and taught himself to paint. Responding to influences as diverse as Michelangelo and the photographer Muybridge, he has created a motion-filled style uniquely his own. Fascinated by the challenge of capturing what he calls "the mysteries of appearance," Bacon confronts us with emotional images that demand an emotional response. About Abbeville's Modern Masters series: With informative, enjoyable texts and over 100 illustrations—approximately 48 in full color—this innovative series offers a fresh look at the most creative and influential artists of the postwar era. The authors are highly respected art historians and critics chosen for their ability to think clearly and write well. Each handsomely designed volume presents a thorough survey of the artists life and work, as well as statements by the artist, an illustrated chapter on technique, a chronology, lists of exhibitions and public collections, an annotated bibliography, and an index. Every art lover, from the casual museum goer to the serious student, teacher, critic, or curator, will be eager to collect these Modern Masters. And with such a low price, they can afford to collect them all.
A pivotal influence in contemporary art, Robert Irwin's work investigates perception and phenomenological experience through sculptural and installation works that engage directly with a location's physical conditions. In the late 1960s, Irwin's early pieces helped to define the aesthetics of the West Coast Light and Space movement. In 1970, Irwin abandoned his studio-based art and stripped away all of his conceptions about art-making, until only those two criteria truly did remain: light and space. By the 1980s, he had evolved guidelines for how a site-based art could proceed, and, in a seminal 1986 statement, he laid out approaches for "site dominant," "site adjusted," "site specific" or "site conditioned" art--terms that are still essential today. "Robert Irwin: Primaries and Secondaries" spans five decades of the artist's work. Produced to accompany the largest exhibition of Irwin's work since 1993, it includes five of his most recent installation works, four of which were created specifically for MCASD--and features a DVD documentary of the exhibition installation, plus five essays from the artist's distinguished theoretical output.
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