Man Should Rejoice is one of two hitherto unpublished novels by acclaimed novelist Hugh MacLennan. Completed in 1937 and left unpublished due to economic conditions during the Great Depression, it lay in the McGill archives until now. This critical edition of Man Should Rejoice , which is also the first-ever publication of the work, is comprised of a critical introduction, a bibliography of published and unpublished sources, a fully-edited text based on a typescript of the novel, a list of textual emendations, and explanatory notes. The introduction draws upon extensive research undertaken in three Canadian archival collections located in Montreal and Calgary. It provides relevant historical, cultural, and biographical context for the novel. From hundreds of archival documents, Colin Hill reconstructs a textual history of the novel’s production that acknowledges the crucial contribution of Dorothy Duncan, who heavily revised the text and assisted MacLennan behind the scenes. Hill also explores the critical reception of MacLennan’s fiction from the 1930s to the present. This book is published in English. - Man Should Rejoice est un des deux romans inédits du grand romancier Hugh MacLennan. Terminé en 1937, il fut victime de la Grande Crise et fut conservé dans les archives de McGill jusqu’à maintenant. Cette édition critique de Man Should Rejoice comprend une introduction critique, une bibliographie des sources publiées et non publiées, le texte révisé tiré d’un tapuscrit du roman, une liste des emendations textuelles, et des notes explicatives. L’introduction, qui repose sur des recherches archivistiques poussées de trois collections canadiennes situées à Montréal et à Calgary, fournit le contexte historique, culturel et biographique du roman. Colin Hill érige l’histoire textuelle de l’écriture de ce roman à partir de centaines de documents d’archives qui jettent la lumière sur la contribution clé de Dorothy Duncan, qui a révisé en profondeur le texte et a aidé MacLennan en coulisses. Il explore par ailleurs la réception critique de la fiction de MacLennan, des années 1930 jusqu’à aujourd’hui. Ce livre est publié en anglais.
Man Should Rejoice is one of two hitherto unpublished novels by acclaimed novelist Hugh MacLennan. Completed in 1937 and left unpublished due to economic conditions during the Great Depression, it lay in the McGill archives until now. This critical edition of Man Should Rejoice , which is also the first-ever publication of the work, is comprised of a critical introduction, a bibliography of published and unpublished sources, a fully-edited text based on a typescript of the novel, a list of textual emendations, and explanatory notes. The introduction draws upon extensive research undertaken in three Canadian archival collections located in Montreal and Calgary. It provides relevant historical, cultural, and biographical context for the novel. From hundreds of archival documents, Colin Hill reconstructs a textual history of the novel’s production that acknowledges the crucial contribution of Dorothy Duncan, who heavily revised the text and assisted MacLennan behind the scenes. Hill also explores the critical reception of MacLennan’s fiction from the 1930s to the present. This book is published in English. - Man Should Rejoice est un des deux romans inédits du grand romancier Hugh MacLennan. Terminé en 1937, il fut victime de la Grande Crise et fut conservé dans les archives de McGill jusqu’à maintenant. Cette édition critique de Man Should Rejoice comprend une introduction critique, une bibliographie des sources publiées et non publiées, le texte révisé tiré d’un tapuscrit du roman, une liste des emendations textuelles, et des notes explicatives. L’introduction, qui repose sur des recherches archivistiques poussées de trois collections canadiennes situées à Montréal et à Calgary, fournit le contexte historique, culturel et biographique du roman. Colin Hill érige l’histoire textuelle de l’écriture de ce roman à partir de centaines de documents d’archives qui jettent la lumière sur la contribution clé de Dorothy Duncan, qui a révisé en profondeur le texte et a aidé MacLennan en coulisses. Il explore par ailleurs la réception critique de la fiction de MacLennan, des années 1930 jusqu’à aujourd’hui. Ce livre est publié en anglais.
The Precipice is the sweeping story of Lucy Cameron, a young woman who seems destined to live and die in small-town Ontario. Into this place of monotony and petty incidents, of spiteful gossip and rigid moralism, appears Stephen Lassiter. Stephen is a Princeton-educated engineer from a wealthy New York family and Lucy's antithesis. Despite the chasm of their differences, they fall in love, marry, and begin life together in New York during the distressing years of the Second World War. It is a life that will nearly break Lucy in heart and spirit, however, as her husband faces disillusionment in his job and boredom in the serenity of his home life. While Stephen looks for excitement and approval elsewhere, Lucy must fight to retain her poise and dignity in order to survive. With its sustained contrast between the crushing deadness of small-town life and the glittering artificiality of New York City, MacLennan's third novel revealed a new level of maturity when it first appeared in 1948. A classic now back in print, with an introduction by renowned scholar and MacLennan biographer Elspeth Cameron, this timeless story portrays characters with a realism and fascination that is as rare as it is effective.
A student at McGill in the mid-1950s, Marian Engel wrote her M.A. thesis under the direction of Hugh MacLennan. Their work together became the basis of a correspondence, the MacLennan half of which survives and is detailed here. Both personal and professional in nature, MacLennan's letters to Engel provide fascinating insights into his life's pursuit of writing and offer another glimpse of the author of Two Solitudes.
Dan Ainslie, a brilliant doctor working with the miners of his native Cape Breton Island, is forty-two and deeply in love with his wife. Longing for the son he can never have, he comes to love the young Alan MacNeil, whose father deserted him and his mother several years before. Alan's father's return brings tragedy to those around him.
In 2030, an old man who has survived the holocaustic destruction of civilization in the 1980's illuminates the events of the past by portraying the lives of his cousin, a journalist during the 1970 war measures act, and his stepfather, a German caught up in the madness of the Hitler era.
Winner of the Governor General’s Award for Fiction Canada Reads Selection (CBC), 2013 A landmark of nationalist fiction, Hugh MacLennan’s Two Solitudes is the story of two peoples within one nation, each with its own legend and ideas of what a nation should be. In his vivid portrayals of human drama in First World War–era Quebec, MacLennan focuses on two individuals whose love increases the prejudices that surround them until they discover that “love consists in this, that two solitudes protect, and touch and greet each other.” The novel centres around Paul Tallard and his struggles in reconciling the differences between the English identity of his love Heather Methuen and her family, and the French identity of his father. Against this backdrop the country is forming, the chasm between French and English communities growing deeper. Published in 1945, the novel popularized the use of “two solitudes” as referring to a perceived lack of communication between English- and French-speaking Canadians. Content note: This book contains racial slurs that readers may find offensive or upsetting.
Set in Montreal and Ottawa, this book continues the story of Alan Ainslie, idealist, patriot and intellectual, who has a special insight into Russian policy. This time, however, the theme is the conflict between Ainslie and his son Daniel, a young Quebec separatist.
George and Catherine Stewart share not only the burden of Catherine's heart disease, which could cause her death at any time, but the memory of Jerome Martell, her first husband and George's closest friend. Martel, a brilliant doctor passionately concerned with social justice, is presumed to have died in a Nazi prison camp. His sudden return to Montreal precipitates the central crisis of the novel. Hugh MacLennan takes the reader into the lives of his three characters and back into the world of Montreal in the thirties, when politics could send an idealist across the world to Spain, France, Auschwitz, Russia, and China before his return home.
Hugh MacLennan's first novel is a compelling romance set against the horrors of wartime and the catastrophic Halifax Explosion of December 6, 1917, now available as a Penguin Modern Classic. In the winter of 1917, Penelope Wain is convinced her love, Neil Macrae, is dead--killed in action while serving overseas. That he apparently died in disgrace does not alter her love for the soldier who, unbeknownst to her, has returned to Halifax to clear his name, only days before a catastrophic explosion in the Harbour will forever change their lives.
Dan Ainslie, a brilliant doctor working with the miners of his native Cape Breton Island, is forty-two and deeply in love with his wife. Longing for the son he can never have, he comes to love the young Alan MacNeil, whose father deserted him and his mother several years before. Alan's father's return brings tragedy to those around him.
Hugh MacLennan's first novel is a compelling romance set against the horrors of wartime and the catastrophic Halifax Explosion of December 6, 1917, now available as a Penguin Modern Classic. In the winter of 1917, Penelope Wain is convinced her love, Neil Macrae, is dead--killed in action while serving overseas. That he apparently died in disgrace does not alter her love for the soldier who, unbeknownst to her, has returned to Halifax to clear his name, only days before a catastrophic explosion in the Harbour will forever change their lives.
In the 1980s the Bureaucracy eliminated all knowledge of the past in the wake of a nuclear holocaust. In 2030 André Gervais discovers two metal boxes containing manuscripts, diaries, and other personal papers that have somehow survived and asks an old man, John Wellfleet, to use these documents to discover the past. In doing so, Wellfleet learns the truth about two relatives: his older cousin Timothy Wellfleet, a Montreal TV journalist at the time of the 1970 War Measures Act, and his stepfather, Conrad Dehmel, a German scholar struggling to keep his Jewish fiancée and himself safe from Hitler's Gestapo. Hugh MacLennan skillfully juxtaposes the insanity of life in Nazi Germany, the political climate of Montreal in the 1960s, and the perspective of an old man looking back on the conditions that led to world destruction as the background to an unforgettable love story.
Winner of the Governor General’s Award for Fiction Canada Reads Selection (CBC), 2013 A landmark of nationalist fiction, Hugh MacLennan’s Two Solitudes is the story of two peoples within one nation, each with its own legend and ideas of what a nation should be. In his vivid portrayals of human drama in First World War–era Quebec, MacLennan focuses on two individuals whose love increases the prejudices that surround them until they discover that “love consists in this, that two solitudes protect, and touch and greet each other.” The novel centres around Paul Tallard and his struggles in reconciling the differences between the English identity of his love Heather Methuen and her family, and the French identity of his father. Against this backdrop the country is forming, the chasm between French and English communities growing deeper. Published in 1945, the novel popularized the use of “two solitudes” as referring to a perceived lack of communication between English- and French-speaking Canadians. Content note: This book contains racial slurs that readers may find offensive or upsetting.
Penelope Wain believes that her lover, Neil Macrae, has been killed while serving overseas under her father. That he died apparently in disgrace does not alter her love for him, even though her father is insistent on his guilt. What neither Penelope or her father knows is that Neil is not dead, but has returned to Halifax to clear his name. Hugh MacLennan’s first novel is a compelling romance set against the horrors of wartime and the catastrophic Halifax Explosion of December 6, 1917. From the Paperback edition.
George and Catherine Stewart share not only the burden of Catherine's heart disease, which could cause her death at any time, but the memory of Jerome Martell, her first husband and George's closest friend. Martel, a brilliant doctor passionately concerned with social justice, is presumed to have died in a Nazi prison camp. His sudden return to Montreal precipitates the central crisis of the novel. Hugh MacLennan takes the reader into the lives of his three characters and back into the world of Montreal in the thirties, when politics could send an idealist across the world to Spain, France, Auschwitz, Russia, and China before his return home.
A student at McGill in the mid-1950s, Marian Engel wrote her M.A. thesis under the direction of Hugh MacLennan. Their work together became the basis of a correspondence, the MacLennan half of which survives and is detailed here. Both personal and professional in nature, MacLennan's letters to Engel provide fascinating insights into his life's pursuit of writing and offer another glimpse of the author of Two Solitudes.
Set in Montreal and Ottawa, this book continues the story of Alan Ainslie, idealist, patriot and intellectual, who has a special insight into Russian policy. This time, however, the theme is the conflict between Ainslie and his son Daniel, a young Quebec separatist.
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