Soon Come celebrates Jamaican poetry as an expression and extension of the island's rich spiritual traditions, offering fresh insights into some of the late twentieth century's most important and influential poetry. Drawing inspiration from the history of Myal, Kumina, Revivalism, and Rastafari, Hodges develops a critical language for the discussion of a wide range of Jamaican texts, both oral and written. Beginning with traditional proverbs and Anancy stories, Soon Come explores healing rituals, possession rites, and miracles in Revival hymns; the seminal poetry of Claude McKay, Una Marson, and Louise Bennett; the Rastafari-influenced reggae of Bob Marley, Jimmy Cliff, Bunny Wailer, and Ras Michael; the dub poetry of Linton Kwesi Johnson and Mutabaruka; and the groundbreaking work of Dennis Scott, Anthony McNeill, and Lorna Goodison. What emerges is a profoundly hopeful vision of Jamaican poetry as an ongoing ritual that engenders the future even as it reimagines the past. Written in a lively, accessible style, Soon Come will appeal as much to the general reader as to the academic, to the serious Bob Marley fan as much as to the student of New World religious traditions.
This is the late 1970s and ’80s as explained through the urgent and still-relevant songs of the Clash, the Specials, the Au Pairs, the Style Council, the Pet Shop Boys, and nearly four hundred other bands and solo artists. Each chapter presents a mixtape (or playlist) of songs related to an alarming feature of Thatcher’s Britain, followed by an analysis of the dialogue these artists created with the Thatcherite vision of British society. “Tell us the truth,” Sham 69 demanded, and pop music, however improbably, did. It’s a furious and sardonic account of dark times when pop music raised a dissenting fist against Thatcher’s fascist groove thing and made a glorious, boredom-smashing noise. Bookended with contributions by Dick Lucas and Boff Whalley as well as an annotated discography, The Fascist Groove Thing presents an original and polemical account of the era.
Readers everywhere will enjoy this new collection from one of North Carolina's most beloved photographers showcasing his signature wildlife and nature shots, along with some of his favorite pictures of people and events. Includes 145 color and 17 black & white photographs.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Facing Armageddon is the first scholarly work on the 1914-18 War to explore, on a world-wide basis, the real nature of the participants experience. Sixty-four scholars from all over the globe deliver the fruits of recent research in what civilians and servicemen passed through, in the air, on the sea and on land.
Under an alphabetical list of relevant terms, names and concepts, the book reviews current knowledge of the character and operation of theatres in Shakespeare's time, with an explanation of their origins>
[Includes 14 maps and 96 photos] During most of the eleven months between D-day and V-E day, the U.S. Army was carrying on highly successful offensive operations. As a consequence, the American soldier was buoyed with success, imbued with the idea that his enemy could not strike him a really heavy counterblow...Then, unbelievably, and under the goad of Hitler’s fanaticism, the German Army launched its powerful counteroffensive in the Ardennes in Dec. 1944 with the design of knifing through the Allied armies and forcing a negotiated peace. The mettle of the American soldier was tested in the fires of adversity and the quality of his response earned for him the right to stand shoulder to shoulder with his forebears of Valley Forge, Fredericksburg, and the Marne. This is the story of how the Germans planned and executed their offensive. It is the story of how the high command, American and British, reacted to defeat the German plan once the reality of a German offensive was accepted. But most of all it is the story of the American fighting man and the manner in which he fought a myriad of small defensive battles until the torrent of the German attack was slowed and diverted, its force dissipated and finally spent. It is the story of squads, platoons, companies, and even conglomerate scratch groups that fought with courage, with fortitude, with sheer obstinacy, often without information or communications or the knowledge of the whereabouts of friends... In recreating the Ardennes battle, the author has penetrated "the fog of war" as well as any historian can hope to do. No other volume of this series treats as thoroughly or as well the teamwork of the combined arms-infantry and armor, artillery and air, combat engineer and tank destroyer-or portrays as vividly the starkness of small unit combat. Every thoughtful student of military history, but most especially the student of small unit tactics, should find the reading of Dr. Cole’s work a rewarding experience.
The complete story of how the German Enigma codes were broken. Perfect for fans of THE IMITATION GAME, the new film on Alan Turing's Enigma code, starring Benedict Cumberbatch. Breaking the German Enigma codes was not only about brilliant mathematicians and professors at Bletchley Park. There is another aspect of the story which it is only now possible to tell. It takes in the exploits of spies, naval officers and ordinary British seamen who risked, and in some cases lost, their lives snatching the vital Enigma codebooks from under the noses of Nazi officials and from sinking German ships and submarines. This book tells the whole Enigma story: its original invention and use by German forces and how it was the Poles who first cracked - and passed on to the British - the key to the German airforce Enigma. The more complicated German Navy Enigma appeared to them to be unbreakable.
For many years students who took courses in social development had no text available for their use. Those of us who instructed them had to rely on assigning journal articles to be read and providing an overview and syn thesis of the area in our lectures. In the last few years, the situation has changed markedly. There are now several very good textbooks that fill the void, reflecting an increasing interest in this area of research and theory. Here is one more. There are many ways to tell a story. Our book, we think, tells it dif ferently enough to have made it worth the writing. As we began to talk, some time ago, about undertaking this project, we found we had a mutual interest in trying to present the study of social development from a histori cal point of view. The field has changed dramatically from its inception, and we have both been in it long enough to have witnessed first-hand a number of these changes. Modifications of theoretical orientations and the de velopment of increasingly sophisticated and rigorous methodology have brought with them the stimulation of controversy and growth, as social developmental psychologists argued about the best ways of going about their business. Certainly the same things have happened in other areas of psychology, but the arguments seem to have been particularly vigorous in our own domain.
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