Skippy Dare, now orphaned, is hoping to become a detective. He figures out a way to meet with the great detective Carlton Conne. Does Skippy convince Conne to hire him? Why is Skippy kidnapped? Does he escape, or does he meet a grisly fate deep in the swampy waters of Devil’s Bog?
12 tales featuring boy detectives, from Mark Twain's "Tom Sawyer, Dective" to entries in the Mercer Boys, Ken Holt, Hal Keene, and Skippy Dare series, and lots more -- over 1,400 pages of great reading! Here are: THE MERCER BOYS AT WOODCREST, by Capwell Wyckoff THE MYSTERY OF THE IRON BOX, by Bruce Campbell THE AIR MYSTERY OF ISLE LA MOTTE, by E. J. Craine THE LOST MINE OF THE AMAZON, by Hugh Lloyd PRISONERS IN DEVIL’S BOG, by Hugh Lloyd BOB DEXTER AND THE STORM MOUNTAIN MYSTERY, by Willard F. Baker THE MYSTERY HUNTERS AT THE HAUNTED LODGE, by Capwell Wyckoff TRIPLE SPIES, by Roy G. Snell DETECTIVES, INC., by William Heyliger TOM SAWYER, DETECTIVE, by Mark Twain If you enjoy this ebook, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see more of the 260+ volumes in this series, covering adventure, historical fiction, mysteries, westerns, ghost stories, science fiction -- and much, much more!
Computer-Generated Images (CGIs) are widely used and accepted in the world of entertainment but the use of the very same visualization techniques in academic research in the Arts and Humanities remains controversial. The techniques and conceptual perspectives on heritage visualization are a subject of an ongoing interdisciplinary debate. By demonstrating scholarly excellence and best technical practice in this area, this volume is concerned with the challenge of providing intellectual transparency and accountability in visualization-based historical research. Addressing a range of cognitive and technological challenges, the authors make a strong case for a wider recognition of three-dimensional visualization as a constructive, intellectual process and valid methodology for historical research and its communication. Intellectual transparency of visualization-based research, the pervading theme of this volume, is addressed from different perspectives reflecting the theory and practice of respective disciplines. The contributors - archaeologists, cultural historians, computer scientists and ICT practitioners - emphasize the importance of reliable tools, in particular documenting the process of interpretation of historical material and hypotheses that arise in the course of research. The discussion of this issue refers to all aspects of the intellectual content of visualization and is centred around the concept of 'paradata'. Paradata document interpretative processes so that a degree of reliability of visualization outcomes can be understood. The disadvantages of not providing this kind of intellectual transparency in the communication of historical content may result in visual products that only convey a small percentage of the knowledge that they embody, thus making research findings not susceptible to peer review and rendering them closed to further discussion. It is argued, therefore, that paradata should be recorded alongside more tangible outcomes of research, preferably as an integral part of virtual models, and sustained beyond the life-span of the technology that underpins visualization.
The Isolation Booth" is the third volume in Hugh Hood's Collected Stories; it contains short fiction written between 1957 and 1966. While all of the stories have been previously published in various magazines, this is the first time they are available in book form. The title story was first published in "The Tamarack Review" in 1958; the paid to Hood for that story represents the first income he ever made from his writing. Since then, Hugh Hood has become one of Canada's most prolific short-story writers and novelists.' (William French, "The Globe & Mail") He has authored more than twenty books, including novels, short-story collections and essays. The Porcupine's Quill has previously published "Flying a Red Kite" and "A Short Walk in the Rain" as part of our continuing series of Hood's Collected Stories. The stories in this collection are varied in form and content, from The Isolation Booth', which Hood describes in his introduction as ... typical media folklore, the tale of a human sacrifice', to The Fable of the Ant and the Grasshopper' which is concerned with the moral: Never oppress the shiftless and the idle; they may have powerful friends.' These stories reflect the variety of Hood's experiments with the form, as well as his continuing concern with the human condition, which prompted William Blackburn to comment, Hood's thirty-year career demonstrates his profound and compassionate sensitivity to our human predicament.' ("Canadian Book Review Annual"). As Hood writes in the introduction to "The Isolation Booth," Surely the society that invents a space called the isolation booth'' isn't far removed from the subliminal motivations of the torturers in prisons and camps of one kind or another. I've always shuddered remembering the phrase, yet it was in common use among millions of weekly viewers of big-money TV quiz programmes like The $64,000 Question''.' These concerns are (unfortunately) as meaningful now as when The Isolation Booth' was written in 1958.
Traces the evolution of the Abbey Theatre from amateur organization to professional theatre of international renown, examining its history within the context of Ireland's social and political environment and in relation to its playwrights, directors, andactors
Fragments of an Analytic Pub Crawl traces the journey of my life, its memories, the events and the places where I have been and what I have read. The book title is not to be confused with the traditional drinking pub crawl, it is a way of describing the psychogeographical nature of this book. Patrick ffrench, the writer, described psychogeography as “an analytic pub crawl”, a lived experience – one drifts from one place to the next; observing, noting, reacting. We may drift through a city, or a life and absorb. This is the “dérive”. Charles Baudelaire named this person, the flâneur. Just as the past left traces in today’s built environment, so have we, and so have I. This book traces those memories, it’s part memoir, part history, and part essay, The subjects reflect a variety of interests: growing up in Northern Ireland, the Troubles, my life in IT education, Irish humour, life-skills, reading, writing, music, emigration, family, urban liveability, the pandemic and much much more.
This is the second edition of the widely acclaimed and successful casebook on Contract in the Ius Commune Series, developed to be used throughout Europe and aimed at those who teach, learn or practise law with a comparative or European perspective. The book contains leading cases, legislation and other materials from the legal traditions within Europe, with a focus on English, French and German law as the main representatives of those traditions. The book contains the basic texts and contrasting cases as well as extracts from the various international restatements (the Vienna Sales Convention, the UNIDROIT Principles of International Commercial Contracts, the Principles of European Contract Law, the Draft Common Frame of Reference and so on). Materials are chosen and ordered so as to foster comparative study, and complemented with annotations and comparative overviews prepared by a multinational team. The whole Casebook is in English. The principal subjects covered in this book include: General (including the distinctions between Contract and Property, Tort and Restitution) ; Formation; Validity; Interpretation and Contents; Remedies; Supervening Events; and Third Parties. Please click on the link below to visit the series website: www.casebooks.eu/contractLaw.
The starting point for this monograph is the previously unknown connection between the Continuum Hypothesis and the saturation of the non-stationary ideal on ω1; and the principle result of this monograph is the identification of a canonical model in which the Continuum Hypothesis is false. This is the first example of such a model and moreover the model can be characterized in terms of maximality principles concerning the universal-existential theory of all sets of countable ordinals. This model is arguably the long sought goal of the study of forcing axioms and iterated forcing but is obtained by completely different methods, for example no theory of iterated forcing whatsoever is required. The construction of the model reveals a powerful technique for obtaining independence results regarding the combinatorics of the continuum, yielding a number of results which have yet to be obtained by any other method. This monograph is directed to researchers and advanced graduate students in Set Theory. The second edition is updated to take into account some of the developments in the decade since the first edition appeared, this includes a revised discussion of Ω-logic and related matters.
Charmers and Chancers tells the stories about the many famous and infamous people whom Ive met and often interviewed during my fifty-year media career. It also includes a lot of personal and family history.
First Published in 2004. The most striking change in British politics, during the seventies and early eighties, was the undermining and then the end of the post-war British consensus. That consensus had been long in decline before the final seals were set by Mrs Thatcher’s victories in 1979 and 1983. The consensus, and the end itself, had profound effects on the British polity: they unsettled the distribution of power within the political parties (and hence the working of the institutions of the government); the direction of economic policy, the character of local government, and relations between government and interest groups were transformed. What accounts for the ending, in the mid-1970s of the ‘policy consensus’ which characterised British politics for most of the post-war period? The essays in this collection seek to explore the causes, and some of the consequences, of this breakdown.
Old Vic Prefaces is a collection of the author's talks to the actors on those plays which he produced, while a Director of the Old Vic from 1949 to 1953. The prefaces are unique in that they relate to actual performances, and each preface is followed by a short post-script in which the producer draws attention to some point that arose in production or in rehearsal, which illustrates the sort of problems that confront the producer of a Shakespeare play.
A celebrated historian of US intelligence uncovers how the CIA became the foremost defender of America’s covert global empire As World War II ended, the United States stood as the dominant power on the world stage. In 1947, to support its new global status, it created the CIA to analyze foreign intelligence. But within a few years, the Agency was engaged in other operations: bolstering pro-American governments, overthrowing nationalist leaders, and surveilling anti-imperial dissenters at home. The Cold War was an obvious reason for this transformation—but not the only one. In The CIA, celebrated intelligence historian Hugh Wilford draws on decades of research to show the Agency as part of a larger picture, the history of Western empire. While young CIA officers imagined themselves as British imperial agents like T. E. Lawrence, successive US presidents used the covert powers of the Agency to hide overseas interventions from postcolonial foreigners and anti-imperial Americans alike. Even the CIA’s post-9/11 global hunt for terrorists was haunted by the ghosts of empires past. Comprehensive, original, and gripping, The CIA is the story of the birth of a new imperial order in the shadows. It offers the most complete account yet of how America adopted unaccountable power and secrecy abroad and at home.
Stillorgan: Old and New covers the story of a unique suburb in South Dublin. Until the 1960s, the district was largely rural, with many farms and a scattering of big houses, but few people lived there. The Stillorgan shopping center was opened in 1966—the first in Ireland—and shortly afterwards, the Stillorgan Bowl was opened. In the 1960s, large-scale housing development began; and since then, Stillorgan has become a major residential area in South Dublin with a wide variety of shopping and leisure outlets.
The Little Book of Stillorgan is a compendium of fascinating, obscure, strange and entertaining facts about this vibrant suburb of Dublin. This book takes the reader on a journey through Stillorgan and its vibrant past. Here you will discover Stillorgan's rural past, its famous sons and daughters, its churches, pubs, shops and schools, its industries and sporting heritage and its natural history. You will also glimpse a darker side to Stillorgan with a look at crime and unrest in the district. A reliable reference book and a quirky guide, this can be dipped into time and time again to reveal something new about the people, the heritage and the secrets of this south Dublin suburb.
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