In bits we marvel, in bytes we travel, this is a book written by a techie, Lin Hsin Hsin, which describes, navigates and encapsulates life in the cyberspace in five chapters: Net Life, Net.Net, Net Art, World Wide Web and NetFuture.It is here we savor the lifestyle of geeks and nerds, the cyber “kindwunders” and hear the voices of Netizens tunnelling through email. As we aspire and perspire in e-commerce, this book tells us how the author observed e-fraud and e-crimes that murder. Check out her views of aesthetics on the Net in the Net Art. In Net.Net, watch how she poetically portrays the beauty of firewall and protocols, and feel her frustration when a line drops. However, move on to the World Wide Web, pause and navigate together. As we look further, she asks “can we be cyberly-punctured?” As we wonder, this chapter offers a glimpse into the NetFuture. Whatever the case, as we nurture and mature in cyberspace, these are the bytes she has unraveled, hoping that you DON'T EVER miss this witty, humorous, unprecedented, unique 100-poems Net savvy poetry recital, sandwiched with the most lucid and sparkling images graphically created by the author in between chapters!
As mankind plunges deeper and deeper into his technological jungle, it sometimes seems we are losing our appreciation of the arts. Networking computers takes precedent over networking friends and computer languages displace our native tongue.In her latest book of poetry, Lin Hsin Hsin does much to correct the balance. It is poetry for the technological age; it is poetry by the technological age. It is inspired by I.T. and it should inspire information technologists. Anyone who owns a computer, uses one at work or can remember struggling at school with programmes to improve the latest version of "Space Invaders" or "Wing Commander II" will enjoy reading this collection of 120 poems.The author's wit, knowledge of several languages (computer and phonetic) and her obvious and infectious love of the technology makes each poem amusing or provocative and often both at the same time. All aspects of computer technology are tackled, software, hardware and manware; there are comments and jokes which will be appreciated by both the novice and computer professional alike.This is the first book which can be classified under "literature" and "technology" in equal measure. However it is classified, after having a taste of the poems, there is no doubt the reader will quickly devour the whole book.Illustrations:
In bits we marvel, in bytes we travel, this is a book written by a techie, Lin Hsin Hsin, which describes, navigates and encapsulates life in the cyberspace in five chapters: Net Life, Net.Net, Net Art, World Wide Web and NetFuture.It is here we savor the lifestyle of geeks and nerds, the cyber “kindwunders” and hear the voices of Netizens tunnelling through email. As we aspire and perspire in e-commerce, this book tells us how the author observed e-fraud and e-crimes that murder. Check out her views of aesthetics on the Net in the Net Art. In Net.Net, watch how she poetically portrays the beauty of firewall and protocols, and feel her frustration when a line drops. However, move on to the World Wide Web, pause and navigate together. As we look further, she asks “can we be cyberly-punctured?” As we wonder, this chapter offers a glimpse into the NetFuture. Whatever the case, as we nurture and mature in cyberspace, these are the bytes she has unraveled, hoping that you DON'T EVER miss this witty, humorous, unprecedented, unique 100-poems Net savvy poetry recital, sandwiched with the most lucid and sparkling images graphically created by the author in between chapters!
In the past two decades, a uniform representation of cutified femininity prevails in the Taiwanese media, evidenced by the shift of Taiwan’s popular cultural taste from a Chinese-centered tradition to a mixed absorption from neighboring cultural capitals in the global market. This book argues that the native term “sajiao” is the key to understand the phenomenon. Originally referring to a set of persuasive tactics through imitating a spoiled child’s gestures and ways of speaking to get attention or material goods, sajiao is commonly understood to be women’s weapon to manipulate men in the Mandarin-speaking communities. By re-interpreting sajiao as a “feminine” tactic, or the tactic of the weak, the book aims to propose a “feminine framework” in exploring identity politics in the following three aspects: the rising obsession with the immature female image in Taiwan’s popular culture, the adoption of the feminine communication style in native speakers’ everyday language and interactions, and the competing discourses between dominant/subordinate, central/peripheral, global/local, and Chinese/Taiwanese in shaping the identity politics in current Taiwanese society. The micro-analysis of everyday language politics leads the reader to examine layers of discourse about gender, identity, and communication, and finally to inquire how to situate or categorize “Taiwan” in area studies. The “feminine framework” is a useful theoretical tool that not only deconstructs everyday communication practice but also provides a bottom-up, alternative angle in analyzing Taiwan’s role in political, economic, and cultural flows in East Asia. The massive imports of popular cultural products in the late 80s, mainly from Japan, fermented the kawaii (Japanese cute) type of femininity in regulating everyday communication and the perception of gender roles in Taiwan. The popularity of the baby-like female image is concurrent with the simmering debate on Taiwanese identity. Taiwan offers a unique perspective for observing identity politics because it still holds an undetermined status in the international community. The collective uncertainty about the island’s future and the diminishing voice in the international society become the backdrop for the growth of defining, interpreting, and appropriating sajiao elements in the popular culture. This book offers an in-depth examination of the interplay among local historical contexts, cross-border capitalist exchange, and everyday communication that shapes the dialogism of Taiwanese identity.
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