Restoring the Human Context to Literary and Performance Studies argues that much of contemporary literary theory is still predicated, at least implicitly, on outdated linguistic and psychological models such as post-structuralism, psychoanalysis, and behaviorism, which significantly contradict current dominant scientific views. By contrast, this monograph promotes an alternative paradigm for literary studies, namely Contextualism, and in so doing highlights the similarities and differences among the sometimes-conflicting contemporary cognitive approaches to literature and performance, arguing not in favor of one over the other but for Contextualism as their common ground.
Moses Howard II, was given an ultimatum by his father. America was at war and the only option left for Moses was joining the armed services. Like many challenges in life, the military tested his character, his faith, and is resilience. This is a very revealing account of military life, the tests and challenges and how to survive them.
There is something old-fashioned and sage-like in Walter Howard's poetic voice. I can imagine him reading from a mountaintop-- with the raging elements a backdrop to his words. Howard is a learned man-- and has been an academic for many years-- but his poetry is in the tradition of a true romantic. He uses nature and emotion to find spiritual truth. He embraces beauty-- with all its allure, but is not afraid to reveal its frightening and dark side as well. Howard uses ample doses of levity to pull the fly down on our most cherished traditions and notions, but in the same token he shows a deep respect and affinity for all the things this world has to offer." - Doug Holder, Publisher of Ibbetson Street Press
Interviews with the director of Scarface, Only Angels Have Wings, His Girl Friday, Sergeant York, Bringing Up Baby, The Big Sleep, Red River, Gentlemen Prefer Blondes, and Rio Bravo
Restoring the Human Context to Literary and Performance Studies argues that much of contemporary literary theory is still predicated, at least implicitly, on outdated linguistic and psychological models such as post-structuralism, psychoanalysis, and behaviorism, which significantly contradict current dominant scientific views. By contrast, this monograph promotes an alternative paradigm for literary studies, namely Contextualism, and in so doing highlights the similarities and differences among the sometimes-conflicting contemporary cognitive approaches to literature and performance, arguing not in favor of one over the other but for Contextualism as their common ground.
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