According to the media, Donald Trump could never become president. Now many are on a mission to prove he shouldn’t be president. The Trump administration and the press are at war—and as in any war, the first casualty has been truth. Bestselling author Howard Kurtz, host of Fox News’s Media Buzz and former Washington Post columnist, offers a stunning exposé of how supposedly objective journalists, alarmed by Trump’s success, have moved into the opposing camp. Kurtz’s exclusive, in-depth, behind-the-scenes interviews with reporters, anchors, and insiders within the Trump White House reveal the unprecedented hostility between the media and the president they cover. In Media Madness, you’ll learn: Why White House strategist Steve Bannon told Trump he is in danger of being impeached How the love-hate relationship between the president and Morning Joe hosts—Joe Scarborough and Mika Brzezinski—turned entirely to hate How Kellyanne Conway felt betrayed by journalists who befriended her—and how she fought back How elite, mainstream news reporters—named and quoted—openly express their blatant contempt for Trump How Bannon tried to block short-lived Communications Director Anthony Scaramucci—and why Trump soured on him How Ivanka and Jared Kushner aren’t the liberals the pundits want them to be—and why Trump tried to discourage them from joining the White House Why Trump believes some journalists harbor hatred for him—and how some liberals despise his voters How Trump is a far more pragmatic politician than the press often acknowledges (and how the press dismisses his flip-flops when he flops their way) What Trump got wrong about Charlottesville—and how Steve Bannon predicted the debacle How the media consistently overreached on the Russian “collusion” scandal Why Trump actually likes journalists, secretly meets with them, and allows the press unprecedented access Why Reince Priebus couldn’t do his job—and the real reason he left the White House How Sean Spicer privately berated journalists for bad reporting—and why he and Kellyanne Conway were relentlessly attacked by the media Never before has there been such an eye-opening, shocking look at what the White House and the media think about each other. It’s not pretty. But it also makes for the most important political book of the year.
Dan Rather, Tom Brokaw, Peter Jennings: They were on a first-name basis with the country for a generation, leading viewers through moments of triumph and tragedy. But now that a new generation has succeeded them, the once-glittering job of network anchor seems unmistakably tarnished. In an age of instantaneous Internet news, cable echo chambers and iPod downloads, who really needs the evening news? And, by extension, who needs Katie Couric, Brian Williams, and Charlie Gibson? But the anchors still have a megaphone capable of cutting through the media static. Their coverage of Iraq helped turn the country against that bloody war, and they are now playing a leading role in chronicling the collapse of George Bush's presidency and the 2008 race to succeed him. Yet, even as the anchors fight for ratings supremacy, the mega-corporations they work for have handed them a bigger challenge: saving an American institution. In this freewheeling, intimate account of life atop the media pyramid, award-winning bestselling author Howard Kurtz takes us inside the newsrooms and executive suites of CBS, NBC, and ABC, capturing the deadline judgments, image-making, jealousies, and gossip of this high-pressure business. Whether it is Couric trying to regain her morning magic while coping with tabloid stories about her boyfriends, Williams reporting from New Orleans and Baghdad while worrying about his ailing father, or Gibson weighing whether to follow his wife into retirement while grappling with having to report the explicit details of sex scandals, Kurtz brings to life the daily battles that define their lives. The narrative reflects an extraordinary degree of access to such corporate chieftains as Jeff Zucker and Les Moonves, star correspondents, and the anchors themselves. Their goal: create an on-screen persona that people will tune in to and trust. Yet they are faced with a graying, shrinking audience as younger viewers flock to Jon Stewart, whose influence on the real newscasts is palpable. Here is the untold story of what these journalistic celebrities think of their bosses, cable competitors, bloggers, and each other.
In Spin Cycle, Washington Post reporter Howard Kurtz reveals the inside workings of Clinton's well-oiled propaganda machine - arguably the most successful team of White House spin doctors in history. He takes the reader into closed-door meetings where Bill Clinton, Al Gore, Mike McCurry, Lanny Davis, and other top officials plot strategy to beat back the scandals and neutralize a hostile press corps through stonewalling, stage managing, and outright intimidation. He depicts a White House obsessed with spin and pulls back the curtain on events and tactics that the administration would prefer to keep hidden.
Just as "spin" has taken over politics in America, so too has it come to define the long bull market on Wall Street. The booming trade in stocks, which has become a national obsession, has produced an insatiable demand for financial intelligence--and plenty of new, highly paid players eager to supply it. On television and the Internet, commentators and analysts are not merely reporting the news, they are making news in ways that provide huge windfalls for some investors and crushing losses for others. And they often traffic in rumor, speculation, and misinformation that hit the market at warp speed. Howard Kurtz, widely recognized as America's best media reporter, and the man who revealed the inner workings of the Clinton administration's press operation in the national bestseller Spin Cycle, here turns his skeptical eye on the business-media revolution that has transformed the American economy. He uncovers the backstage pressures at television shows like CNBC's Squawk Box and CNN's Moneyline; at old-media bastions like The Wall Street Journal and Business Week, which are racing to keep up with the twenty-four-hour news cycle; and at Internet start-ups like TheStreet.com and JagNotes, real-time operations in the very arena where fortunes are made and lost with stunning swiftness. Bombarded by all this white noise, who among the fortune tellers can investors really trust? Kurtz provides an indispensable guide with this eye-opening account of an unseen world, based on eighteen months of shadowing the most influential, colorful, and egotistical people in business and journalism. Among the people we meet in its pages are: Ron Insana, Maria Bartiromo, David Faber, Lou Dobbs, and the other famous faces of cable TV The manic king-of-all-media Jim Cramer, who juggles four different identities--Wall Street trader, television commentator, columnist, and Internet entrepreneur --with wildly varying degrees of success Shoe-leather reporters Steve Lipin, Chris Byron, and Gene Marcial, whose exclusives drive up stocks or quickly deflate them Superstar analysts Ralph Acampora, Abby Joseph Cohen, and Henry Blodget, whose predictions make the Dow and Nasdaq gyrate Internet CEOs Kim Polese and Kevin O'Connor, who struggle to ride the media tiger while promoting their high-flying companies No one has ever reported from inside the Wall Street media machine or laid bare the bitter feuds, cozy friendships, and whispered leaks that move the markets. Kurtz exposes the disturbing conflicts of interest among the brokerage analysts and fund managers whose words can boost or bash stocks --thanks to scoop-hungry journalists who rarely question whether these gurus are right or wrong. And he chronicles the journalistic hype that helped propel Net stocks into the stratosphere until they began plummeting back to earth. In a time of head-spinning volatility, The Fortune Tellers is essential reading for all of us who gamble our savings in today's overheated stock market.
America is awash in talk. Loud talk, angry talk, conspiratorial talk that has changed the nature of journalism and politics, producing a high-decibel revolution in the way we communicate. In this fascinating, maddening, behind-the-scenes look at America's powerful talk shows, the author of Media Circus examines their excesses, conflicts, and impact, and explains how they are changing our culture.
Twenty years as an outsider scouring the underbelly of American culture has made Howard Hampton a uniquely hard-nosed guide to the heart of pop darkness. Bridging the fatalistic, intensely charged space between Apocalypse Now Redux and Nirvana’s “Smells Like Teen Spirit,” his writing breaks down barriers of ignorance and arrogance that have segregated art forms from each other and often from the world at large. In the freewheeling spirit of Pauline Kael, Lester Bangs, and Manny Farber, Hampton calls up the extremist, underground tendencies and archaic forces simmering beneath the surface of popular forms. Ranging from the kinetic poetry of Hong Kong cinema and the neo–New Wave energy of Irma Vep to the punk heroines of Sleater-Kinney and Ghost World, Born in Flames plays odd couples off one another: pitting Natural Born Killers against Forrest Gump, contrasting Jean-Luc Godard with Steven Spielberg, defending David Lynch against aesthetic ideologues, invoking The Curse of the Mekons against Fredric Jameson’s Postmodernism, and introducing D. H. Lawrence to Buffy the Vampire Slayer. “We are born in flames,” sang the incandescent Lora Logic, and here those flames are a source of illumination as well as destruction, warmth as well as consumption. From the scorched-earth works of action-movie provocateurs Seijun Suzuki and Sam Peckinpah to the cargo cult soundscapes of Pere Ubu and the Czech dissidents Plastic People of the Universe, Born in Flames is a headlong plunge into the passions and disruptive power of art.
Trends prevailing in the media suggest a seemingly disintegrating concept of media ethics. It is no surprise; being ethical is hard work and, could very well put a person in conflict with prevailing trends. Many of the people cited within the 13 essays of Desperately Seeking Ethics illustrate this_from Socrates and Martin Luther King Jr., who both died for their principles, to reporter David Kidwell of the Miami Herald who chose jail over testifying for the prosecution in a murder trial. This is not just another media ethics book. Engaging and non-conventional it breaks away from the usual text practice of presenting the ethical theories of well-known philosophers in watered-down form. Instead, the contributors, all of whom teach media ethics, select a poem, movie, song, speech, or other cultural document, analyze it for implied or explicit ethical lessons, and then apply the lessons of that work to a specific case that involved controversial media conduct. In addition to endnotes, each chapter contains questions for discussion and a list of further readings. Where possible, the contributors have included all or part of the poems, speeches, and other documents they analyze as sources of ethical instruction and inspiration.
The homeless have the legal right to exist in modern American cities, yet antihomeless ordinances deny them access to many public spaces. How did previous generations of urban dwellers deal with the tensions between the rights of the homeless and those of other city residents? Ella Howard answers this question by tracing the history of skid rows from their rise in the late nineteenth century to their eradication in the mid-twentieth century. Focusing on New York's infamous Bowery, Homeless analyzes the efforts of politicians, charity administrators, social workers, urban planners, and social scientists as they grappled with the problem of homelessness. The development of the Bowery from a respectable entertainment district to the nation's most infamous skid row offers a lens through which to understand national trends of homelessness and the complex relationship between poverty and place. Maintained by cities across the country as a type of informal urban welfare, skid rows anchored the homeless to a specific neighborhood, offering inhabitants places to eat, drink, sleep, and find work while keeping them comfortably removed from the urban middle classes. This separation of the homeless from the core of city life fostered simplistic and often inaccurate understandings of their plight. Most efforts to assist them centered on reforming their behavior rather than addressing structural economic concerns. By midcentury, as city centers became more valuable, urban renewal projects and waves of gentrification destroyed skid rows and with them the public housing and social services they offered. With nowhere to go, the poor scattered across the urban landscape into public spaces, only to confront laws that effectively criminalized behavior associated with abject poverty. Richly detailed, Homeless lends insight into the meaning of homelessness and poverty in twentieth-century America and offers us a new perspective on the modern welfare system.
I Remember, one of French writer Georges Perec’s most famous pieces, consists of 480 numbered paragraphs—each just a few short lines recalling a memory from his childhood. The work has neither a beginning nor an end. Nor does it contain any analysis. But it nonetheless reveals profound truths about French society during the 1940s and 50s. Taking Perec’s book as its cue, Telling About Society explores the unconventional ways we communicate what we know about society to others. The third in distinguished teacher Howard Becker’s best-selling series of writing guides for social scientists, the book explores the many ways knowledge about society can be shared and interpreted through different forms of telling—fiction, films, photographs, maps, even mathematical models—many of which remain outside the boundaries of conventional social science. Eight case studies, including the photographs of Walker Evans, the plays of George Bernard Shaw, the novels of Jane Austen and Italo Calvino, and the sociology of Erving Goffman, provide convincing support for Becker’s argument: that every way of telling about society is perfect—for some purpose. The trick is, as Becker notes, to discover what purpose is served by doing it this way rather than that. With Becker’s trademark humor and eminently practical advice, Telling About Society is an ideal guide for social scientists in all fields, for artists interested in saying something about society, and for anyone interested in communicating knowledge in unconventional ways.
Reprint of the original, first published in 1857. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
An eviscerating look at the state of journalism in the age of the 24 hour news cycle by a Pulitzer Prize-winning television critic and a veteran news correspondent. No Time To Think focuses on the insidious and increasing portion of the news media that, due to the dangerously extreme speed at which it is produced, is only half thought out, half true, and lazily repeated from anonymous sources interested in selling opinion and wild speculation as news. These news item can easily gain exposure today, assuming a life of their own while making a mockery of journalism and creating casualties of cool deliberation and thoughtful discourse. Much of it is picked up gratuitously and given resonance online or through CNN, Fox News, MSNBC and other networks, which must, in this age of the 24-hour news cycle, "feed the beast." In dissecting this frantic news blur, No Time to Think breaks down a number of speed-driven blunders from the insider perspective of Charles Feldman, who spent 20 years as a CNN correspondent, as well as the outsider perspective of Howard Rosenberg, who covered the coverage for 25 years as TV critic for The Los Angeles Times. No Time to Think demonstrates how today's media blitz scrambles the public's perspective in ways that potentially shape how we think, act and react as a global society. The end result effects not only the media and the public, but also the government leaders we trust to make carefully considered decisions on our behalf. Featuring interviews ranging from former NBC News anchor Tom Brokaw to internet doyenne Arianna Huffington to PBS stalwart Jim Lehrer to CNN chief Jonathan Klein to a host of former presidential press secretaries and other keen-eyed media watchers, this incisive work measures lasting fallout from the 24-hour news cycle beginning in 1980 with the arrival of CNN, right up to the present.
If your work requires that you understand environmentally important properties of chemicals, then this databook will make your job easier. By providing you with easily accessed information on the structure and physical/chemical properties of more than 13,000 environmentally important chemicals, Handbook of Physical Properties of Organic Chemicals simplifies the task of locating and analyzing common and obscure compounds alike. One best experimental value is selected or an estimated value provided for: Melting point Boiling point Water solubility Octanol/water partition coefficient (log) Vapor pressure Disassociation constant Henry's law constant. These physical properties were identified from Syracuse Research Corporation's Environmental Fate Database, particularly from the DATALOG and CHEMFATE files.
Told by the man who kicked off the infamous lawsuit between Oprah and the cattlemen, Mad Cowboy is an impassioned account of the highly dangerous practices of the cattle and dairy industries. Howard Lyman's testimony on The Oprah Winfrey Show revealed the deadly impact of the livestock industry on our well-being. It not only led to Oprah's declaration that she'd never eat a burger again, it sent shock waves through a concerned and vulnerable public. A fourth-generation Montana rancher, Lyman investigated the use of chemicals in agriculture after developing a spinal tumor that nearly paralyzed him. Now a vegetarian, he blasts through the propaganda of beef and dairy interests—and the government agencies that protect them—to expose an animal-based diet as the primary cause of cancer, heart disease, and obesity in this country. He warns that the livestock industry is repeating the mistakes that led to Mad Cow disease in England while simultaneously causing serious damage to the environment. Persuasive, straightforward, and full of the down-home good humor and optimism of a son of the soil, Mad Cowboy is both an inspirational story of personal transformation and a convincing call to action for a plant-based diet—for the good of the planet and the health of us all.
The 1950's saw a major revolution on the movie front. In order to combat TV, the size of movies screens was changed forever. Unfortunately, there was no standard agreement as to what dimensions, the preferred new sized screen should be.
The Textbook of Non-Medical Prescribing addresses all the key issues relevant to non-medical prescribing, bringing together essential knowledge, key issues, and skills in a single text. This accessible, engaging and comprehensive resource explores the history of non-medical prescribing; prescribing in context; ethical, legal and professional issues in relation to prescribing practice; factors influencing prescribing; effective consultations; essential pharmacology; the role of the multi-disciplinary team; clinical skills; prescribing for specific groups; and the future of nurse prescribing. With case studies throughout, The Textbook of Non-Medical Prescribing is essential reading for all students on non-medical prescribing courses. It is also of use to qualified health professionals, be they prescribers themselves or interested in the concepts of non-medical prescribing.
Jones provides an account of President Eisenhower's disastrous attempt to overthrow Fidel Castro. He examines the train of missteps and self-deceptions that led to the invasion of the Bay of Pigs by U.S.-trained exiles.
Which astronaut repaired the Hubble telescope during a walk in space? Who was the model for the movie "The Man Who Never Was?" What officer was responsible for the eradication of flogging in the U.S. Navy? Who is the most decorated living U.S. Army veteran? That the uncle of a world-famous entertainer won the Distinguished Service Cross in Korea? What officer led the mission to rescue General Patton's son-in-law? Who was the commanding officer of the famed WW II B-17 Rosie's Riveters? Who commanded both the Atlantic and Pacific Fleets of the U.S. submarine forces? What soldier, born in Lithuania, was the Commanding General of the U.S. Special Forces? Who commanded the battleship Utah at Pearl Harbor and received the Navy Cross? What French general was commended by Napoleon as "...one of the greatest of the great?" What general commanded the Australian forces in France in World War I? Who was and remains the only dentist in the Army to win the Congressional Medal of Honor? Who won both the Navy Cross and the Distinguished Service Cross in World War I? Who won the Navy Cross during World War I and another during World War II? What Navy surgeon received the Silver Star in Vietnam and is being considered for the Medal of Honor? Who was one of the first nurses to die in Europe in WW II and is buried in a military cemetery in France? What famous Los Angeles police officer and attorney won two Bronze Stars in Vietnam as a paratrooper? Who was the Jewish chaplain who gave his life aboard the SS Dorchester to save American soldiers? What Israeli astronaut was the youngest participant in the 1981 raid on the Osirak nuclear plant in Iraq?
The Gender of Crime introduces readers to how gender shapes our understanding of every aspect of crime—from defining what crime is to governing how crime is punished. The second edition of this award-winning book maintains the accessible, reader-friendly narrative of the first edition with key updates and new material throughout, including increased focus on the intersections of race, class, gender, and sexuality in crime and punishment; more attention to LGBTQ issues; additional coverage of gender and crime on college campuses; and more. This dynamic and provocative book illustrates how gender is central to the definition, prosecution, and sentencing of crimes, that it shapes how victimization is experienced and understood, and how it structures the institutions of the criminal justice system and the experiences of workers within that system. The Gender of Crime demonstrates that crime, victimization, and crime control are never generic—they are instead produced and experienced by gendered (and raced, and classed, and sexualized) actors within contexts of social inequality. This book highlights key concepts and encourages readers to think through a range of compelling real-life examples, from school violence to corporate crime. The second edition of The Gender of Crime is essential reading for students of gender and sexuality, sociology, criminology, and criminal justice.
Special Relations reevaluates Anglo-American cultural exchange by exploring metropolitan London's culture and counterculture from the 1950s to the 1970s. It challenges a tendency in cultural studies to privilege local reception and attempts to restore the concept of Americanization in this critical era of mass tourism, professional exchange, and media globalization—while acknowledging an important degree of cultural hybridity and circularity. The study begins with the influence of American modernism in the built environment and in "Swinging London" generally, and then moves to its central project, the re-exploration of British counterculture—the anti-war movement, student rebellion, hippies, popular music, the alternative press, and the late Sixties triad of black, feminist, and gay liberationisms—as intimately tied to American experience and to American agents of cultural change. Special Relations retrieves these phenomena as more central and enduring in British metropolitan life than the current orthodoxy allows, and subjects to sharp critical scrutiny prevalent assertions of cultural "authenticity" in their British variants. Finally, the book looks at aspects of the turn against modernism and the counterculture in the 1970s.
Child neglect is the most common type of child maltreatment. Substantial evidence indicates that the morbidity and mortality associated with neglect are significant, with enormous costs to the children involved and to society. Yet there is no major text focused exclusively on child neglect. Neglected Children presents a comprehensive and critical portrait of the phenomenon of neglect, based on theory, research and clinical practice experience. The editor and the contributing authors present a rich, interdisciplinary conceptualization with a broad view of neglect, moving far beyond the current child welfare focus on parental omissions in care. This broader view is essential to seriously addressing the complex and pervasive underpinnings of neglect.
This book discusses the impact of visuals on the study of history by examining visual culture and the future of print, providing an analysis of photography, film, television, and computer culture. The author shows how the visualization of history can become a driving social and cultural force for change.
In 1972 a large deposit of pottery and other finds from the mid-5th century B.C. were found in a pit just west of the Royal Stoa in the Athenian Agora. It contained many fragments of figured pottery, more than half of which were large drinking vessels. Twenty-one fragments were inscribed with a graffito known to be a mark of public ownership. The authors conclude that the pottery is refuse from one of the public dining facilities that served the magistrates of Classical Athens. The volume examines the archaeological context and chronology of the deposit and gives a detailed analysis of all the finds. A complete catalogue arranges the finds by type and in chronological order.
The New York Times–bestselling Lavette family saga from the author of Spartacus continues through the turmoil of Vietnam and the Civil Rights Movement. The fourth installment of the Immigrants saga follows Barbara Lavette, the daughter of a self-made Italian immigrant, through the turmoil of the 1960s, including the Vietnam War, the feminist and civil rights movements, and Israel’s Six Day War with Egypt. Though Fast wrote over eighty books, including Spartacus, April Morning, and Freedom Road, his Immigrants novels remain some of his most personal and moving works. This ebook features an illustrated biography of Howard Fast including rare photos from the author’s estate.
In 1966, a young Ph.D. fresh from Harvard came down to New Haven to take up a teaching position in the Yale English department, then widely viewed as the best in the world. In Another Life focuses in lucid retrospect on that time, place, and career, and on that moment within it which would define his destiny. Would he succeed, through native wit, hard work, intense ambition, and sheer good luck, in rising through the ranks, pleasing senior colleagues, weathering the shifting winds of critical doctrine and storms of institutional politics, to achieve that most glittering, coveted, and rarely conferred of prizes: tenure at Yale? A campus novel, full of eccentric characters and bizarre twists and turns? Well, like his quest for tenure, it's a case of yes and no. For all this actually happened. Yet it's more than a personal memoir. In Another Life reflects-and reflects on-the so-called 'crisis in English' at a time when new doctrines-'structuralism, ' 'deconstruction, ' 'theory'-were bending literary studies into unaccustomed postures, particularly at Yale. But it also reflects the powerful forces at work on higher education from the wider world outside: the political and economic pressures that were transforming an older 'elitist' culture, with literature and the humanities at its core, into the more 'egalitarian' society-economistic, technological, and bureaucratic-that we all now inhabit. The author, a self-proclaimed 'meritocrat, ' finds himself deeply at odds with both worlds, and without succour or support from either as he staggers between them. But what a good read it is for those prepared to entertain the issues it raises! Trenchantly observed and written, this is the story of one man's effort to work out his separate peace with an institution he finds increasingly alienating and absurd. Its style alone will make any but the most politically correct of readers smile through her tears
Award-winning movie critic, John Howard Reid, provides full details and expert reviews for over 80 classic films which he feels would qualify as some of the best that Hollywood and other national studios have produced to date. Among these treasures are such movies as Beau Geste, Blues in the Night, Camille, Duck Soup, Fedora, The Great Gatsby, King Kong, The Shepherd of the Hills, Tales of Manhattan, Tom Jones, Trade Winds, Ace in the Hole/The Big Carnival, Bicycle Thieves, Trio, Crossfire, The Citadel, French Connection, Folly To Be Wise, Foreign Correspondent, Inherit the Wind, The Hound of the Baskervilles. (And the good news is that nearly all of the 80 are now available on DVD).
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