THE STORY: Told in a series of fast-paced, sharply etched scenes, the play traces the misadventures of three former college buddies now seeking to make their way in the big city--and with various women of their acquaintance. There is the cynical Jac
THE STORIES: THE LAWS is a monologue in which a man reads a series of laws, contrasting the ancient and the modern worlds. (1 man.) THE FACTS takes place at the scene of a mysterious briefing in the style of a hearing--where one character warns, th
THE STORY: Ben and Nessa Green sell the house in Connecticut to start over in the new American West. But along with clears skies and open spaces come cultural warfare, runaway kids, guests who won't leave, and a past that never really disappears, e
THE STORY: Lou, a twenty-six-year-old auto parts clerk, rents a shabby urban bachelor pad. His eighteen-year-old brother, Tim, is crashing there. Getting to know each other's ways, the brothers trade slurred, desultory banter that touches on sex, b
THE STORY: Martin Mirkheim owes the state of Florida $47,000 in back taxes, but this is not where his mind is focused. Instead he is intent on acquiring the film rights to a novel called Daniel Strong , written by Dr. Waxling, a pseudo-religi
THE STORIES: FUN deals with the determination of two bored teenagers, Casper and Denny, to seek out a good time in their small city environment of tacky shopping malls and fast-food outlets. Told in a series of short, fast-moving scenes, with bitin
From National Book Award finalist Howard Norman, a novel of extraordinary emotional power--the story of a writer whose short and erotically charged marriage has ended in his wife's unsolved murder, and who, in the confusing aftermath, sells the story to an ambitious filmmaker
THE STORY: Two handicapped Vietnam veterans, Stephen Ryder and Jerry Marcus, want to make a high-class movie with explicit sex, to go a step beyond Last Tango in Paris . They elicit the interest of the young explicit film star, Fawn Sierra, w
Algebraic methods in markov chains; Ratio theorems of transition probabilities and applications; Sums of independent random variables as a markov chain; Order statistics, poisson processes, and applications; Continuous time markov chains; Diffusion processes; Compouding stochastic processes; Fluctuation theory of partial sums of independent identically distributed random variables; Queueing processes.
THE STORY: Becka, age twelve, and Boomer, age eight, are sisters whose parents are in the middle of a trial separation at Christmas time. Becka, a precocious computer hacker, has become cynical and withdrawn. Boomer tries to be the peacemaker, eter
THE STORY: Martin Mirkheim owes the state of Florida $47,000 in back taxes, but this is not where his mind is focused. Instead he is intent on acquiring the film rights to a novel called Daniel Strong , written by Dr. Waxling, a pseudo-religi
THE STORIES: THE LAWS is a monologue in which a man reads a series of laws, contrasting the ancient and the modern worlds. (1 man.) THE FACTS takes place at the scene of a mysterious briefing in the style of a hearing--where one character warns, th
THE STORY: Ben and Nessa Green sell the house in Connecticut to start over in the new American West. But along with clears skies and open spaces come cultural warfare, runaway kids, guests who won't leave, and a past that never really disappears, e
Two gripping plays by one of America's most exciting playwrights Boy's Life: love, relationships, and growing up in New York City "a substantial play. It makes Howard Korder a presence to take seriously in the theater" (Village Voice); Search and Destroy: corporate politics, lies and relationships "You know the worst thing a man can do, Mr Carling? He can undertake an adventure. He can misjudge his strength and he can destroy himself." The Daily Telegraph described it as "one of those all-too-rare plays where you desperately want to know what is going to happen next." Search and Destroy received its British premiere at the Royal Court Theatre in May 1993.
Happy Days, The Andy Griffith Show, Gentle Ben--these shows captivated millions of TV viewers in the '60s and '70s. Join award-winning filmmaker Ron Howard and audience-favorite actor Clint Howard as they frankly and fondly share their unusual family story of navigating and surviving life as sibling child actors. "What was it like to grow up on TV?" Ron Howard has been asked this question throughout his adult life. in The Boys, he and his younger brother, Clint, examine their childhoods in detail for the first time. For Ron, playing Opie on The Andy Griffith Show and Richie Cunningham on Happy Days offered fame, joy, and opportunity--but also invited stress and bullying. For Clint, a fast start on such programs as Gentle Ben and Star Trek petered out in adolescence, with some tough consequences and lessons. With the perspective of time and success--Ron as a filmmaker, producer, and Hollywood A-lister, Clint as a busy character actor--the Howard brothers delve deep into an upbringing that seemed normal to them yet was anything but. Their Midwestern parents, Rance and Jean, moved to California to pursue their own showbiz dreams. But it was their young sons who found steady employment as actors. Rance put aside his ego and ambition to become Ron and Clint's teacher, sage, and moral compass. Jean became their loving protector--sometimes over-protector--from the snares and traps of Hollywood. By turns confessional, nostalgic, heartwarming, and harrowing, THE BOYS is a dual narrative that lifts the lid on the Howard brothers' closely held lives. It's the journey of a tight four-person family unit that held fast in an unforgiving business and of two brothers who survived "child-actor syndrome" to become fulfilled adults.
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