Interviews with the director of Scarface, Only Angels Have Wings, His Girl Friday, Sergeant York, Bringing Up Baby, The Big Sleep, Red River, Gentlemen Prefer Blondes, and Rio Bravo
This book offers a new account of Freud’s work by reading him as the social theorist and philosopher he always aspired to be, and not as the medical scientist he publicly claimed to be. In doing so, the author demonstrates that’s Freud’s social, moral, and cultural thought constitutes the core of his life’s work as a theorist, and is the thread that binds his voluminous writings together: from his earliest essays on the neuroses, to his foundational writings on dreams and sexuality, and to his far-ranging reflections on art, religion, and the dynamics of culture. Returning to the fundamental questions and concerns that animate Freud’s work - the nature of evil; the origins of religion, morality, and tradition; and the looming threat of resurgent barbarism - Freud as a Social and Cultural Theorist provides the first systematic re-examination of Freud’s social and cultural thought in more than a generation. As such, it will be of interest to social and cultural theorists, social philosophers, intellectual and cultural historians, and those with interests in psychoanalysis and its origins.
Discover the elements of style and personality that would define the writing of Robert E. Howard, creator of Conan, Kull, Solomon Kane, and one of the most influential pulp writers ever.
Meticulously restored text by renowned Howard scholar Paul Herman, this is the last in a ten-book definitive chronological collection of Robert E. Howard's stories that appeared in pulp magazines like the revered Weird Tales. Howard is the creator of the international icon, Conan the Cimmerian and considered the Godfather of Sword and Sorcery.
Happy Days, The Andy Griffith Show, Gentle Ben--these shows captivated millions of TV viewers in the '60s and '70s. Join award-winning filmmaker Ron Howard and audience-favorite actor Clint Howard as they frankly and fondly share their unusual family story of navigating and surviving life as sibling child actors. "What was it like to grow up on TV?" Ron Howard has been asked this question throughout his adult life. in The Boys, he and his younger brother, Clint, examine their childhoods in detail for the first time. For Ron, playing Opie on The Andy Griffith Show and Richie Cunningham on Happy Days offered fame, joy, and opportunity--but also invited stress and bullying. For Clint, a fast start on such programs as Gentle Ben and Star Trek petered out in adolescence, with some tough consequences and lessons. With the perspective of time and success--Ron as a filmmaker, producer, and Hollywood A-lister, Clint as a busy character actor--the Howard brothers delve deep into an upbringing that seemed normal to them yet was anything but. Their Midwestern parents, Rance and Jean, moved to California to pursue their own showbiz dreams. But it was their young sons who found steady employment as actors. Rance put aside his ego and ambition to become Ron and Clint's teacher, sage, and moral compass. Jean became their loving protector--sometimes over-protector--from the snares and traps of Hollywood. By turns confessional, nostalgic, heartwarming, and harrowing, THE BOYS is a dual narrative that lifts the lid on the Howard brothers' closely held lives. It's the journey of a tight four-person family unit that held fast in an unforgiving business and of two brothers who survived "child-actor syndrome" to become fulfilled adults.
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