DIVInterweaves literary and publishing histories around the collaborative novel THE WHOLE FAMILY in order to explore categories of readers and writers in the U.S. during the first two decades of the twentieth-century./div
Le Morte d'Arthur, The Legends of King Arthur and His Knights, Sir Lancelot and His Companions, Idylls of the King, Sir Gawain and the Green Knight, The Mabinogion, Celtic Myths & Legends…
Le Morte d'Arthur, The Legends of King Arthur and His Knights, Sir Lancelot and His Companions, Idylls of the King, Sir Gawain and the Green Knight, The Mabinogion, Celtic Myths & Legends…
This ebook collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices. The edition contains ten books of incredible & unforgettable tales of King Arthur, The Holy Grail, Sir Lancelot, Sorcerer Merlin, the Excalibur, the Legendary Camelot, Adventures of the Noble Knights of the Round Table, as well as other British Celtic Legends and Myths: King Arthur – An Introduction by H. W. Mabie Le Morte d'Arthur by Thomas Malory The Legends of King Arthur and His Knights by James Knowles King Arthur and His Knights by Maude L. Radford The Story of King Arthur and His Knights by Howard Pyle The Story of the Champions of the Round Table by Howard Pyle The Story of Sir Launcelot and His Companions by Howard Pyle Idylls of the King by Alfred Tennyson Sir Gawain and the Green Knight by Richard Morris The Mabinogion Myths and Legends of the Celtic Race
What Is a Man? Biologically, we are animals--homo sapiens. But men are different, born with consciousness, reason, free will, notions of morality, and other characteristics of what we call "human nature." Why are we different? Were we created by God or are we just accidents of nature? Are you a child of the King or just a child of King Kong? This is a book of apologetics for laypeople. It looks at arguments for the existence of God and especially at those arguments that can be drawn from human nature. It argues in plain language, with illustrations and humor, that we cannot explain human nature without God, that men are miracles.
A year ago, Dallas Homicide Detective Jeb Quinlin went through an alcohol rehab program that was rather more intense than usual, as he double-timed his treatment with tracking a serial killer on an AA agenda. Now, sober and taking things one day at a time on the job and cautiously but successfully involved with Madeline Meggers, a woman he met in the Jitter Joint, he's fragile but surviving. Quinlin and his partner Paul McCarren's latest case involves the gruesome murder of an investigative reporter. It seems that Richard Carlisle may have found more than he bargained for while following a lead on a hush-hush story. Tracing Carlisle's steps, the case leads Quinlin back to his roots in the legendary Texas ranching country of Comanche Gap, looking into the activities of the Colters, a prominent and wealthy family. But what could Carlisle possibly have found that was threatening enough to cost him his life? The truth promises to be more far-reaching, more dangerous, and much closer to home than Quinlin can imagine, pitting him, McCarren, and a few faces from Quinlin's past against one of the Lone Star State's most powerful families.
This early work by Robert E. Howard was originally published in 1934 and we are now republishing it with a brand new introductory biography. 'Sluggers on the Beach' is a story in the Sailor Steve Costigan series about a travelling boxer. Robert Ervin Howard was born in Peaster, Texas in 1906. During his youth, his family moved between a variety of Texan boomtowns, and Howard - a bookish and somewhat introverted child - was steeped in the violent myths and legends of the Old South. At fifteen Howard began to read the pulp magazines of the day, and to write more seriously. The December 1922 issue of his high school newspaper featured two of his stories, 'Golden Hope Christmas' and 'West is West'. In 1924 he sold his first piece - a short caveman tale titled 'Spear and Fang' - for $16 to the not-yet-famous Weird Tales magazine. Howard's most famous character, Conan the Cimmerian, was a barbarian-turned-King during the Hyborian Age, a mythical period of some 12,000 years ago. Conan featured in seventeen Weird Tales stories between 1933 and 1936 which is why Howard is now regarded as having spawned the 'sword and sorcery' genre. The Conan stories have since been adapted many times, most famously in the series of films starring Arnold Schwarzenegger.
Shut Out is the compelling story of Boston's racial divide viewed through the lens of one of the city's greatest institutions - its baseball team, and told from the perspective of Boston native and noted sports writer Howard Bryant. This well written and poignant work contains striking interviews in which blacks who played for the Red Sox speak for the first time about their experiences in Boston, as well as groundbreaking chapter that details Jackie Robinson's ill-fated tryout with the Boston Red Sox and the humiliation that followed.
These early works by Robert E. Howard were originally published in the early 20th century and we are now republishing them with a brand new introductory biography. 'The Tale of Sailor Steve Costigan' is a compilation of Howard's short stories in the Sailor Steve Costigan series and include 'The Pit of the Serpent', 'Breed of Battle', 'Sailors' Grudge', and many more. Robert Ervin Howard was born in Peaster, Texas in 1906. During his youth, his family moved between a variety of Texan boomtowns, and Howard - a bookish and somewhat introverted child - was steeped in the violent myths and legends of the Old South. At fifteen Howard began to read the pulp magazines of the day, and to write more seriously. The December 1922 issue of his high school newspaper featured two of his stories, 'Golden Hope Christmas' and 'West is West'. In 1924 he sold his first piece - a short caveman tale titled 'Spear and Fang' - for $16 to the not-yet-famous Weird Tales magazine. Howard's most famous character, Conan the Cimmerian, was a barbarian-turned-King during the Hyborian Age, a mythical period of some 12,000 years ago. Conan featured in seventeen Weird Tales stories between 1933 and 1936 which is why Howard is now regarded as having spawned the 'sword and sorcery' genre. The Conan stories have since been adapted many times, most famously in the series of films starring Arnold Schwarzenegger.
College student and part-time health aide, Amira Connors, wants nothing more than to graduate and successfully launch a non-profit with her latest crush, Attorney Darius Browne. But when a nursing home patient (Claire Stewart) shares shocking details surrounding her husband’s death, Amira pieces together the fractured memories and helps law enforcement identify the actual killer. But is he? Or have Claire’s ramblings entangled Amira into becoming the next target? Novella, multi-generational, amateur sleuth, college town, young adult
It is impossible to ignore the sheer number of boxing stories that Robert E. Howard wrote. Serious or funny, spooky or adventurous, these stories represent a fierce creative outburst that would pave the way later for his western hero, Breckenridge Elkins. In these stories we see Howard's craft pushed from mere construction to passionate involvement. He took all of his interests and peppered them through the various boxing stories. He wrote them faster than the magazine could print them. Clearly, he loved what he was doing. When Howard could write no more, he went on to draft Conan and the aforementioned Elkins, who owes much in style and content to the Costigan stories. The fight stories are a joy to read and reread. They are funny, bawdy, picaresque, and violent. Presented here, as they were originally printed, they perfectly showcase why Robert E. Howard was one of the greatest adventure writers of the 20th century.
A series of inter-related short stories, set in a small fishing village on the Sea of Cortez in Baja California, "Mexican Autumn" presents a number of humorous yet poignant encounters between the local inhabitants and a varied assortment of American tourists.
In Jitter Joint, award-winning journalist Howard Swindle delivers Jeb Quinlin, a Dallas homicide detective combating crime-and his own personal demons. "The weak and pitiful shall perish..." Jeb Quinlin has been issued an ultimatum by his boss and his wife: dry out or get out. So he hits his favorite bar for a last fifth of Wild Turkey and reluctantly enters detox. Once inside, Jeb is forced to confront his years of alcoholism with the help of Librium, hard-core therapy, and AA meetings. But someone is taking the words of the Big Book too far, as rehab patients begin to die mysteriously, each tagged with one of AA's Twelve Steps. Now Jeb is on a sobering hunt for the Twelve-Step killer, a twisted psychopath who's taking the battle with the bottle to horrifying new heights...
The outpouring of creative expression known as the Black Arts Movement of the 1960s and 1970s spawned a burgeoning number of black-owned cultural outlets, including publishing houses, performance spaces, and galleries. Central to the movement were its poets, who in concert with editors, visual artists, critics, and fellow writers published a wide range of black verse and advanced new theories and critical approaches for understanding African American literary art. The Black Arts Enterprise and the Production of African American Poetry offers a close examination of the literary culture in which BAM's poets (including Amiri Baraka, Nikki Giovanni, Sonia Sanchez, Larry Neal, Haki Madhubuti, Carolyn Rodgers, and others) operated and of the small presses and literary anthologies that first published the movement's authors. The book also describes the role of the Black Arts Movement in reintroducing readers to poets such as Langston Hughes, Robert Hayden, Margaret Walker, and Phillis Wheatley. Focusing on the material production of Black Arts poetry, the book combines genetic criticism with cultural history to shed new light on the period, its publishing culture, and the writing and editing practices of its participants. Howard Rambsy II demonstrates how significant circulation and format of black poetic texts—not simply their content—were to the formation of an artistic movement. The book goes on to examine other significant influences on the formation of Black Arts discourse, including such factors as an emerging nationalist ideology and figures such as John Coltrane and Malcolm X.
I Remember, one of French writer Georges Perec’s most famous pieces, consists of 480 numbered paragraphs—each just a few short lines recalling a memory from his childhood. The work has neither a beginning nor an end. Nor does it contain any analysis. But it nonetheless reveals profound truths about French society during the 1940s and 50s. Taking Perec’s book as its cue, Telling About Society explores the unconventional ways we communicate what we know about society to others. The third in distinguished teacher Howard Becker’s best-selling series of writing guides for social scientists, the book explores the many ways knowledge about society can be shared and interpreted through different forms of telling—fiction, films, photographs, maps, even mathematical models—many of which remain outside the boundaries of conventional social science. Eight case studies, including the photographs of Walker Evans, the plays of George Bernard Shaw, the novels of Jane Austen and Italo Calvino, and the sociology of Erving Goffman, provide convincing support for Becker’s argument: that every way of telling about society is perfect—for some purpose. The trick is, as Becker notes, to discover what purpose is served by doing it this way rather than that. With Becker’s trademark humor and eminently practical advice, Telling About Society is an ideal guide for social scientists in all fields, for artists interested in saying something about society, and for anyone interested in communicating knowledge in unconventional ways.
Bianca Easton is the perfect senator’s daughter. Law school? Check. Camera-ready smile? Check. A dull and boring existence? Double check. But that was before. Before she lost her best and only friend in a tragic accident. Before she found that friend's unfinished bucket list. Definitely before she turned her life upside-down by deciding to stay in New York for six months to finish it. It's while she's checking off her first item on the list--buy coffee for a stranger--that she meets Ian Mathis. Between the tattoo sleeve curling up his right arm, his guitar-roughened fingertips, and the secrets shadowing his past, he's a complication Bianca doesn't need but desperately wants. With every item they cross off the list together, Bianca uncovers a piece of herself that she's buried under what's expected, all the while breaking her own rules by falling hard for Ian. But when her six months run out, Bianca has to decide if she's willing to risk her empty but picture-perfect life for a chance at real, messy love.
“Finally, the cliché is peeled away and the essence of this utterly American character is so revealing. John Chapman comes alive here and it is a thrilling experience to escape the specific gravity of the decades of myth” (Ken Burns). This portrait of Johnny Appleseed restores the flesh-and-blood man beneath the many myths. It captures the boldness of an iconic American and the sadness of his last years, as the frontier marched past him, ever westward. And it shows how death liberated the legend and made of Johnny a barometer of the nation’s feelings about its own heroic past and the supposed Eden it once had been. Howard Means does for America’s inner frontier what Stephen Ambrose’s Undaunted Courage did for its western one.
“A remarkable writer.” —Neil Gaiman, bestselling author of American Gods An Alex Award Winner There is a dark secret that is hiding at the heart of New York City and diminishing the city’s magicians’ power in this fantasy thriller by acclaimed author Kat Howard. In New York City, magic controls everything. But the power of magic is fading. No one knows what is happening, except for Sydney—a new, rare magician with incredible power that has been unmatched in decades, and she may be the only person who is able to stop the darkness that is weakening the magic. But Sydney doesn’t want to help the system, she wants to destroy it. Sydney comes from the House of Shadows, which controls the magic with the help of sacrifices from magicians.
For the past thirty years, Howard Caygill has been a distinctive and radical voice in continental philosophy. For the first time, this volume gathers together Caygill's most significant philosophical essays, the majority of which are not freely available and many of which are previously unpublished. Here, a major philosopher is at work, offering rich, rigorous and politically-engaged readings of canonical and lesser-known figures and texts. From Kant and Frantz Fanon to Herman Kahn, founder of the Hudson Institute, Caygill uncovers the untapped resources that the history of philosophy provides for contemporary thought, whilst critically pushing beyond the limits of the tradition. Divided into two parts, the first part of the collection reveals the philosophical backdrop to Caygill's acclaimed study of political resistance, On Resistance: A Philosophy of Defiance (2015), whilst the second part sees Caygill further develop his account of resistance through wide-ranging analyses of contemporary culture. Exploring numerous subjects, including Nietzsche, metaphysics, radical politics, and digital resistance, to name but a few, Force and Understanding introduces readers to the orienting themes of Caygill's thought and provides the opportunity to engage with one of the most astute, learned, and critical philosophical minds around.
Based on the author’s 39 years of teaching environmental policy, working in Washington, and traveling, Comparing Environmental Policies in 16 Countries offers a complete primer in environmental dilemmas and policies from a comparative perspective. The book covers 16 countries according to five themes: participation, interest groups, political parties, governmental structures, and the diplomatic agenda. The author has visited all of the 16 countries and offers original insights on the dynamics of their policies. The author balances theory and practical solutions, comparing policies, highlighting successes and failures, and suggesting best practices. He looks for common features such as the Environmental Decade or response to the Kyoto Protocol. He finds many cases of diffusion such as the impact of Rachel Carson or Jacques Cousteau. The analysis ranges from advanced industrial countries to developing ones. The tone is positive, with facts and ideas conveyed through vignettes Each chapter concludes with highlights of what that country received from others, such as the popularity of Carson’s book or Cousteau’s films, and innovations, such as the idea of a national park or of a green political party. From the theoretical perspective, comparing environmental issues can illuminate other policy areas. Over all, the book demonstrates rapid diffusion among the Western democracies, and slower diffusion to Russia and China.
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