In April 1981, Howard Gayle was summoned from the substitutes’ bench and sent on to play for Liverpool in the second leg of a European Cup semi-final at German champions Bayern Munich. The previous October, by filling the same role at Manchester City, he became the first black footballer in Liverpool’s 89-year history to play at first team level. Gayle’s Liverpool career proved to be short. He would pull on the red shirt only five times in total, scoring once. Yet he is remembered as a trailblazer. In 61 Minutes in Munich, Gayle takes you inside his life: bringing the shutters down on a childhood spent between Toxteth and Norris Green, two contrasting areas of Liverpool. He details life on the streets, the racism, the other forms of abuse, of which he has only told a handful of people before, and his ascent from teenage football hooligan to a player with Europe’s leading club. Gayle explains what it was like to be a black man with a profound sense of insecurity inside a Liverpool dressing room at the most successful point in the club’s history, a place where only the strongest survived. In Munich, Gayle ran Bayern’s defenders ragged and is credited by many as the catalyst for Liverpool’s progression to the final. And yet, by being substituted after 61 minutes on the pitch, he reveals his dismay at never being trusted to keep his cool in the most tense of environments. Gayle takes you to Newcastle, to Birmingham City, to Sunderland and Blackburn Rovers. He takes you back his modest home in the south end of Liverpool where it all began. Part social-history, part-autobiography, 61 Minutes in Munich is an exposition of life in the city of Liverpool during one of the most turbulent periods in its history. Above all it examines how a pioneer like Gayle has been up against it from the moment he was born.
Some thought them dangerous, others credited them with recovering original Christianity. The Sandemanians, a sect with roots in the turmoil of eighteenth-century Scottish Presbyterianism, espoused a radical theology that influenced the development of American Christianity. Founder John Glas blended elements of fundamentalist New Testament Christianity with Enlightenment philosophy to create what he believed to be "the perfect rule of the Christian religion." The history and legacy of the Sandemanians are given full attention in these pages, which reveal the origins of the sect in Scotland and follow its greatest proselyte, Robert Sandeman, across the Atlantic to New England. Author John Howard Smith shows how such a minor sectarian movement could create so much controversy at the time of the First Great Awakening and the American Revolution. The churches Sandeman established were eventually crushed by the Revolution, their adherents scattered, never to grow into a denomination. The Sandemanians are little known today, yet elements of their theology played a key role in the future of American Christianity.
The Black Arts Enterprise and the Production of African American Poetry offers a close examination of the literary culture in which the Black Arts Movement’s poets (including Amiri Baraka, Nikki Giovanni, Sonia Sanchez, Larry Neal, Haki Madhubuti, Carolyn Rodgers, and others) operated and of the small presses and literary anthologies that first published the movement’s authors. The book also describes the role of the Black Arts Movement in reintroducing readers to poets such as Langston Hughes, Robert Hayden, Margaret Walker, and Phillis Wheatley. Focusing on the material production of Black Arts poetry, the book combines genetic criticism with cultural history to shed new light on the period, its publishing culture, and the writing and editing practices of its participants. Howard Rambsy II demonstrates how significant circulation and format of black poetic texts—not simply their content—were to the formation of an artistic movement. The book goes on to examine other significant influences on the formation of Black Arts discourse, including such factors as an emerging nationalist ideology and figures such as John Coltrane and Malcolm X.
This American classic has been corrected from the original manuscripts and indexed, featuring historic photographs and an extensive biographical afterword.
This issue features THE BLUE DEMON by Lowell Howard Morrow, THE FLIGHT OF THE EASTERN STAR by Ed Earl Repp, THE PHANTOM OF GALON by J. W. Ruff, FREEDOM OF THE SKIES by Edsel Newton, FLANNELCAKE'S INVENTION by H. McKay, and CITIES IN THE AIR (Part 2) by Edmond Hamilton.
Relates the sudden death of the author's husband and her decision to pack up the RV he left behind and embark on a cross-country journey, during which she used America's quintessential comfort food and the simple act of giving to overcome tragedy.
This book situates biomedicine within American culture and argues that the very organization and practice of medicine are themselves cultural. It demonstrates the symbolic construction of clinical reality within American biomedicine and shows how biomedicine never leaves the realm of the personal.
Miles Davis, Ornette Coleman, and Cecil Taylor revolutionized music from the end of the twentieth century into the twenty-first, expanding on jazz traditions with distinctly new concepts of composition, improvisation, instrumentation, and performance. Miles, Ornette, Cecil is the first book to connect these three icons of the avant-garde, examining why they are lionized by some critics and reviled by others, while influencing musicians across such divides as genre, geography, and racial and ethnic backgrounds.
Decades before the overturning of Roe v. Wade, pregnant people faced arrest and prosecution for supposed crimes against the fertilized eggs, embryos, and fetuses they gestated. The Pregnancy Police investigates the legal arguments undergirding these prosecutions and sheds much-needed light on the networks of health-care providers, social workers, and legal personnel participating in this ongoing surveillance and punishment of pregnant people. Drawing on detailed analyses of legislation, statements from prosecutors and law enforcement, and records from over a thousand arrest cases, Grace E. Howard traces the long history of state attempts to regulate and control people who have the capacity for pregnancy—from the early twentieth century's white supremacist eugenics to the end of Roe and the ever-increasing criminalization of abortion across the United States.
Thurgood Marshall's extraordinary contribution to civil rights and overcoming racism is more topical than ever, as the national debate on race and the overturning of affirmative action policies make headlines nationwide. Howard Ball, author of eighteen books on the Supreme Court and the federal judiciary, has done copious research for this incisive biography to present an authoritative portrait of Marshall the jurist. Born to a middle-class black family in "Jim Crow" Baltimore at the turn of the century, Marshall's race informed his worldview from an early age. He was rejected by the University of Maryland Law School because of the color of his skin. He then attended Howard University's Law School, where his racial consciousness was awakened by the brilliant lawyer and activist Charlie Houston. Marshall suddenly knew what he wanted to be: a civil rights lawyer, one of Houston's "social engineers." As the chief attorney for the NAACP, he developed the strategy for the legal challenge to racial discrimination. His soaring achievements and his lasting impact on the nation's legal system--as the NAACP's advocate, as a federal appeals court judge, as President Lyndon Johnson's solicitor general, and finally as the first African American Supreme Court Justice--are symbolized by Brown v. Board of Education, the landmark case that ended legal segregation in public schools. Using race as the defining theme, Ball spotlights Marshall's genius in working within the legal system to further his lifelong commitment to racial equality. With the help of numerous, previously unpublished sources, Ball presents a lucid account of Marshall's illustrious career and his historic impact on American civil rights.
Early in the twentieth century, the Cuban sugarcane industry faced a labor crisis when Cuban and European workers balked at the inhumane conditions they endured in the cane fields. Rather than reforming their practices, sugar companies gained permission from the Cuban government to import thousands of black workers from other Caribbean colonies, primarily Haiti and Jamaica. Black Labor, White Sugar illuminates the story of these immigrants, their exploitation by the sugarcane companies, and the strategies they used to fight back. Philip A. Howard traces the socioeconomic and political circumstances in Haiti and Jamaica that led men to leave their homelands to cut, load, and haul sugarcane in Cuba. Once there, the field workers, or braceros, were subject to marginalization and even violence from the sugar companies, which used structures of race, ethnicity, color, and class to subjugate these laborers. Howard argues that braceros drew on their cultural identities-from concepts of home and family to spiritual worldviews-to interpret and contest their experiences in Cuba. They also fought against their exploitation in more overt ways. As labor conditions worsened in response to falling sugar prices, the principles of anarcho-syndicalism converged with the Pan-African philosophy of Marcus Garvey to foster the evolution of a protest culture among black Caribbean laborers. By the mid-1920s, this identity encouraged many braceros to participate in strikes that sought to improve wages as well as living and working conditions. The first full-length exploration of Haitian and Jamaican workers in the Cuban sugarcane industry, Black Labor, White Sugar examines the industry's abuse of thousands of black Caribbean immigrants, and the braceros' answering struggle for power and self-definition.
The first American surrealist poet, a prolific literary editor and a seminal influence on the New York School of poetry, Charles Henri Ford was a key figure in the transition from late modernist to postmodern culture in America. Charles Henri Ford: Between Modernism and Postmodernism is the first book-length scholarly study of this important literary figure. Drawing on new archival research – including explorations of Ford's correspondence with the likes of Ezra Pound, Gertrude Stein, William Carlos Williams, Parker Tyler, and many others – the book explores the full impact of Ford's contribution to 20th-century American literary culture.
Provides information for mental health practitioners on the basics of anger and anger disorder, and describes an anger management program that can be modified for use in private practice or institutional settings.
The Stage and Social Struggle in Early Modern England is a ground-breaking study of a controversial period of English literary, cultural, and political history. In language that is both lucid and theoretically sophisticated, Jean Howard examines the social and cultural facets of early modern theatre. She looks at the ways in which some theatrical practices were deemed deceptive and unreliable, while others were lent legitimacy by the powerful. An exciting and challenging work by one of the leading writers in the field, The Stage and Social Conflict in Early Modern England is important reading for anyone interested in the period.
A pivotal twentieth-century composer, Samuel Barber earned a long list of honors and accolades that included two Pulitzer Prizes for Music and the public support of conductors like Arturo Toscanini, Serge Koussevitzky, and Leonard Bernstein. Barber’s works have since become standard concert repertoire and continue to flourish across high art and popular culture. Acclaimed biographer Howard Pollack (Aaron Copland, George Gershwin) offers a multifaceted account of Barber’s life and music while placing the artist in his social and cultural milieu. Born into a musical family, Barber pursued his artistic ambitions from childhood. Pollack follows Barber’s path from his precocious youth through a career where, from the start, the composer consistently received prizes, fellowships, and other recognition. Stylistic analyses of works like the Adagio for Strings, the Violin Concerto, Knoxville: Summer of 1915 for voice and orchestra, the Piano Concerto, and the operas Vanessa and Antony and Cleopatra, stand alongside revealing accounts of the music’s commissioning, performance, reception, and legacy. Throughout, Pollack weaves in accounts of Barber’s encounters with colleagues like Aaron Copland and Francis Poulenc, performers from Eleanor Steber and Leontyne Price to Vladimir Horowitz and Van Cliburn, patrons, admirers, and a wide circle of eminent friends and acquaintances. He also provides an eloquent portrait of the composer’s decades-long relationship with the renowned opera composer Gian Carlo Menotti. Informed by new interviews and immense archival research, Samuel Barber is a long-awaited critical and personal biography of a monumental figure in twentieth-century American music.
Throughout the United States and indeed the world, organizations have become places of darkness, where emotional savagery and brutality are now commonplace and where psychological forms of violence--intimidation, degradation, dehumanization--are the norm. Stein succeeds in portraying this dramatically in his evocative, lucid new book, and in doing so he counters official pronouncements that simply because unemployment is low and productivity high, all is well. Through the use of symbolism and metaphor he gives us access to the interior experience of organizational life today. He employs a form of disciplined subjectivity, based on Freud's concept of counter-transference, and other methods to help us comprehend what such dominating notions as managed social change really mean. Downsizing, reengineering, managed care, endless organizational restructuring--all are presented as just business but in reality, says Stein, they are devastatingly personal in their effects. With numerous vignettes and anecdotes drawn from his formal and informal research, Dr. Stein shows us in often horrifying detail what work has come to be in so many of these dark places--but also what must happen, and can happen, to lift them into the light. Through consultations, observation, and personal experience, Stein documents the ordinary assaults on the human spirit, a form of violence in the workplace that usually escapes common classification. By that he means culturally sanctioned violence, such as everyday forms of intimidation, ridicule, goading, and doubling of workloads--all in an asserted effort to make the workplace more productive, more competitive. His examples, metaphors, symbols, images come from the Holocaust and the Vietnam War, and refer back to other horrors in other times, the Crusades and the Spanish Inquisition among them. His book demonstrates precisely how brutal so many of our rational business practices have become, and how disposable all of us ultimately are, at all levels, in all organizations. Stein draws upon a variety of research techniques, including a form of counter-transference based on Freud's concept, to understand the inner meanings and feelings contained in workplace metaphors and symbols. An incisive foreword by Dr. David B. Friedman, Associate Clinical Professor of Psychiatry at the New York University School of Medicine, comments on this, puts the book in perspective and offers additional insights into Stein's themes and how brilliantly he develops them.
Longtime CEO and chairman of Starbucks, Schultz shares his ideas on the new responsibilities of leaders, businesses, and citizens in American society today, through the intimate lens of his life and work. His conflicted boyhood motivated Schultz to become the first in his family to graduate from college, then to build the kind of company his father, a working-class laborer, never had a chance to work for: a business that tries to balance profit and human dignity. Behind-the-scenes, we get a look at Schultz's efforts to challenge old notions about the role of business in society. An optimistic account of what happens when we stand up, speak out, and come together for purposes bigger than ourselves.
Small-town librarian Daisy Minor is tired of not having a life and sets out to transform herself, but her plans go awry when she witnesses a deadly crime and becomes the target of a killer who will do anything to keep her quiet.
For much of Indiana's history, its distinctiveness has lain in its typicality. It has embodied--and continues to embody--values and behavior that are specifically American. In the late eighteenth century Indiana was the heart of the Old Northwest, a vast area conceived as a preserve where independent farmers and their families could live free from the shadow of slavery. During the Civil War, the state found itself divided, with Indianans' allegiances split between Southern partisans and zealous Yankees. Throughout this period, the workshops and farms of Indiana continued to provide the growing nation with food and other necessities. Countless small towns prospered; Indianapolis grew, and Gary, on the southern shore of Lake Michigan, became synonymous with steel production, symbolizing the industrial might of America. Readers all over the country embraced the writings of Indianans such as James Whitcomb Riley and Booth Tarkington, while Indiana's painters disseminated iconic and idyllic images of America. This comprehensive history traces the history of the Hoosier state, revealing its most significant contributions to the nation as a whole, while also exploring the unique character of its land and people. Howard H. Peckham relates recent changes in Indiana as a variety of ethnic and racial groups have come seeking a share in the good life, enriching and redefining this ever-changing state for the new millennium.
A collection of articles on and interviews with jazz greats Jelly Roll Morton, Louis Armstrong, Billie Holiday, Wynton Marsalis, Miles Davis, and others. Howard Reich has reported on jazz for the Chicago Tribune for almost four decades, and in this time, he has met musicians both celebrated and obscure. From his exclusive interviews with Frank Sinatra, Tony Bennett, Lena Horne, and Ella Fitzgerald, to profiles of the early masters like Louis Armstrong, Duke Ellington, and Billie Holiday, this book illustrates Reich’s deep understanding of the performances, recordings, and cultural legacies of these jazz masters. This book, comprising Reich’s award-winning Chicago Tribune articles, shows readers his unmatched critical insight and unrivaled access to the diverse range of jazz musicians the world over, including the little-known artists who, while never in the national spotlight, were nonetheless instrumental to the evolution of jazz. Divided thematically, Portraits in Jazz is a journey from the time of jazz music’s originators, great singers, and early masters through to its courageous standouts, game changers, and regional influencers from Chicago to Cuba and across the globe. Reich, himself a piano performance major at Northwestern University, says in the introduction that studying theory and history are essential to understanding jazz’s inner-workings. But these portraits weren’t created as academic theses or history-book lessons. They are on-the-spot, in the heat of the moment questions of its greatest practitioners, articles and essays in the here and now, taking readers one step closer to the meaning of sound.
This new edition has been extensively updated to reflect developments in Georgia politics and government since 2007—a decade that has seen three presidential election cycles, two midterm elections, and a census. Updates reflect not only changes in how Georgia is governed but also the economic and social trends helping to drive those changes. These include the continued growth and dispersal of His panic and Asian populations; the decline, by a variety of measures, of rural areas; and the moderating effect of probusiness government factions on social conservative agendas. This edition maintains the book’s comparative approach, which examines the state from three revealing perspectives. This allows readers to determine the extent to which Georgia is similar to its peers on such topics as the length and features of the constitution, the organization of the state government, and the nature of policies. All this allows students and scholars to have a better understanding of the political and economic dynamics of Georgia and the relationship of those dynamics to national political and economic developments. The result is a thorough, up-to-date resource on Georgia’s dynamic political system. Features: -Coverage of trends and events since the prior edition appeared in 2007 -Analysis of the most recent state elections -A rewritten chapter on the judiciary that reflects greater representation of women and minorities on the bench and a sharp rise in Republican appointees -A rewritten chapter on policy, with added detail on such topics as transportation, the environment, education, social welfare, and public safety and security -Extensive revisions to sections on the U.S. Constitution -The removal of a chapter on public opinion so that its contents can be more tightly woven throughout the book -Greater attention to the increased power of interest groups -Acknowledgment throughout of the impact of the web and social media in politics and government
There was the sound of a single bullet, and then . . . a deafening barrage of gunfire and explosions. There were, literally, thousands of bullets in the air at once, and more tracers streaking across the sky than there were stars overhead. It was a miracle that most of us weren't killed instantly." Staff Sergeant Salvatore, "Sal," Giunta was the first living person to receive the Medal of Honor--the highest honor presented by the U.S. military--since the conclusion of the Vietnam War. In "Living with Honor, "this hero who maintains he is "just a soldier" tells us the story of the fateful day in Afghanistan that led to his receiving the unique honor. With candor, insight, and humility, Giunta not only recounts the harrowing events leading up to when he and his company fell under siege, but also illustrates the empowering, invaluable lessons he learned. As a seventeen-year-old teen working at Subway, Giunta was like any other kid trying to figure out which step to take next with his life after graduating from high school. When Giunta walked into the local Army recruiting center in his hometown, he just wanted a free T-shirt. But when he walked out, his curiosity had been piqued and he enlisted in the Army. Deployed to Afghanistan, Giunta soon learned from the more seasoned soldiers how "different" this war was compared to others that America had fought. Stationed with the 173rd Airborne Brigade near the Afghanistan-Pakistan border in the Korengal Valley-- also known as the "Valley of Death"--Giunta and his company were ambushed by Taliban insurgents. Giunta went into action after seeing that his squad leader had fallen. Exposing himself to blistering enemy fire, Giunta charged toward his squad leader and administered first aid while he covered him with his own body. Though Giunta was struck by the relentless barrage of bullets, he engaged the enemy and then attempted to reach additional wounded soldiers. When he realized that yet another soldier was separated from his unit, he advanced forward. Discovering two rebels carrying away a U.S. soldier, Giunta killed one insurgent and wounded the other, and immediately provided aid to the injured soldier. More than just a remarkable memoir by a remarkable person, "Living with Honor "is a powerful testament to the human spirit and all that one can achieve when faced with seemingly impossible obstacles. *** The President clasps the medal around my neck. Applause fills the room. But I know it's not for me alone. I look at my mom and dad. I look at Brennan's parents and I look at Mendoza's. And I try to communicate to Brennan and Mendoza wordlessly: "This is for you . . . and for everyone who has fought and died. For everyone who has made the ultimate sacrifice. I am not a hero. I'm just a soldier." --Salvatore A. Giunta, from "Living with Honor
Insight and Imagination explores the primacy of the self in organizational research, consulting, and management / leadership. Contesting the radical dichotomy between "objective" and "subjective" understanding, and the devaluation of the latter, Professor Howard F. Stein argues that the imagination of the observer, informed by his or her unconscious, can lead to a greater understanding of the psychological reality of the workplace and in turn to better informed problem solving. Insight emerges from the disciplined use of the imagination rather than its repudiation. The book brings countertransference to center stage as a tool for understanding the emotional experience of organizational life and for formulating interventions. One often neglected use of the imagination is the capacity to not have to know beforehand what one needs to learn--what poet John Keats called "negative capability." Insight and Imagination proposes the use of the humanities as a means of expanding and deepening one's access to the inner life of organizations. The author draws from the art created by others and from his own poetry written and often used during an organizational consultation. Among the specific contexts discussed in this book are the experience of organizational downsizing; helping organizations to grieve after change and loss; recognizing "red herrings" in organizational decision making; the language of organizational change; recognizing hidden agendas in meetings; and reflective practice in organizational life.
In his short life, the Virginia-born John Treville Latouche (1914-56) made a profound mark on America's musical theater as a lyricist, book writer, and librettist. His signature achievements include theatrical works with composers Earl Robinson, Vernon Duke, Duke Ellington, Jerome Moross, and Leonard Bernstein.
The 1950's saw a major revolution on the movie front. In order to combat TV, the size of movies screens was changed forever. Unfortunately, there was no standard agreement as to what dimensions, the preferred new sized screen should be.
Listening deeply is the foundation of all effective organizational management, research, and consulting. This book explores the many aspects of attentive listening through storytelling and includes examples of organizational case studies. In Stein’s practice, listening deeply is an attitude evoked by the psychoanalytic concept of hovering attention—a careful attending to the person or group one is trying to help and an equally careful attending to how one is hearing these others. The listener’s own feelings are as crucially diagnostic as what the consultant observes in other people. This new edition of Listening Deeply updates historical context, theory, method, and organizational stories. A psychodynamic orientation informs much of the book and the language Stein uses is direct. His lessons are useful to the manager in any kind of organization, as well as practitioners of psychology, sociology, business management, medicine, and education.
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