Fiorello LaGuardia is known best as the tempestuous mayor of New York City in the days when Franklin Delano Roosevelt sat in the White House. There had been, however, an earlier time, which matched his mayoralty years in sheer drama and perhaps surpassed them in lasting achievement—LaGuardia's years in Congress.He served in the House of Representative almost continuously from 1917 to 1933, representing two ethnically diverse congressional districts: the Fourteenth (Greenwich Village), from 1917 to 1919, and the Twentieth (East Harlem), from 1923 to 1933. Although barred from important committee posts because of his political independence and thus denied from playing a direct role in lawmaking, he was a tireless and vocal champion of Progressive causes, from allowing more immigration and removing U.S. troops from Nicaragua to speaking up for the rights and livelihoods of striking miners, impoverished farmers, oppressed minorities, and struggling families. A goad to the era's plutocrats and their enablers in government, LaGuardia fought for progressive income taxes, greater government oversight of Wall Street, and national employment insurance for workers idled by the Great Depression.In this book, first published by Cornell University Press in 1959, Howard Zinn establishes LaGuardia's tenure in Congress as a vital link between the Progressive and New Deal eras, offering a lively and informative account of his many legislative battles, his political philosophy, and the distinctly urban (specifically, New York City) sensibilities he brought to the Progressive movement.
Almost all the CLASSIC HOLLYWOOD MOVIES discussed in this book are currently available on DVD. Many are sold by specialist stores such as Oldies. And now that vintage titles are being pressed on demand, theoretically they will never go out of print! However, an attempt has been made to include some of the classics that are not so well-known, as well as those that are more frequently aired on TV or are prominently featured in retail and mail order stores. Here, for example, are a few of the movie titles that begin with the letter "S" Seven Keys to Baldpate (1917), Seven Keys to Baldpate (1947), She Goes To War (1929), the Shining Adventure (1925), the Ship of Lost Men (1929), Show-Off (1926), Silent Enemy (1930), Sky Bride (1932), Sky High (1922), Slums of New York (1932), the Smart Set (1928), Son of the Gods (1930), Speedway (1929), Spite Marriage (1929), the Squall (1929), Square Shoulders (1929), Stranger in Town (1932), Strictly Unconventional (1930), Sunset Trail (1932), Svengali (1931).
Over 1,200 DVDs in the mystery, suspense and film noir categories were examined and rated for this illustrated guide. The book is divided into two main sections. In the first, 218 movies are given the glamour treatment with comprehensive details of players and crews, plus background information and reviews. In the second section, essential details on over 500 films are briefly described. Bonus articles includes a survey of "The Thin Man" series, "Sherlock Holmes," "Humphrey Bogart versus Alan Ladd," "Raymond Chandler on the Big Screen" and "The Big Clock." This book will not only prove most useful for all movie fans, but will enthrall and entertain for years to come.
A guide to classic and vintage motion picture suspense in film noir, mystery thrillers and detective movies from Hollywood's Golden Age, this book also provides credits, reviews, original release information and current DVD details. Movies include not only famous classics like "Charlie Chan in Egypt", "City Streets", "Counsellor at Law", "Father Brown, Detective", "Gilda", "The Kennel Murder Case", "The Lady from Shanghai", "Laura", "Mysterious Mr Moto", "The Naked City", "Nightmare Alley", "Odd Man Out", "Out of the Past", "The Paradine Case", "Rebecca", etc., but lesser known titles. Additional essays survey Film Noir, Sherlock Holmes, The Thin Man, Raymond Chandler, Humphrey Bogart and Alan Ladd.
Providing an overview of the entire thriller genre, this book examines over 160 movies from classic Hollywood and British studios, including such essential film noir entries as "Murder, My Sweet," "The Dark Corner," "The Maltese Falcon" and "Afraid To Talk." Great cinema detectives are represented by William Powell (all six of his Thin Man pictures are detailed and discussed), Basil Rathbone (Sherlock Holmes), Warner Oland (Charlie Chan), Sidney Toler (Charlie Chan), Peter Ustinov (Hercule Poirot), Margaret Rutherford (all four of her Miss Marple films are covered), and others including the Saint, the Falcon, Bulldog Drummond and Philo Vance. From director Alfred Hitchock comes "Notorious," "Saboteur," "Number 17" and "Rich and Strange." A few comedies and spoofs, such as "Satan Met a Lady" (an amazing re-make of the original "Maltese Falcon" with Bette Davis and Warren William) and "Who Done It?" (with Abbott and Costello) round out the survey.
Movies detailed in this book include both films that are well-known and those that are somewhat obscure, although nearly all are now available on DVD. Titles include The Bat Whispers, The Bishop Misbehaves, Black Midnight, Caesar and Cleopatra, Chisum, City Beneath the Sea, Comedy of Terrors, Corsair, The Count of Monte Cristo, Cromwell, The Egyptian, The Glass Web, How To Marry a Millionaire, The Jack-Knife Man, Key to the City, Kiss Me Deadly, Ladies Love Danger, Midnight, Our Hospitality, The Road to Reno, So This Is New York, Stella Dallas, Stormy Weather, The Thirteenth Guest, Tickle Me, Titanic, Tower of London, Transatlantic Merry-Go-Round, The Valley of Decision, Viva Zapata!, You Can't Cheat an Honest Man.
Originally published in 1977, Open Prisons presents research carried out in a number of prisons in the UK both ‘open’ and ‘closed’ intended to compare their effectiveness. Information was collected from inmates and prison staff through a number of exercises designed to assess the social atmosphere of the prison and how they felt about it. The book finishes with a chapter which discusses the policy implications of their findings. Today it can be read in its historical context.
Telling the full story of the head Stooge, this work reveals the life-long career of a legendary funnyman. Born into a working-class family in Brooklyn, Moe Howard transformed his real-life experiences of getting into mischief with his brother Shemp into the plots that would have millions rolling in the aisles. From childhood, Moe’s ambition was to perform—whether it was plucking a ukulele on the beach, or playing a halfwit on a Mississippi showboat. But he only found success when he joined with Shemp and Larry Fine to play, as the New York Times put it, “three of the frowziest numskulls ever assembled.” As the brains behind the Three Stooges, he went on to act in hundreds of their movies, introducing his little brother Curly into the act when Shemp departed, and, after Curly’s death, partnering with Joe Besser and finally Joe de Rita. This is Moe Howard’s self-penned, no-holds-barred story of the ups and downs of his life, ranging from personal family tragedies to tidbits about career mishaps and triumphs. It overflows with the easygoing charm, generosity, and inspired lunacy of the “wise guy” behind America’s most successful comedy trio.
Dour-faced Moe Howard with his sugar-bowl haircut, his bald, chubby brother Curly and frizzy-haired Larry have poked, slapped, ear-yanked and nose-twisted their way into people's hearts across the world - and into film history. Their nearly 200 two-reel comedies, made between 1933 and 1958, have been translated into over 25 languages, entertained nearly six generations of fans and are seen somewhere in the world every single day. The Three Stooges Scrapbook is a historical overview of their time in showbusiness.
A round-up of favorite westerns from "Aces and Eights" to "River of No Return," from "Colorado Sundown" to "Under California Stars," from "Big Calibre" to "The Yodellin' Kid from Pine Ridge." Featured stars include Gene Autry, Roy Rogers, Bill Boyd, Charles Starrett, Buck Jones, Hoot Gibson, Bob Steele, Rex Bell, Tex Ritter, Ken Maynard, Tim McCoy, Jack Perrin, Johnny Mack Brown, Robert Mitchum, Randolph Scott.
A guide to 178 classic Hollywood movies from the 1920s and early 1930s, now available on DVD releases from both major and independent USA companies. These films feature both stars like Mary Pickford, Douglas Fairbanks, Clara Bow, Lon Chaney, Louise Brooks, Charles Chaplin, Joan Crawford, Colleen Moore, Harold Lloyd, Gary Cooper, William Powell, Greta Garbo, Rudolph Valentino, Norma Shearer, Buster Keaton, Shirley Temple, Barbara Stanwyck, Ronald Colman, Lillian Gish, Marion Davies, and Wallace Beery, who are still top favorites with movie fans, as well as players like Laura La Plante, Charles Ray, Alice Terry, Pola Negri, Mary Miles Minter, Rod La Rocque, and Mabel Poulton who were also extraordinarily popular in their day. The book is illustrated with 105 well-chosen black-and-white photos from the author's private collection.
200 films reviewed and rated, covering all genres of movie comedy from slapstick to sardonic, from madness to manners. Featured comedians include Bud Abbott and Lou Costello, Stan Laurel and Oliver Hardy, Bert Wheeler and Robert Woolsey, W.C. Fields, Will Rogers, Bob Hope, Buster Keaton, Harold Lloyd, Bing Crosby, The Three Stooges, Eddie Cantor, Charlie Chaplin, Jacques Tati, Sid Field, The Crazy Gang, George Burns and Gracie Allen, Jack Hulbert, Joe E. Brown, Ole Olsen and Chic Johnson, Clifton Webb, Red Skelton, Ronald Shiner, Cecil Kellaway, Norman Wisdom, Frankie Howerd, Toto, Arthur Askey, Katharine Hepburn, Cary Grant, Claudette Colbert, Fred Astaire, Ginger Rogers, Joan Davis, Marjorie Main, Percy Kilbride, Stanley Holloway, Penny Singleton and Arthur Lake.
Thanks to DVD, a great number of silent films and early talkies are now available for home viewing. In fact, so many of these wonderful movies can now be purchased, rented or borrowed by classic motion picture fans that an up-to-date reference work to the best (and the middling and the worst) has become essential. In this comprehensive guide, fans and enthusiasts will find not only familiar titles like Lon Chaney's "Phantom of the Opera" or Douglas Fairbanks' "Thief of Bagdad" or Harold Lloyd's "Safety Last"; but the less familiar "Down to the Sea in Ships" (starring a young Clara Bow), "Evangeline" (Dolores Del Rio), "Stella Dallas" (Belle Bennett), "Monsieur Beaucaire" (Rudolph Valentino), Ford Sterling's "The Show-Off," and Al Jolson's "Big Boy," to mention just a few of the many hundreds of titles detailed in this massive book. 440 pages of insightful text! Over 110 wonderful photos!
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