In the 1880s, tobacco industries were revolutionised by mechanised production. This study charts how these innovations led to the formation in 1902 of the British American Tobacco Company.
This book assumes questions that perceptive readers of all persuasions might ask about the Bible. These questions pertain both to the nature of the text and the text itself. With regard to the former, its historical development is described in reverse order, back through 16th century England to the definitive Hebrew text from which all modern translations are made, the Leningrad Codex, dated 1008 CE. The development continues through prior centuries, importantly, to the Dead Sea Scrolls, which raise new questions about which text to translate. The Pentateuch throughout is discussed with the question in mind: Is it history or story? The great wealth of information, both material and literary, which archaeology has provided over the last one and half centuries as well as the intensive literary analysis of biblical scholars is brought to bear on the text. The attempt is made to provide information not commonly known to the general reader in searching for an answer to the question. The identification of literary traditions with their theological perspectives serves to show the diversity of the material amidst its overall unity. The traditions, which make up the Old Testament, did not end with our canon, whether Jewish, Catholic or Protestant. A group of these later books, known as Apocrypha, are included in some Bibles but not in others. A large number of other books, known as Pseudepigrapha, represent the continuation of the traditions. Those related to Genesis, as well as the ambivalent status of the Apocrypha, are discussed here.
A fresh examination of the life and crimes of the highest-ranking federal official ever tried for treason and espionage American Traitor examines the career of the notorious Gen. James Wilkinson, whose corruption and espionage exposed the United States to grave dangers during the early years of the republic. Wilkinson is largely forgotten today, which is unfortunate because his sordid story is a cautionary tale about unscrupulous actors who would take advantage of gaps in the law, oversight, and accountability for self-dealing. Wilkinson’s military career began during the Revolutionary War and continued through the War of 1812. As he rose to the rank of commanding general of the US Army, Wilkinson betrayed virtually everyone he worked with to advance his career and finances. He was a spy for Spain, plotted to have western territories split from the United States, and accepted kickbacks from contractors. His negligence and greed also caused the largest peacetime disaster in the history of the US Army. Howard W. Cox picks apart Wilkinson’s misdeeds with the eye of an experienced investigator. American Traitor offers the most in-depth analysis of Wilkinson’s court-martial trials and how he evaded efforts to hold him accountable. This astounding history of villainy in the early republic will fascinate anyone with an interest in the period as well as readers of espionage history.
This is a biography of Kenyon Cox, one of the best-known cultural figures in the United States from 1900 to 1920. His reputation was earned chiefly as a painter of murals and as a critic. His large allegorical works can be found in Wisconsin, Iowa, Minnesota, the Library of Congress, and New York.
In the 1880s, tobacco industries were revolutionised by mechanised production. This study charts how these innovations led to the formation in 1902 of the British American Tobacco Company.
The forty years of American Indian literature taken up by James H. Cox--the decades between 1920 and 1960--have been called politically and intellectually moribund. On the contrary, Cox identifies a group of American Indian writers who share an interest in the revolutionary potential of the indigenous peoples of Mexico--and whose work demonstrates a surprisingly assertive literary politics in the era. By contextualizing this group of American Indian authors in the work of their contemporaries, Cox reveals how the literary history of this period is far more rich and nuanced than is generally acknowledged. The writers he focuses on--Todd Downing (Choctaw), Lynn Riggs (Cherokee), and D'Arcy McNickle (Confederated Salish and Kootenai)--are shown to be on par with writers of the preceding Progressive and the succeeding Red Power and Native American literary renaissance eras. Arguing that American Indian literary history of this period actually coheres in exciting ways with the literature of the Native American literary renaissance, Cox repudiates the intellectual and political border that has emerged between the two eras.
In "Muting White Noise," James H. Cox considers how Native authors have liberated our imaginations from colonial narratives. Cox takes his title from Sherman Alexie, for whom the white noise of a television set represents the white mass-produced culture that mutes American Indian voices. Cox foregrounds the work of Native intellectuals in his readings of the American Indian novel tradition. He thereby develops a critical perspective from which to re-see the role played by the Euro-American novel tradition in justifying and enabling colonialism.
This is a biography of Kenyon Cox, one of the best-known cultural figures in the United States from 1900 to 1920. His reputation was earned chiefly as a painter of murals and as a critic. His large allegorical works can be found in Wisconsin, Iowa, Minnesota, the Library of Congress, and New York.
Revolutions from Grub Street charts the evolution of Britain's popular magazine industry from its seventeenth century origins through to the modern digital age. Following the reforms engendered by the Glorious Revolution of 1688 the Grub Street area of London, which later transmuted into the cluster of venerable publishing houses centred on Fleet Street, spawned a vibrant culture of commercial writers and small-scale printing houses. Exploiting the commercial potential offered by improvements to the system of letterpress printing, and allied to a growing demand for popular forms of reading matter, during the course of the eighteenth century one of Britain's pioneering cultural industries began to take meaningful shape. Publishers of penny weeklies and sixpenny monthlies sought to capitalise on the opportunities that magazines, combining lively text with appealing illustrations, offered for the turning of a profit. The technological revolutions of the nineteenth century facilitated the emergence of a host of small and medium-sized printer-publishers whose magazine titles found a willing and growing audience ranging from Britain's semi-literate working classes through to its fashion-conscious ladies. In 1881, the launch of George Newnes' highly innovative Tit-Bits magazine created a publishing sensation, ushering in the era of the modern, million-selling popular weekly. Newnes and his early collaborators Arthur Pearson and Alfred Harmsworth, went on to create a group of competing business enterprises that, during the twentieth century, emerged as colossal publishing houses employing thousands of mainly trade union-regulated workers. In the early 1960s these firms, together with Odhams Press, merged to create the basis of the modern magazine giant IPC. Practically a monopoly producer until the 1980s, IPC was convulsed thereafter by the dual revolutions of globalization and digitization, finding its magazines under commercial attack from all directions. Challenged first by EMAP, Natmags, and Condé Nast, by the 1990s IPC faced competition both from expanding European rivals, such as H. Bauer, and a variety of newly-formed agile domestic competitors who were able to successfully exploit the opportunities presented by desktop publishing and the world wide web. In a narrative spanning over 300 years, Revolutions from Grub Street draws together a wide range of new and existing sources to provide the first comprehensive business history of magazine-making in Britain.
The second edition of this strong collection brings together classical statements on social stratification with current and original scholarship, providing a foundation for theoretical debate on the nature of race, class, and gender inequality. Designed for students in courses on social stratification, inequality, and social theory, this new edition includes a revised and updated editor's introduction and conclusion, along with five new chapters on race and gender from distinguished scholars in the field.
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