Gogol's short story, Diary of a Madman, adapted for the stage. ""This is a play about an individual's descent into madness, brought to life by a brilliant trio of actor David Bromley, director Scott Le Crass, and author Howard Colyer. But what makes the play interesting is that Gogol's protagonist defies the literary mould: he has a condition usually reserved for tormented kings and ladies imprisoned in the attic. Rather than being ordinary, he is 'extraordinary', a term peppering Howard Colyer's script. Through Poprishchin, Gogol portrays his contempt for government and bureaucracy, and allows this lowly civil servant to become a leader...at least in his own mind."" Emma Slater, London Theatre, reviewing the production at the Jack Studio.
The 36 stories in this collection were written or re-written in London between 2000 and 2006. Most are shorter than a page. The longest is seven pages. Some have appeared in, Smoke: a London Peculiar.
Gogol's story of a clerk in St. Petersburg adapted for the stage, and first performed at the Brockley Jack Studio Theatre in London on 19 January, 2011. "An unforgettable production conjuring the alienating city of St Petersburg under the rigid hierarchy of Tsarist bureaucracy and its unfortunate victim, the wretched Everyman - Bashmachkin." Bernie Whelan, EXTRA! EXTRA! 27 January, 2011. "The Overcoat is a play with serious literary pedigree." Paul Prowse, South London Press, 28 January, 2011. "An hour of mesmerizing theatre." Atomies.org, 29 January, 2011.
The war is over and the hero returns. But what good is a hero without a war? What else does he know but warfare? And his city has managed without him. The gap left by his departure has closed. Yet the problems he left behind have remained. They have lain dormant. But his return revives them.
Gregory Gun is devoted to his job and he is made redundant. And then he struggles. But he tries to cope and he fights against his own character; but finally he shuts himself away and becomes a hermit in London, and lives a strange and secret life.
The Civil War is drawing to an end in Russia. The White Army is disintegrating and a wave of refugees is about to descend on Turkey, and then spread across Europe. Bulgakov's play follows the fate of a small group of Russians from the Crimea to Constantinople to Paris. It is a tragic comedy that was never staged during the life of its author due to the opposition of Stalin. ""There is no doubt that this is one of the masterpieces of world theatre and in this solid production of a terrific translation it is well worth catching."" Peter Scott-Presland reviewing the production at the Jack Studio.
A play about marriage, lust, adultery, corruption and deceit - all aided by the Mandrake Infusion. It is Machiavelli's greatest sex farce, and a landmark of the Italian Renaissance. This adaptation opened at the Jack Studio Theatre in London on 28 May 2013. "I'm not sure what liberties were applied in bringing a hit from the 1520s to the 21st century stage, but Mandrake had a timeless yet timely vibe about it - like a smart Shakespearean production. It was fresh and contemporary brimming with universal and relevant themes and a humour that's stood the test of time." Chris Osburn Tikichris.com. "Howard Colyer's latest twist on a classic is a wonderfully watchable romp that packs a political punch to go with its comic cuts." Gary Naylor Broadwayworld.com
A forerunner of the modern highway system, the Long Island Motor Parkway was constructed during the advent of the automobile and at a pivotal time in American history. Following a spectator death during the 1906 Vanderbilt Cup Race, the concept for a privately owned speedway on Long Island was developed by William K. Vanderbilt Jr. and his business associates. It would be the first highway built exclusively for the automobile. Vanderbilt's dream was to build a safe, smooth, police-free road without speed limits where he could conduct his beloved automobile races without spectators running onto the course. Features such as the use of reinforced concrete, bridges to eliminate grade crossings, banked curves, guardrails, and landscaping were all pioneered for the parkway. Reflecting its poor profitability and the availability of free state-built public parkways, the historic 48-mile Long Island Motor Parkway closed on Easter Sunday, April 17, 1938.
The first major work of cultural and intellectual history devoted to the subject of the transatlantic religious divide. Using nineteenth and early twentieth century commentary on the subject, Howard helps us understand why Americans have maintained much friendlier ties with traditional forms of religion than their European counterparts.
Hopeless Cases describes the futile search for those responsible for a series of apparently related terrorist attacks and plots in the World War I-Red Scare era during the final surge of early twentieth-century anarchist violence in the United States. The most brazen attacks occurred in 1919 when bombs mailed to thirty-six public figures nationwide in May were followed in June by coordinated nearly simultaneous bombings aimed at public figures and institutions in eight cities. The end of the campaign was the Wall Street explosion (September 16, 1920) that killed forty and injured hundreds. Scores were arrested (thirty for the Wall Street explosion alone), but lawmen never caught the culprits. Fears aroused by bomb blasts gave the Justice Department carte blanche to roundup and deport alien radicals, particularly Bolsheviks, in 1919-1920. The bombings raised issues, including the fear of an unknown enemy and the government's need for accurate intelligence, that mirror today's post 9/11 era. The book profiles the suspects but focuses on the investigators, especially the Bureau of Investigation and its spies and informants. Based largely upon FBI files, it explores the Bureau's relationship with British Intelligence in New York City, and to the Sacco-Vanzetti case, as well as a privately funded search for the bombers. Throughout, the manhunt was handicapped by disputes with other law enforcement agencies and by intra-Bureau jealousies and rivalries, agent job insecurity and high turnover, inadequate training and resources, and morale problems, particularly in the New York and Boston field offices.
Exactly a century ago, intelligence agencies across Europe first became aware of a fanatical German nationalist whose political party was rapidly gathering momentum. His name was Adolf Hitler. From 1933, these spy services watched with growing alarm as they tried to determine what sort of threat Hitler's regime would now pose to the rest of Europe. Would Germany rearm, either covertly or in open defiance of the outside world? Would Hitler turn his attention eastwards - or did he also pose a threat to the west? What were the feelings and attitudes of ordinary Germans, towards their own regime as well as the outside world? Despite intense rivalry and mistrust between them, these spy chiefs began to liaise and close ranks against Nazi Germany. At the heart of this loose, informal network were the British and French intelligence services, alongside the Poles and Czechs. Some other countries - Holland, Belgium, and the United States - stood at the periphery. Drawing on a wide range of previously unpublished British, French, German, Danish, and Czech archival sources, Spying on the Reich tells the story of Germany and its rearmament in the 1920s and 1930s; its relations with foreign governments and their intelligence services; and the relations and rivalries between Western governments, seen through the prism of the cooperation, or lack of it, between their spy agencies. Along the way, it addresses some of the most intriguing questions that still perplex historians of the period, such as how and why Britain defended Poland in September 1939, and what alternative policies could have been pursued?
Honouring grandmothers and mothers in a superb account of women’s participation in the Services during World War II, and their ensuing battle for equal opportunity that set the foundation for the Women’s Liberation Movement of the 70s.
Singing has been a characteristic behaviour of humanity across several millennia. Chorus America (2009) estimated that 42.6 million adults and children regularly sing in one of 270,000 choruses in the US, representing more than 1:5 households. Similarly, recent European-based data suggest that more than 37 million adults take part in group singing. The Oxford Handbook of Singing is a landmark text on this topic. It is a comprehensive resource for anyone who wishes to know more about the pluralistic nature of singing. In part, the narrative adopts a lifespan approach, pre-cradle to senescence, to illustrate that singing is a commonplace behaviour which is an essential characteristic of our humanity. In the overall design of the Handbook, the chapter contents have been clustered into eight main sections, embracing fifty-three chapters by seventy-two authors, drawn from across the world, with each chapter illustrating and illuminating a particular aspect of singing. Offering a multi-disciplinary perspective embracing the arts and humanities, physical, social and clinical sciences, the book will be valuable for a broad audience within those fields.
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