Welcome to the 7 Best Short Stories book series, were we present to you the best works of remarkable authors. This edition is dedicated to the uruguayan author Horacio Quiroga. Horacio Quiroga was a playwright, poet, and short-story writer. He wrote stories which, in their jungle settings, used the supernatural and the bizarre to show the struggle of man and animal to survive. He also excelled in portraying mental illness and hallucinatory states, a skill he gleaned from Edgar Allan Poe, according to some critics. His influence can be seen in the Latin American magical realism of Gabriel García Márquez and the postmodern surrealism of Julio Cortázar. Works selected for this book: - How the Rays Defended the Ford; - The Story of Two Raccoon Cubs and Two Man Cubs; - The Parrot That Lost Its Tail; - The Blind Doe; - The Alligator War; - How the Flamingoes Got Their Stockings; - The Giant Tortoise's Golden Rule. If you appreciate good literature, be sure to check out the other Tacet Books titles!
Ante la sempiterna amenaza del ser humano para los ofidios de la selva, una culebra convoca a sus hermanas serpientes para elaborar un plan de acción y venganza. Con esta premisa Horacio Quiroga inicia Anaconda, un cuento de terror con tintes medioambientales en el que vuelve a presentar la madre naturaleza como cualquier cosa menos una entidad amable para el ser humano. Horacio Quiroda es un autor nacido en Uruguay en 1878 y fallecido en Argentina en 1937. Cuentista, dramaturgo y poeta, su obra ha sido comparada en numerosas ocasiones con la de otros maestros del cuento siniestro como Poe o Maupassant. Hoy en día se lo considera uno de los grandes maestros del cuento corto de terror, con algunas obras por derecho propio en el olimpo literario universal.
Tales of horror, madness, and death, tales of fantasy and morality: these are the works of South American master storyteller Horacio Quiroga. Author of some 200 pieces of fiction that have been compared to the works of Poe, Kipling, and Jack London, Quiroga experienced a life that surpassed in morbidity and horror many of the inventions of his fevered mind. As a young man, he suffered his father's accidental death and the suicide of his beloved stepfather. As a teenager, he shot and accidentally killed one of his closest friends. Seemingly cursed in love, he lost his first wife to suicide by poison. In the end, Quiroga himself downed cyanide to end his own life when he learned he was suffering from an incurable cancer. In life Quiroga was obsessed with death, a legacy of the violence he had experienced. His stories are infused with death, too, but they span a wide range of short fiction genres: jungle tale, Gothic horror story, morality tale, psychological study. Many of his stories are set in the steaming jungle of the Misiones district of northern Argentina, where he spent much of his life, but his tales possess a universality that elevates them far above the work of a regional writer. The first representative collection of his work in English, The Decapitated Chicken and Other Stories provides a valuable overview of the scope of Quiroga's fiction and the versatility and skill that have made him a classic Latin American writer.
Tales of risk and danger, suffering, disease, horror, and death. Tales, also, of courage and dignity, hard work, and human endurance in the face of hostile nature and the frequent brutality of men. And tales flavored with piquant touches of humor and bemused irony. These are the stories of the Uruguayan writer Horacio Quiroga, here presented in an important compilation of thirteen of his most compelling tales, sensitively selected and translated by J. David Danielson. Author of some two hundred pieces of fiction, often compared to the works of Kipling, Jack London, and Edgar Allan Poe, Quiroga set many of his stories in the territory of Misiones in northeastern Argentina, the subtropical jungle region where he spent much of his life. Included here are stories from Los desterrados (1926) often said to be his best book, as well as others from Cuentos de amor de locura y de muerte (1917), Anaconda (1921), and El Desierto (1924). The publication of this selection marks the first appearance in English of all but two of the thirteen stories. Quiroga here presents a wide range of characters: parents and children, servant girls and prostitutes, landowners and lumber barons, foremen and laborers, natives and immigrants, in stories pervaded by a vision of life that is elemental, incisive, and essentially tragic. The Exiles and Other Stories shows the versatility and skill that have made him a classic Spanish American writer. It complements and illumines The Decapitated Chicken and Other Stories, selected and translated by Margaret Sayers Peden, also published by the University of Texas Press.
La trayectoria de escritor de Horacio Quiroga (Salto, Uruguay, 1879 -Buenos Aires 1937) se desenvolvió armónicamente desde la publicación de su primer libro de poemas, pasando por el periodismo y el magisterio y la novelística, hasta alcanzar su más personal forma de expresión, el cuento, género en el cual descolló y que, en definitiva, hace perdurable su bien merecida fama, hasta llegar a llamársele el Kipling rioplatense, autor éste con quien comparte el amor por la selva y el acendrado sentido de la naturaleza. En Anaconda esa cosmovisión se acentúa notablemente y junto a los rudos y feroces paisajes misioneros, pululan los retratos de las fuertes personalidades que los pueblan, al tiempo que se insinúan y lo impregnan todas las leyendas y tradiciones con cósmico aliento.
Horacio Silvestre Quiroga Forteza (31 December 1878 – 19 February 1937) was an Uruguayan playwright, poet, and short story writer. He wrote stories which, in their jungle settings, use the supernatural and the bizarre to show the struggle of man and animal to survive. He also excelled in portraying mental illness and hallucinatory states. His influence can be seen in the Latin American magic realism of Gabriel García Márquez and the postmodern surrealism of Julio Cortázar.Translator: Arthur Livingston
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