This exuberant debut, praised by Gabrielle Zevin as a "time-bending gem," asks: how do we navigate life, love and choice in a world of never-ending options? When Lauren returns home to her flat in London late one night, she is greeted at the door by her husband, Michael. There’s only one problem—she’s not married. She’s never seen this man before in her life. But according to her friends, her much-improved decor, and the photos on her phone, they’ve been together for years. As Lauren tries to puzzle out how she could be married to someone she can’t remember meeting, Michael goes to the attic to change a lightbulb and abruptly disappears. In his place, a new man emerges, and a new, slightly altered life re-forms around her. Realizing that her attic is creating an infinite supply of husbands, Lauren confronts the question: If swapping lives is as easy as changing a lightbulb, how do you know you’ve taken the right path? When do you stop trying to do better and start actually living?
This exuberant debut, praised by Gabrielle Zevin as a "time-bending gem," asks: how do we navigate life, love and choice in a world of never-ending options? When Lauren returns home to her flat in London late one night, she is greeted at the door by her husband, Michael. There’s only one problem—she’s not married. She’s never seen this man before in her life. But according to her friends, her much-improved decor, and the photos on her phone, they’ve been together for years. As Lauren tries to puzzle out how she could be married to someone she can’t remember meeting, Michael goes to the attic to change a lightbulb and abruptly disappears. In his place, a new man emerges, and a new, slightly altered life re-forms around her. Realizing that her attic is creating an infinite supply of husbands, Lauren confronts the question: If swapping lives is as easy as changing a lightbulb, how do you know you’ve taken the right path? When do you stop trying to do better and start actually living?
A MOST ANTICIPATED BOOK • An exuberant debut, The Husbands delights in asking: how do we navigate life, love, and choice in a world of never-ending options? (“A time-bending gem”—Gabrielle Zevin; “Kaleidoscopic and bright and very, very funny." –Claire Lombardo) When Lauren returns home to her flat in London late one night, she is greeted at the door by her husband, Michael. There’s only one problem—she’s not married. She’s never seen this man before in her life. But according to her friends, her much-improved decor, and the photos on her phone, they’ve been together for years. As Lauren tries to puzzle out how she could be married to someone she can’t remember meeting, Michael goes to the attic to change a lightbulb and abruptly disappears. In his place, a new man emerges, and a new, slightly altered life re-forms around her. Realizing that her attic is creating an infinite supply of husbands, Lauren confronts the question: If swapping lives is as easy as changing a lightbulb, how do you know you’ve taken the right path? When do you stop trying to do better and start actually living?
Arc’s unique mix of fact, opinion and fiction explores the possibilities for a species that can’t seem to stop tinkering with itself. P D Smith explores the city as pleasure palace. Holly Gramazio and Kyle Munkittrick each explore the friction points between civics and play, while science fiction writer Gord Sellar wonders why arguably the most forward-looking nation on earth shows no interest in futurology. Taking a longer view, Anne Galloway & Sumit Paul-Choudhury wonder whether we’ll ever be able to talk to the animals; Regina Peldszus suggests ways of surviving the tedium of deep space; and Sonja Vesterholt & Simon Ings trace Prometheus’s horrific aliens back to the utopian designs of long-forgotten Soviet filmmaker Pavel Klushantsev. In this issue’s stories - Paul McAuley’s The Man is apparently less than human, but embodies qualities his human companions seem to have forgotten. T.D. Edge, creates a polysentient world defined entirely by relationships. Jeff VanderMeer stretches human limits far beyond the ordinary. And Nick Harkaway’s mordant comedy Attenuation skewers our love of novelty and transformation.
The most fun' MARIAN KEYES * 'A time-bending gem' GABRIELLE ZEVIN * 'Brilliant, hilarious, surprising' NAOMI ALDERMAN You wait ages for The One . . . then 203 come along at once One night Lauren finds a strange man in her flat who claims to be her husband. All the evidence – from photos to electricity bills – suggests he’s right. Lauren’s attic, she slowly realises, is creating an endless supply of husbands for her. There’s the one who pretends to play music on her toes. The one who’s too hot (there must be a catch). The one who makes a great breakfast sandwich. The one who turns everything into double entendres (‘I’ll weed your garden’). And the one who can calm her unruly thoughts with a single touch. But when you can change husbands as easily as changing a lightbulb, how do you know whether the one you have now is the good-enough one, or the wrong one, or the best one? And how long should you keep trying to find out? ***** Early Reader Reviews ***** ‘This book was INCREDIBLE! So inventive, funny and different’ ‘An incredibly vivid, completely original story, which rather neatly sums up be careful what you wish for!’ ‘I clapped out loud and cried’ ‘I adored this book. Fast-paced and funny with heart’ ‘Inventive, funny, readable and with a point to make!’ ‘A multiverse rom-com, an exercise in game theory, a cousin to the time loop story’
In his final work, a visionary game designer reveals how a surprising range of play-based experiences can unlock our imagination and help us capture the power of fun and delight. Bernard De Koven (1941–2018) was a pioneering designer of games and theorist of fun. He studied games long before the field of game studies existed. For De Koven, games could not be reduced to artifacts and rules; they were about a sense of transcendent fun. This book, his last, is about the imagination: the imagination as a playground, a possibility space, and a gateway to wonder. The Infinite Playground extends a play-centered invitation to experience the power and delight unlocked by imagination. It offers a curriculum for playful learning. De Koven guides the readers through a series of observations and techniques, interspersed with games. He begins with the fundamentals of play, and proceeds through the private imagination, the shared imagination, and imagining the world—observing, “the things we imagine can become the world.” Along the way, he reminisces about playing ping-pong with basketball great Bill Russell; begins the instructions for a game called Reception Line with “Mill around”; and introduces blathering games—Blather, Group Blather, Singing Blather, and The Blather Chorale—that allow the player's consciousness to meander freely. Delivered during the last months of his life, The Infinite Playground has been painstakingly cowritten with Holly Gramazio, who worked together with coeditors Celia Pearce and Eric Zimmerman to complete the project as Bernie De Koven's illness made it impossible for him to continue writing. Other prominent game scholars and designers influenced by De Koven, including Katie Salen Tekinbaş, Jesper Juul, Frank Lantz, and members of Bernie's own family, contribute short interstitial essays.
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