Making No Compromise is the first book-length account of the lives and editorial careers of Margaret Anderson and Jane Heap, the women who founded the avant-garde journal the Little Review in Chicago in 1914. Born in the nineteenth-century Midwest, Anderson and Heap grew up to be iconoclastic rebels, living openly as lesbians, and advocating causes from anarchy to feminism and free love. Their lives and work shattered cultural, social, and sexual norms. As their paths crisscrossed Chicago, New York, Paris, and Europe; two World Wars; and a parade of the most celebrated artists of their time, they transformed themselves and their journal into major forces for shifting perspectives on literature and art. Imagism, Dada, surrealism, and Machine Age aesthetics were among the radical trends the Little Review promoted and introduced to US audiences. Anderson and Heap published the early work of the "men of 1914"—Ezra Pound, James Joyce, William Butler Yeats, and T. S. Eliot—and promoted women writers such as Djuna Barnes, May Sinclair, Dorothy Richardson, Mina Loy, Mary Butts, and the inimitable Baroness Elsa von Freytag-Loringhoven. In the mid-1920s Anderson and Heap became adherents of George I. Gurdjieff, a Russian mystic, and in 1929 ceased publication of the Little Review. Holly A. Baggett examines the roles of radical politics, sexuality, modernism, and spirituality and suggests that Anderson and Heap's interest in esoteric questions was evident from the early days of the Little Review. Making No Compromise tells the story of two women who played an important role in shaping modernism.
Writer, artist, Manhattan gallery owner, and co-editor of the Little Review, Jane Heap was one of the most dynamic figures of the international avant garde, creating a life that defined the "modernist experience" as a syncretic one. Deliberately seeking a low profile throughout her life, Heap has frustrated many scholars interested in her personal life and the extraordinarily vital period in which she lived. Through her correspondence, Heap here reveals her intimate self as well as her more public, creative relationships with some of the legends of modern art, literature, and spirituality. Focusing primarily on the voluminous letters written by Heap to Florence Reynolds, the correspondence included in this volume spans the years from 1908-1949, incorporating additional illuminating letters to Reynolds from other significant figures in Heap's life. Heap's letters reveal the radical transformation of a dreamy, young Midwestern woman into a forceful, sophisticated arbiter of international modernism and provide rare insight into the struggle for lesbian identity and community during the inter-war period. They detail her eventual abandonment of art in the search for the transcendent in the seductive and esoteric mysticism of George Gurdjieff. Holly Baggett's accompanying essay further highlights the boldness of Jane Heap's aesthetics and life.
Nearly 75 million people make up the Millennial generation in the United States, and yet, for many nonprofits, this generation remains an untapped resource. The most significant transfer of wealth known as the Great Transfer of Wealth is shifting from older generations to the Millennials and younger ones. This transfer has prompted nonprofits to navigate new realities caused by the pandemic and other social issues. Nonprofits should consider Millennials as a valuable source of people, power, and philanthropic support. Dr. Holly Hull Miori, an academic, researcher, and fundraising professional, has developed a comprehensive guide that explores the potential roles that Millennials can and should assume in nonprofits, including those of donors, board members, and volunteers. Her guide is designed to engage both academic and nonprofit/fundraising audiences, offering insights and actionable strategies for unlocking the potential of this emerging group. The book presents six distinct findings, providing innovative ideas that nonprofits and fundraisers can implement to engage the Millennial generation effectively. It features a combination of case studies and a roadmap to help readers gain practical insights into engaging this demographic group.
When women won the vote in the United States in 1920 they were still routinely barred from serving as jurors, but some began vigorous campaigns for a place in the jury box. This book tells the story of how women mobilized in fifteen states to change jury laws so that women could gain this additional right of citizenship. Some campaigns quickly succeeded; others took substantially longer. The book reveals that when women strategically adapted their tactics to the broader political environment, they were able to speed up the pace of jury reform, while less strategic movements took longer. A comparison of the more strategic women's jury movements with those that were less strategic shows that the former built coalitions with other women's groups, took advantage of political opportunities, had past experience in seeking legal reforms and confronted tensions and even conflict within their ranks in ways that bolstered their action.
What are the rules, regulations, and responsibilities of the PTA? What relationship, relevance, and role modeling are required in the PT-PTA relationship? Be prepared for your new role as a PTA. This is the perfect introduction to the history of the Physical Therapist Assistant and their responsibilities today. The 3rd Edition of this groundbreaking text delves into the ever-expanding role of the PTA in the clinical setting as well as the regulations that govern the PTA’s scope of work. Inside, you’ll find the knowledge you need to grow as a PTA…from your first semester through your last. By understanding the importance of this information and how it affects you, your colleagues, and your patients, you’ll be empowered in your new role and in your professional relationships.
Writer, artist, Manhattan gallery owner, and co-editor of the Little Review, Jane Heap was one of the most dynamic figures of the international avant garde, creating a life that defined the "modernist experience" as a syncretic one. Deliberately seeking a low profile throughout her life, Heap has frustrated many scholars interested in her personal life and the extraordinarily vital period in which she lived. Through her correspondence, Heap here reveals her intimate self as well as her more public, creative relationships with some of the legends of modern art, literature, and spirituality. Focusing primarily on the voluminous letters written by Heap to Florence Reynolds, the correspondence included in this volume spans the years from 1908-1949, incorporating additional illuminating letters to Reynolds from other significant figures in Heap's life. Heap's letters reveal the radical transformation of a dreamy, young Midwestern woman into a forceful, sophisticated arbiter of international modernism and provide rare insight into the struggle for lesbian identity and community during the inter-war period. They detail her eventual abandonment of art in the search for the transcendent in the seductive and esoteric mysticism of George Gurdjieff. Holly Baggett's accompanying essay further highlights the boldness of Jane Heap's aesthetics and life.
Making No Compromise is the first book-length account of the lives and editorial careers of Margaret Anderson and Jane Heap, the women who founded the avant-garde journal the Little Review in Chicago in 1914. Born in the nineteenth-century Midwest, Anderson and Heap grew up to be iconoclastic rebels, living openly as lesbians, and advocating causes from anarchy to feminism and free love. Their lives and work shattered cultural, social, and sexual norms. As their paths crisscrossed Chicago, New York, Paris, and Europe; two World Wars; and a parade of the most celebrated artists of their time, they transformed themselves and their journal into major forces for shifting perspectives on literature and art. Imagism, Dada, surrealism, and Machine Age aesthetics were among the radical trends the Little Review promoted and introduced to US audiences. Anderson and Heap published the early work of the "men of 1914"—Ezra Pound, James Joyce, William Butler Yeats, and T. S. Eliot—and promoted women writers such as Djuna Barnes, May Sinclair, Dorothy Richardson, Mina Loy, Mary Butts, and the inimitable Baroness Elsa von Freytag-Loringhoven. In the mid-1920s Anderson and Heap became adherents of George I. Gurdjieff, a Russian mystic, and in 1929 ceased publication of the Little Review. Holly A. Baggett examines the roles of radical politics, sexuality, modernism, and spirituality and suggests that Anderson and Heap's interest in esoteric questions was evident from the early days of the Little Review. Making No Compromise tells the story of two women who played an important role in shaping modernism.
Three friends, each on the brink of a quarter-life crisis, embark on a year-long backpacking adventure around the world in The Lost Girls. “A triumphant journey about losing yourself, finding yourself and coming home again. Hitch yourself to their ride: you’ll embark on a transformative journey of your own.” —New York Times bestselling author Allison Winn Scotch With their thirtieth birthdays looming, Jennifer Baggett, Holly C. Corbett, and Amanda Pressner are feeling the pressure to hit certain milestones—score the big promotion, find a soul mate, have 2.2 kids. Instead, they make a pact to quit their high-pressure New York City media jobs and leave behind their friends, boyfriends, and everything familiar to set out on a journey in search of inspiration and direction. Traveling 60,000 miles across four continents, Jen, Holly, and Amanda push themselves far outside their comfort zones to embrace every adventure. Ultimately, theirs is a story of true friendship—a bond forged by sharing beds and backpacks, enduring exotic illnesses, trekking across mountains, and standing by one another through heartaches, whirlwind romances, and everything in the world in between. “A real-life fairy tale for anyone who’s ever wanted to chuck it all and see the world with a best friend on each arm.” —Cathy Alter, author of Up for Renewal “Three cheers to The Lost Girls for showing us, with good humor and graceful prose, the beauty and importance of leading life astray.” —New York Times bestselling author Franz Wisner
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