In many parts of the world the "white man" is perceived to be an instigator of globalization and an embodiment of modernity. However, so far anthropologists have paid little attention to the actual heterogeneity and complexity of "whiteness" in specific ethnographic contexts. This study examines cultural perceptions of other and self as expressed in cargo cults and masked dances in Papua New Guinea. Indigenous terms, images, and concepts are being contrasted with their western counterparts, the latter partly deriving from the publications and field notes of Charles Valentine. After having done his first fieldwork more than fifty years ago, this "anthropological ancestor" has now become part of the local tradition and has thus turned into a kind of mythical figure. Based on anthropological fieldwork as well as on archival studies, this book addresses the relation between western and indigenous perceptions of self and other, between "tradition" and "modernity," and between anthropological "ancestors" and "descendants." In this way the work contributes to the study of "whiteness," "cargo cults" and masked dances in Papua New Guinea.
How does global Christianity relate to processes of globalisation and modernization and what form does it take in different local settings? These questions have lately proved to be of increasing interest to many scholars in the social sciences and humanities. This study examines the tensions, antagonisms and outright confrontations that can occur within local Christian communities upon the arrival of global versions of fundamentalism and it does so through a rich and in-depth ethnographic study of a single case: that of Pairundu, a small and remote Papua New Guinean village whose population accepted Catholicism, after first being contacted in the late 1950s, and subsequently participated in a charismatic movement, before more and more members of the younger generation started to separate themselves from their respective catholic families and to convert to one of the most radical and fastest growing religious groups not only in contemporary Papua New Guinea but world-wide: the Seventh-Day Adventist Church. This case study of local Christianity as a lived religion contributes to an understanding of the social and cultural dynamics that increasingly incite and shape religious conflicts on a global scale.
Based around the case study of a single village in Papua New Guinea, 'Pathways to Heaven' examines the tensions, antagonisms and outright confrontations that can occur within local Christian communities upon the arrival of global versions of fundamentalism.
Decolonisation, modernisation, globalisation, the crisis of representation, and the 'cultural turn' in neighbouring disciplines have unsettled anthropology to such an extent that the field's foundations, the subjects of its study as well as its methods and concepts, appear to be eroded. It is now time to take stock and either abandon anthropology as a fundamentally untenable or superfluous project, or to set it on more solid foundations. In this volume some of the world's leading anthropologists - including Vincent Crapanzano, Maurice Godelier, Ulf Hannerz and Adam Kuper - do just that. Reflec.
In many parts of the world the “white man” is perceived to be an instigator of globalization and an embodiment of modernity. However, so far anthropologists have paid little attention to the actual heterogeneity and complexity of “whiteness” in specific ethnographic contexts. This study examines cultural perceptions of other and self as expressed in cargo cults and masked dances in Papua New Guinea. Indigenous terms, images, and concepts are being contrasted with their western counterparts, the latter partly deriving from the publications and field notes of Charles Valentine. After having done his first fieldwork more than fifty years ago, this “anthropological ancestor” has now become part of the local tradition and has thus turned into a kind of mythical figure. Based on anthropological fieldwork as well as on archival studies, this book addresses the relation between western and indigenous perceptions of self and other, between “tradition” and “modernity,” and between anthropological “ancestors” and “descendants.” In this way the work contributes to the study of “whiteness,” “cargo cults” and masked dances in Papua New Guinea.
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