When Marie is gifted a nutcracker on Christmas Eve, the last thing she expects is for it to come alive. When she wakes to find a very mobile nutcracker engaged in a battle between her dolls, it becomes clear that there is more to this toy than meets the eye. The following day, Marie learns of his story and is plunged into the quest of lifting an evil curse. E.T.A Hoffmann's fantasy novel has not only seized the attention of children worldwide for centuries but also famously inspired the Russian ballet 'The Nutcracker' (1892). E.T.A Hoffmann (1776-1822) was a German writer, painter, and composer. His short stories are famed for their supernatural elements that often reveal things about human nature that perhaps would've been better remaining a secret. Dostoyevsky, Edgar Allen Poe, and Victor Hugo were all openly inspired by his vivid explorations of human character.
Nobel laureate Roald Hoffman confronts some of the major ethical controversies in chemistry today. Expertly weaving together examples from the worlds of art, literature, and philosophy, Hoffmann illustrates his uniquely accessible dialectic about the creative activity of chemists.
This book offers a long-awaited opportunity to assess the thought and influence of one of the most famous of all writers on music and the musical links with his fiction. Containing the first complete appearance in English of Kreisleriana, it reveals a masterpiece of imaginative writing and whose profound humour and irony can now be fully appreciated.
The story begins with a series of letters between Nathanael, his fiancée Clara, and her brother Lothar. Nathanael describes a childhood fear of a creature called The Sandman who was said to come at night and steal the eyes of children, which intermingled with a the appearance of a man named Coppelius in his father's room some nights to work on what appears to have been alchemy. This man once attacked Nathanael, threatening to take his eyes, and later killed his father before disappearing.
Roald Hoffmann's contributions to chemistry are well known; this Nobel laureate has published more than 500 articles and two books. As an "applied theoretical chemist," he has made significant contributions to our understanding of chemical bonding and reactivity, and taught two generations of chemists how to use molecular orbitals for real chemistry. Less well known, however, are Hoffmann's important and insightful contributions to the areas of scholarship surrounding chemistry. Over a career that spans nearly fifty years, Roald Hoffmann has thought and written copiously about the broader context of chemistry and its relationship to the arts and poetry. This book contains Hoffmann's essays and is organized around several major themes: chemical reasoning and explanation, writing and communicating in science, ethics, art and science, and chemical education. A few are unpublished lectures that are valuable additions to the volume. The editors have the full cooperation of Roald Hoffmann in this project. Most of the published work will be reprinted verbatim, but a few of the essays will be revised to eliminate redundancy. The unpublished lectures will also be edited since they were originally intended to be delivered orally at specific occasions. The editors will provide an introduction to the book, and some introductory material for each section. In introducing the material, they will highlight the intrinsic importance and interest of the ideas, as well as the places where Hoffmann's thought makes novel contributions to cognate areas"--
In E.T.A. Hoffmann's extraordinary novel, Opinions of the Cat Murr , the reader embarks on a fantastic journey through the routine activities of daily life in 19th century Germany. The confident and eclectic talents of Murr, a creature inspired by Hoffmann's own beloved cat, make him a true feline of the Renaissance, while Kriesler, Hoffmann's alter ego, is a character saturated with romantic sensibility. E.T.A. Hoffmann's strange tale evokes the supernatural, the operatic, the musical, and the psychiatric in a narrative populated by characters who cross the boundaries between madness and sanity, with a style that reflects this uncertainty. The work influenced a diverse group including Gogol, Dostoevsky, Kafka, Kierkegaard, and Jung, and in many ways foreshadowed Freud's ideas about the mysterious. Opinions of the Cat Murr is a classic and is part of the famous collection: 1001 BOOKS to Read Before You Die.
As Paris is shaken by a spate of murderous robberies, the aristocratic Mademoiselle de Scuderi pens a poem to poke fun at the cowardly lovers who now fear to go out at night to see their mistresses. But when she receives an unexpected visit from a young man, who gives her a box of jewels with a note thanking her for supporting the robbers' cause, the elderly writer is plunged into a dangerous web of passion, intrigue and murder. First published in 1819 to great acclaim, and displaying all the author's trademark wit and ingenuity, E.T.A. Hoffmann's tale has inspired and delighted writers and readers ever since, and remains a benchmark for all modern crime novels.
This early work by E. T. A. Hoffmann was originally published in 1816. Born in Königsberg, East Prussia in 1776, Hoffmann's family were all jurists, and during his youth he was initially encouraged to pursue a career in law. However, in his late teens Hoffman became increasingly interested in literature and philosophy, and spent much of his time reading German classicists and attending lectures by, amongst others, Immanuel Kant. Hoffman went on to produce a great range of both literary and musical works. Probably Hoffman's most well-known story, produced in 1816, is 'The Nutcracker and the Mouse King', due to the fact that - some seventy-six years later - it inspired Tchaikovsky's ballet The Nutcracker. In the same vein, his story 'The Sandman' provided both the inspiration for Léo Delibes's ballet Coppélia, and the basis for a highly influential essay by Sigmund Freud, called 'The Uncanny'. (Indeed, Freud referred to Hoffman as the "unrivalled master of the uncanny in literature.") Many of the earliest books, particularly those dating back to the 1900's and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions.
Hoffmann's classic Christmas fairy tale, immortalized by Tchaikovsky's ballet, is brought to life by the gorgeous contemporary artwork of Finnish illustrator Sanna Annukka, and is the perfect holiday gift for adults and children alike. The Nutcracker captures, better than any other story, a child's wonder at Christmas. On Christmas Eve, Fritz and Marie excitedly await the arrival of Godfather Drosselmeier and the marvelous gifts he brings for them every year. When Marie discovers a rather curious nutcracker doll amongst the presents, she suddenly finds herself caught up in an age-old battle and ultimately transported to a magical world of sugar-frosted castles, chocolate kings, and true love. This cloth-bound edition combines the charm of Hoffmann's original eighteenth-century tale with the freshness of Sanna Annukka's gorgeous illustrations in this striking keepsake edition that will be treasured and reread by you and your loved ones for years to come.
Ranging from macabre fantasies to fairy tales and tales of crime, these stories from the author of The Nutcracker create a rich fictional world. Hoffman paints a complex vision of humanity, where people struggle to establish identities in a hostile, absurd world. "The editors have made an excellent selection, and the result is a book of great distinction."—Denis Donoghue, New York Review of Books "The translators have proved fully equal to all the challenges of Hoffmann's romantic irony and his richly allusive prose, giving us an accurate and idiomatic rendering that also retains much of the original flavor."—Harry Zohn, Saturday Review
Natal tiba, dan Marie Stahlbaum menerima hadiah istimewa: Nutcracker, boneka kayu pemecah kacang yang berbentuk prajurit gagah. Segera saja Nutcracker menjadi mainan kesayangan Marie, dan gadis kecil itu bersumpah untuk merawat dan melindunginya. Marie tak tahu bahwa sesungguhnya Nutcracker adalah pangeran yang dikutuk dan diburu oleh Raja Tikus berkepala tujuh. Demi menyelamatkan nyawa Nutcracker, Marie harus mengorbankan banyak hal yang dia sayangi. Riwayat The Nutcracker Kisah The Nutcracker pertama kali ditulis dalam Bahasa Jerman oleh E.T.A. Hoffmann pada 1816, mengisahkan tentang seorang gadis kecil bernama Marie Stahlbaum dan mainan Natal kesayangannya yang ternyata bisa hidup. Judul kisah ini adalah Nussknacker und Mausekönig atau The Nutcracker and the Mouse King. Alexandre Dumas, penulis Prancis yang terkenal dengan karyanya The Count of Monte Christo dan The Three Musketeers, menulis ulang The Nutcracker, menjadikan kisahnya lebih ringan dan tidak terlalu mengerikan. Dan pada 1892, versi ini diadaptasi menjadi pertunjukan balet oleh komposer Rusia, Tchaikovsky. Nama Marie berubah menjadi Clara, dan imajinasi liar gadis ini dibuat lebih jinak dan manis. Nama keluarganya, Stahlbaum yang berarti pohon baja, berubah menjadi Silberhaus yang berarti rumah perak. Pertunjukan balet ini menjadi sangat populer, hingga menjadi semacam ritual tahunan saat Natal. Pada tahun 1980-an, Pacific Northwest Ballet ingin mengembalikan nuansa asli The Nutcracker, dan meminta Maurice Sendak, yang terkenal dengan bukunya Where the Wild Things Are, untuk membuat ilustrasi The Nutcracker. Menurut Sendak, versi asli The Nutcracker sangat ajaib dan menarik minatnya. Kisahnya kuat dan menggigit, seperti dongeng-dongeng Grimm Bersaudara. Kisah The Nutcracker kemudian diadaptasi menjadi berbagai film layar lebar dan film animasi. Animasi yang terinspirasi kisah The Nutcracker di antaranya adalah Care Bears Nutcracker Suite yang rilis pada 1988, Barbie in the Nutcracker pada 2001, dan Tom and Jerry: A Nutcracker Tale pada 2007. Film terbaru yang terinspirasi oleh kisah The Nutcracker adalah The Nutcracker and the Four Realms, diproduksi oleh Disney dan rilis pada 2018. Kisah dalam film ini dimaksudkan sebagai kelanjutan dari kisah asli The Nutcracker and the Mouse King.
Tomcat Murr is a loveable, self-taught animal who has written his own autobiography. But a printer's error causes his story to be accidentally mixed and spliced with a book about the composer Johannes Kreisler. As the two versions break off and alternate at dramatic moments, two wildly different characters emerge from the confusion - Murr, the confident scholar, lover, carouser and brawler, and the moody, hypochondriac genius Kreisler. In his exuberant and bizarre novel, Hoffmann brilliantly evokes the fantastic, the ridiculous and the sublime within the humdrum bustle of daily life, making The Life and Opinions of the Tomcat Murr (1820-22) one of the funniest and strangest novels of the nineteenth century.
E. T. A. Hoffmann’s classic tales of Gothic horror and fantasy are presented in a new translation accompanying the beguiling drawings of Natalie Frank E. T. A. Hoffmann (1776–1822) was one of the greatest German Romantic authors of fantasy and a pioneer in the genre we now call Gothic horror. His innovative stories explore ideas of madness, genius, doppelgängers, artificial intelligence, and the boundaries between realities and dreams. Artist Natalie Frank and leading fairy-tale scholar Jack Zipes have joined forces in this lavishly illustrated volume of five of Hoffmann’s most influential tales: The Golden Pot, The Sandman, The Nutcracker and the Mouse King, The Mystifying Child, and The Mines of Falun. In addition to offering fresh translations, Zipes introduces the project and sheds light on how Hoffmann’s lifetime of personal traumas shaped his writing. Frank’s richly rendered gouache and chalk pastels reveal Hoffmann’s worlds in full-page drawings and marginalia. Pivotal scenes of transformation, courage, love, desire, and betrayal are illustrated through a feminist lens, focusing on strong, self-aware female characters. A foreword by novelist Karen Russell delves into the influence the tales had on her own literary career and the ways in which she emulates Hoffmann today. The Wounded Storyteller will introduce Hoffmann’s timeless work to a new generation of readers.
The Mouse King (also known as Rat King in some versions) is the main antagonist in the novel and ballet adaptation The Nutcracker. He is an oppressive ruler who wishes to rule over a magical kingdom where he comes from. He becomes successful as he transformed the prince into a nutcracker and overthrew him. The prince, however, still rebels against the Mouse King, as the story introduces the Mouse King and the Nutcracker Prince waging in a battle against each other, which soon brought the attention of the story's protagonist.On Christmas Eve, a girl named Marie is visited by her godfather Drosselmeyer who persent Marie a nutcracker as her present. Marie enjoys the gift, but then her brother Fritz accidentally broke it when he wanted to play with it. Marie becomse upset and takes the nutcracker away from Fritz, as she promises to take care of it.Marie's slumber is disrupted by the grandfather clock chimeing, and Marie belives Drosselmeyer is sitting on top of it. Around that time, the Mouse King and his army invades Marie's house. The Nutcracker soon comes alive and leads an army of toys into battle against the Mouse King. The battle is first in favor of the dolls, but they are soon overwhelmed by the Mouse KIng's army. Noticing the Nutcracker about to be taken captive, Marie throws a slipper at the Mouse King, fainting afterwards (cutting her arm on the toy cabinet's glass door in the process).Marie wakes up in her bed the next morning with her arm bandaged. She tries to tell her parents about the battle between the mice and the dolls, but they don't believe her, thinking that she has had a fever dream caused by the cut from the glass. Several days later, Drosselmeyer arrives with the nutcracker after he fixed his jaw, and he tells Marie the story of Princess Pirlipat and Madame Mouserinks, also known as the Queen of the Mice, which explains how nutcrackers came to be and why they look the way they do.The Mouse Queen tricked Pirlipat's mother into allowing her and her children to gobble up some lard..... that was supposed to be used in the King's sausage dinner! The King, furious about the now ruined dinner plans, had his court inventor, whose name happens to be Drosselmeyer, create traps for the Mouse Queen and her children.The Mouse Queen, angered at the death of her children, swore that she would take revenge on Pirlipat. Pirlipat's mother surrounded her with cats which were supposed to be kept awake by being constantly stroked. However, the nurses who did so fell asleep and the Mouse Queen magically turned Pirlipat ugly (With a large head, a wide grinning mouth, and a cottony beard like a nutcracker.) The King blamed Drosselmeyer and gave him four weeks to find a cure. At the end, he had no cure, but went to the court astrologer.
Medardus is the Capuchin monk who is ignorant of his family history and what he knows about his childhood is based upon fragments of memory and a few events his mother has explained to him. Medardus cannot resist the devil's elixir, which has been entrusted to him and which awakens in him sensual desires. After being sent from his cloister to Rome, he finds a Count, disguised as a monk as a means of seeing his lover, and pushes him from a "devil's perch". Unbeknownst to all involved, the Count is Medardus's half-brother and the Count's lover is his half-sister. The Count becomes his lunatic doppelgänger and crosses his path multiple times after Medardus abandons his ecclesiastical position, drifting throughout the world.
‘The Fermata’ (1885) is a ‘weird tale’ written by the German romantic author E. T. A. Hoffmann, most famous for his novella ‘The Nutcracker and the Mouse King’ (1816) which inspired Tchaikovsky’s opera ‘The Nutcracker’. This classic short horror story is perfect for fans of horror and fantasy fiction and the authors H. P. Lovecraft and Neil Gaiman. Ernst Theodor Wilhelm Hoffmann (1776-1822), better known as E. T. A. Hoffmann, was a German Romantic author of fantasy and gothic horror. He was also a composer, music critic, draftsman and caricaturist. Hoffmann's stories inspired several famous operatic composers, including Richard Wagner, Jacques Offenbach and Léo Delibes. He is also the author of the novella ‘The Nutcracker and the Mouse King’, on which Tchaikovsky’s famous ballet, ‘The Nutcracker’ is based. The story also inspired the film ‘The Nutcracker and the Four Realms’ (2018), starring Keira Knightley, Morgan Freeman, Helen Mirren.
Why research? -- Developing research questions -- Data -- Principles of data management -- Finding and using secondary data -- Primary and administrative data -- Working with missing data -- Principles of data presentation -- Designing tables for data presentations -- Designing graphics for data presentations
The Nutcracker and the Mouse King is a Christmas Classic written in 1816, by E. T. A. Hoffmann on which the famous ballet The Nutcracker is based. In the story young Marie Stahlbaum's favorite Christmas toy, the Nutcracker, comes alive and, after defeating the evil Mouse King in battle, whisks her away to a magical kingdom populated by dolls. The story begins on Christmas Eve at the Stahlbaum house. Marie, seven, and her brother, Fritz, eight, sit outside the parlor speculating about what kind of present their godfather, Drosselmeyer, who is a clockmaker and inventor, has made for them. They are at last allowed in, where they receive many splendid gifts… E. T. A. Hoffmann (1776-1822) was a German Romantic author of fantasy and horror, a jurist, composer, music critic, draftsman and caricaturist.
Most of us are aware of the attempt to assassinate Hitler but few know about those behind it. In this family history Peter Hoffmann reveals the tragic and heroic life of Claus, Count Stauffenberg, South German aristocrat and would-be assassin of Adolph Hitler. He details Stauffenberg's formative years, showing how his relationship with his brothers Berthold and Alexander, their association with the circle of the poet Stefan George, and their professional and political development led them to resist the tyranny of Hitler And the German government, first through established channels but culminating in the attempted assassination and coup of 20 July 1944. Stauffenberg is based on the most comprehensive collection of sources yet used, including family papers, correspondence, and information from numerous contemporaries, and includes a unique collection of illustrative material. This new edition includes important information Hoffmann has discovered since the book was first published.
Ernst Theodor Amadeus Hoffmann was a contemporary of Ludwig von Beethoven: a composer himself, a music critic, and a late-German-Romantic-movement writer of novels and numerous short stories. His incisive wit and poetic imagery allow the reader to peer into the foibles of society and the follies of human psychology. (In fact, Hoffmann’s wit may have gotten him into a bit of legal trouble, as parts of Master Flea were censored and had to be reworked when authorities disliked certain satirical criticisms of contemporary dealings of the court system.) Join gentleman bachelor Peregrine Tyss as his life as a recluse takes a twist, when he gains an epic advantage of tiny proportions. Part proto-science-fiction and part Romantic fantasy, Master Flea follows the fate of a mysterious, captivating princess at the intersection of numerous suitors, human and insect. Like a lesson from a fable or a tale of classical mythology, Hoffmann’s fairy-tale allegory shows how seeking forbidden knowledge can poison the soul, and how following the heart can heal it.
Examine the social and cultural impact of basketball on America at the amateur and professional levels! Basketball in America: From the Playgrounds to Jordan’s Game and Beyond is a pioneering analysis of the history of basketball and its effect on popular culture from the 1970s to today. The popularity of basketball is undeniable, and the subject allows for such a broad range of interpretations in popular culture. It cuts across economic, racial, and social boundaries, and its major stars cross over into other forms of popular entertainment more than any other professional sport. This book examines the entire scope of modern basketball history, from the playgrounds, where people first learn the fundamentals, to the college and professional levels. Basketball in America is a collection of essays that explores the intersection of basketball and popular culture in America. The contributors are an eclectic mix of writers, scholars, journalists, former players, coaches, and sports enthusiasts who all share an undying love for the game of basketball. The authors analyze the sport from a cross-cultural and historical perspective—digging deep into the profound popular cultural influences of basketball and exploring the scope and depth of its influence. This is the first book that examines the social and cultural impact of basketball on American society to reveal how tightly it is woven into America’s cultural fabric. Also included are photographs and tables to enhance your understanding of the material. Topics covered in Basketball in America include: Elgin Baylor—the first “modern” basketball player Chocolate Thunder and Short Shorts: The NBA in the 1970s Dr. J, Bird, Magic, Jordan, and the Bad Boys: The NBA in the 1980s The Jordan Era: The NBA in the 1990s LeBron James and the future of the NBA the Nike brand and popular culture lessons learned from legendary UNC coach Dean Smith professional women’s basketball and much more! Basketball in America is a comprehensive analysis that will appeal to anyone interested in understanding how the sport has become an integral part of our national culture. It is an insightful read for sports fans as well as for sports historians. In addition, this book can be used as a textbook in sports history or sociology of sports classes. It will entertain and inform those who treasure basketball and the role it plays in the American consciousness. Make it part of your collection today!
A McGill University history professor provides a comprehensive account of the German opposition's struggle against Hitler, covering all the serious attempts to overthrow or assassinate him leading up the failed attempt of 20 July 1944. First published in West Germany in 1969 by R. Piper and Co. as Widerstand, Staatsstreich, Attentat, this volume first appeared in English, published by Macdonald and Jane's and MIT Press, in 1977. Annotation copyrighted by Book News, Inc., Portland, OR
This timeless exploration of the work of the great physicists of the early 20th century employs analogies, examples, and imaginative insights rather than computations to explain the dramatic impact of quantum physics on classical theory. Topics include Pauli's exclusion principle, Schroedinger's wave equation, Heisenberg's uncertainty principle, and many other concepts. 1959 edition.
Wrong assumptions, immoderate and confused ends, served by a mixture of counterproductive, inadequate, mismanaged, and, at times, scandalous means": Stanley Hoffmann's verdict on the US invasion of Iraq carries an uneasy echo of his view of the US failure in Vietnam. Though it is not Vietnam, for Hoffmann the Iraq war is still a sign that America has gone in the wrong direction. In this book, he describes the many ways in which the Bush administration, particularly in its unilateralist determination to make war on Saddam Hussein, has undertaken a "wrecking operation" on post?World War II schemes of international cooperation, and he suggests a process by which democracies might reach agreement on when to collectively intervene in aid of nations suffering under oppressive regimes. Hoffmann goes on to analyze how the US risks being trapped in Iraq, and offers his ideas on the most effective strategies for both withdrawing US forces and helping the country achieve democracy and stability under multilateral supervision. "Too often," he finds, "this administration has given, to many Americans and even more to foreigners, the impression that it is drunk with power...." If we are to combat terrorism effectively, we should strive not for an arrogant American empire but for "a return to reality, to good sense, and to morality.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.