Unlike other writers, who have viewed the export of American art during the 1950s and 1960s as another form of Cold War propagandizing (and famous American artists as cultural imperialists), Ikegami sees the global rise of American art as a cross-cultural phenomenon in which each art community Rauschenberg visited was searching in different ways for cultural and artistic identity in the midst of Americanization. Rauschenberg's travels and collaborations established a new kind of transnational network for the postwar art world---prefiguring the globalization of art before the era of globalization. --
This work on Hiratsuka Raichō at last fully assesses her key role in the history of the Japanese women's movement. It provides a full and contextual analysis of the life (1886-1971) and work of this leading Japanese feminist, all in the light of the changes affecting women in Japan. At the same time the author compares her working with similar historical shifts and movements in western countries, notably Great Britain and the United States. International comparisons at the level of personal biography and associated ideas are made, to see the influence of Western feminists on Hiratsuka's feminism. Hiratsuka is compared with other Japanese feminists, whereby her pivotal role in the history of the Japanese women's movement becomes clear. With extensive footnotes for further reference - and research -, a number of appendices, a detailed bilingual glossary and bibliography; a true reference on an important subject.
This book is devoted to highly polished and potentiated novel C couplings developed by our group (M. Suzuki) in the course of a long-term, tight collaboration of chemistry, biology, and medicine experts, focusing on advanced organometallic techniques for the construction of a whole prostaglandin (PG) framework and new methodology for introducing short-lived 11C radionuclide into carbon frameworks. The book is written to attract the interest of scientists working in chemistry and interdisciplinary research areas such as medicinal chemistry, radiochemistry, chemical biology, molecular imaging, and related industries.
Unlike other writers, who have viewed the export of American art during the 1950s and 1960s as another form of Cold War propagandizing (and famous American artists as cultural imperialists), Ikegami sees the global rise of American art as a cross-cultural phenomenon in which each art community Rauschenberg visited was searching in different ways for cultural and artistic identity in the midst of Americanization. Rauschenberg's travels and collaborations established a new kind of transnational network for the postwar art world---prefiguring the globalization of art before the era of globalization. --
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