Hiroaki Kobayashi has trained 1500 mariners in ship handling over twenty years and he has systematized the methods of safe navigation into nine elemental techniques. Taking a rigorous and scientific look at good practice and attitudes, good seamanship can be viewed as a series of concrete technical functions, which can be in terms of competencies. By giving proper attention to human factors the conditions for maintaining system safety can be defined, and the interaction of human competencies and environmental conditions and their effects on system safety can be recognised. System safety in turn depends on good bridge team management, with particular emphasis on communication, cooperation and leadership – communication for the exchange of information, cooperation to smooth team activities, and leadership to ensure that each member of the team performs successfully.
This book displays how optical (absorption, emission, and magnetic circular dichroism) spectra of phthalocyanines and related macrocyclic dyes can be varied from their prototypical ones depending on conditions. As these compounds can be involved in colorful chemistry (which might be driven by impurities in solvents), their spectra behave like the sea-god Proteus in their mutability. Therefore, those who have been engaged with phthalocyanines for the first time, including even educated professional researchers and engineers, may have been embarrassed by the deceptive behavior of their compounds and could have, in the worst cases, given up their projects. This book is aimed not merely at reviewing the optical spectra, but also at helping such people, particularly beginners, to figure them out by showing some examples of their prototypical spectra and their variations in several situations. For the purpose of better understanding, the book also provides an introduction to their theoretical backgrounds as graphically as possible and without mathematicization for readers who are weak in mathematics.
Stalin was a master of deception, disinformation, and camouflage, by means of which he gained supremacy over China and defeated imperialism on Chinese soil. This book examines Stalin’s covert operations in his hunt for supremacy. By the late 1920s Britain had ceded place to Japan as Stalin’s main enemy in Asia. By seducing Japan deeply into China, Stalin successfully turned Japan’s aggression into a weapon of its own destruction. The book examines Stalin’s covert operations from the murder of the Manchurian warlord Zhang Zuolin in 1928 and the publication of the forged “Tanaka Memorial” in 1929, to Stalin’s hidden role in Japan’s invasion of Manchuria in 1931, the outbreak of all-out war between China and Japan in 1937, and Japan’s defeat in 1945. In the shadow of these and other events we find Stalin and his secret operatives, including many Chinese and Japanese collaborators, most notably Zhang Xueliang and Kōmoto Daisaku, the self-professed assassin of Zhang Zuolin. The book challenges accounts of the turbulent history of inter-war East Asia that have ignored or minimized Stalin’s presence and instead exposes and analyzes Stalin’s secret modus operandi, modernized as “hybrid war” in today’s Russia. The book is essential for students and specialists of Stalin, China, the Soviet Union, Japan, and East Asia.
Everything you want to know about haiku written by one of the foremost experts in the field and the “finest translator of contemporary Japanese poetry into American English” (Gary Snyder) Who doesn’t love haiku? It is not only America’s most popular cultural import from Japan but also our most popular poetic form: instantly recognizable, more mobile than a sonnet, loved for its simplicity and compression, as well as its ease of composition. Haiku is an ancient literary form seemingly made for the Twittersphere—Jack Kerouac and Langston Hughes wrote them, Ezra Pound and the Imagists were inspired by them, Hallmark’s made millions off them, first-grade students across the country still learn to write them. But what really is a haiku? Where does the form originate? Who were the original Japanese poets who wrote them? And how has their work been translated into English over the years? The haiku form comes down to us today as a cliché: a three-line poem of 5-7-5 syllables. And yet its story is actually much more colorful and multifaceted. And of course to write a good one can be as difficult as writing a Homeric epic—or it can materialize in an instant of epic inspiration. In On Haiku, Hiroaki Sato explores the many styles and genres of haiku on both sides of the Pacific, from the classical haiku of Basho, Issa, and Zen monks, to modern haiku about swimsuits and atomic bombs, to the haiku of famous American writers such as J. D. Salinger and Allen Ginsburg. As if conversing over beers in your favorite pub, Sato explains everything you wanted to know about the haiku in this endearing and pleasurable book, destined to be a classic in the field.
Prolific, award-winning translator of classical and modern Japanese poetry Hiroaki Sato recorded his thoughts on American society in mainly two columns across 30-plus years, collected here for the first time. This anthology of over 60 of Sato’s commentaries reflect the writer’s wide-ranging erudition and his unsentimental views of both his native Japan and his adopted American homeland. Broadly he looks at the Pacific War and its aftermath and at war (and our love of it) in general, at the quirks and curiosities of the natural world exhibited by birds and other creatures, at friends and mentors who surprised and inspired, and finally at other writers and their works, many of them familiar—the Beats and John Ashbery, for example, and Mishima—but many others whose introduction is welcome. Sato is neither cheerleader nor angry expatriate. Remarkably clear-eyed and engaged with American culture, he is in the business of critical appraisal and translation, of taking words seriously, and of observing how well others write and speak to convey their own truths and ambitions.
Advances in CT have enabled us to detect small lung cancers, which has changed the lung cancer surgery from lobectomy to a lesser lobar resection such as a segmentectomy or wedge resection. While wedge resection is a simple procedure, it has a higher risk of local recurrence of cancer than a lobectomy. On the other hand, segmentectomy is a well known curative surgery for small lung cancers. However, it is difficult to perform accurately because of its anatomical complexity, which makes surgeons hesitant to use it. The book “Illustrated Anatomical Segmentectomy for Lung Cancer” provides readers a detailed explanation of segmentectomy with numerous easy-to-understand color illustrations showing the precise segmental anatomies for each pattern of the procedure. To better illustrate an accurate anatomical segmentectomy, the text shows details of anatomy during segmentectomy. This can involve up to 25 patterns, each of which is shown in roughly 10 illustrations.
Leading researchers draw on the recent literature in Synthetic Biology, from both dedicated journals and broader sources, making this an essential reference to any library supporting this research in this emerging field.
No other Asian poetic form has so intrigued and beguiled the English-speaking world as the Japanese haiku. Even before World War I such imagist poets as Ezra Pound, Amy Lowell, and John Gould Fletcher were experimenting with the form. At that time, Pound well described the haiku as "an intellectual and emotional complex in an instant of time." Indeed, it is the haiku's sense of immediacy and its precision that continue to appeal to poets and poetry lovers today. In recent decades there has been an upsurge of interest in the haiku, leading to a number of critical studies of the form, studies that have now culminated in the present book. This insightful work not only considers the haiku itself but also the extremely important yet often ignored renga or linked-verse form, out of which the haiku grew. No deep understanding of the haiku is possible without familiarity with the renga. One Hundred Frogs begins with a detailed history and description of the renga and haiku. Many renowned Japanese poets, most notably Basho, are represented in the wealth of translated poetry that illustrates the text. To bring this history up to date, a discussion of modern Japanese and Western haiku is included. Next, the author discusses the craft of translating renga and haiku and explores recent developments in the two forms, offering a representative selection of modern works. To reveal the myriad choices open to translators of renga and haiku, the author provides an in-depth analysis of one of Japan's most famous haiku, Basho's poem about a frog in a pond, and presents a compilation of over one hundred translations and variations of the poem. The book closes with short anthologies of English-language renga and haiku by contemporary Western poets that offer a tantalizing glimpse of the diversity of expression possible with these two forms. An instructive celebration of the renga and haiku, this volume furnishes a new perspective on the work of some of Japan's outstanding poets of old and lays a foundation for the appreciation of the renga and haiku that are being written today.
This book focuses on the impact dynamics and cratering of soft matter to describe its importance, difficulty, and wide applicability to planetary-related problems. A comprehensive introduction to the dimensional analysis and constitutive laws that are necessary to discuss impact mechanics and cratering is first provided. Then, particular coverage is given to the impact of granular matter, which is one of the most crucial constituents for geophysics. While granular matter shows both solid-like and fluid-like behaviors, neither solid nor fluid dynamics is sufficient to fully understand the physics of granular matter. In order to reveal its fundamental properties, extensive impact tests have been carried out recently. The author reveals the findings of these recent studies as well as what remains unsolved in terms of impact dynamics. Impact crater morphology with various soft matter impacts also is discussed intensively. Various experimental and observational results up to the recent Itokawa asteroid’s terrain and nanocrater are reviewed and explained mainly by dimensional analysis. The author discusses perspectives of the relation between soft matter physics and planetary science, because it is an important step towards unifying physics and planetary science, in both of which fields crater morphology has been studied independently.
A remarkable and true tale of loyalty, vengeance, and ritual suicide. . . . In the spring of 1701, the regional lord Asano Naganori wounded his supervising official, Kira Yoshinaka, during an important ceremony in the ruling shogunate's Edo Castle and was at once condemned to death. Within two years, in the dead of winter, a band of forty-seven of Asano's retainers avenged him by breaking into Yoshinaka’s mansion and killing him. Subsequently, all the men were sentenced to death but allowed to perform it honorably by seppuku. This incident—often called the Ako Incident—became a symbol of samurai honor andat once prompted stage dramatization in kabuki and puppet theater. It has since has been told and retold in short and long stories, movies, TV dramas. The story has also attracted the attention of foreign writers and translators. The most recent retelling was the 2013 Hollywood film 47 Ronin, with Keanu Reeves, though it was wildly and willfully distorted. What did actually happen and how has this famous vendetta resonated through history? Hiroaki Sato's examination is a close, comprehensive look at the Ako Incident through the context of its times, portraits of the main protagonists, and its literary legacy in the haiku ofthe avengers. Also included is Sato's new translation of Akutagawa Ryunosuke's short story about leader Oishi Kuranosuke as he awaited sentencing.
Throughout history, Japanese women have excelled in poetry - from the folk songs of the Kojiki (Record of Ancient Matters) compiled in 712 and the court poetry of the 9th to the 14th centuries, on through the age of haikai and kanshi to the 19th century, into the contemporary period when books of women's poems have created a sensation.This anthology presents examples of the work of more than 100 Japanese women poets, arranged chronologically, and of all the major verse forms: choka, tanka, haikai (haiku), kanshi (verse written in Chinese), and free verse. The poems describe not just seasonal changes and the vagaries of love - which form the thematic core of traditional Japanese poetry - but also the devastations of war, childbirth, conflicts between child-rearing and work, experiences as refugees, experiences as non-Japanese residents in Japan, and more.Sections of poetry open with headnotes, and the editor has provided explanations of terms and references for those unfamiliar with the Japanese language. Other useful tools include a glossary of poetic terms, a chronology, and a bibliography that points the reader toward other works by and about these poets. There is no comparable collection available in English.Students and anyone who appreciates poetry and Japanese culture will treasure this magnificent anthology. Editor and translator Hiroaki Sato is a past winner of the PEN America translator prize and the Japan-United States Friendship Commission's 1999 literary translation award.
In this thesis, magnetism and transport phenomena in spin-charge coupled systems on frustrated lattices are theoretically investigated, focusing on Ising-spin Kondo lattice models and using a combination of Monte Carlo simulation and other techniques such as variational calculations and perturbation theory. The emphasis of the study is on how the cooperation of spin-charge coupling and geometrical frustration affects the thermodynamic properties of the Kondo lattice models; it presents the emergence of various novel magnetic states, such as the partial disorder, loop-liquid, and spin-cluster states. The thesis also reveals that the magnetic and electronic states and transport properties of these models demonstrate peculiar features, such as Dirac half-metals, anomalous Hall insulators, and spin Hall effects. Study of novel magnetic states and exotic transport phenomena in Kondo lattice systems is a field experiencing rapid progress. The interplay of charge and spin degrees of freedom potentially gives rise to various novel phases and transport phenomena which are related to strongly correlated electrons, frustrated magnetism, and topological states of matter. The results presented in this thesis include numerical calculations that are free from approximations. Accordingly, they provide reliable reference values, both for studying magnetism and transports of related models and for experimentally exploring novel states of matter in metallic magnets.
This authoritative history of Japan’s elite warrior class separates fact from myth as it chronicles centuries of samurai combat, culture, and legend. In Legends of the Samurai, Hiroaki Sato examines the history of these medieval Japanese warriors, as well as the many long-standing myths that surround them. In doing so, he presents an authentic and revealing picture of these men and their world. Sato’s masterful translations of original samurai tales, laws, dicta, reports, and arguments are accompanied by insightful commentary. With incisive historical research, this volume chronicles the changing ethos of the Japanese warrior from the samurai's historical origins to his rise to political power. A fascinating look at Japanese history as seen through the evolution of the samurai, Legends of the Samurai stands as the ultimate authority on its subject.
Hiroaki Kobayashi has trained 1500 mariners in ship handling over twenty years and he has systematized the methods of safe navigation into nine elemental techniques. Taking a rigorous and scientific look at good practice and attitudes, good seamanship can be viewed as a series of concrete technical functions, which can be in terms of competencies. By giving proper attention to human factors the conditions for maintaining system safety can be defined, and the interaction of human competencies and environmental conditions and their effects on system safety can be recognised. System safety in turn depends on good bridge team management, with particular emphasis on communication, cooperation and leadership – communication for the exchange of information, cooperation to smooth team activities, and leadership to ensure that each member of the team performs successfully.
Manji, a ronin warrior of feudal Japan, has been cursed with immortality and to rid his eternal suffering and lift the curse, he must slay one thousand enemies, and his quest begins with a young girl who seeks revenge on her parents' killers.
Everything you want to know about haiku written by one of the foremost experts in the field and the “finest translator of contemporary Japanese poetry into American English” (Gary Snyder) Who doesn’t love haiku? It is not only America’s most popular cultural import from Japan but also our most popular poetic form: instantly recognizable, more mobile than a sonnet, loved for its simplicity and compression, as well as its ease of composition. Haiku is an ancient literary form seemingly made for the Twittersphere—Jack Kerouac and Langston Hughes wrote them, Ezra Pound and the Imagists were inspired by them, Hallmark’s made millions off them, first-grade students across the country still learn to write them. But what really is a haiku? Where does the form originate? Who were the original Japanese poets who wrote them? And how has their work been translated into English over the years? The haiku form comes down to us today as a cliché: a three-line poem of 5-7-5 syllables. And yet its story is actually much more colorful and multifaceted. And of course to write a good one can be as difficult as writing a Homeric epic—or it can materialize in an instant of epic inspiration. In On Haiku, Hiroaki Sato explores the many styles and genres of haiku on both sides of the Pacific, from the classical haiku of Basho, Issa, and Zen monks, to modern haiku about swimsuits and atomic bombs, to the haiku of famous American writers such as J. D. Salinger and Allen Ginsburg. As if conversing over beers in your favorite pub, Sato explains everything you wanted to know about the haiku in this endearing and pleasurable book, destined to be a classic in the field.
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