LOUISIANA PLAYS by Hiram Ed Taylor is a collection of 4 plays developed in workshops or staged readings at the New Orleans Theatre Experiments Lab, a group dedicated to creating new works about Louisiana. The first play, PROPHECY a comedy about the future of mankind was given two staged readings before an audience at the Contemporary Arts Center. The second play SAVAGE PRIDE, a ghost play about survival, was also given a reading at the CAC. The third a musical about sex, BOURBON STREET had 5 songs performed at the DramaRama Festival at the CAC and then a staged presentation at LePetit Theatre du Vieux Carre. The last musical about life after death, HEAVENS BAR was presented at the Firehouse Theatre in Mobile, Alabama. Taken as a group they represent a body of work by Mr. Taylor over the past 8 years. All four scripts are comedy, although they border on serious themes and are dramatic and tragic in places. Louisiana serves as a place where life and human folly are examined in comic detail. There is an abundance of terrific roles for women in each play; especially for older actresses over 40. They seem to represent the MotherGoddess who controls the flow of the script through the mess the men characters make of their lives. Wife, mother, fortune teller, heavenly bartender (god) or whore, they are the power in each script. The scripts may not seen commercial because of their content and language. Musicals about sex with S&M numbers and Homosexuality presented as normal every day events are hard to get produced in current regional theaters concerned with their grants being cut because of the current government standards. Although Southern Baptist audiences in Mobile, Alabama loved HEAVENS BAR, script readers in other parts of the country have decided it is too much about religion for their theaters to take a chance on possibly offending someones beliefs. So, we have chosen to publish the plays as written without care who they may outrage. They are bold and they are daring and isnt that what good theater is suppose to be about? They are also highly theatrical and deserve to be on a stage performed live for an audience. But, until that time, here they are in print.
Well, here it is, for all of you in my small but dedicated group who continue to support and encourage me in my quest to publish all of my plays. Book Three DEMONS IN HELL and OTHER STRANGE PLAYS. I must be crazy to publish these three plays. Especially together. For each of these plays have been a true demon from hell in my life career wise. They seem to rise from the dead every now and again, even when I bury them deep in the bottom of the drawer.
Article 44 of The Constitution of India, provides that 'The State shall endeavour to secure for the citizens a Uniform Civil Code throughout the territory of India.' Even after more than six decades, this anticipated code has not been developed or implemented. This book provides a blueprint for alternative frameworks and courses of action, drawing on lessons from comparative context to develop a Uniform Civil Code for India. It explores the interplay between issues of law, culture, and religion in light of various intra-community and inter-community disputes. The book proposes a series of guidelines and considerations to inform this process. The first guideline urges that the process of preparing and implementing a Uniform Civil Code should be the function of the Legislature. The Courts can resolve certain specific points but the comprehensive code is a legislative function and not for judicial resolution. The second guideline suggests the parallel application of civil and religious law. The securing of a Uniform Civil Code must not negate the possibility of citizens availing themselves of religious law-if they so wish. The third guideline advises a gradual application of a Uniform Civil Code. The development of the code should be done topic by topic, chapter by chapter. The fourth guideline is to deploy tools of mediation in both the formation of the code and its implementation. This mediation should take on two forms—intercommunity mediation and individual mediation. The first of these two relates to a dialogue between the communities of India, to advance an agreement upon the substantive provisions of the Uniform Civil Code. The second relates to mediation between individuals, in occasions where dispute arises in the realm of personal law.
Well, here it is, for all of you in my small but dedicated group who continue to support and encourage me in my quest to publish all of my plays. Book Three DEMONS IN HELL and OTHER STRANGE PLAYS. I must be crazy to publish these three plays. Especially together. For each of these plays have been a true demon from hell in my life career wise. They seem to rise from the dead every now and again, even when I bury them deep in the bottom of the drawer.
LOUISIANA PLAYS by Hiram Ed Taylor is a collection of 4 plays developed in workshops or staged readings at the New Orleans Theatre Experiments Lab, a group dedicated to creating new works about Louisiana. The first play, PROPHECY a comedy about the future of mankind was given two staged readings before an audience at the Contemporary Arts Center. The second play SAVAGE PRIDE, a ghost play about survival, was also given a reading at the CAC. The third a musical about sex, BOURBON STREET had 5 songs performed at the DramaRama Festival at the CAC and then a staged presentation at LePetit Theatre du Vieux Carre. The last musical about life after death, HEAVENS BAR was presented at the Firehouse Theatre in Mobile, Alabama. Taken as a group they represent a body of work by Mr. Taylor over the past 8 years. All four scripts are comedy, although they border on serious themes and are dramatic and tragic in places. Louisiana serves as a place where life and human folly are examined in comic detail. There is an abundance of terrific roles for women in each play; especially for older actresses over 40. They seem to represent the MotherGoddess who controls the flow of the script through the mess the men characters make of their lives. Wife, mother, fortune teller, heavenly bartender (god) or whore, they are the power in each script. The scripts may not seen commercial because of their content and language. Musicals about sex with S&M numbers and Homosexuality presented as normal every day events are hard to get produced in current regional theaters concerned with their grants being cut because of the current government standards. Although Southern Baptist audiences in Mobile, Alabama loved HEAVENS BAR, script readers in other parts of the country have decided it is too much about religion for their theaters to take a chance on possibly offending someones beliefs. So, we have chosen to publish the plays as written without care who they may outrage. They are bold and they are daring and isnt that what good theater is suppose to be about? They are also highly theatrical and deserve to be on a stage performed live for an audience. But, until that time, here they are in print.
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