Jay Davidovich is a 6-4/225-pound blond-haired Jewish insurance apparatchik with Ukrainian parents and an American attitude. He is a veteran of Iraq and Afghanistan not because of patriotic fervor but because he joined the National Guard in the late ‘nineties so that the taxpayers could put him through college. Nine-eleven took him by surprise – “sort of like Bush,” as Jay puts it. His job at Trans/Oxana is to prevent losses that Trans/Oxana has insured against – especially losses that unpleasant people want to happen. After Hollywood pretty boy Kent Trowbridge plays late-night bumper-car in his Ferrari with two palm trees and a median in New Paradigm Studios, which bought an eight-figure Trans/Oxana policy insuring performance of Trowbridge’s Major Performing Artist Contract. In San Gabriel, unlike LA County, second offence DUI is not “boys will be boys.” Jay quickly realizes that Trowbrigde is going to do some county time. Because there won’t be any director yelling “CUT!” when things get dicey on the inside, Jay figures that Trowbridge won’t be in shape to perform anything once he gets out unless Jay finds him a Jail Coach. Enter Katrina Thomspon whose past includes jail, the Marines, a daughter, and a hustler named Stan Chaladian. The first will help Jay, the second will impress him, the third will charm him, and the fourth with almost kill him – that’s life in the Loss Prevention business.
How can you make money from a painting that you don't own, can't steal, and couldn't fence even if you succeeded? What if you convince people you already had stolen it? An assortment of shady and brutal players in Collar Robber think that—leaving a corpse or two along the way—they can use that bright idea to gouge fifty million dollars from Jay Davidovich's employer, Transoxana Insurance Company. Davidovich, first met in 2012's Jail Coach, is a Loss Prevention Specialist. Fifty million would be a good loss to prevent. Cynthia Jakubek from But Remember Their Names has jumped from the gilded drudgery of lawyering with a big Wall Street firm to the terrifying adventure of starting her own solo practice in Pittsburgh. One of her clients wants to help Davidovich - for a hefty price - and stay alive in the process. Another wants to get married in the Catholic Church to a fiancée who was briefly wed years before to someone who now has an interest in the painting. An annulment is needed As Davidovich and Jakubek face brawls on street corners and in court rooms, confrontations in brothels, confessionals, and Yankee Stadium luxury suites, and Tasers, machine guns, and religious vestments used as weapons, they have to remember that "take no prisoners" isn't always a metaphor...
There's one corpse too many in a Pittsburgh museum's life-size diorama of the Battle of Lexington, 1775. The extra body is that of philanthropist and art connoisseur T. Colfax Bradshaw. But why? Maybe he knew too much about the biggest art heist in history. When their daughter Caitlin seeks legal advice, newly minted lawyer Cynthia Jakubek finds herself representing the teen. Jakubek aches to jump from Main Street to Wall Street but is stuck interning for ace Pittsburgh attorney Luis Mendoza while she waits for her future New York employer to recover from the Great Recession. Or for her fiancé to finish his post-modern novel.... Protecting Caitlin will take Jakubek from a ghetto church in Pittsburgh to a confessional at St. Patrick's Cathedral to the opulent Manhattan office. Along the way she'll meet people who carry guns on the job and she'll pick up a broken nose and a broken heart for her trouble....
Jay Davidovich is a 6-4/225-pound blond-haired Jewish insurance apparatchik with Ukrainian parents and an American attitude. He is a veteran of Iraq and Afghanistan not because of patriotic fervor but because he joined the National Guard in the late ‘nineties so that the taxpayers could put him through college. Nine-eleven took him by surprise – “sort of like Bush,” as Jay puts it. His job at Trans/Oxana is to prevent losses that Trans/Oxana has insured against – especially losses that unpleasant people want to happen. After Hollywood pretty boy Kent Trowbridge plays late-night bumper-car in his Ferrari with two palm trees and a median in New Paradigm Studios, which bought an eight-figure Trans/Oxana policy insuring performance of Trowbridge’s Major Performing Artist Contract. In San Gabriel, unlike LA County, second offence DUI is not “boys will be boys.” Jay quickly realizes that Trowbrigde is going to do some county time. Because there won’t be any director yelling “CUT!” when things get dicey on the inside, Jay figures that Trowbridge won’t be in shape to perform anything once he gets out unless Jay finds him a Jail Coach. Enter Katrina Thomspon whose past includes jail, the Marines, a daughter, and a hustler named Stan Chaladian. The first will help Jay, the second will impress him, the third will charm him, and the fourth with almost kill him – that’s life in the Loss Prevention business.
There's one corpse too many in a Pittsburgh museum's life-size diorama of the Battle of Lexington, 1775. The extra body is that of philanthropist and art connoisseur T. Colfax Bradshaw. But why? Maybe he knew too much about the biggest art heist in history. When their daughter Caitlin seeks legal advice, newly minted lawyer Cynthia Jakubek finds herself representing the teen. Jakubek aches to jump from Main Street to Wall Street but is stuck interning for ace Pittsburgh attorney Luis Mendoza while she waits for her future New York employer to recover from the Great Recession. Or for her fiancé to finish his post-modern novel.... Protecting Caitlin will take Jakubek from a ghetto church in Pittsburgh to a confessional at St. Patrick's Cathedral to the opulent Manhattan office. Along the way she'll meet people who carry guns on the job and she'll pick up a broken nose and a broken heart for her trouble....
Before her Wall Street dream is again within her grasp, Cynthia Jakubek will come to appreciate Robert F. Kennedy's memorable advice: ''Forgive your enemies--but remember their names.'' Eight colonists were killed at the original Battle of Lexington, but just before Thanksgiving, at the Pittsburgh Museum of American History, the life-sized diorama of that battle has nine bodies. The ninth is a murder victim, Thomas Bradshaw, a prominent Pittsburgh connoisseur, and Cynthia Jakubek will be drawn into one of the sideshows surrounding the investigation. Jakubek is a working-class gal who's about to jump from Main Street to Wall Street on the strength of her Harvard Law School degree -- and marry a budding novelist as well -- when the big recession in the fall of 2008 puts her dream on hold. She finds herself working, temporarily she hopes, as a legal intern at a Pittsburgh law firm that does ''street law'' instead of ''suite law.'' The firm is representing Thomas Bradshaw's daughter, who may be a material witness to the crime -- or worse. As Jakubek follows the investigation, the trail takes her from a black church in Pittsburgh's ghetto to the very luxury building in midtown Manhattan, where she dreams of working, and gives her a broken nose and a broken heart along the way.
How can you make money from a painting that you don't own, can't steal, and couldn't fence even if you succeeded? What if you convince people you already had stolen it? An assortment of shady and brutal players in Collar Robber think that—leaving a corpse or two along the way—they can use that bright idea to gouge fifty million dollars from Jay Davidovich's employer, Transoxana Insurance Company. Davidovich, first met in 2012's Jail Coach, is a Loss Prevention Specialist. Fifty million would be a good loss to prevent. Cynthia Jakubek from But Remember Their Names has jumped from the gilded drudgery of lawyering with a big Wall Street firm to the terrifying adventure of starting her own solo practice in Pittsburgh. One of her clients wants to help Davidovich - for a hefty price - and stay alive in the process. Another wants to get married in the Catholic Church to a fiancée who was briefly wed years before to someone who now has an interest in the painting. An annulment is needed As Davidovich and Jakubek face brawls on street corners and in court rooms, confrontations in brothels, confessionals, and Yankee Stadium luxury suites, and Tasers, machine guns, and religious vestments used as weapons, they have to remember that "take no prisoners" isn't always a metaphor...
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