The Homeland Security Presidential Directive HSPD-12 called for new standards to be adopted governing the interoperable use of identity credentials to allow physical and logical access to Federal government locations and systems. The Personal Identity Verification (PIV) for Federal Employees and Contractors, (Federal Information Processing Standard 201 (FIPS 201)) was developed to establish standards for identity credentials. This document, Special Publication 800-87 (SP 800-87), provides the organizational codes necessary to establish the PIV Federal Agency Smart Credential Number (PIV FASC-N) that is required to be included in the FIPS 201 Card Holder Unique Identifier (CHUID) and is a companion document to FIPS 201.
Perhaps the least studied of Hildegard of Bingen’s writings, Solutions to Thirty-Eight Questions is translated in this volume into English for the first time from the original Latin. In this work of exegesis, Hildegard (1098–1179) resolves thorny passages of Scripture, theological questions, and two issues in hagiographic texts. Solutions to Thirty-Eight Questions joins Hildegard’s Homilies on the Gospels, which were directed to her nuns, as evidence of the seer’s exegetical writing as well as her authority as an exegete. The twelfth-century saint wrote in standard genres of exegesis—homilies and solutiones—and her interpretations of Scripture were widely sought, including by male audiences.
Hildegard of Bingen (1098 '1179) describes the virtue of Fortitude teaching the other virtues in the fire of the Holy Spirit. Like Fortitude, Hildegard was enkindled by the Holy Spirit and edified many with her teaching. Hildegard of Bingen's Homilies on the Gospels are here translated for the first time from Latin into English. Hildegard's sisters recorded and preserved her informal preaching in this collection of homilies on twenty-seven gospel pericopes. As teacher and superior to her sisters, Hildegard probably spoke to them in the chapter house, with the scriptural text either before her or recited from memory, according to Benedictine liturgical practice. The Homilies on the Gospels prove essential for comprehending the coherent theological Vision that Hildegard constructs throughout her works, including the themes of salvation history, the drama of the individual soul, the struggle of virtues against vices, and the life-giving and animating force of greenness (uiriditas). Moreover, the Homilies on the Gospels establish Hildegard as the only known female systematic exegete of the Middle Ages.
Completed in 1173, The Book of Divine Works (Liber Divinorum Operum) is the culmination of the Visionary’s Doctor’s theological project, offered here for the first time in a complete and scholarly English translation. The first part explores the intricate physical and spiritual relationships between the cosmos and the human person, with the famous image of the universal Man standing astride the cosmic spheres. The second part examines the rewards for virtue and the punishments for vice, mapped onto a geography of purgatory, hellmouth, and the road to the heavenly city. At the end of each Hildegard writes extensive commentaries on the Prologue to John’s Gospel (Part 1) and the first chapter of Genesis (Part 2)—the only premodern woman to have done so. Finally, the third part tells the history of salvation, imagined as the City of God standing next to the mountain of God’s foreknowledge, with Divine Love reigning over all.
For this revised edition of Hildegard's liturgical song cycle, Barbara Newman has redone her prose translations of the songs, updated the bibliography and discography, and made other minor changes. Also included is an essay by Marianne Richert Pfau which delineates the connection between music and text in the Symphonia. Famous throughout Europe during her lifetime, Hildegard of Bingen (1098-1179) was a composer and a poet, a writer on theological, scientific, and medical subjects, an abbess, and a visionary prophet. One of the very few female composers of the Middle Ages whose work has survived, Hildegard was neglected for centuries until her liturgical song cycle was rediscovered. Songs from it are now being performed regularly by early music groups, and more than twenty compact discs have been recorded.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.