Bold, inventive indigenous art of the Northwest Coast is distinguished by its sophistication and complexity. It is also composed of basically simple elements which, guided by a rich mythology, create images of striking power. In Looking at Indian Art of the Northwest Coast, Hilary Stewart introduces the elements of style; interprets the myths and legends which shape the motifs; and defines and illustrates the stylistic differences between the major cultural groupings. Raven, Thunderbird, Killer Whale, Bear: all the traditional forms are here, deftly analyzed by a professional writer and artist who has a deep understanding of this powerful culture.
An enticing book that opens up a whole world of wild plants for brewing tasty teas and refreshing drinks, plus fruity preserves—and more. In her trademark friendly and expert fashion, author and illustrator Hilary Stewart explains how to identify, harvest, dry and store the plant parts, then gives recipes for preparing sixty drinks and several jams. In addition, she adds practical and decorative ideas that use a number of these same plants. Drink in the Wild is an attractive and handy guidebook. Full-page, finely worked line drawings of fifty wild plants, together with descriptions and habitats, ensure their identification. The plants are all native to the Pacific Northwest, and many of them grow right across Canada and the United States. This book is the long-awaited reissue-now greatly enhanced by additional material and accompanying illustrations of Hilary Stewart's popular but long out of print Wild Teas, Coffees & Cordials: 60 Drinks of the Pacific Northwest.
Through anecdotes and 200 drawings, Hilary Stewart shares her delight in discovering the small wonders of the natural world. Wandering the island’s beaches, forests and lakes, she gathers seaweeds, mushrooms and berries. Ever curious, she expands her knowledge of wild-flowers, lichens, lowly beetles and more. Her encounters with deer, bats, raccoons, frogs, snakes, birds and other wildlife are, by turns, humorous, exasperating and poignant. And she constantly works at enhancing her three acres of garden, meadow and forest jungle. In On Island Time, Hilary Stewart also offers glimpses of the people and events that make up island life: learning local ways and history, attending Native peoples’ ceremonies, observing the water dowser, helping to discover petroglyphs, circumnavigating Quadra by boat, coping with wild winter storms, taking part in the annual eagle count—and drumming up the full moon. Here are the many pleasures and occasional frustrations of life on a small island. It’s a life attuned to the natural world, sparked by the joy of discovery, flowing with the seasons, the weather and the tides—on island time.
Magnificent and haunting, the tall cedar sculptures called totem poles have become a distinctive symbol of the native people of the Northwest Coast. The powerful carvings of the vital and extraordinary beings such as Sea Bear, Thunderbird and Cedar Man are impressive and intriguing. In Looking at Totem Poles, Hilary Stewart describes the various types of poles, their purpose, and how they were carved and raised. She also identifies and explains frequently depicted figures and objects. Each pole, shown in a beautifully detailed drawing, is accompanied by a text that points out the crests, figures and objects carved on it. Historical and cultural background are given, legends are recounted and often the carver’s comments or anecdotes enrich the pole’s story. Photographs put some of the poles into context or show their carving and raising.
A Narrative of the Adventures and Sufferings of John R. Jewitt is a classic of its kind. In 1802, when he was nineteen, Jewitt signed on the brigantine Boston, which set sail from England for the Pacific Northwest Coast of North America. At Nootka Sound on Vancouver Island, the ship stopped to trade furs with the native people. Days later, the powerful chief Maquinna and his warriors massacred the ship's entire crew--except for Jewitt and John Thompson. Held captive as a slave for two years, young Jewitt experienced adventure and hardship as he learned the language, took part in many facets of native life and even married against his will. Throughout it all, he kept a forbidden journal recording his activities and observations. Hilary Stewart enriches this reprint of Jewitt's narrative with background information on the history of the coast and a chapter on the remainder of his colourful life.
The Northwest Coast people devised ingenious ways of catching the different species of fish, creating a technology vastly different from that of today’s industrial world. With attention to clarity and detail, Hilary Stewart illustrates their hooks, lines, sinkers, lures, floats, clubs, spears, harpoons, nets, traps, rakes and gaffs, showing how these were made and used in over 450 drawings and 75 photographs. One section demonstrates how the catch was butchered, cooked, rendered and preserved. The spiritual aspects of fishing are described as well — prayers and ceremonies in gratitude and honour to the fish, customs and taboos indicating the people’s respect for this life-giving resource. The fish designs on household and ceremonial objects are depicted — images that tell of fishing’s importance to the whole culture.
From the mighty cedar of the rainforest came a wealth of raw materials vital to the early Northwest Coast Indian way of life, its art and culture. For thousands of years these people developed the tools and technologies to fell the giant cedars that grew in profusion. They used the rot-resistant wood for graceful dugout canoes to travel the coastal waters, massive post-and-beam houses in which to live, steam bent boxes for storage, monumental carved poles to declare their lineage and dramatic dance masks to evoke the spirit world. Every part of the cedar had a use. The versatile inner bark they wove into intricately patterned mats and baskets, plied into rope and processed to make the soft, warm, yet water-repellent clothing so well suited to the raincoast. Tough but flexible withes made lashing and heavy-duty rope. The roots they wove into watertight baskets embellished with strong designs. For all these gifts, the Northwest Coast peoples held the cedar and its spirit in high regard, believing deeply in its healing and spiritual powers. Respectfully, they addressed the cedar as Long Life Maker, Life Giver and Healing Woman. Photographs, drawings, anecdotes, oral history, accounts of early explorers, traders and missionaries highlight the text.
Pat Stewart and her younger sister Pam were able to overcome a difficult childhood. Tennis gave them the opportunity to rise above their situation and find success in professional tennis, coaching, modeling and acting.
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