From the mighty cedar of the rainforest came a wealth of raw materials vital to the early Northwest Coast Indian way of life, its art and culture. For thousands of years these people developed the tools and technologies to fell the giant cedars that grew in profusion. They used the rot-resistant wood for graceful dugout canoes to travel the coastal waters, massive post-and-beam houses in which to live, steam bent boxes for storage, monumental carved poles to declare their lineage and dramatic dance masks to evoke the spirit world. Every part of the cedar had a use. The versatile inner bark they wove into intricately patterned mats and baskets, plied into rope and processed to make the soft, warm, yet water-repellent clothing so well suited to the raincoast. Tough but flexible withes made lashing and heavy-duty rope. The roots they wove into watertight baskets embellished with strong designs. For all these gifts, the Northwest Coast peoples held the cedar and its spirit in high regard, believing deeply in its healing and spiritual powers. Respectfully, they addressed the cedar as Long Life Maker, Life Giver and Healing Woman. Photographs, drawings, anecdotes, oral history, accounts of early explorers, traders and missionaries highlight the text.
A Narrative of the Adventures and Sufferings of John R. Jewitt is a classic of its kind. In 1802, when he was nineteen, Jewitt signed on the brigantine Boston, which set sail from England for the Pacific Northwest Coast of North America. At Nootka Sound on Vancouver Island, the ship stopped to trade furs with the native people. Days later, the powerful chief Maquinna and his warriors massacred the ship's entire crew--except for Jewitt and John Thompson. Held captive as a slave for two years, young Jewitt experienced adventure and hardship as he learned the language, took part in many facets of native life and even married against his will. Throughout it all, he kept a forbidden journal recording his activities and observations. Hilary Stewart enriches this reprint of Jewitt's narrative with background information on the history of the coast and a chapter on the remainder of his colourful life.
Is there such a thing as “the Israel lobby,” and how powerful is it really? Friends of Israel provides a forensically researched account of the activities of Israel’s advocates in Britain, showing how they contribute to maintaining Israeli apartheid. The book traces the history and changing fortunes of key actors within the British Zionist movement in the context of the Israeli government’s contemporary efforts to repress a rising tide of solidarity with Palestinians expressed through the Boycott Divestment and Sanctions (BDS) movement. Offering a nuanced and politically relevant account of pro-Israel actors’ strategies, tactics, and varying levels of success in key arenas of society, it draws parallels with the similar anti-boycott campaign waged by supporters of the erstwhile apartheid regime in South Africa. By demystifying the actors involved in the Zionist movement, the book provides an anti-racist analysis of the pro-Israel lobby which robustly rebuffs anti-Semitic conspiracies. Sensitively and accessibly written, it emphasises the complicity of British actors - both those in government and in civil society. Drawing on a range of sources including interviews with leading pro-Israel activists and Palestinian rights activists, documents obtained through Freedom of Information requests and archival material, Friends of Israel is a much-needed contribution to Israel/Palestine-related scholarship and a useful resource for the Palestine solidarity movement.
The remaking of colonial Barbados as a postmodern nation state has its political roots buried deep within the past. In Chattel House Blues, Hilary Beckles sets out to rewrite modern Barbadian history by centring the evolution of the nation in centuries of grassroots struggle. Democracy in Barbados, he argues, as a social, political and cultural reality, has its origins principally within working class demands for freedom, justice and equality and not as a bestowal upon the masses by elites at moments of imperial and colonial enlightenment. In the second volume of his trilogy, Great House Rules: Landless Emancipation and Workers' Protest in Barbados 1838-1938, Prof. Beckles convincingly shows that for the first one hundred years after emancipation, an unbroken chain of resistance, protest and agitation for democratic governance, resulted in a decisive breach in the walls of the structures of white supremacy culminating in the Clement Payne Movement and the Riots of 1937. Black workers and their middle class allies secured Universal Adult Suffrage in 1950 and finally politically independence in 1966, ending the 'Great House Rule' that had begun three hundred years earlier. This process he further argues, reached maturity in 1994 when Owen Arthur, a young man from the chattel house in the plantation tenantry became prime minister. Independence and nationhood, though critical markers in the journey towards social justice and equity d not mean an end to the struggle. The politically enfranchised workers have since risen to an appreciation of their economic rights and the issue of popular economic democracy is now seen as the next step I civil rights development that Barbadians must confront. Chattel House Blues connects current political thinking with the historical process. In producing this work of historical literature that emphasises a people-centred culture of change and transformation, Prof. Beckles' thesis is challenging if not controversial and is bound to result in widespread debate among Barbadians at home and in the diaspora.
For the past eight years Hilary Hemingway and her husband Jeffery P. Lindsay have researched the UFO enigma. They sat in on abductees hypnosis sessions, traveled to crop circles, and reviewed their findings with the Department of Defense. The startling result is Dreamland: A Novel of the UFO Cover-Up, a fictionalized account of very real and frightening events surrounding an Air Force base in the Nevada desert. Known only as "Area 51" or "Dreamland", it is so secret it doesn't appear on any map. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
The history of Louisiana from slavery until the Civil Rights Act of 1964 shows that unique influences within the state were responsible for a distinctive political and social culture. In New Orleans, the most populous city in the state, this was reflected in the conflict that arose on segregated streetcars that ran throughout the crescent city. This study chronologically surveys segregation on the streetcars from the antebellum period in which black stereotypes and justification for segregation were formed. It follows the political and social motivation for segregation through reconstruction to the integration of the streetcars and the white resistance in the 1950s while examining the changing political and social climate that evolved over the segregation era. It considers the shifting nature of white supremacy that took hold in New Orleans after the Civil War and how this came to be played out daily, in public, on the streetcars. The paternalistic nature of white supremacy is considered and how this was gradually replaced with an unassailable white supremacist atmosphere that often restricted the actions of whites, as well as blacks, and the effect that this had on urban transport. Streetcars became the 'theatres' for black resistance throughout the era and this survey considers the symbolic part they played in civil rights up to the present day.
Inside British Jazz explores specific historical moments in British jazz history and places special emphasis upon issues of race, nation and class. Topics covered include the reception of jazz in Britain in the 1910s and 1920s, the British New Orleans jazz revival of the 1950s, the free jazz innovations of the Joe Harriott Quintet in the early 1960s, and the formation of the all-black jazz band, the Jazz Warriors, in 1985. Using both historical and ethnographical approaches, Hilary Moore examines the ways in which jazz, an African-American music form, has been absorbed and translated within Britain's social, political and musical landscapes. Moore considers particularly the ways in which music has created a space of expression for British musicians, allowing them to re-imagine their place within Britain's social fabric, to participate in transcontinental communities, and to negotiate a position of belonging within jazz narratives of race, nation and class. The book also champions the importance of studying jazz beyond the borders of the United States and contributes to a growing body of literature that will enrich mainstream jazz scholarship.
One of the worst acts of racist violence in American history took place in 1921, when a White mob numbering in the thousands decimated the thriving Black community of Greenwood in Tulsa, Oklahoma. The Burning recreates Greenwood at the height of its prosperity, explores the currents of hatred, racism, and mistrust between its Black residents and Tulsa's White population, narrates events leading up to and including Greenwood's devastation, and documents the subsequent silence that surrounded this tragedy. Delving into history that's long been pushed aside, this is the true story of Black Wall Street and the Tulsa Race Massacre, with updates that connect the historical significance of the massacre to the ongoing struggle for racial justice in America.
A New York Times Notable Book Ralph and Anna Eldred are an exemplary couple, devoting themselves to doing good. Thirty years ago as missionaries in Africa, the worst that could happen did. Shattered by their encounter with inexplicable evil, they returned to England, never to speak of it again. But when Ralph falls into an affair, Anna finds no forgiveness in her heart, and thirty years of repressed rage and grief explode, destroying not only a marriage but also their love, their faith, and everything they thought they were.
From the two-time Booker winner, the story of the 18th Century Irish giant, Charles O'Brien. Charles O'Brien, bard and giant. The cynical are moved by his flights of romance; the craven stirred by his tales of epic deeds. But what of his own story as he is led from Ireland to seek his fortune beyond the seas in England? The Surprising Irish Giant may be the sensation of the season but only his compatriots seem to attend to his mythic powers of invention. John Hunter, celebrated surgeon and anatomist, buys dead men from the gallows and babies' corpses by the inch. Where is a man as unique as The Giant to hide his bones when he is yet alive? The Giant, O'Brien is an unforgettable novel; lyrical, shocking and spliced with black comedy.
THE FINAL BOOK FROM ONE OF OUR GREATEST WRITERS In addition to her celebrated career as a novelist, Hilary Mantel contributed for years to newspapers and journals, unspooling stories from her own life and illuminating the world as she found it. “Ink is a generative fluid,” she explains. “If you don’t mean your words to breed consequences, don’t write at all.” A Memoir of My Former Self collects the finest of this writing over four decades. Her subjects are wide-ranging, sharply observed, and beautifully rendered. She discusses nationalism and her own sense of belonging; our dream life popping into our conscious life; the mythic legacy of Princess Diana; the many themes that feed into her novels—revolutionary France, psychics, Tudor England; and other novelists, from Jane Austen to V.S. Naipaul. She writes about her father and the man who replaced him; she writes fiercely and heartbreakingly about the battles with her health that she endured as a young woman, and the stifling years she found herself living in Saudi Arabia. Here, too, is her legendary essay “Royal Bodies,” on our endless fascination with the current royal family. From her unusual childhood to her all-consuming interest in Thomas Cromwell that grew into the Wolf Hall trilogy, A Memoir of My Former Self reveals the shape of Hilary Mantel’s life in her own luminous words, through “messages from people I used to be.” Filled with her singular wit and wisdom, it is essential reading from one of our greatest writers.
The practice of morality and the formation of identity among an indigenous Latin American culture are framed in a pioneering ethnography of sight that attempts to reverse the trend of anthropological fieldwork and theory overshadowing one another. In this vital and richly detailed work, methodology and theory are treated as complementary partners as the author explores the dynamic Mayan customs of the Q'eqchi' people living in the cultural crossroads of Livingston, Guatemala. Here, Q'eqchi', Ladino, and Garifuna (Caribbean-coast Afro-Indians) societies interact among themselves and with others ranging from government officials to capitalists to contemporary tourists. The fieldwork explores the politics of sight and incorporates a video camera operated by multiple people—the author and the Q'eqchi' people themselves—to watch unobtrusively the traditions, rituals, and everyday actions that exemplify the long-standing moral concepts guiding the Q'eqchi' in their relationships and tribulations. Sharing the camera lens, as well as the lens of ethnographic authority, allows the author to slip into the world of the Q'eqchi' and capture their moral, social, political, economic, and spiritual constructs shaped by history, ancestry, external forces, and time itself. A comprehensive history of the Q'eqchi' illustrates how these former plantation laborers migrated to lands far from their Mayan ancestral homes to co-exist as one of several competing cultures, and what impact this had on maintaining continuity in their identities, moral codes of conduct, and perception of the changing outside world. With the innovative use of visual methods and theories, the author's reflexive, sensory-oriented ethnographic approach makes this a study that itself becomes a reflection of the complex set of social structures embodied in its subject.
The struggles for independence in Latin America during the first half of the nineteenth century were accompanied by a wide-ranging debate about political rights, nationality and citizenship. In South American Independence, Catherine Davies, Claire Brewster and Hilary Owen investigate the neglected role of gender in that discussion. Examining women writers from Brazil, Argentina, Chile, Peru, and Colombia, the book traces the contradictions inherent in revolutionary movements that, while arguing for the rights of all, remained ambivalent, at best, about the place of women. Through studies of both published and unpublished writings, South American Independence reveals the complex role of women in shaping the vexed ideologies of independence.
The second youngest and the most diminutive of the famous 3Ws - Worrell, Wekes and Walcott - Everton Weekes was in his day, the most punishing batsman in the world, earning him the sobriquet of the "Butcher". Some, like the legendary batsman Sir Donald Bradman thought "he was the best batsman ever to come out of the West Indies." The Everton Weekes experience is the quintessential Caribbean story... a tale of how materially poor households produced citizens who achieved global excellence, on account of brilliant intellect, fierce discipline and determination and extraordinary generosity of spirit.
This volume covers the "third rising" of West Indies cricket. As the sport becomes ever more commercialized, large amounts of money have established sponsorship & support systems to give cricketers around the world every possible advantage. Beckles assesses what impact the globalization of cricket has had on the cricketers of the Caribbean. He also describes the emergence of what he argues is a debilitating sub-nationalism in the West Indies, & the effect this has had on the game, & the prospect for integrating West Indian nationhood in the twenty-first century.
Russia’s Skinheads: Exploring and Rethinking Subcultural Lives provides a thorough examination of the phenomenon of skinheads, explaining its nature and its significance, and assessing how far Russian skinhead subculture is the ‘lumpen’ end of the extreme nationalist ideological spectrum. There are large numbers of skinheads in Russia, responsible for a significant number of xenophobic attacks, including 97 deaths in 2008 alone, making this book relevant to Russian specialists as well as to sociologists of youth subculture. It provides a practical example of how to investigate youth subculture in depth over an extended period – in this case through empirical research following a specific group over six years – and goes on to argue that Russian skinhead subculture is not a direct import from the West, and that youth cultural practices should not be reduced to expressions of consumer choice. It presents an understanding of the Russian skinhead as a product of individuals’ whole, and evolving, lives, and thereby compels sociologists to rethink how they conceive the nature of subcultures.
Women at War portrays books and other resources that feature girls, young women, and adult women actively involved in various ways in battles, wars, and war-time activities, including their roles as nurses, doctors, spies, soldiers, correspondents, photographers, as well as their roles on the home front. Fiction, picture books, nonfiction, biographies, autobiographies, collective biographies, oral narratives, reference books, journal and periodical articles, and non-print and electronic resources are included. Teachers and librarians will find this to be an excellent curriculum-planning resource.
Now in its third edition, History 5-11 aims to make teaching about the past exciting and stimulating for both teachers and children. Focusing on the English National Curriculum for History (2013), and with an emphasis on the importance of learning about the past through the processes of historical enquiry, History 5-11 contains case studies, lesson planning guidance and methods to develop pupils‘ historical understanding. It offers creative and innovative ways to teach the subject of history, refreshing teachers‘ confidence in teaching the 2013 curriculum, and is illustrated by new case studies and research. This fully updated third edition includes: References to the 2013 National Curriculum, its aims and purposes, and its content and processes for Key Stages 1 & 2 Guidance on making local, national and global connections between societies over time Planning for assessment and progression New research and illustrative case studies New sections on local history and links to oracy Updates to all existing chapters Reflection on practice and research: undergraduate, Masters level and PhD. This textbook is an invaluable resource to all trainee and practising primary teachers interested in teaching history in an accessible, dynamic and above all, enjoyable way.
When Emancipation came in 1938, Blacks in Barbados imagined that the terms of their everyday lives would undergo radical change. Instead, an unrelenting landless freedom would be violently imposed upon a community whose conditions of life and work remained largely unchanged, on plantations that produced more sugar with less labour for below subsistence wages. It was the rule of the Great House that subverted the promise of Emancipation. This is the story of the post-Emancipation betrayal of 83, 000 Blacks in Barbados; it is also a narration of how these Blacks prepared for persistent resistance and civil war as the only means to effectively break the rule of the Great House and establish preconditions for genuine Emancipation. The battles over progress were fought on the plantations, in the streets, in the courts, in the Legislative Councils and wherever Blacks recognised sites to effect change. This chain of organised rebellion was linked to produce the 1876 rebellion. Against this background of 19th century popular protest and workers agitation, the modern labour movement, the anti-colonial campaign and the agitation for democratic governance came to maturity by the 1920s. The final breach in the walls of the structure of white supremacy was achieved in 1937 when, under the ideological leadership of Clement Payne, workers took to the streets and fields with arms. Professor Beckles argues that this unbroken chain of protest and political activity from 1838 to the 1937 Riots constitute the Hundred Year War against Great House Rules. It had taken a full century of struggle after emancipation to see, even at a distance, the freedom that was promised by the abolition of slavery legislation. Written in a clear, discourse style, the author succeeds in presenting the text as an accessible document for public consumption, rather than a dense academic work.
Bold, inventive indigenous art of the Northwest Coast is distinguished by its sophistication and complexity. It is also composed of basically simple elements which, guided by a rich mythology, create images of striking power. In Looking at Indian Art of the Northwest Coast, Hilary Stewart introduces the elements of style; interprets the myths and legends which shape the motifs; and defines and illustrates the stylistic differences between the major cultural groupings. Raven, Thunderbird, Killer Whale, Bear: all the traditional forms are here, deftly analyzed by a professional writer and artist who has a deep understanding of this powerful culture.
This book offers a new approach to the extraordinary story of Timor-Leste. The Indonesian invasion of the former Portuguese colony in 1975 was widely considered to have permanently crushed the Timorese independence movement. Initial international condemnation of the invasion was quickly replaced by widespread acceptance of Indonesian sovereignty. But inside Timor-Leste various resistance networks maintained their struggle, against all odds. Twenty-four years later, the Timorese were allowed to choose their political future and the new country of Timor-Leste came into being in 2002. This book presents freedom in Timor-Leste as an accomplishment of networked governance, arguing that weak networks are capable of controlling strong tyrannies. Yet, as events in Timor-Leste since independence show, the nodes of networks of freedom can themselves become nodes of tyranny. The authors argue that constant renewal of liberation networks is critical for peace with justice - feminist networks for the liberation of women, preventive diplomacy networks for liberation of victims of war, village development networks, civil society networks. Constant renewal of the separation of powers is also necessary. A case is made for a different way of seeing the separation of powers as constitutive of the republican ideal of freedom as non-domination. The book is also a critique of realism as a theory of international affairs and of the limits of reforming tyranny through the centralised agency of a state sovereign. Reversal of Indonesia's 1975 invasion of Timor-Leste was an implausible accomplishment. Among the things that achieved it was principled engagement with Indonesia and its democracy movement by the Timor resistance. Unprincipled engagement by Australia and the United States in particular allowed the 1975 invasion to occur. The book argues that when the international community regulates tyranny responsively, with principled engagement, there is hope for a domestic politics of nonviolent transformation for freedom and justice.
This is heartache for grown ups. The Weight of Love pulls you in and does not let go' ANNE ENRIGHT 'Beautiful and painful, exquisitely written, shot through with nostalgia for our earlier selves' MARIAN KEYES London, 1996. Robin and Ruth meet in the staff room of an East London school. Robin, desperate for a real connection, instantly falls in love. Ruth, recently bereaved and fragile, is tentative. When Robin introduces Ruth to his childhood friend, Joseph, a tortured and talented artist, their attraction is instant. Powerless, Robin watches on as the girl he loves and his best friend begin a passionate and turbulent affair. Dublin 2017. Robin and Ruth are married and have a son, Sid, who is about to emigrate to Berlin. Theirs is a marriage haunted by the ghost of Joseph and as the distance between them grows, Robin makes a choice that could have potentially devastating consequences. The Weight of Love is a beautiful exploration of how we manage life when the notes and beats of our existence, so carefully arranged, begin to slip off the stave. An intimate and moving account of the intricacies of marriage and the myriad ways in which we can love and be loved. 'Delicate, powerful, hypnotic' DONAL RYAN 'Fannin's novel is already likely to be a serious contender for one of the books of the year' SUNDAY TIMES
Widely acclaimed for her powerful explorations of race, womanhood, spirituality, and mortality, poet Lucille Clifton has published thirteen volumes of poems since 1969 and has received numerous accolades for her work, including the 2000 National Book Award for Blessing the Boats. Her verse is featured in almost every anthology of contemporary poetry, and her readings draw large and enthusiastic audiences. Although Clifton's poetry is a pleasure to read, it is neither as simple nor as blithely celebratory as readers sometimes assume. The bursts of joy found in her polished, elegant lines are frequently set against a backdrop of regret and sorrow. Alternately consoling, stimulating, and emotionally devastating, Clifton's poems are unforgettable. In Wild Blessings, Hilary Holladay offers the first full-length study of Clifton's poetry, drawing on a broad knowledge of the American poetic tradition and African American poetry in particular. Holladay places Clifton's poems in multiple contexts -- personal, political, and literary -- as she explicates major themes and analyzes specific works: Clifton's poems about womanhood, a central concern throughout her career; her fertility poems, which are provocatively compared with Sylvia Plath's poems on the same subject; her relation to the Black Arts Movement and to other black female poets, such as Gwendolyn Brooks and Sonia Sanchez; her biblical poems; her elegies; and her poignant family history, Generations, an extended prose poem. In addition to a new preface written after Clifton's death in 2010, this updated edition includes an epilogue that discusses the poetry collections she published after 2004. Readers encountering Lucille Clifton's poems for the first time and those long familiar with her distinctive voice will benefit from Hilary Holladay's striking insights and her illuminating interview with the influential American poet.
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