What is Montmartre? Nothing. What must it be? Everything', proclaimed Rodolphe Salis in 1881, when his cabaret Le Chat Noir launched an entertainment boom in the 9th and 18th Arrondissements of Paris which would dominate the worlds of popular and high culture until the First World War. Montmartre's music-halls, circuses, cinemas, accompanied by extra frisson of crime and prostitution, coexisted with burgeoning art movements sprung from the cabarets, which spearheaded the avant-garde in painting, theatre and literature. The story, however, did not end in 1914 and Montmartre retained its role as a magnet for tourists, lured by the Moulin-Rouge and the Sacré-Coeur, and, despite the competition from Montparnasse, as a major centre for artistic creativity in the inter-war years. Crucial to this continuity was, not merely the survival of many of the most important players from the pre-War period, but especially the role of the humorous press and the Montmartre caricaturists and illustrators who congregated in the Restaurant Manière. In this new study, Nicholas Hewitt charts the continuity of Montmartre culture from the Belle Epoque to the Occupation through its many overlapping frontiers and explores its vital ingredients of sexuality, kitsch, bohemia, mass culture and the political and social ambiguities of such a mixture.
Institutionalizing Gender analyzes the relationship between class, gender, and psychiatry in France from 1789 to 1900, an era noteworthy for the creation of the psychiatric profession, the development of a national asylum system, and the spread of bourgeois gender values. Asylum doctors in nineteenth-century France promoted the notion that manliness was synonymous with rationality, using this "fact" to pathologize non-normative behaviors and confine people who did not embody mainstream gender expectations to asylums. And yet, this gendering of rationality also had the power to upset prevailing dynamics between men and women. Jessie Hewitt argues that the ways that doctors used dominant gender values to find "cures" for madness inadvertently undermined both medical and masculine power—in large part because the performance of gender, as a pathway to health, had to be taught; it was not inherent. Institutionalizing Gender examines a series of controversies and clinical contexts where doctors' ideas about gender and class simultaneously legitimated authority and revealed unexpected opportunities for resistance. Thanks to generous funding from the Andrew W. Mellon Foundation, through The Sustainable History Monograph Pilot, the ebook editions of this book are available as Open Access volumes from Cornell Open (cornellpress.cornell.edu/cornell-open) and other repositories.
Edward, the Black Prince, is one of the legendary figures of English history. The first son of Edward III and an outstanding military leader, he is famous for his decisive victory at the Battle of Poitiers, and he is one of the most charismatic characters of the Hundred Years' War. This classic study focuses on the crucial phase of his extraordinary career - his daring campaign against the French in central and southwestern France in 1355-7. H.J. Hewitt's work is one of the key texts on the Prince, and it will be fascinating reading for anyone who is interested in medieval warfare.
Marseille is a thoroughly ambiguous place. France's second city and its major sea-port, its impact on the national imagination is unparalleled. Yet it is also a frontier city, arguably capital of the Mediterranean, and with a traditionally suspect allegiance to the French nation. This apartness, and the city's long and rich history as home to migrants, workers and organized criminals, has cemented its association in the popular imagination with exoticism and illicit activity. In this history, Nicholas Hewitt explores Marseille's extraordinary cultural wealth from the Revolution to the present century, charting the development of its bad reputation, its 'rogue status' within France, and its international importance. The narratives devoted to this great port city range from the legend of its football team to The Count of Monte Cristo. Hewitt discovers Marseille through the eyes of writers, painters and sculptors, film-makers, music hall stars, architects and rappers; from the viewpoints of French, German, British and American visitors; and as a celebration of its humane cosmopolitanism, often in contrast with national French sentiment. Wicked City is a vivid and complex portrait of one of the Mediterranean's great cities, going beyond the popular stereotypes to uncover the true Marseille in its full richness.
WINNER OF THE FRANCO-BRITISH SOCIETY LITERARY AWARD 2020 'Art is a Tyrant recounts [Bonheur's] life with no little brio.' Michael Prodger, The Times Books of the Year 2020 'A diligently researched, beautifully produced and insistently sympathetic biography.' Kathryn Hughes, Guardian A new biography of the wildly unconventional 19th-century animal painter and gender equality pioneer Rosa Bonheur, from the author of the acclaimed Mistress of Paris and Renoir's Dancer. Rosa Bonheur was the very antithesis of the feminine ideal of 19th-century society. She was educated, she shunned traditional 'womanly' pursuits, she rejected marriage - and she wore trousers. But the society whose rules she spurned accepted her as one of their own, because of her genius for painting animals. She shared an intimate relationship with the eccentric, self-styled inventor Nathalie Micas, who nurtured the artist like a wife. Together Rosa, Nathalie and Nathalie's mother bought a chateau and with Rosa's menagerie of animals the trio became one of the most extraordinary households of the day. Catherine Hewitt's compelling new biography is an inspiring evocation of a life lived against the rules.
Set sail and dive into Europe's magnificent port cities with Rick Steves Scandinavian & Northern European Cruise Ports! Inside you'll find: Rick's expert advice on making the most of your time on a cruise and fully experiencing each city, with thorough coverage of 18 ports of call Practical travel strategies including how to choose and book your cruise, adjusting to life on board on the ship, saving money, and traveling economically and ethically Self-guided walks and tours of each port city so you can hit the best attractions, sample authentic cuisine, and get to know the culture, even with a short amount of time Essential logistics including step-by-step instructions for arriving at each terminal, getting into town, and finding necessary services like ATMs and pharmacies Rick's reliable tips and candid advice on how to beat the crowds, skip lines, and avoid tourist traps Helpful reference photos throughout and full-color maps of each city Useful tools like mini-phrasebooks, detailed instructions for any visa requirements, hotel and airport recommendations for cruise access cities, and what to do if you miss your ship Full list of coverage: Copenhagen, Stockholm, Helsinki, St. Petersburg, Tallinn, Riga, the Port of Gdynia, Gdansk, Sopot, Warnermunde, Rostock, Berlin, Oslo, Stavanger, Bergen, the Norwegian Fjords, Flam and the Nutshell, Geirangerfjord, Amsterdam, the Port of Zeebrugge, Bruges, Brussels, Ghent, Southampton, Portsmouth, Dover, Canterbury, London, Le Havre, Honfleur, the D-Day Beaches, Rouen, Paris Maximize your time and savor every moment with Rick's practical tips, thoughtful advice, and reliable expertise. Heading to the Mediterranean? Pick up Rick Steves Mediterranean Cruise Ports.
We orphans are the most important kids in the world.' Stepping into the past, Paolo Hewitt embarks upon an inspiring journey to track down a group of friends he grew up with at Burbank Children's Home. We meet Des, the boy who reinvented himself; Norman, the runaway child who crossed a continent; David, the boy who couldn't be heard; and Terry, the child who sat in a school field for four days. Paolo brings to life the struggles and triumphs of adults navigating life after care, and discovers many things: about himself, about care, but most of all about the indomitable force of the human spirit - even in the face of overwhelming odds. But We All Shine On is a worthy companion to Paolo Hewitt's classic memoir The Looked After Kid: My Life in a Children's Home.
In order to write" said Simone de Beauvoir, "the first essential condition is that reality can no longer be taken for granted." She and four other French women writers of the second half of the twentieth century—Nathalie Sarraute, Marguerite Duras, Monique Wittig, and Maryse Condé—illustrate that producing autobiography is like performing a tightrope act on the slippery line between fact and fiction. Autobiographical Tightropes emphasizes the tension in the works of these major writers as they move in and out of "experience" and "literature," violating the neat boundaries between genres and confusing the distinctions between remembering and creating. Focusing on selected works, Leah D. Hewitt for the first time anywhere explores the connections among the authors. In doing so she shows how contemporary women's autobiography in France links with feminist issues, literary tradition and trends, and postmodern theories of writing. In light of these theories Hewitt offers a new reading of de Beauvoir's memoirs and reveals how her attempt to represent the past faithfully is undone by irony, by literary and "feminine" detours. Other analysts of Nathalie Sarraute's writing have dwelt mainly on formal considerations of the New Novel, but Hewitt exposes a repressed, forbidden feminine aspect in her literary innovations. Unlike Sarraute, Duras cannot be connected with just one literary movement, political stance, style, or kind of feminism because her writing, largely autobiographical, is marked by chameleon like transformations. The chapters on Wittig and Condé show how, within the bounds of feminism, lesbians and women of color challenge the individualistic premises of autobiography. Hewitt demonstrates that, despite vast differences among these five writers, all of them reveal in their autobiographical works the self's need of a fictive other.
Regina Hewitt enlists analogies between the "symbolic interactions" prompted by the selected writers and the concepts of "symbolic interaction" still evolving from the sociology of Jane Addams, George Herbert Mead, and others. These practitioners recover a belief in the social efficacy of literature that was accepted during the predisciplinary Romantic Era but contested throughout much of the twentieth century. Hewitt's revisionist readings advocate the renewal of literary interventionism in our post-disciplinary age, and demonstrate the active involvement of Baillie, Scott and Landor in contemporary social and legal reform."--BOOK JACKET.
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