Natural History : [Ausstellung, Canadian Centre for Architecture (CCA), Montréal, 23 October 2002 to 6 April 2003; Heinz Architectural Center, Carnegie Museum of Art, Pittsburgh, 5 June to 7 September 2003; Schaulager, Münchenstein/Basel, Spring 2004 ...]
Natural History : [Ausstellung, Canadian Centre for Architecture (CCA), Montréal, 23 October 2002 to 6 April 2003; Heinz Architectural Center, Carnegie Museum of Art, Pittsburgh, 5 June to 7 September 2003; Schaulager, Münchenstein/Basel, Spring 2004 ...]
More than any of their contemporaries, Swiss architects Jacques Herzog and Pierre de Meuron are challenging the boundaries between architecture and art. Natural History explores that challenge, examining how the work of this formidable pair has drawn upon the art of both past and present, and brought architecture into dialogue with the art of our time. Echoing an encyclopedia, this publication reflects the natural history museum structure of the exhibition which it accompanies, organized by the Canadian Centre for Architecture. Models and projects by Herzog & de Meuron, as well as by other artists, are structured around six thematic portfolios that suggest an evolutionary history of the architects' work: Appropriation & Reconstruction, Transformation & Alienation, Stacking & Compression, Imprints & Moulds, Interlocking Spaces, and Beauty & Atmosphere. Each section is introduced with a statement from Herzog, and more than 20 artists, scholars, and architects have contributed essays, including Carrie Asman, Georges Didi-Huberman, Kurt W. Forster, Boris Groys, Ulrike Meyer Stump, Peggy Phelan, Thomas Ruff, Rebecca Schneider, Adolf Max Vogt, and Jeff Wall.
Jeff Wall and Jacques Herzog are among art and architecture's most successful representatives. Award-winning photographer Wall's photography of Herzog & de Meuron's Dominus Winery in California (1999) represents the point of departure for a discussion on the relationship between art and photography. Questions arise on topics such as "photogenic architecture," the construction of pictures and buildings, and the question of time.
Designing a new national map of urban topography for Switzerland. The classic volume Switzerland. An Urban Portrait was published in three languages by Birkhäuser Verlag in 2005 and has lost none of its relevance to this day. The result of several years of research by ETH Studio Basel, this three-volume work contains explorations of the multiple layers and facets of Swiss towns and cities by renowned architects Roger Diener, Jacques Herzog, Marcel Meili, Pierre de Meuron, and Christian Schmid, as well as possible and/or desirable scenarios for the future development of country’s main cities and its Alpine region. It also includes maps of urban topography. Leading Swiss architects examine Switzerland’s built environment An important contribution to the discussion of how Switzerland might look in the future Visionary urban topographies in a globalized world
Treacherous Transparencies analyzes transparency as expressed in architecture and art in an attempt to understand the intentions and objectives that underlie its use by pertinent architects and artists. The publication looks at a few important works by selected artists and architects who work with transparency as an artistic strategy, which they implement primarily by using glass and mirrors but other media as well. e architects and artists listed together in this context form an unlikely alliance: Bruno Taut, Ivan Leonidov, Marcel Duchamp, Mies van der Rohe, Dan Graham, and Gerhard Richter. But they do have something in common: their work marks salient way stations in the story of modernism up to the present day. Concept & text by Jacques Herzog and photographs of Farnsworth House by Pierre de Meuron.
with some 600 photos and 4000 drawings and plans, the Timber Construction Manual is a comprehensive and indispensable reference work in the specialist literature on timber. It looks at all types of timber and timber materials, also presenting detailed information on the current norms and standards. Chapters cover the basic principles of working with timber, providing detailed information on subjects such as heat, noise insulation, fire protection treatment. The significance of timber with particular reference to ecology is also investigated. Timber as a load-bearing material is considered, and topics such as new methods of joining, transport and montage are documented. The second part of the volume presents a large number of built examples which feature some "classic" structures but focus chiefly on more recent buildings. The spectrum presented ranges from heavy-load bridges to multi-storey residential buildings. The second part of the examples looks specifically at topics such as facades, building skins etc.
Facades - they are the first feature of a building to be noticed, they determine its distinctive appearance and are often the subject of controversial debate. This new first edition of the Facade Construction Manual provides a systematic survey of contemporary expertise in the application of new materials and energy- efficient technologies in facade design, and represents an invaluable addition to our series of Construction Manuals. It surveys the facade design requirements made by various types of buildings, as well as the most important materials, from natural stone through to synthetics, and documents a diversity of construction forms for a wide range of building types. Over 100 international case-studies in large-scale, detailed drawings are presented in the comprehensive project section.
Jeff Wall and Jacques Herzog are among art and architecture's most successful representatives. Award-winning photographer Wall's photography of Herzog & de Meuron's Dominus Winery in California (1999) represents the point of departure for a discussion on the relationship between art and photography. Questions arise on topics such as "photogenic architecture," the construction of pictures and buildings, and the question of time.
Treacherous Transparencies analyzes transparency as expressed in architecture and art in an attempt to understand the intentions and objectives that underlie its use by pertinent architects and artists. The publication looks at a few important works by selected artists and architects who work with transparency as an artistic strategy, which they implement primarily by using glass and mirrors but other media as well. e architects and artists listed together in this context form an unlikely alliance: Bruno Taut, Ivan Leonidov, Marcel Duchamp, Mies van der Rohe, Dan Graham, and Gerhard Richter. But they do have something in common: their work marks salient way stations in the story of modernism up to the present day. Concept & text by Jacques Herzog and photographs of Farnsworth House by Pierre de Meuron.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.