A biography wholly worthy of the brilliant woman it chronicles. . . . It rediscovers Virginia Woolf afresh." --The Philadelphia Inquirer While Virginia Woolf--one of our century's most brilliant and mercurial writers--has had no shortage of biographers, none has seemed as naturally suited to the task as Hermione Lee. Subscribing to Virginia Woolf's own belief in the fluidity and elusiveness of identity, Lee comes at her subject from a multitude of perspectives, producing a richly layered portrait of the writer and the woman that leaves all of her complexities and contradictions intact. Such issues as sexual abuse, mental illness, and suicide are brought into balance with the immensity of her literary achievement, her heroic commitment to her work, her generosity and wit, and her sanity and strength. It is not often that biography offers the satisfactions of great fiction--but this is clearly what Hermione Lee has achieved. Accessible, intelligent, and deeply pleasurable to read, her Virginia Woolf will undoubtedly take its place as the standard biography for years to come. "One of the most impressive biographies of the decade: moving, eloquent, powerful as both literary and social history." --Financial Times "The most distinguished study of Woolf yet." --The New Republic
From Hermione Lee, the internationally acclaimed, award-winning biographer of Virginia Woolf and Willa Cather, comes a superb reexamination of one of the most famous American women of letters.Delving into heretofore untapped sources, Lee does away with the image of the snobbish bluestocking and gives us a new Edith Wharton-tough, startlingly modern, as brilliant and complex as her fiction. Born into a wealthy family, Wharton left America as an adult and eventually chose to create a life in France. Her renowned novels and stories have become classics of American literature, but as Lee shows, Wharton's own life, filled with success and scandal, was as intriguing as those of her heroines. Bridging two centuries and two very different sensibilities, Wharton here comes to life in the skillful hands of one of the great literary biographers of our time.
Disruptive and aggressive behaviour in children causes significant distress to everyone involved. Tradition interventions tend to focus on changing the disruptive behaviour itself, but research shows that it is important to also focus on the underlying anxiety, anger and vulnerability that may have contributed to the child’s conduct. In this innovative book, Hermione Roff introduces Reflective Interpersonal Therapy for Children and Parents (RICAP), a new intervention that looks at the processes underpinning disruptive and aggressive behaviour problems. RICAP was developed specifically to meet the needs of children and their families, and offers a new way to think about and tackle conduct disorders. The intervention explores the relationship between anxiety and anger, the dynamics of threat and fear, and the behavioural interactions within a prime relationship. Taking a practitioner-oriented approach, Roff introduces the theory underpinning RICAP, the evidence base for the approach and how it can be put to work in clinical practice.
Biographies are one of the most popular and best-selling of the literary genres. Why do people like them? What does a biography do and how does it work? This Very Short Introduction examines different types of biographies, why certain people and historical events arouse so much interest, and how they are compared with history and fiction.
Hermione Lee’s provocative and influential biography provides a sensitive reappraisal of a marvelous and often underrated writer. The Willa Cather she reveals here was a Nebraskan who spent much of her life in self-imposed exile from the prairies she celebrated in O Pioneers! and My Antonia, a woman whose life was riddled with the tension between masculine and feminine, and a writer whose naturalness of style disguised exquisite artistry. By exposing the contradictions that lie at the heart of much of Cather’s life and work, Lee locates new layers of meaning and places her firmly at the forefront of the modern literary tradition that was taking shape in her time.
A biography of Willa Cather (1873-1947), who spent years working as a journalist, teacher and editor of a New York magazine whose deepest feelings were directed towards women. Her friendships from Sarah Orne Jewett and Dorothy Canfield to Stephen Tennant and Yehudi Menuhin were important to her yet as she became more famous she withdrew increasingly from the modern world she disliked. Willa Cather's fiction charts new, female versions of epic pioneering heroism and the extraordinary cultural encounters of the New World history. This major reinterpretation of Cather's work explores that American context and those traditions but finds a strange and disconcerting Cather a writer of split identities, sexual conflict, dramatic energies and stoic fatalism. The author has written books on Elizabeth Bowen, Virginia Woolf and Philip Roth and The Short Stories of Willa Cather .
Alain-Fournier's lyrical novel captures the painful transition from adolescence to adulthood. First published in 1913, its story of the lost domain where le grand Meaulnes meets a beautiful girl, and his search to recover his love, has haunted readers ever since. Now published with a new Introduction by Hermione Lee in its centenary year.
From Hermione Lee, the internationally acclaimed, award-winning biographer of Virginia Woolf and Willa Cather, comes a superb reexamination of one of the most famous American women of letters.Delving into heretofore untapped sources, Lee does away with the image of the snobbish bluestocking and gives us a new Edith Wharton-tough, startlingly modern, as brilliant and complex as her fiction. Born into a wealthy family, Wharton left America as an adult and eventually chose to create a life in France. Her renowned novels and stories have become classics of American literature, but as Lee shows, Wharton's own life, filled with success and scandal, was as intriguing as those of her heroines. Bridging two centuries and two very different sensibilities, Wharton here comes to life in the skillful hands of one of the great literary biographers of our time.
ONE OF THE NEW YORK TIMES BOOK REVIEW’ S 10 BEST BOOKS OF THE YEAR A Best Book of the Year: San Francisco Chronicle, Seattle Times Winner of the Plutarch Award for Best Biography The acclaimed biographer of Edith Wharton and Virginia Woolf gives us an intimate portrait of one of the most quietly brilliant novelists of the twentieth century. Penelope Fitzgerald was a great English writer whose career didn't begin until she was nearly sixty. She would go on to win some of the most coveted awards in literature—the Booker Prize and the National Book Critics Circle Award. Now, in an impeccable match of talent between biographer and subject, Hermione Lee, a master biographer and one of Fitzgerald's greatest champions, gives us this remarkable writer’s story. Lee’s critical expertise is on dazzling display on every page, as it illuminates this extraordinary English life. Fitzgerald, born into an accomplished intellectual family, the granddaughter of two bishops, led a life marked by dramatic twists of fate, moving from a bishop’s palace to a sinking houseboat to a last, late blaze of renown. We see Fitzgerald’s very English childhood in the village of Hampstead; her Oxford years, when she was known as the “blonde bombshell”; her impoverished adulthood as a struggling wife, mother and schoolteacher, raising a family in difficult circumstances; and the long-delayed start to her literary career. Fitzgerald’s early novels draw on her own experiences—working at the BBC in wartime, at a bookshop in Suffolk, at an eccentric stage school in the 1960s—while her later books open out into historical worlds that she, magically, seems to entirely possess: Russia before the Revolution, postwar Italy, Germany in the time of the Romantic writer Novalis. Fitzgerald’s novels are short, spare masterpieces, and Hermione Lee unfurls them here as works of genius. Expertly researched, written out of love and admiration for this wonderful author’s work, Penelope Fitzgerald is literary biography at its finest—an unforgettable story of lateness, persistence and survival.
Using original research in scientific treatises, philosophical manuscripts, and political documents, this pioneering study describes the neglected era of revolutionary medicine in Europe through the writings of the English poet and physician, John Keats. De Almeida explores the four primary concerns of Romantic medicine--the physician's task, the meaning of life, the prescription of disease and health, and the evolution of matter and mind--and reveals their expression in Keats's poetry and thought. By delineating a distinct but unknown era in the history of medicine, charting the poet's milieu within this age, and providing close reading of his poems in these contexts, Romantic Medicine and John Keats illustrates the interdisciplinary bonds between the two healing arts of the Romantic period: medicine and poetry.
Our stories of industrial innovation tend to focus on individual initiative and breakthroughs. With Making Jet Enginesin World War II, Hermione Giffard uses the case of the development of jet engines to offer a different way of understanding technological innovation, revealing the complicated mix of factors that go into any decision to pursue an innovative, and therefore risky technology. Giffard compares the approaches of Britain, Germany, and the United States. Each approached jet engines in different ways because of its own war aims and industrial expertise. Germany, which produced more jet engines than the others, did so largely as replacements for more expensive piston engines. Britain, on the other hand, produced relatively few engines—but, by shifting emphasis to design rather than production, found itself at war's end holding an unrivaled range of designs. The US emphasis on development, meanwhile, built an institutional basis for postwar production. Taken together, Giffard's work makes a powerful case for a more nuanced understanding of technological innovation, one that takes into account the influence of the many organizational factors that play a part in the journey from idea to finished product.
A New York Times Book Review Editors' Choice "A radiant first novel. . . . [Neon in Daylight] has antecedents in the great novels of the 1970s: Renata Adler’s Speedboat, Elizabeth Hardwick’s Sleepless Nights, Joan Didion’s Play It as It Lays. . . . Precision—of observation, of language—is Hoby’s gift. Her sentences are sleek and tailored. Language molds snugly to thought." —Parul Sehgal, The New York Times New York City in 2012, the sweltering summer before Hurricane Sandy hits. Kate, a young woman newly arrived from England, is staying in a Manhattan apartment while she tries to figure out her future. She has two unfortunate responsibilities during her time in America: to make regular Skype calls to her miserable boyfriend back home, and to cat–sit an indifferent feline named Joni Mitchell. The city has other plans for her. In New York's parks and bodegas, its galleries and performance spaces, its bars and clubs crowded with bodies, Kate encounters two strangers who will transform her stay: Bill, a charismatic but embittered writer made famous by the movie version of his only novel; and Inez, his daughter, a recent high school graduate who supplements her Bushwick cafe salary by enacting the fantasies of men she meets on Craigslist. Unmoored from her old life, Kate falls into an infatuation with both of them. Set in a heatwave that feels like it will never break, Neon In Daylight marries deep intelligence with captivating characters to offer us a joyful, unflinching exploration of desire, solitude, and the thin line between life and art.
The Populist Logic on the Environment provides a framework that draws from populism’s essence to explain populist politicians’ approaches to the environment. Over the past few decades, populism has spread across the world – particularly in Europe, but also notably in the US, South America, and Asia. Its essential features – especially its ideological 'thinness' – mean that we can observe considerable variations across populists in their environmental stances. This holds across the political spectrum from the left to the right, despite the traditional tendency of right-wing parties to be skeptical of pro-environmental positions and of left-wing parties to subscribe to them. Regardless of variations, however, ‘true populists’ can be expected to consistently anchor environmental stances in people-centrism and anti-elitism – in ways linked to additional party-specific factors. This book systematizes analytically what the literature observes, corrects some of its empirical limitations, and allows for reflection on the commitment by any one populist party to the environment. The authors undertake a cross-regional analysis of four case studies to illustrate their argument: Marine Le Pen’s National Rally in France, the US Republican Party led by Donald Trump, Spain’s Podemos led by Pablo Iglesias, and Hugo Chávez and Nicolás Maduro’s socialist regime in Venezuela. This book will appeal to scholars and students of political science, public policy, environmental studies, sociology, and geography, as well as a general audience interested in populism and the environment.
Named a Summer Must Read by Wall Street Journal, Elle, Harper’s Bazaar, Entertainment Weekly, Glamour, Esquire, Bustle, Town & Country, Good Housekeeping, Refinery29, and more “[Hoby] might have just written the defining New York City novel of our fraught, socially anxious, and politically tumultuous times.” —Interview “Intense and addictive.” —New York Times A powerful novel of youth, desire, and moral conflict, in which a young man is seduced by the mirage of glamour—at terrible cost. Arriving in New York City for an internship at an elite but fading magazine, Luca feels invisible: smart but not worldly, privileged but broke, and uncertain how to navigate a new era of social change. Among his peers is Zara, a young Black woman whose sharp wit and frank views on injustice create tension in the office, especially in the wake of a shock election that’s irrevocably destabilized American life. In the months that follow, as the streets of New York fill with pink-hatted protesters and the magazine faces a changing of the guard, Luca is taken under the wing of an attractive and wealthy white couple—Paula, a prominent artist, and Jason, her filmmaker husband—whose lifestyle he finds both alien and alluring. With the coming of summer, Luca is swept up in the fever dream of their marriage, accepting an invitation to join the couple and their children at their beach house, and nurturing an infatuation both frustrating and dangerous. Only after he learns of a spectacular tragedy in the city he has left behind does he begin to realize the moral consequences of his allegiances. In language at once lyrical and incisive, Virtue offers a clear-eyed, unsettling story of the allure of privilege and the costs of complacency, from a writer of astonishing acuity and vision.
“Using an alchemy all of her own, Eyre’s postmodern take on the 17th century renders it dazzlingly fresh and contemporary.” —Guardian (UK) Venetia Stanley was the great beauty of her day, so dazzling she inspired Ben Jonson to poetry and Van Dyck to painting. But now she is married, the adoration to which she has become accustomed has curdled to scrutiny, and she fears her powers are waning. Her devoted husband, Sir Kenelm Digby—explorer, diplomat, philosopher, alchemist— refuses to prepare a beauty tonic for her, insisting on her continued perfection. Venetia, growing desperate, secretly engages an apothecary to sell her “viper wine”—a strange potion said to bolster the blood and invigorate the skin. The results are instant, glorious, and addictive, and soon the ladies of the court of Charles I are looking unnaturally youthful. But there is a terrible price to be paid, as science clashes with magic, puritans rebel against the decadent monarchy, and England slides into civil war. Based on real events and written with anachronistic verve, Viper Wine is an intoxicating brew of love, longing and vanity, where the 17th and 21st centuries mix and mingle in the most enchanting and mind-bending ways.
Helen Edmunds, Representative Elder of the Court of the High Advisors, has devoted the last fourteen years of her life to King Patrick and Queen Marianne of the Otherworld while confining herself to the royal palace and enduring the hostility and hatred of her fellow Elders. Yet when she is assigned to mentor Evonne Fitzgerald, a young, youthful Elder-in-training, her life brightens up in every aspect. The two of them grow inseparable, soon becoming each other’s twin flame as they form a bond of sisterhood. However, a tragedy befalls Evonne one day, leaving Helen to deal with the aftermath. Her guilt and defiance eventually lead to her spiraling into a descent of madness. When everyone and everything threatens to destroy Helen, she must learn to find hope and reprieve as life pits her against the dark side of humanity.
Helen Edmunds, Representative Elder of the Court of the High Advisors, has devoted the last fourteen years of her life to King Patrick and Queen Marianne of the Otherworld while confining herself to the royal palace and enduring the hostility and hatred of her fellow Elders. Yet when she is assigned to mentor Evonne Fitzgerald, a young, youthful Elder-in-training, her life brightens up in every aspect. The two of them grow inseparable, soon becoming each other’s twin flame as they form a bond of sisterhood. However, a tragedy befalls Evonne one day, leaving Helen to deal with the aftermath. Her guilt and defiance eventually lead to her spiraling into a descent of madness. When everyone and everything threatens to destroy Helen, she must learn to find hope and reprieve as life pits her against the dark side of humanity.
This intriguing and witty collection of essays looks at how biography deals with myths and legends, what goes missing and what can't be proved in the story of a life.
Regarded as a witch and alienated by the majority of her peers, fourteen-year-old orphan Alexandria Richardson wants to be anybody but herself. However, this all changes one day, when the mysterious fountain in her school transports her and her three classmates to a world of magic— the Otherworld. The four of them are brought to the palace of the Otherworld on the rulers' orders, and the shocking truth of Alexandria's identity and parentage is revealed. As Alexandria then participates in a miraculous adventure with her companions, she explores the depths of courage, kindness, and friendship. But will she make it safely back to the Otherworld? Or will she eventually yield to her biggest enemy, someone no other than herself? It's not just an adventure. It's a journey of growth and redemption.
Life has never been smoother for Eric Williams, who grew up with his abusive mother, the queen of the sinister Underworld. The Otherworld, his new home, is a realm of peace, felicity, and harmony, everything he has wished for. However, when a series of misfortunes befall his dearest friends, he begins to realize the true colors of his malicious fellow Elders, and his perfect illusion of the utopian Otherworld unravels at the seams. When a surprise invasion from the Underworld ends in an unexpected way, Eric is forced to awaken from the childish dream that has enveloped him in a state of euphoria for over a year and accept the painful truth that threatens to destroy the kingdom he calls home.
This intriguing and witty collection of essays looks at how biography deals with myths and legends, what goes missing and what can't be proved in the story of a life.
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