Although he surprised the world in 1866 with his first published book of poetry, Battle-Pieces and Aspects of the War, Herman Melville had long been steeped in poetry. This new offering in the authoritative Northwestern-Newberry series, The Writings of Herman Melville, with a historical note by Hershel Parker, is testament to Melville the poet. Penultimate in the publication of the series, Published Poems follows the release of Melville’s verse epic, Clarel (1876), and with it, contains the entirety of the poems published during Melville’s lifetime: Battle-Pieces, as well as John Marr and Other Sailors, with Some Sea-Pieces (1888), and Timoleon Etc. (1891). Battle-Pieces and Aspects of the War has long been recognized as a great contribution to the poetry of the Civil War, comparable only to Whitman’s Drum-Taps. Its idiosyncrasies, many of them grounded in British poetry, kept it from immediate popularity, but it was not the production of a novice. Melville had made himself over into a poet in the late 1850s and had tried to publish a previous collection of poetry—now lost—in 1860. John Marr and Other Sailors is a retrospective nautical book. Its portraits of sailors were influenced by Melville’s own experience of aging as well as by his long acquaintance with wasted mariners at the Sailors’ Snug Harbor on Staten Island, where his brother was governor. The book modulates into "Sea-Pieces," including the grisly "Maldive Shark" and "To Ned," a powerful reflection on how Melville’s personal adventures with the Typee islanders in 1842 had accrued rich historical significance over the decades. Thematically less unified, Timoleon Etc. contains poems with many European and exotic settings from ancient to modern times. The most famous are "After the Pleasure Party" and "The Age of the Antonines." Published in the last year of Melville’s life, some of the poems were first written many years earlier; for example, Melville copied "The Age of the Antonines" out for his brother-in-law in 1877, describing it as something found in a bundle of old papers. One whole section seems to have been almost entirely salvaged from the unpublished 1860 volume of poetry. As with the other volumes in the Northwestern-Newberry series, the aim of this edition of Published Poems is to present a text as close to the author’s intention as surviving evidence permits. To that end, the editorial appendix includes a historical note by Hershel Parker, the dean of Melville scholars, which gives a compelling, in-depth account of how one of America’s greatest writers grew into the vocation of a poet; an essay by G. Thomas Tanselle on the printing and publishing history of the works in Published Poems; a textual record that identifies the copy-texts for the present edition and explains the editorial policy; and substantial scholarly notes on individual poems.
Whitman and Dickinson are the two greatest American poets of the nineteenth century, but who is the third? Some critics say Whittier, others say Poe, and these days an increasing number say Herman Melville. The revaluation of Melville's poetry is due in large part to the influence of this landmark volume, for Melville the poet has never found a more judicious, eloquent, or persuasive champion than Robert Penn Warren.
Herman Melville (1819-91) brought as much genius to the smaller-scale literary forms as he did to the full-blown novel: his poems and the short stories and novellas collected in this volume reveal a deftness and a delicacy of touch that is in some ways even more impressive than the massive, tectonic passions of Moby-Dick. In a story like "Bartleby, the Scrivener" -- one of the very few perfect representatives of the form in the English language -- he displayed an unflinching precision and insight and empathy in his depiction of the drastically alienated inner life of the title character. In "Benito Cereno," he addressed the great racial dilemmas of the nineteenth century with a profound, almost surreal imaginative clarity. And in Billy, Budd, Sailor, the masterpiece of his last years, he fused the knowledge and craft gained from a lifetime's magnificent work into a pure, stark, flawlessly composed tale of innocence betrayed and destroyed. Melville is justly honored for the epic sweep of his mind, but his lyricism, his skill in rendering the minute, the particular, the local, was equally sublime.
An unprecedented single-volume edition of one of America's greatest poets, released to celebrate his bicentennial Best known today for his novels and stories, the author of Moby-Dick was a devoted and accomplished poet. Ranging from Civil War battlefields to the haunted byways of the Holy Land, from close observation of nature to deep philosophical mediation, Melville's poetry was central to his life and art and he justly ranks with Whitman and Dickinson as one of America's three greatest 19th-century poets. Complete here for the first time in the fourth and final installment in the Library of America's Herman Melville edition, are all four books of poetry he published in his lifetime plus uncollected poems and the poems from two projected volumes left unfinished at the time of his death, allowing readers to appreciate for themselves the extraordinary range of his poetic achievement. Melville's first book of poetry, Battle-Pieces (1866), remains one of the very few great American books to have emerged from the Civil War. Dedicated to the Union dead, it is both a deeply philosophical work of mourning and a fascinating record of events, tracking campaigns and battles and the war's immediate aftermath. With a cast of characters surpassing that of Moby-Dick, the epic poem Clarel (1876), about an American divinity student's pilgrimage to the Holy Land, has been likened to Paradise Lost and The Waste Land as a profound exploration of the problem of belief. Also included in Complete Poems are the two privately issued books John Marr (1888) and Timoleon (1891), which contain some of Melville's finest lyric verse. Rounding out the volume are the extraordinary poems from his two unfinished manuscripts, Weeds and Wildings and Parthenope, along with miscellaneous uncollected poems. All of the poems are presented in the authoritative Northwestern-Newberry texts.
Herman Melville (1819 - 1891) was an American novelist, poet, and writer of short stories. His contributions to the Western canon are the whaling novel Moby-Dick (1851); the short work Bartleby, the Scrivener (1853) about a clerk in a Wall Street office; the slave ship narrative Benito Cereno (1855); and Billy Budd, Sailor (1924). When asked which of the great American writers he most admired, Vladimir Nabokov replied: "When I was young I liked Poe, and I still love Melville, whom I did not read as a boy." Around his twentieth year he was a schoolteacher for a short time, then became a seaman when his father met business reversals. On his first voyage he jumped ship in the Marquesas Islands, where he lived for a time. His first book, an account of that time, Typee, became a bestseller and Melville became known as the "man who lived among the cannibals." After Omoo, the sequel to his first book, Melville began to work philosophical issues in his third book, the elaborate Mardi (1849). The public indifference to Moby-Dick (1851), and Pierre (1852), put an end to his career as a popular author. From 1853 to 1856 he wrote short fiction for magazines, collected as The Piazza Tales (1856). In this book: Moby Dick; or The Whale Bartleby, The Scrivener A Story of Wall-Street The Piazza Tales Typee A Romance of the South Sea, A Romance of the South Sea Pierre; or The Ambiguities
MOBY DICK BY HERMAN MELVILLE WITH BEAUTIFUL CLASSIC COVER. PERFECTLY FOR EVERYONE WHO LOVES CLASSIC ADVENTURES BOOKS OR AS A GIFT FOR YOU LOVED ONE. GET YOURS TODAY! Specifications: Cover Finish: GLOSSY Dimensions: 5,25" x 8" (13,34 x 20,32 cm) Interior: White Paper Pages: 509
Moby-Dick, Typee, Omoo, Bartleby the Scrivener, Benito Cereno, Billy Budd Sailor, Redburn, White-Jacket, Pierre, Israel Potter, The Piazza, Etchings of a Whaling Cruise, John Marr and Other Sailors…
Moby-Dick, Typee, Omoo, Bartleby the Scrivener, Benito Cereno, Billy Budd Sailor, Redburn, White-Jacket, Pierre, Israel Potter, The Piazza, Etchings of a Whaling Cruise, John Marr and Other Sailors…
This carefully crafted ebook: "HERMAN MELVILLE Ultimate Collection" is formatted for your eReader with a functional and detailed table of contents: Herman Melville (1819-1891) was an American novelist, short story writer and a poet. His writing draws on his experience at sea as a common sailor, exploration of literature and philosophy, and engagement in the contradictions of American society in a period of rapid change. Novels: Typee Omoo Mardi Redburn White-Jacket Moby-Dick Pierre Israel Potter The Confidence-Man Billy Budd, Sailor Short Stories: The Piazza Bartleby, the Scrivener Benito Cereno The Lightning-Rod Man The Encantadas, or Enchanted Isles The Bell-Tower The Apple-Tree Table Jimmy Rose I and My Chimney The Paradise of Bachelors and The Tartarus of Maids Cock-a-Doodle-Doo! The Fiddler Poor Man's Pudding and Rich Man's Crumbs The Happy Failure The 'Gees The Two Temples Daniel Orme Poetry Collections: Clarel – A Poem and Pilgrimage in the Holy Land Battle-Pieces and Aspects of the War Timoleon and Other Ventures in Minor Verse Weeds and Wildings, With a Rose or Two John Marr and Other Sailors Bridgeroom Dick Tom Deadlight Jack Roy The Haglets The Aeolian Harp To the Master of the "Meteor" Far off Shore The Man-of-War Hawk The Figure-Head The Good Craft "Snow Bird" Old Counsel The Tuft of Kelp The Maldive Shark To Ned Crossing the Tropics The Berg The Enviable Isles Pebbles Poems from Mardi We Fish Invocation Dirge Marlena Pipe Song Song of Yoomy Gold The Land of Love Other Poems Essays: Fragments from a Writing Desk Etchings of a Whaling Cruise Authentic Anecdotes of "Old Zack" Mr. Parkman's Tour Cooper's New Novel A Thought on Book-Binding Hawthorne and His Mosses Criticism: Herman Melville by Virginia Woolf Herman Melville's Moby Dick by D.H. Lawrence Herman Melville's Typee and Omoo by D.H. Lawrence
This book is annotated. Moby Dick is one of the greatest American novels ever wrote. If you've always wanted to read the classic, but just don't have the time, this abridged version can help. At just 20,000 words long, this version of the classic novel will let you read Melville's classic in just hours, and provide you with an excellent overview of the entire novel. The story tells the adventures of the wandering sailor Ishmael, and his voyage on the whaleship Pequod, commanded by Captain Ahab. Ishmael soon learns that Ahab seeks one specific whale: Moby Dick, a ferocious, enigmatic white sperm whale. In a previous encounter, the whale destroyed Ahab's boat and bit off his leg. Ahab intends to take revenge.
Herman Melville (1819-1891) was an American novelist, short story writer, essayist, and poet, best known for Moby-Dick. In addition, this volume contains White-Jacket or, The World in a Man-of-War; Israel Potter: His Fifty Years of Exile; and Redburn: His First Voyage.
Moby Dick or The Whale is an 1851 novel by American writer Herman Melville. The book is sailor Ishmael's narrative of the obsessive quest of Ahab, captain of the whaling ship Pequod, for revenge on Moby Dick, the giant white sperm whale that on the ship's previous voyage bit off Ahab's leg at the knee. A contribution to the literature of the American Renaissance, the work's genre classifications range from late Romantic to early Symbolist. Moby-Dick was published to mixed reviews, was a commercial failure, and was out of print at the time of the author's death in 1891. Its reputation as a "Great American Novel" was established only in the 20th century, after the centennial of its author's birth. William Faulkner said he wished he had written the book himself, and D. H. Lawrence called it one of the strangest and most wonderful books in the world and the greatest book of the sea ever written. Its opening sentence, Call me Ishmael, is among world literature's most famous.
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