After the runaway success of his Afrikaans memoir, Hoerkind, the contrarian journalist and writer Herman Lategan translated and updated his eventful life story, with no holds barred. Herman was conceived illegitimately one warm February night in 1964 in a boarding house in Cape Town. From an early age, he felt disposable, passed from one pair of unstable adult hands to the next, even ending up in an orphanage for a while. At thirteen he was caught in the web of a cunning paedophile, a well-known Afrikaans newspaperman. Shortly after his eighteenth birthday, when his abuser finished with him, Herman was unceremoniously dumped at the door of his alcoholic father. Conscription into the army and a dishonourable discharge followed. During his teenage years, Herman befriended Afrikaans poets like Sheila Cussons, Ina Rousseau, Barend J. Toerien and Casper Schmidt, and later, in New York, he followed Andy Warhol in the street and partied with a ‘smorgasbord of social butterflies’. Back in South Africa, Herman established himself as a journalist, but struggled with alcohol and drug addiction, and was homeless for a while. For many an employer, he became the nightmare they feared most. Son of a Whore is a gripping account of loss, hardship and overcoming both; it will make you laugh and, at times, break your heart. You will despair at the cruelty of a world in which the marginalised are forsaken but stand in awe at the extent of goodness surrounding us, because, ultimately, people depend on each other.
Melville at his best invariably wrote from a sort of dream self, so that events which he relates as actual fact have indeed a far deeper reference to his own soul, his own inner life." - D.H. Lawrence. Here are ten stories that represent some of the best short work of American master Herman Melville, including "Bartleby, the Scrivener: A Story of Wall-Street," "The Happy Failure," and "The Paradise of Bachelors and The Tartarus of Maids." Alongside THE HAPPY FAILURE, Harper Perennial will publish the short fiction of Fyodor Dostoevsky, Leo Tolstoy, Willa Cather, Stephen Crane, and Oscar Wilde to be packaged in a beautifully designed, boldly colorful boxset in the aim to attract contemporary fans of short fiction to these revered masters of the form. Also, in each of these selections will appear a story from one of the new collections being published in the "Summer of the Short Story." A story from Alex Burrett's forthcoming collection, MY GOAT ATE ITS OWN LEGS, will be printed at the back of this volume.
In this new edition of The Piazza Tales, the editors of the acclaimed Northwestern-Newberry Edition of the Writings of Herman Melville have used the original magazine versions for five of the six stories in order to present the most accurate tests of these works. Here, in such famous stories as "Bartleby, the Scrivener" and "The Encantadas, or Enchanted Isles," we find Melville's imagination and style at its best. Of the less well known tales, the humor in "The Piazza" and "The Lightning-Rod Man," and the gothic horror of "The Bell Tower," command attention as well. Whether in the exotic Galapagos or the more familiar climes of Wall Street or a Massachusetts farmhouse, Melville's power and imagination transport the reader into his unique worlds. This scholarly edition presents texts as close to the author's intentions as surviving evidence permits. Based on surviving manuscripts, on original newspaper and magazine printings, and on collations of magazine printings with the book of editions of The Piazza Tales, the text incorporates over 800 emendations by the editors and over 200 from later printings during Melville's lifetime. This edition is an Approved Text of the Center for Editions of American Authors (Modern Language Association of America).
In this revised edition Douglas Robillard updates the scholarship on his poetry through the introduction and notes. It contains entire texts of Battle-Pieces, John Marr and Other Sailors and Timeoleon. Selected cantos from Clarel are reprinted with accompanying notes and commentary.
Whitman and Dickinson are the two greatest American poets of the nineteenth century, but who is the third? Some critics say Whittier, others say Poe, and these days an increasing number say Herman Melville. The revaluation of Melville's poetry is due in large part to the influence of this landmark volume, for Melville the poet has never found a more judicious, eloquent, or persuasive champion than Robert Penn Warren.
An unprecedented single-volume edition of one of America's greatest poets, released to celebrate his bicentennial Best known today for his novels and stories, the author of Moby-Dick was a devoted and accomplished poet. Ranging from Civil War battlefields to the haunted byways of the Holy Land, from close observation of nature to deep philosophical mediation, Melville's poetry was central to his life and art and he justly ranks with Whitman and Dickinson as one of America's three greatest 19th-century poets. Complete here for the first time in the fourth and final installment in the Library of America's Herman Melville edition, are all four books of poetry he published in his lifetime plus uncollected poems and the poems from two projected volumes left unfinished at the time of his death, allowing readers to appreciate for themselves the extraordinary range of his poetic achievement. Melville's first book of poetry, Battle-Pieces (1866), remains one of the very few great American books to have emerged from the Civil War. Dedicated to the Union dead, it is both a deeply philosophical work of mourning and a fascinating record of events, tracking campaigns and battles and the war's immediate aftermath. With a cast of characters surpassing that of Moby-Dick, the epic poem Clarel (1876), about an American divinity student's pilgrimage to the Holy Land, has been likened to Paradise Lost and The Waste Land as a profound exploration of the problem of belief. Also included in Complete Poems are the two privately issued books John Marr (1888) and Timoleon (1891), which contain some of Melville's finest lyric verse. Rounding out the volume are the extraordinary poems from his two unfinished manuscripts, Weeds and Wildings and Parthenope, along with miscellaneous uncollected poems. All of the poems are presented in the authoritative Northwestern-Newberry texts.
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