The Time Machine by H. G. Wells is a science fiction novel that was first published in 1895. The story follows an unnamed Time Traveller who builds a machine that can transport him through time. He travels to the year 802,701 AD where he encounters two distinct species of human-like creatures, the Eloi and the Morlocks. The Eloi are childlike and peaceful, living above ground in a utopian society, while the Morlocks are savage and cannibalistic, living underground in darkness. Wells uses his narrative to explore the themes of evolution, class struggle, and the dangers of technological advancement. The Time Traveller's journey through time serves as a commentary on the consequences of social and technological progress. The Eloi and the Morlocks represent two extremes of human evolution, with the former being the result of a life of luxury and the latter being the product of a life of labor and hardship. The novel also touches upon the idea of class struggle, with the Eloi representing the upper class who have no need to work and the Morlocks representing the working class who are forced to live in harsh conditions. Wells' portrayal of the Morlocks as cannibalistic monsters highlights the fear of the working class rising up against their oppressors. Furthermore, The Time Machine also warns against the dangers of technological advancement. The Time Traveller's machine represents the pinnacle of human ingenuity, but it also leads him to witness the destruction of humanity. The novel suggests that unchecked technological progress can lead to catastrophic consequences. The Time Machine is a thought-provoking novel that explores complex themes through an engaging narrative. Wells' commentary on social and technological progress is still relevant today, making this novel a timeless classic of science fiction literature.
Includes the first serialized version of The Time Machine, short stories from Wells' student days at South Kensington, and essays from the 1890's that speculate on the future
Information technology has changed our society radically. Just as the integrated circuits have been the prime mover for electronics, high-speed transistors and semiconductor lasers based on heterostructures are now playing the same role in modern telecommunications. Professor Kroemer's conceptual work on heterostructures began in the early 1950s as he was looking for a way to improve transistor speed and performance. In the 1960s, he applied the same principles to the development of lasers and light-emitting diodes, showing that they could achieve continuous operation at room temperature — something thought impossible at that time. His deep fundamental scientific work has had a profound effect on technology and society, transforming and improving our lives.This reprint collection brings together Professor Kroemer's most important papers, presenting a comprehensive perspective of the field. It covers topics ranging from substrate materials, electronic properties, process technology, and devices, to circuits and applications. This reprint collection will help the reader identify the key stages in the development of heterostructure devices and lasers from early research through to its integration in current manufacturing. Devoted to R&D engineers and scientists who are actively involved in extending the nano- and microelectronics roadmap mainly via heterostructure engineering, this volume may also serve as a reference for postgraduate and research students.
This is the sequel to the author's iconoclastic Toward a Grammar of Biblical Poetics (Oxford, 1992), in which Brichto argues for the aesthetic wholeness of the Hebrew Bible, and the consistency of Scripture's preachment on God, nature, and the human condition--in direct opposition to current source criticism, which maintains that inconsistencies within the text support an atomistic reading of multiple authors. In The Names of God, Brichto brings us his "poetic" reading of Scripture to the Book of Genesis. Using contemporary methods and insights of literary criticism, he examines one of the great inconsistencies within Genesis that have led to the supposition of multiple authors--the assortment of terms or names for the Deity, among them Yahweh and Elohim--and attempts to show the appropriateness of certain of these names to the stories in which they appear. He also looks at a variety of other data within Genesis such as genealogies, eponyms, and chronologies, and shows that their poetical function--their variety, ingenuity, and imaginative whimsy--is vital to the structure of the text as a whole. In finding a unity in this diversity of materials, Brichto makes a strong case for the text as the artistic achievement of a single author.
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