A Most Unusual Relationship traces the lives of two men from totally different backgrounds who were able to set aside their differences to serve effectively as chaplains in the US Army Reserves. That professional relationship turned into a serious friendship that lasted for nearly forty years. Alan Sherman, a Reform Rabbi with a strong “liberal” political viewpoint, received his commission in the Army after graduating Rabbinical School. Herb Sennett, born and raised in a strong Evangelical Protestant household with strong Republican political views received his commission after graduating The Southern Baptist Theological Seminary. He had previously served as an infantry officer who resigned his commission upon completion of his six-year obligation under the draft. With that background, these two men met in 1985 when they both met as part of the same Army Reserve unity in West Palm Beach, Florida. Although both were a bit hesitant, they resolved to work together for the sake of the troops. When they received orders to active duty for Desert Shield/Storm in September 1990, they found themselves a room mates at Ft. Stewart, Georgia. During those first several months on active duty, Alan and Herb found that they both had a great deal in common besides their religious faith. The friendship began to blossom and was almost fully developed by May 1991 when they were both released from active duty. Their friendship continued to grow after they returned to West Palm Beach. What they went through together during that brief period sparked a friendship that has continued to not grow but to blossom. Decisions they made separately often pushed them together in an even deeper friendship on many levels. Their story is truly a must read about what can happen when people set aside their differences to serve a greater good for society.
What Herbert Blau suggests, in Nothing in Itself, is that fashion itself, today, has been anticipating and redefining, in the dazzle on the runway, or even in ready-to-wear, the terms in which it is critiqued, while sometimes giving the impression that it is inseparable from critique; in short, there is little to be said of fashion that is not somehow visible in fashion, though even in the mainstream we may call it antifashion. Which is all the more reason to look at the clothes. The book does so copiously, with a fastidious eye to style, as if nothing could be said of a garment, no appropriate fabric of thought, without the felt sensation.
This book provides an intriguing look at the long history of the changing definitions of what it means to "be a man," identifying both the continuity and disparity in these ideals and explaining the contemporary crisis of masculinity. In the classical Athens of Plato and Pericles, erotic relations between adolescents and adult men—what we now revile as pedophilia—was the marker of manliness; a clear example of how concepts of masculinity shift. Even within modern western society, there are conflicting ideals for men; they are expected to be both aggressive and unemotional in business, and sensitive and caring as a father and lover. Masculine Identities: The History and Meanings of Manliness provides a comprehensive consideration of what "being a man" has meant over time. A fascinating read for men and women alike, it examines masculine identities that emerged in the past and continue into the present, such as the warrior, the democratic man, the craftsman, the self-made man of business, as well as ethnic forms of manliness. The work concludes by examining the contemporary issues of male sexuality, same-sex identity, and the conflicts within men in the modern world.
Using in-depth life-story interviews and oral history archives, this book explores the impact of South Asian migration from the 1950s onwards on both the local white, British-born population and the migrants themselves. Taking Leicester as a main case study - identified as a European model of multicultural success - Negotiating Boundaries in the City offers a historically grounded analysis of the human experiences of migration. Joanna Herbert shows how migration created challenges for both existing residents and newcomers - for both male and female migrants - and explores how they perceived and negotiated boundaries within the local contexts of their everyday lives. She explores the personal and collective narratives of individuals who might not otherwise appear in the historical records, highlighting the importance of subjective, everyday experiences. The stories provide valuable insights into the nature of white ethnicity, inter-ethnic relations and the gendered nature of experiences, and offer rich data lacking in existing theoretical accounts. This book provides a radically different story about multicultural Britain and reveals the nuances of modern urban experiences which are lost in prevailing discourses of multiculturalism.
This penetrating work culls key concepts from grassroots activism to hold critical social theory accountable to the needs, ideas, and organizational practices of the global justice movement. The resulting critique of neoliberalism hinges on place-based struggles of groups marginalized by globalization and represents a brave rethinking of politics, economy, culture, and professionalism. Providing new practical and conceptual tools for responding to human and environmental crises in Appalachia and beyond, Recovering the Commons radically revises the framework of critical social thought regarding our stewardship of the civic and ecological commons. Herbert Reid and Betsy Taylor ally social theory, field sciences, and local knowledge in search of healthy connections among body, place, and commons that form a basis for solidarity as well as a vital infrastructure for a reliable, durable world. Drawing particularly on the work of philosophers Maurice Merleau-Ponty, John Dewey, and Hannah Arendt, the authors reconfigure social theory by ridding it of the aspects that reduce place and community to sets of interchangeable components. Instead, they reconcile complementary pairs such as mind/body and society/nature in the reclamation of public space. With its analysis embedded in philosophical and material contexts, this penetrating work culls key concepts from grassroots activism to hold critical social theory accountable to the needs, ideas, and organizational practices of the global justice movement. The resulting critique of neoliberalism hinges on place-based struggles of groups marginalized by globalization and represents a brave rethinking of politics, economy, culture, and professionalism.
Brother Men is the first published collection of private letters of Edgar Rice Burroughs, the phenomenally successful author of adventure, fantasy, and science fiction tales, including the Tarzan series. The correspondence presented here is Burroughs’s decades-long exchange with Herbert T. Weston, the maternal great-grandfather of this volume’s editor, Matt Cohen. The trove of correspondence Cohen discovered unexpectedly during a visit home includes hundreds of items—letters, photographs, telegrams, postcards, and illustrations—spanning from 1903 to 1945. Since Weston kept carbon copies of his own letters, the material documents a lifelong friendship that had begun in the 1890s, when the two men met in military school. In these letters, Burroughs and Weston discuss their experiences of family, work, war, disease and health, sports, and new technology over a period spanning two world wars, the Great Depression, and widespread political change. Their exchanges provide a window into the personal writings of the legendary creator of Tarzan and reveal Burroughs’s ideas about race, nation, and what it meant to be a man in early-twentieth-century America. The Burroughs-Weston letters trace a fascinating personal and business relationship that evolved as the two men and their wives embarked on joint capital ventures, traveled frequently, and navigated the difficult waters of child-rearing, divorce, and aging. Brother Men includes never-before-published images, annotations, and a critical introduction in which Cohen explores the significance of the sustained, emotional male friendship evident in the letters. Rich with insights related to visual culture and media technologies, consumerism, the history of the family, the history of authorship and readership, and the development of the West, these letters make it clear that Tarzan was only one small part of Edgar Rice Burroughs’s broad engagement with modern culture.
Who populates the pages of crime and mystery writing? Who are the characters we willingly follow into the mystery genre's uneasy imaginative territory? And who created those characters in the first place? What life experience and expertise informs their work? What are the sources of their themes, regional accents, and even the axes that some grind? Why do some wish to give us a good laugh, while others seem hell-bent on making us shudder? Whodunit? answers these questions and more. Here mystery expert Rosemary Herbert brings together enlightening and entertaining information on hundreds of classic and contemporary characters and authors. Some--such as P.D. James, Ian Rankin, Sherlock Holmes, and Kinsey Millhone--appear in individual entries. Still more keep company in articles about characters we admire, such as the Clerical Sleuth, and in pieces about those we love to hate, including the Femme Fatale and Con Artist. There is even an article on a figure that haunts so many great works of mystery--The Corpse. Drawing on the Edgar Award-nominated volume The Oxford Companion to Crime & Mystery Writing, Herbert adds 101 new entries on the hottest new names in works ranging from puzzling whodunits to chilling crime novels.
Drawn in part from personal interviews with participants and witnesses, Herbert Braun’s analysis of the riot’s roots, its patterns and consequences, provides a dramatic account of this historic turning point and an illuminating look at the making of modern Colombia. Braun’s narrative begins in the year 1930 in Bogotá, Colombia, when a generation of Liberals and Conservatives came to power convinced they could kept he peace by being distant, dispassionate, and rational. One of these politicians, Jorge Eliécer Gaitán, was different. Seeking to bring about a society of merit, mass participation, and individualism, he exposed the private interests of the reigning politicians and engendered a passionate relationship with his followers. His assassination called forth urban crowds that sought to destroy every visible evidence of public authority of a society they felt no longer had the moral right to exist. This is a book about behavior in public: how the actors—the political elite, Gaitán, and the crowds—explained and conducted themselves in public, what they said and felt, and what they sought to preserve or destroy, is the evidence on which Braun draws to explain the conflicts contained in Colombian history. The author demonstrates that the political culture that was emerging through these tensions offered the hope of a peaceful transition to a more open, participatory, and democratic society. “Most Colombians regard Jorge Eliécer Gaitán as a pivotal figure in their nation’s history, whose assassination on April 9, 1948 irrevocably changed the course of events in the twentieth century. . . . As biography, social history, and political analysis, Braun’s book is a tour de force.”—Jane M. Rausch, Hispanic American Historical Review
This book presents the first full-length study of the relationship between religion and the controversial concept of civil society. Across the world in the last two decades of the twentieth century religions re-entered public space as influential discursive and symbolic systems apparently beyond the control of either traditional religious authorising institutions or states. This differentiation of religion from traditional institutions and entry into secular public spheres carries both dangers and possible benefits for democracy. Offering a fresh interdisciplinary approach to understanding religion in contemporary societies, this book provides an invaluable resource for students and researchers in religious studies, sociology, politics and political philosophy, theology, international relations and legal studies. Part one presents a critical introduction to the interaction between religion, modernization and postmodernization in Western and non-Western settings (America, Europe, the Middle East and India), focussing on discourses of human rights, civil society and the public sphere, and the controversial question of their cross-cultural application. Part two examines religion and civil society through case studies of Egypt, Bosnia and Muslim minorities in Britain, and compares Poland as an example of a Christian majority society that has experienced the public reassertion of religion.
In this timely and wide-ranging book, one of America's leading public intellectuals explores the rise of radical secular humanism as a religious experience. London shows that while secular humanism has it's saints, sinners, and even its quasi-religious rituals, it is too anemic and self-centered a philosophy of life to serve America and the West in its battle against the threat of radical Islam.
From the late Herbert Muschamp, the former architecture critic of The New York Times and one of the most outspoken and influential voices in architectural criticism, a collection of his best work. The pieces here—from The New Republic, Artforum, and The New York Times—reveal how Muschamp’s views were both ahead of their time and timeless. He often wrote about how the right architecture could be inspiring and uplifting, and he uniquely drew on film, literature, and popular culture to write pieces that were passionate and often personal, changing the landscape of architectural criticism in the process. These columns made architecture a subject accessible to everyone at a moment when, because of the heated debate between modernists and postmodernists, architecture had become part of a larger public dialogue. One of the most courageous and engaged voices in his field, he devoted many columns at the Times to the lack of serious new architecture in this country, and particularly in New York, and spoke out against the agenda of developers. He departed from the usual dry, didactic style of much architectural writing to playfully, for example, compare Frank Gehry’s Guggenheim Bilbao to the body of Marilyn Monroe or to wax poetic about a new design for Manhattan’s manhole covers. One sees in this collection that Muschamp championed early on the work of Frank Gehry, Rem Koolhaas, Zaha Hadid, Thom Payne, Frank Israel, Jean Nouvel, and Santiago Calatrava, among others, and was drawn to the theoretical writings of such architects as Peter Eisenman. Published here for the first time is the uncut version of his brilliant and poignant essay about gay culture and Edward Durrell Stone’s museum at 2 Columbus Circle. Fragments from the book he left unfinished, whose title we took for this collection—“A Dozen Years,” “Metroscope,” and “Atomic Secrets”—are also included. Hearts of the City is dazzling writing from a humanistic thinker whose work changed forever the way we think about our cities—and the buildings in them.
Drawing on his complete access to Green's papers and on interviews with surviving family members, John Herbert Roper covers all the important aspects of Green's life and career. By word and deed, Paul Green spread the faith of liberalism across the New South, which he insistently called the "Real South." Long after literary fashion had left him behind, he wrote daily and remained at the forefront of causes concerning race relations, militarism, women's and workers' rights, and capital punishment."--BOOK JACKET.
How does the autobiographer want us to perceive him? How do we penetrate the memoirist’s strategies and subterfuges—sometimes conscious, usually—brilliant—and discover the real person screened behind them? In this fresh and provocative approach to the reading of autobiography, Herbert Leibowitz explores the self-portraits of eight Americans whose lives span almost two centuries and encompass a stunning range of personality and circumstances: Benjamin Franklin, Louis Sullivan, Jane Addams, Emma Goldman, Gertrude Stein, William Carlos Williams, Richard Wright, and Edward Dahlberg. In pursuit of clues to both the human essence and the literary artifice of each, he examines their styles (Franklin’s plain talk and “possum’s wit,” Sullivan’s “gilded abstractions,” Stein’s “gossipy ventriloquism,” Williams’s “grumpy clowning” and foxy innocence), their metaphors, and their choices of incident, looking beyond their visions of themselves to their true identities. In American autobiography particularly Leibowitz finds an extraordinary medley of voices—from the balanced objectivity of Addams and the heated oratory of Goldman, as each encounters the promises and failures of the democratic ideal, to the uneasy self-consciousness of Wright, reflecting the tensions of growing up in a world he did not trust, and the baroque contrivances of Dahlberg, who painted himself in mythic proportions on the American canvas. As he guides us through the labyrinths and mazes of these self-histories, Leibowitz relates the material to a wide cross section of the American experience and helps to interpret our history. His engrossing and highly original book is both a contribution to biographical criticism and a vivid recapturing of some remarkable American lives.
Have you ever felt frustrated, blocked, or unable to make progress on a creative pursuit? Or felt that your creative potential may not be realized in your work? This book was written to honor and support the emerging artist and creative. Driven by a desire to uncover the mystery of the creative process, writer Herbert Lui spent a decade researching and in conversation with practicing artists and creatives of all kinds. What emerged is this elegant collection of exercises, mental models, and true stories that help you develop your own creative process, from choosing material to sharing your work with the world. Creative Doing is often counterintuitive, prompting you to try one thing, and then its opposite, or pushing you to “sell out” as you experiment with creative purpose. The techniques apply to writers, painters, designers, musicians, digital creatives, producers, consultants, or anyone who wishes to develop a consistent creative habit. You might be… -- wanting to tap into your creativity to find new solutions in your full-time work -- exploring a creative hobby outside of your day job -- leaving or considering leaving a job to focus on new creative work. The 75 practical techniques in this book support you as you learn to turn your vaguest impulses into true expression.
Using approaches from sociology, media and religious studies, David Herbert compares recent public controversies involving or implicating religion in the UK (England and Northern Ireland), the Netherlands and France.
In the last 100 years global urban populations have expanded from 15 to 50%. Urban growth patterns are changing the face of the earth and the condition of humanity. This atlas addresses these key issues, and analyses the problems of expanding cities.
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