A chilling supernatural tale, The Survivor is an unforgettable horror by master of the genre James Herbert, the author of The Rats and The Fog. One of the worst crashes in airline history. 300 dead. One survivor. Keller walked out of the flaming wreckage, driven on by unseen forces, seeking the answer to his own survival. Now the dead are buried in the town of Eton and its inhabitants are trying to forget. Until the town is forced to face the shocking, dreadful evil that is now buried in the old graveyard. A truth Keller does not want to know but will be forced to confront . . .
Jesus very presence as the New Testament age unfolded (1st century A.D.), engendered opposition, created confl ict, while ushering in grace. His ideas were considered radical. Why is this so? The NIV Archeological Study Bible (2005), NIV Student Bible, et al. and corroborating Extra-Biblical evidence provide a context for the Word view about Jesus in Biblical history, and supports aspects of the social and physical sciences in terms of cultural, socio-economic, political, historical, archeological, and philosophical (apologetics) evidence. As the pages of this book unfold, there is an internal consistency with social science and The Bible. However, where such consistency appeared to diverge, this author attempts to fi lter out the noise by applying critical thinking criteria to a Worldview that may not be consistent with the Word view. The goal of this book therefore is to provide some exposition (Greek apologia) of the Word and see how the World fi ts. Born again Christians can be credible scientists and not compromise Gods Word. After thoughtful reading please send refl ective comments to Dr. Herb Green, Jr. at docgreen48@outlook.com
The role of art in Marcuse’s work has often been neglected, misinterpreted or underplayed. His critics accused him of a religion of art and aesthetics that leads to an escape from politics and society. Yet, as this volume demonstrates, Marcuse analyzes culture and art in the context of how it produces forces of domination and resistance in society, and his writings on culture and art generate the possibility of liberation and radical social transformation. The material in this volume is a rich collection of many of Marcuse’s published and unpublished writings, interviews and talks, including ‘Lyric Poetry after Auschwitz’, reflections on Proust, and Letters on Surrealism; a poem by Samuel Beckett for Marcuse’s eightieth birthday with exchange of letters; and many articles that explore the role of art in society and how it provides possibilities for liberation. This volume will be of interest to those new to Marcuse, generally acknowledged as a major figure in the intellectual and social milieus of the 1960s and 1970s, as well as to the specialist, giving access to a wealth of material from the Marcuse Archive in Frankfurt and his private collection in San Diego, some of it published here in English for the first time. A comprehensive introduction by Douglas Kellner reflects on the genesis, development, and tensions within Marcuse’s aesthetic, while an afterword by Gerhard Schweppenhäuser summarizes their relevance for the contemporary era.
We hope that what is disclosed, discussed, and possibly discovered in this book will enlighten, encourage, and empower you to become an integral contributor and benefactor of a new Inclusive Era in Education. It is our desire that those of you reading this book who have not yet found a career path will consider pursuing teaching as a viable profession. Those of us who have been privileged to serve as teachers believe that similar rewards await a new generation of professional educators. Join us! For our readers who are not teachers or do not aspire to become teachers we solicit your continuous support and thoughtful cooperation with those tasked with the arduous responsibility of educating students. You are an indispensable partner in the intrinsic educational process! Together we can build a new Inclusive Era in Education, creating a brighter endearing future for all students and for the world!
In many of the thought-provoking stories in Broken Glass, author Herbert Spohn delves into the situations that people face that make them question their sense of self and how they cope with such challenges. In the title story, "Broken Glass," a homeless man seeks to recover the image of his wife who was horribly disfigured and killed in an automobile accident. In "Becoming an American," an immigrant youth gains both citizenship and maturity in World War II. A produce department manager tells how he learned to cope with blindness in "Diary of a Blind Man." In "Drunks," a recovering alcoholic faces a grave threat to his sobriety. Searching for the source of a death threat, a workaholic therapist finds something he lost in "David Shore Ph.D." And "Emalyne" features a troubled young woman who takes her father, a renowned judge, to court on charges of molestation. Other stories tell of a daughter realizing too late that her father loved her, a boy acutely sensitive to other people's feelings, and a middle-aged man obsessed with a search for a long-lost love. Each of the tales in Broken Glass relays important life lessons and a profound ending that will leave you wanting more.
In Richmond, no other name is more synonymous with dance than Elinor Fry. Helen Keller, Bill "Bojangles" Robinson and author Tom Wolfe were just some of the people with whom Fry connected in five decades of dance. From 1920 to 1970, Fry was involved, often accompanied by her beloved students, in nearly every major public event in the River City. Performing in an array of venues and photographed twice by "National Geographic," Fry was a blend of creativity and business savvy and a wonderful role model for thousands of children who learned dance in her studio. Join author and historian Paul Herbert as he celebrates Elinor Fry's spirit and exceptional achievements in the world of dance in Richmond.
As the pages of The World and the Word: Exploring the Lost Cause unfold, there is a kind of internal consistency with both the worldview (social sciences) and the word view (the Bible). However, where such consistency appeared to diverge, this author attempts to filter out the noise by applying critical-thinking criteria to a worldview that may not be consistent with the word view. The goal of this book, therefore, is to provide some exegesis of the word and see how the world fits. Born-again Christians can be credible social scientists and not compromise God’s Word, the Bible. While my goal was to prepare a credible manuscript, I take responsibility for any oversights or errors as the book’s author. After reading, please send reflective comments to Dr. Herb Green Jr. at docgreen48@outlook.com. Please use the phrase “World & Word Lost Cause” in the subject line. The book’s website is http://www.lostcause.worldandtheword.com.
Through a series of bizarre events, Igor and Sabine, musicians at the Antwerp Opera, become entangled in a web of intrigue, beginning with a brutal murder in New York. While a famous conductor guides the musicians towards a new production of Tristan und Isolde, the Opera becomes the background for international espionage. Humor and irony underline the action, which moves through Flensburg, Brussels and Zrich to New York and Washington, D.C. When will it all end? Perhaps not until the source of coded signals emanating from the opera building is found. Perhaps not until Igor can place a pebble on the stone.
The fascinating story of the American inventor and manufacturer who perfected the revolver Samuel Colt (1814-1862) first patented his "Colt" revolver in 1835 and thereby redefined the architecture of handguns. This stunning book is the first to present in detail the evolution of his most famous invention and to document the unsurpassed Colt firearms collections held by the Wadsworth Atheneum. Colt designed his revolvers with an artistic sensibility--paying particular attention to form and beauty and juxtaposing colors and finishes to heighten the visual effects. He was also one of the first American manufacturers to secure celebrity endorsements and to commission paintings by renowned artists like George Catlin to promote his arms. Colt's standards for excellence, industrial foresight, and quest for market domination are explored in light of primary documents that reveal his constant battles to protect his patents. Essays discuss Colt's personal collection of historic firearms as well as the memorial collection of Colt-manufactured firearms, the relationship between art and commerce as they pertain to the inventor's career, and his international celebrity. Richly illustrated and beautifully produced, this volume presents the artistry of the firearms that Colt worked so diligently to perfect--as well as his promotional abilities that made a tremendous impact on American culture.
This volume is a compilation of nine articles, translated from German. They deal with those lexicographic texts or text excerpts which have been formulated in order to convey the meaning of a lexical unit to a potential dictionary user who is not familiar with that meaning. The articles not only critically analyze lexicographic practice, in particular the so-called lexicographic definitions and the items giving the synonyms in correlation with the examples, in the light of different semantic approaches. They also present ways towards a common understanding in the context of lexicographically imparting knowledge of meaning, i.e. on the basis of an actional-semantics approach which takes into account results obtained from analyses of everyday dialogs about word meanings. Moreover, they discuss how meaning-conveying texts can serve their purposes in dictionary look-up situations, and they lay out all those aspects which are particularly to be taken into consideration in the formulation of lexicographic texts aimed at conveying meaning, in dictionaries belonging to different types.
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