Most Americans take for granted that they live in an open society with a free market of ideas. But as Herbert Schiller reveals in Culture, Inc., the corporate arm has reached into every corner of daily life, and from the shopping mall to the art gallery, big-business influence has brought about some frightening changes in American culture. Examining the effects of fifty years worth of corporate growth on American culture, Schiller argues that corporate control over such arenas of culture as museums, theaters, performing arts centers, and public broadcasting stations has resulted in a broad manipulation of consciousness as well as an insidious form of censorship. A disturbing but enlightening picture of corporate America, Culture, Inc. exposes the agenda and methods of the corporate cultural takeover, reveals the growing threat to free access to information at home and abroad, shows how independent channels of expression have been greatly restricted, and explains how the few keep managing to benefit from the many.
Living in the Number One Country is Herbert I. Schiller's chronicle of the symbiotic relationship between post-WWII American Empire and the substance and technology of the communications businesses. Schiller traces how the State has supported corporatized information by pushing their products abroad both through phony pronouncements about "the free-flow of information," and by subsidizing research and development for new technologies. Schiller's refreshing account infuses elements of his own experience; growing up during the Great Depression in New York, as a bureaucrat in the civilian sector of the military occupation forces in Berlin after the war, and as a radical journalist and academic. This intriguing book argues that the main pillar of today's U.S. economy—the ever-expanding communication sector—is also the most crucial element in keeping a 500-year social system, capitalism, alive. Capitalism's future relies not only on labor exploitation, but also on a steadily entertained, and hence diverted, populace. Therein lies the importance of challenging the overarching institutions of corporate information production.
Herbert Schiller, long one of America's leading critics of the communications industry, here offers a salvo in the battle over information. In Information Inequality he explains how privatization and the corporate economy directly affect our most highly prized democratic institutions: schools and libraries, media, and political culture. A master media-watcher, Schiller presents a crisp and far-reaching indictment of the "data deprivation" corporate interests are inflicting on the social fabric.
This volume is a collection of contemporary commentaries on international communication issues, with the concept of national sovereignty as the departure point. Offering readers an introduction to current and emerging concerns, it provides the basic analytical tools needed to understand the issues involved. Problems are examined from the perspectives of journalism, social sciences, international politics, law, and emerging technology; topics include mass media communication across borders, communication satellites, and Third World nations and the need to establish a new world information order.
Herbert Schiller, long one of America's leading critics of the communications industry, here offers a salvo in the battle over information. In Information Inequality he explains how privatization and the corporate economy directly affect our most highly prized democratic institutions: schools and libraries, media, and political culture. A master media-watcher, Schiller presents a crisp and far-reaching indictment of the "data deprivation" corporate interests are inflicting on the social fabric.
Created in a burst of idealism after World War II, the United Nations Educational, Scientific, and Cultural Organization (UNESCO) existed for forty years in a state of troubled yet oftern successful collaboration with one of its founders and benefactors, the United States. In 1980, UNESCO adopted the report of a commission that surveyed and criticized the dominance, in world media, of the United States, Japan, and a handful of European countries. The report also provided the conceptual underpinnings for what was later called the New World Information and Communication Order, a general direction adopted by UNESCO to encourage increased Third World participation in world media. This direction - it never became an official program - ultimately led to the United States's withdrawal from UNESCO in 1984. Hope and Folly is an interpretive chronicle of U.S./ UNESCO relations. Although the information debated has garnered wide attention in Europe and the Third World, there is no comparable study in the English language, and none that focuses specifically on the United States and the broad historical context of the debate. In the first three parts, William Preston covers the changing U.S./ UNESCO relationship from the early cold war years through the period of anti-UNESCO backlash, as well as the politics of the withdrawal. Edward Herman's section is an interpretive critique of American media coverage of the withdrawal, and Herbert Schiller's is a conceptual analysis of conflicts within the United States's information policies during its last years in UNESCO. The book's appendices include an analysis of Ed Bradley's notorious "60 Minutes" broadcast on UNESCO --
This title was first published in 1976. The attainment of political independence by more than ninety countries since the Second World War has directed attention to the conditions of economic helplessness and dependency that continue to frustrate the development of at least two-thirds of the world's nations. Two and sometimes three decades of disappointing efforts to extricate themselves from dependency have begun to provoke serious reappraisals in many lands about the entire concept of development. Accordingly, the time ahead will surely be a period of growing cultural-communications struggle ・ intra- and inter - nationally ・ between those seeking the end of domination and those striving to maintain it. The intention of this work is to assist, in a very modest way, in the outcome of this struggle.
Most Americans take for granted that they live in an open society with a free market of ideas. But as Herbert Schiller reveals in Culture, Inc., the corporate arm has reached into every corner of daily life, and from the shopping mall to the art gallery, big-business influence has brought about some frightening changes in American culture. Examining the effects of fifty years worth of corporate growth on American culture, Schiller argues that corporate control over such arenas of culture as museums, theaters, performing arts centers, and public broadcasting stations has resulted in a broad manipulation of consciousness as well as an insidious form of censorship. A disturbing but enlightening picture of corporate America, Culture, Inc. exposes the agenda and methods of the corporate cultural takeover, reveals the growing threat to free access to information at home and abroad, shows how independent channels of expression have been greatly restricted, and explains how the few keep managing to benefit from the many.
An excellent addition to the critical communications research literature, Schiller's book presents a comprehensive treatment that critically examines the structure and policy of mass communications in the United States in relation to their most important functions: the economic and political. Lightning Print On Demand Title
Living in the Number One Country is Herbert I. Schiller's chronicle of the symbiotic relationship between post-WWII American Empire and the substance and technology of the communications businesses. Schiller traces how the State has supported corporatized information by pushing their products abroad both through phony pronouncements about "the free-flow of information," and by subsidizing research and development for new technologies. Schiller's refreshing account infuses elements of his own experience; growing up during the Great Depression in New York, as a bureaucrat in the civilian sector of the military occupation forces in Berlin after the war, and as a radical journalist and academic. This intriguing book argues that the main pillar of today's U.S. economy—the ever-expanding communication sector—is also the most crucial element in keeping a 500-year social system, capitalism, alive. Capitalism's future relies not only on labor exploitation, but also on a steadily entertained, and hence diverted, populace. Therein lies the importance of challenging the overarching institutions of corporate information production.
In this challenging and controversial work, Herbert Schiller contends that the current proliferation of informational activities and the increasingly sophisticated information technology they demand are the result of efforts to control the economic, political, and cultural strains produced by a general crisis in the world market system. He further argues that though these efforts may succeed in the short-run, they lay the groundwork for more intense crises in the not-too-distant future.
Hope and Folly was first published in 1989. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. Created in a burst of idealism after World War II, the United Nations Educational, Scientific, and Cultural Organization (UNESCO) existed for forty years in a state of troubled yet often successful collaboration with one of its founders and benefactors, the United States. In 1980, UNESCO adopted the report of a commission that surveyed and criticized the dominance, in world media, of the United States, Japan, and a handful of European countries. The report also provided the conceptual underpinnings for what was later called the New World Information and Communication Order, a general direction adopted by UNESCO to encourage increased Third World participation in world media. This direction - it never became an official program - ultimately led to the United States's withdrawal from UNESCO in 1984. Hope and Folly is an interpretive chronicle of U.S./ UNESCO relations. Although the information debated has garnered wide attention in Europe and the Third World, there is no comparable study in the English language, and none that focuses specifically on the United States and the broad historical context of the debate. In the first three parts, William Preston covers the changing U.S./ UNESCO relationship from the early cold war years through the period of anti-UNESCO backlash, as well as the politics of the withdrawal. Edward Herman's section is an interpretive critique of American media coverage of the withdrawal, and Herbert Schiller's is a conceptual analysis of conflicts within the United States's information policies during its last years in UNESCO. The book's appendices include an analysis of Ed Bradley's notorious "60 Minutes" broadcast on UNESCO.
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